Great slider for up to 7kg of pressure ball bearings and belt driven

Here at Zoom we've been building innovative products for the past thirty years. But with the revolutionary H6 six-track recorder, the bar is raised further still. Four interchangeable input capsules – X/Y, MS, Shotgun, and Dual XLR/TRS Combo – make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too. Whatever your application – live recording, professional film/video work, live broadcast or electronic news gathering – the H6 can handle it with ease.

Canon 24mm - 105mm L - Series Lens 

The Canon 24-105mm f/4L IS EF USM AF Lens is an easy-to-use standard zoom lens that can cover a large zoom area ranging from 24 mm wide-angle to 105 mm portrait-length telephoto.

The EF 24-105mm f/4L IS USM incorporates Canon's high standards of precision optics. The L-series is Canon's flagship professional lens range, combining high image performance and operability with dust and moisture resistant construction.

Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. Moreover, with dust- and moisture-resistant construction, this is a durable yet sophisticated lens that meets the demands of enhanced amateur photographers and professional photographers alike.

The E-Image E ystem is an ideal entry-level video tripod system for DSLR and small video cameras, consisting of a fluid-head capable of a payload of 4kg and a set of 2-stage aluminium legs with a mid level spreader. A soft carry case is included.
E-Image are a leading manufacturer of tripods worldwide and their expertise has created a range of tripods that have exceptionally high reliability and build quality. The professional GH series offer tripods from 3kg payload up to 25kgs.

The EG-03A2 Tripod Kit is more than just an entry level system. It comprises of the GH03 head that incorporates an installed fluid system enabling smooth motion in pan and tilt to give you the perfect shots.

The side of the head features a ¼" and 3/8" thread for mounting an articulating arm, this is useful for adding additional side lighting or even a TFT monitor, you can use the E-image EI-A02 arm for this.

The aluminium 2 stage legs extend quickly and easily with the speed locking system and the adjustable mid level spreader creates a sturdy base for payloads up to 4kgs.

Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), equivalent noise level A-weighted 10 dB, CCIR-weighted 21 dB, max. SPL 125 dB at 1 kHz (THD = 1 %), dimensions Ø 22.5 x 221 mm, weight 65 g.

he RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Pistol Grip
Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Lightweight and precision balanced, the anodized aluminum pole features intuitive twist locks for smooth extension.
Three-section boompole
Precision balanced anodized aluminum construction
Intuitive lock/release system
Ergonomic grip handle

User-friendly and designed for portable wireless operation, the Sennheiser EW-112P G3 GB Portable Wireless Microphone System is suitable for presentations, live broadcast and reporting on the move. The system is made up of 1x EK-100 G3 diversity receiver, 1x SK-100 G3 bodypack transmitter, 1x ME-2 clip-on microphone (omni-directional lapel), 1x CL-1 jack cable, 1x CL-100 XLR cable, 1x CA-2 camera adaptor, 4x AA batteries and operating instructions.
Sennheiser EW-112P G3: Key Features
Sturdy metal housing (transmitter and receiver)
42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
Enhanced frequency bank system with up to 12 compatible frequencies
Adaptive-diversity reception for high reception quality
Pilot tone squelch for eliminating RF interference when transmitter is turned off
Automatic frequency scan feature searches for available frequencies
Enhanced AF frequency range
Increased range for audio sensitivity
Wireless synchronization of transmitters via infrared interface
User-friendly menu operation with more control options
Illuminated graphic display (transmitter and receiver)
Auto-Lock function avoids accidental changing of settings
HDX compander for crystal-clear sound
Transmitter and receiver feature battery indicatation in 4 steps
Programmable Mute function
Contacts for recharging BA 2015 accupack directly in the transmitter or receiver
Wide range of accessories adapts the system to any requirement
Overview:

In reporting there are certain things you should be able to take for granted, i. e. if your equipment will do its job as well as you. The ew 112-p G3 reporting set from Sennheiser delivers: Optimal reception thanks to 1,680 tunable UHF frequencies within 42 MHz bandwidth and adaptive-diversity, high-quality sound courtesy of its HDX compander and premium clip-on microphone. No need to search for available frequencies, the automatic frequency scan feature will identify them for you. 

Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), equivalent noise level A-weighted 10 dB, CCIR-weighted 21 dB, max. SPL 125 dB at 1 kHz (THD = 1 %), dimensions Ø 22.5 x 221 mm, weight 65 g.

he RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Pistol Grip
Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Light

Elaborate optical construction brings images to life
Glass aspherica lens (ASP)
Extra low dispersion (ED)
Ultra Multi Coating (UMC) of Samyang Optics
VDSLR II CINE LENS 
Wide Angle Manual Focus Cine Lens
Samyang Optics 24mm T1.5 VDSLR ED AS IF UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 24mm T1.5 VDSLR ED AS IF UMC II is carefully designed for professional film and video work so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances.  

Optical Features
This lens features 13 lenses in 12 groups including 4 extra low dispersion lenses (ED) and 2 glass aspherical lenses (ASP). ED lenses of 24mm T1.5 II effectively control the light dispersion to prevent flare and ghost. ASP lenses minimize colour aberration to provide exceptional image quality and high contrast for center and corner of the image even when the aperture is fully opened. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration to also minimize flare and ghost. Samyang 24mm T1.5 II is known for its beautiful and soft bokeh.

Hardware Features
The frame of the Samyang 24mm T1.5 II is compact and solid since it is made of high-strength aluminium alloy

The Samyang 85mm T1.5 Cine Lens for Canon EF produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been "declicked", which facilitates smooth iris pulls.
The 85mm has a minimum focus distance of 3.6'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 7 groups, including one aspherical element to reduce spherical aberrations. In addition, a multi-coated elements help improve light transmission.
85mm focal length for full-frame format
Very fast T1.5 maximum aperture
8 blade iris for attractive bokeh
Geared focus and aperture control rings
"Declicked" aperture control ring
Minimum focus distance of 3.6'
Internal focusing mitigates lens breathing
Aspheric lens element limits spherical aberration
Lens multi-coating improves transmission

Overview
The Zoom H4n Handy Pro Digital Audio Recorder offers clean, four-track audio recording for music, film, podcasting and more. Improving on the performance of the original H4n, the portable H4n Pro offers four tracks of simultaneous recording in WAV and MP3 formats, a built-in X/Y stereo microphone, and advanced features such as time stamping, phantom power and mid-side (MS) decoding, as well as onboard multi-effects and guitar/bass amp modeling.
Key Features: Zoom H4n Pro Digital Audio Recorder
Four-track simultaneous recording
Built-in X/Y stereo mic, adjustable between 90° and 120°
Onboard MS decoding
Dual mic/line/instrument level inputs with XLR/TRS combo connectors
Stereo 1/8" Mic/Line In mini phone jack
+24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack
Output/headphone jack with dedicated volume control
Built-in reference speaker for fast monitoring
Large 1.9 inch backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Supports up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record and Pre-record features
Internal mixdown: four-track to stereo and stereo to dual mono
Up to 99 marks per recording
Flexible overdubbing and punch-in/out
Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models
Normalize (maximum gain) and Divide (file splitting) functions
Chromatic tuner and metronome
Loop playback with user-defined start and stop points
Variable playback speed, from 50% to 150%, without affecting pitch


Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

The RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.
Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), eq

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Light

ITEMS
1x RODE BOOM POLE
1x SHOTGUN MICROPHONE
1x RODE PISTOL GRIP
1x Sennheiser Shotgun Adaptor

2 Pairs

User-friendly and designed for portable wireless operation, the Sennheiser EW-112P G3 GB Portable Wireless Microphone System is suitable for presentations, live broadcast and reporting on the move. The system is made up of 1x EK-100 G3 diversity receiver, 1x SK-100 G3 bodypack transmitter, 1x ME-2 clip-on microphone (omni-directional lapel), 1x CL-1 jack cable, 1x CL-100 XLR cable, 1x CA-2 camera adaptor, 4x AA batteries and operating instructions. Sennheiser EW-112P G3: Key Features Sturdy metal housing (transmitter and receiver) 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception Enhanced frequency bank system with up to 12 compatible frequencies Adaptive-diversity reception for high reception quality Pilot tone squelch for eliminating RF interference when transmitter is turned off Automatic frequency scan feature searches for available frequencies Enhanced AF frequency range Increased range for audio sensitivity Wireless synchronization of transmitters via infrared interface User-friendly menu operation with more control options Illuminated graphic display (transmitter and receiver) Auto-Lock function avoids accidental changing of settings HDX compander for crystal-clear sound Transmitter and receiver feature battery indicatation in 4 steps Programmable Mute function Contacts for recharging BA 2015 accupack directly in the transmitter or receiver Wide range of accessories adapts the system to any requirement Overview: In reporting there are certain things you should be able to take for granted, i. e. if your equipment will do its 

Clapperboard and Slate 
Clapperboards have been essential to filmmaking since the earliest sound films because (until the advent of digital cinematography) visual and audio tracks were recorded on separate media by separate equipment. The clapperboard combines a chalkboard slate with a clapstick. The slate displays the name of the production, the scene and "take" about to be performed, and similar information;[2] an assistant holds the clapperboard so the slate is in view of the cameras, speaks out information for the benefit of the audio recording, then opens the clapstick and claps it shut. The shutting of the clapstick is easily identified on the visual track, and the sharp "clap" noise is easily identified on the separate audio track; the two tracks can later be precisely synchronised by matching the sound and movement. And since each take is identified on both the visual and audio tracks, segments of film are easily matched with segments of audio.

SmallHD's FOCUS 5-inch Monitor has a daylight-viewable 800 nit display, which is sharp enough to achieve critical focus and bright enough to be used outdoors. The lightweight FOCUS attaches securely atop the camera via shoe mount with the included Tilt Arm. With 180 degrees of vertical rotation, the Tilt Arm allows run-and-gun shooters to make quick, smooth monitor adjustments. Included on the FOCUS’ mount is an extra shoe mount for accessories like microphones and video lights.

Comes with 
Case
3 Batteries
Cable for Sony 
HDMI Adaptor
Mounting Plate
SD Card with Luts


- Camera Body
- 0.71x EF Mount Speedbooster (This changes the mount from MFT to Canon EF Full Frame and also adds an extra stop of light to any attached lens.
- 6 x LP-E6 Batteries for all day shooting
(Optional Vlock Power solution for an additional charge)
- 1x 64GB v60 for 1080 Pro Res
- 1 x 1TB SSD Samsung T5 for 4K RAW 25p Lossless
- SmallRig CAGE /HANDLE/SSD MOUNT/METABONES MOUNT 
- Mains power
- Fotga A50TL 5" 1920x1080p and Magic Arm
- ND & IR 77mm Filter available for an additional fee
- PELIC CASE

6.2 FIRMWARE with BRAW


All comes packaged in HARD PELI CASE with.

Rest assured you are renting from an experienced lender, with over 50 rentals completed. 


Shout with any questions!



The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.

The wireless range of both the hand unit and hand grips is 1,000 feet and with the planned upcoming transmission upgrade, the range can reach up to 1 ¼ miles! This makes it ideal for drone or car-mounted shots.

The hand grips can be attached to the included rosette mounts for handheld operation and can also be attached to top bar-based gimbals with the included Nucleus-M Hand Grip to Gimbal Adapters or to ring-based gimbals with the optional Nucleus-M Hand Grip Universal Gimbal Ring Adapters.

Each motor has its own built-in motor drive that communicates directly with the hand unit and hand grips. This negates the need to mount a separate MDR to your rig, allowing for a more compact camera setup and a quicker setup time. Simply set the motors and hand unit/hand grips to the same channel and you will have full control.

The motors allow for automatic calibration of the lens as well as manual calibration if you are using lenses that don’t have hard end stops at close focus and infinity.

The motors are designed to clamp onto 19mm or 15mm rods (with the included rod bushings). This clamp-on design allows you to easily attach and detach the motors without needing to remove any other accessory from your setup. Every motor has a 0.8 mod, 35 tooth, 32 pitch gear attached, which is the standard gear size for cinema lenses. The torque of the Nucleus-M Motor at 14.8V is 2.5N·m

To power the motors, only one power port on your camera rig needs to be used. Simply plug the P-tap power cable into one of the motors and then daisy chain power to the rest of the motors with the short 7-pin to 7-pin cables.

The hand unit and hand grips are each powered with two 18650 rechargeable batteries (batteries NOT included). When fully charged, the batteries in the hand grips last up to 2 days, while in the hand unit they last up to 10 hours.

Remote start/stop is possible by plugging a compatible Nucleus-M R/S cable into the open 7-pin port of a motor. This then gives you R/S capabilities through the hand unit and/or the handles.




- Camera Body  7.3 FIRMWARE with BRAW
- 0.71x EF Mount Speedbooster (This changes the mount from MFT to Super35 and also adds an extra stop of light to any attached lens.
- 6 x LP-E6 Batteries for all day shooting
- 1x 64GB v60 for 1080 Pro Res
- 1 x 1TB SSD Samsung T5 for 4K RAW 25p Lossless
- Mains power
- PELIC CASE


All comes packaged in HARD PELI CASE with.

A seriously portable and versatile kit.
Rest assured you are renting from an experienced lender, with over 50 rentals completed. 

Shout with any questions!

Sigma’s 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens covers a focal length from 17mm wide angle and offers a large aperture of F2.8 throughout the entire zoom range, making it ideal for many types of photography especially portraiture and landscapes. The OS, Sigma’s anti shake feature offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. HSM provides fast and quiet AF. Sigma’s own FLD glass elements, which have performance equal to fluorite along with two glass mold and one hybrid aspherical lens, provide excellent correction for all types of aberrations. The Super Multi-Layer coating reduces flare and ghosting. This lens boasts superior peripheral brightness and provides sharp, high contrast images even at the maximum apertures. With a minimum focusing distance of 11 inches throughout the entire zoom range and a magnification ratio of 1:5. If you need to be ready for any photographic opportunity, even low light, then this Sigma lens is perfect. Compact and light weight, it’s a necessary addition to your camera bag.

Samyang 50 mm T1.5 AS UMC has been designed for cameras and camcorders fitted with photosensitive 24x36mm or smaller sensor. It gives 46.2 degrees field of view, and thanks to high brightness value of T1.5 (f/1.4) it comes as a great tool in poor lighting conditions, ensuring splendid image quality and small depth of field.

Optics of the lens consists of nine lens elements arranged in six groups (including one aspherical and one hybrid aspherical lens element). To ensure high contrast and faithful colour reproduction, all lens elements have been covered with multi-layered UMC anti-reflective coatings.   

Samyang 50mm T1.5 VDSLR ensures exceptionally smooth and aesthetic mapping for out of focus areas beyond the focal plain, producing the so called bokeh effect. Thanks to the eight-bladed aperture, the subjects located outside the depth of field are shown with extremely smooth features. This feature will be appreciated by professional filmmakers and photographers taking portrait photos.

This is the Ultimate Indie Film package for all your needs.  BRAW AND PRO RES, HD, UHD AND 4K

NETFLIX APPORVED 

This includes
BMPCC4K with Small Rig Cage  6.2 FIRMWARE with BRAW
1TB SSD
METABONES 0.71 EF
VLOCK POWER SOLUTION 
2 VLOCK BATTERIES + Dual Charger
6 LPE6 BATTERIES
SmallHD Focus 5 Monitor
Aputure VS2 Fine HD 7" (AC Monitor)
Tilta Nuclues M Follow Focus
Samyang 24mm, 50mm, 85mm Cinema Lenes
Grey Card
Tripod
Boom Pole
H6 Zoom Box 
2 Sets of Radio Mics 
Clapper Board
Mattebox
IR Filter and ND Filters
Full Shoulder Rig
Top Mic
HDMI Splitter for Monitors
Peli cases

This is the Ultimate equipment list for the indie film maker. 

If you need a DOP or AC on shoot please drop me a message.

Please not this kit is only available for Collection in person from South London and will need to be dropped up to the same location at set time.

Thanks for looking and if you have any questions please feel free to drop me a line 

BMPCC4K  BODY 6.2 FIRMWARE with BRAW
6 LPE6 Batteries
Charger
Cage

- Camera Body 6.2 FIRMWARE with BRAW
- 0.71x EF Mount Speedbooster (This changes the mount from MFT to Canon EF Full Frame and also adds an extra stop of light to any attached lens.
- 6 x LP-E6 Batteries for all day shooting
- 1x 64GB v60 for 1080 Pro Res
- 1 x 1TB SSD Samsung T5 for 4K RAW 25p Lossless
- SmallRig CAGE /HANDLE/SSD MOUNT/METABONES MOUNT 
- Mains power
- Fotga A50TL 5" 1920x1080p and Magic Arm
- PELIC CASE



All comes packaged in HARD PELI CASE with.

Rest assured you are renting from an experienced lender, with over 50 rentals completed. 


Shout with any questions! As I have other items avaible 

- ND & IR 77mm Filter available for an additional fee
(Optional Vlock Power solution for an additional charge)



This is the complete Blackmagic Pocket Cinema Camera 4K accessories Kit for you to get started with your camera 

THIS DOES NOT INCLUDE THE CAMERA ITSELF

SMALL RIG FULL CAGE plus wire,ssd,speedbooster clap

6 LPE6 Batteries
Charger
RIG Handle 
Monitor fotga a50
XLR cables 
1 v60 SD cards
Dtap power cable 
any question please ask or if you need more pictures

Super Crisp and Sharp 5" Monitor with Sunhood and HDMI in/Out

1920x1080 IPS panel with instant pinch touch zoom like on smartphones
510 cd/m2
1500:1
4K HDMI inputs/outputs.

Built-in audio input
Multiple connecting holes (1/4",3/8" ,M6 and cold shoe connector)

5 built in LUTs and you can import extra 8 custom LUT files.
Dual battery compartment for NP-F NP-FM/QM batteries
Battery output to power your camera directly from monitor.
Features - Histogram / Audio Levels / False Colors / Peaking Focus Assist (Red, Green, Blue and white colors optional)/Zebra Exposure (1-100% adjustable)/Check Field.
Anamorphic Mode (2.35:1,1.33:1,)
Image Flip(vertically) / Image Freeze / Safety marker / Center Marker
Ratio marker (4:3,16:9,16:10,5:4,1.85:1,2.35:1)

14mm lens with approximately 115.7° angle-of-view on full-frame cameras
Industry-standard gearing for focus and aperture rings
"Declicked" aperture ring for smooth iris pulls
14 elements in 10 groups with 3 high refractive index elements, 2 ED element, an aspherical hybrid element and a aspherical glass element
Ultra Multi Coated lenses minimize flare and ghosting
A minimum focusing distance of 11.02"
A built-in petal-type lens hood


The NiSi Pro Nano 1.5-5 Stop Enhance ND-VARIO is a variable neutral density filter providing an exposure reduction of 1.5 to 5 stops. 

The degree of density is easily controlled by rotating the knob. 
The transition of density occurs smoothly which allows the photographer or videographer to adjust exposure length to the exact amount required for a given scene. 

For those using this filter with cinema or video cameras, combined adjustments of aperture and this filter allow fine adjustments of depth of field while retaining the designated frame rate. 

Videos 

https://www.youtube.com/watch?v=elZ9VNcR_3c 

https://www.youtube.com/watch?v=ptlEs8lgnrs

Helps generate higher quality images with clearer and sharper definition

Transmits only light in the visible spectrum

Blocks UV rays below 390nm

Blocks Infra-Red (IR) rays above 700nm



GFeatures & details

Prevents most reflections on all non-metallic surfaces

Slim mount made from aircraft aluminium, also with super wide angle lenses 

Richer colours and better image saturation



Optical
Canon EF mount lens to Blackmagic Design cameras with M43 mount, specific for BMPCC4K.
Increase maximum aperture by 1-stop. (with a maximum output aperture of f/0.9).
Increase MTF.
Makes lens 0.71x wider.
Patented 6-element/4-group optical design by Caldwell Photographic in the USA.
Electronic
Lens iris/aperture is set by the controls on the camera body.
Smooth iris support with the latest Canon (2009+), Tamron (SP series 2013+) and Sigma (2016+) lens models.
Image stabilization (IS) lens support.
Push autofocus if supported by camera.
Cinema EOS lens support (CN-E 18-80mm T4.4 L), including AF (requires external 5V power via micro USB port), auto iris and servo zoom.
Powered by camera body. With most lenses, no external power source required.
Mechanical
Patented positive-lock EF lens mount.
Detachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo Clam or attach to quick release plate by a 1/4"-20 screw. 
The tripod foot is tailor-made to match the exact height as the BMPCC4K camera body.
Flocking to reduce internal reflection.
Rubber gasket protects M43 mount connection from dust and moisture.
Aluminum alloy and brass construction with chromium plating.
Satin surface finish.




Allowing you to mount a Canon FD lens on a Micro Four Thirds camera body, this Lens Turbo Adapter Mark II from Mitakon Zhongyi is a manual adapter that maintains infinity focus and image quality, and well as increases the maximum aperture and angle of view. Four elements are featured in the adapter's design, including one extra-low dispersion element, which helps to deliver a well-corrected image with edge-to-edge sharpness and illumination. This optical design also condenses the light reaching the sensor in order to gain one effective stop of light and increase the angle of view by 0.726x to somewhat lessen the crop factor of Micro Four Thirds cameras.

In addition to the optical design, this adapter features a durable metal housing along with stainless steel mounts for secure lens-to-adapter and adapter-to-camera connections. As a manual adapter, electronic communication, including aperture control and autofocus, is not supported between the camera and lens.

 The DeWalt brushless motor delivers reduced friction, better runtime and a longer tool life compared to brushed motors.

Multi-material: 185 mm Japanese tungsten carbide tipped (TCT) blade included cuts steel, aluminium, wood with embedded nails, plastic and more
Powerful: 1600 W hi-torque motor, optimised gearbox and blade system, increases motor and blade life to cut through a variety of heavy-duty materials. Electric brake stops the blade in seconds for additional safety
Accurate: 0˚ - 45˚ bevel and 0 – 64 mm adjustable cutting depth with ergonomic, soft grip handles provide maximum control, versatility and precision. Channelled air flow and base indicators ensure optimum visibility of your cutting line
Instantly workable finish - No heat and no burrs and virtually no sparks when cutting mild steel

Reengineered for More Ambitious Camera Setup
It is not simply an upgrade but reconstruction. CRANE 3S is constructed with brand new SUPER motors which allow for 6.5kg payload for a wide range of camera setup including Canon EOS 1DX, Blackmagic Pocket Cinema Cameras, and even Canon Cinema EOS, Sony FS & FX series, and Red Digital Cinema Cameras.

Phenomenal Speed Seriously Smooth
To facilitate powerful features in various shooting environment, CRANE 3S is driven by a new algorithm system which enables phenomenal responsive speed and smoothness. In fast action shoot, CRANE 3S is able to resist high winds and G-forces without compromise.

Wider compatibility is the goal but flexibility is provided. For larger cinema camera combos, users can attach an extension module onto roll axis for more space, while for smaller DSLR combos, the extension module can be detached for greater portability.

 Рrоbаblу thе bеѕt-ѕеllіng рrесіѕіоn рrоfеѕѕіоnаl vіdео lіght іn thе wоrld, thе Dеdоlіght іѕ nоw іn іtѕ fоurth gеnеrаtіоn. Тhіѕ kіt соntаіnѕ thrее 150w DLН4 hеаdѕ рluѕ роwеrрасkѕ, аlоng wіth а ѕwаthе оf іnvаluаblе ассеѕѕоrіеѕ, іnсludіng ѕtаndѕ, bаrndооrѕ, gеl hоldеrѕ, lаmрѕ, а hаndу сlаmр аnd а ѕmаrt, hіgh quаlіtу trаnѕроrt саѕе.

Aladdin ALL-2BI-KITG (ALL2BIKITG) ALL-IN 2 BI KIT (100w Bi-Colour). Aladdin goes Colour
Can you imagine a filmset without LED lights anymore? Proba­bly not. The industry is changing and LED lights became a major deal in the workflow. Most people go for LED lights on their sets and we understand why and how they choose their gear. This is the reason for our endless journey to provide the best LED light sources for the industry. You need just the best of the best and none less. Today is the day we are introducing the brand new Aladdin ALL IN 2. The Aladdin ALL IN 2 is the result of innovation and feed­back from the community. By using Aladdin products you are part of the ALL IN 2 journey and helped us create an ingenious light panel for you. Starting with an incredibly compact built-in dimmer on the back of the panel. Less weight, easier handling and much...

COMES WITH STNAD AND OPTIOn for BATTERY POWER

77mm CineBloom Diffusion Filter 10%

atch and bloom light but soften hard edges and provide a smoothing effect on skin tones, making wrinkles less noticeable. The glass itself is made by fusing a microlayer of NanoBlack particulates between two layers of top-grade Japanese filter glass, allowing us to maintain full image quality. The ring of the filter is precision machined from aerospace-grade metal and designed to be thin enough to stack underneath another filter without compromising the field of view. This means you can use an ND or VND on top of it for shooting cinematic frame rates and capturing motion blur.


• Step up rings, also known as adaptor rings, allow you to use filters and accessories that are

not the same size as your camera's lens. Lenses and filters come in a large range of types and

sizes and unfortunately they don't always fit together correctly. Fortunately there is a step up

or step down filter for just about any need.

ow step up rings work

• Step up rings provides a way to fit a larger diameter filter or accessory onto a smaller lens.

The step up rings screws onto your lenses threading and provided a larger thread with

18 RINGS in total 

37mm-49mm Step-up ring x 1
49mm-52mm Step-up ring x 1
52mm-55mm Step-up ring x 1
55mm-58mm Step-up ring x 1
58MM-62mm Step-up ring x 1
62mm-67mm Step-up ring x 1
67mm-72mm Step-up ring x 1
72mm-77mm Step-up ring x 1
77mm-82mm Step-up ring x 1
49mm-37mm Step-down ring x 1
52mm-49mm Step-down ring x 1
55mm-52mm Step-down ring x 1
58mm-55mm Step-down ring x 1
62mm-58mm Step-down ring x 1
67mm-62mm Step-down ring x 1
72mm-67mm Step-down ring x 1
77mm-72mm Step-down ring x 1
82mm-77mm Step-down ring x 1

 Sandbag suitable for up to 7kg's of sand. Saddle type with ARRI logo, Can be used as a ballast for lighting stands and other photographic / video equipment.

Comes with
24-70MM SIGMA ART 2.8
RODE SHOTGUN Shotgun Mic
2x 64gb HIGH SPEED SD cards
1x Sony Battery 
Card reader

VLOCK BATTERIES  

Allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The PXW-FX6 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity.

It also includes a unique Variable ND filter to maintain a cinematic look and changing lighting environments for more creative expressions. On top of its small form factor, the FX6 camera includes a detachable smart handle and high-resolution LCD screen, heat dissipation system for long shooting hours and long battery life which makes it personable and stress-free for professional users.

The Sony Cinema line FX6 is designed for the future of cinematic expressions.

• 4K Full-Frame 10.2MP CMOS Exmor R Sensor
• DCI 4K60p | UHD 4K120 | 1080p240
• 15+ Stops of Dynamic Range in S-Log 3 EI
• Compact Form Weighs Just <2 lb
• Phase Detection AF/Face Tracking/Eye AF
• Base 800-12,800 ISO / 320-409,600 Max
• S-Cinetone, S-Log3, HLG Modes
• 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
• Dual CFexpress Type A/SDXC Card Slots


Comes with


24-70MM SIGMA ART 2.8
RODE SHOTGUN Shotgun Mic
2x 64gb HIGH SPEED SD cards
1x Sony Battery 
Card reader

VLOCK BATTERIES  

Allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The PXW-FX6 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity.

It also includes a unique Variable ND filter to maintain a cinematic look and changing lighting environments for more creative expressions. On top of its small form factor, the FX6 camera includes a detachable smart handle and high-resolution LCD screen, heat dissipation system for long shooting hours and long battery life which makes it personable and stress-free for professional users.

The Sony Cinema line FX6 is designed for the future of cinematic expressions.

KEY FEATURES
Portable all in one 7 inch HDR monitor, recorder
Includes professional scopes for any SDI or HDMI camera in all formats up to DCI 4K
Super bright 2500nit
Supports 3D LUTs
Dual built in SD card recorders
Save files from any camera in 10-bit 4:2:2 ProRes or DNx formats

Blackmagic Video Assist 7" 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 7 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. Dual built in SD card recorders save files from any camera in 10-bit 4:2:2 ProRes or DNx formats. You also get two mini XLR connections with 48V of phantom power and a noise floor of -128dBV for high quality, crystal clear audio recording. Plus, you can start editing immediately because you don’t have to convert the files.

To fulfil the uncompromising image quality standard of the Art line, this lens features a power distribution that has been optimized in exacting detail. Three SLD glass lens elements and four spherical lens elements help minimize optical aberrations. To ensure outstanding image quality from the centre to the edges of the photograph, the optical system minimizes coma, which causes points of light to streak, and transverse chromatic aberration, which cannot be corrected by adjusting the aperture. The optical system also minimizes distortion, which can be particularly evident in wide-angle shots, resulting in excellent optical performance throughout the zoom range. Designed for use in a wide variety of situations, the optical stabilizer (OS) offers a powerful stabilization effect of 4 stops. The newly designed hypersonic motor (HSM) offers 1.3 times the torque of its predecessor. Even at low speeds, it offers exceptionally stable performance. Full-time manual focus function allows the lens to be switched to manual focus simply by rotating the focus ring. Since the area of the lens most vulnerable to dust and other foreign bodies is the mount, a rubber sealing helps provide peace of mind. In addition, the front lens element features a water- and oil-repellent coating that helps the lens perform well in the rain, near water, and in other challenging conditions.

The more advanced data technology makes the bluetooth transmission distance increase by 10 times, and PDL-AFP linear control distance can reach 100 meters.
he controller can be clamped on a 15-32mm tube fordifferernt equippment, such as stabilizer, steadicam, shoulder frame, rocker arm, tripod.
he fixture has one fixing hole and a group of positioning gears，which can be directly fixed on the camera cage by 1/4 screws.
The new MOTOR MINI has been reduced by 25% and 35% in size and More lighter and more easier to install.
In addition to longer endurance， the most important thing is that its torque and power are directly increased by 20%. The response is faster and the latency is lower.

2 G3 Radio Mics and 24mm - 70mm Sigma EF Lens

 Many photographers like to use low sensitivity shooting to minimize noise as much as they can. Particularly in the photography of starry skies, bright wide-angle lenses are often selected because they can efficiently collect weak light. The 14-24mm F2.8 DG DN | Art has been developed as the ultimate large-diameter, wide-angle zoom lens by optimizing the standard specifications for photographing starry skies for full-frame mirrorless cameras. The uniform rendering performance and outstanding resolution to the edge of the frame make it the “definitive lens for astrophotography.” By utilizing the characteristics of the short flange focal length, this new-generation large-diameter zoom lens combines both compact body and unprecedented high-resolution image quality.

 F2.8 zoom lenses are the essential equipment for many professional photographers. 70-200mm F2.8 lenses in particular are expected to perform at their best in various challenging scenes, from news to sports, landscape, and portraits. The SIGMA 70-200mm F2.8 DG OS HSM | Sports has high optical quality, a tough design and excellent handling ―all of the features required by professional photographers and high-end amateurs.

If you want to use your existing PL mount lenses on a camera with a Sony E-mount, you need an adapter. The Metabones MB_PL-E-BT1 PL to E-Mount Adapter with Internal Flocking mounts to your camera's lens port and allows you to use PL mount lenses with your camera. Although this is not a permanent conversion, the adapter features a removable support foot to take the strain off of your camera's mount.

 Excellent Lighting: 5500K LED light beads with 12000LM, provide the adequate light source for shooting. The service life of the light beads is 50000H. The LEDs with high Color Rendering Index (CRI 95) provide with natural and vivid shooting effects.

Large Size & Multi-angle Shooting: The dimensions of the light box is 32''x32''x32''/80x80x80cm. Ideal for photography of small to large sized objects, such as digital products, jewellery, watches, and more. Photography studio has front middle window, front open window and top hole, which could give you different shooting angles to meet your need.

High Quality : The photography shooting tent is composed of the reflective fabric. The light lines emitted by the light beads are more evenly distributed in each corner of the photo studio of the effect of the reflective inner wall, so that the shed is brighter and the light is more uniform.

Three Different Backgrounds: This professional LED light box comes with three different colour boards (white, black, and orange) so you can easily switch backgrounds colors and build up various shooting effect according to your needs.

What you get: 1 x 80*80*80cm Studio tent, 1x Carry Bag, 8 x Corner Pieces, 12 x Frame Tube, 3x background（Black, White and Orange), 2 x LED lighting band (63 LEDs each), 1 x Line Dimmer, 1x Soft Cloth, 1 x Manual, 1 x Power adapter, 1 x UK Power adapter cable.

Say goodbye to leveling and digital clipping. The TRACK E with its significantly enhanced dynamic range is a versatile, set-&-forget device that always delivers high quality audio. Users can treat audio like photographers use the RAW camera photo format. You don’t need to worry about the gain of the recorded audio. All details can simply be adjusted in post-production, significantly reducing pre-shoot preparation time. Recorded too low? Simply raise the volume without raising the noise floor.

32-BIT FLOATING-POINT TECHNOLOGY.
HIT RECORD AND START CREATING.
Say goodbye to leveling and digital clipping. The TRACK E with its significantly enhanced dynamic range is a versatile, set-&-forget device that always delivers high quality audio. Users can treat audio like photographers use the RAW camera photo format. You don’t need to worry about the gain of the recorded audio. All details can simply be adjusted in post-production, significantly reducing pre-shoot preparation time. Recorded too low? Simply raise the volume without raising the noise floor.

Less is more with the Action 5 monitor, our newest HDMI monitor that features a streamlined 5" touchscreen and lightweight build. At just over 0.5 lbs., Action 5 is designed for your on-the-go shoots, never weighing you or your camera down. Ideal for content creators, photographers, and budding filmmakers, this small but mighty monitor gives users access to the high-end features that have made SmallHD a go-to for filmmakers without compromising their budget. 

Action 5 features 2000 nits of brightness, which allow for easy outdoor visibility, a 1000:1 contrast ratio, Rec. 709 color gamut, and multiple mounting points. The Action 5 has an HDMI 2.0 input and output and a combination battery plate that supports both Sony L-series and Canon LP-E6 batteries.

This intuitive monitor is powered by ActionOS, a simplified version of our professional-level PageOS software toolset that gives you the necessary tools for out-of-the-box usability. The ActionOS toolset is designed to be mastered in under 60 seconds. Using the touchscreen, you can easily select, adjust, and toggle between the monitor’s most crucial tools, including Focus Assist, Expose Tool, and Look Tool. 

COMES WITH 
x2 BATTERIES 
DUMMY DTAP BATTERY
MAGIC ARM 
HOTSHOE MOUNT
FULL HDMI 
MINI HDMI 
MICRO HDMI 



2x Tentacle SYNC E – Timecode Generator with Bluetooth™ Functionality
2x Mini-Jack-Cable (90° angled) for Syncing Cameras with TRS (Sony a7S III, BMPCC4K/6K, GH5s …)
2x USB-C Cable for Charging and Setup (Win/Mac)
2x Tentacle Clamps for Locking your Right-Angle Cables to the Tentacle SYNC E
10x Velcro Loop Pads for Mounting the Tentacle to any Device

The new Tentacle SYNC E mkII timecode generator is based on the well-known SYNC E. We have made it ready for the future with Bluetooth 5.0 and improved battery management. The rest of the improvements you won’t recognize, but make the production much easier to handle. Everything else is as good as always: same precision, same size and weight, same features, full compatibility with all Tentacle devices and same prize.

The Standard Set, with two SYNC E mkII devices, is a complete hardware/software solution offering timecode synchronization over Bluetooth. The Set also includes the renowned Tentacle Sync Studio Software for macOS, for fast and easy synchronization of your audio and video footage. The Tentacle SYNC E combined with our TRACK E timecode audio recorder is the perfect workflow solution for any video shooting from YouTube and Wedding applications to Multicam setups as well as post production syncing tasks.

FEATURES

Syncing over Bluetooth 5.0 (Low Energy) for monitoring and setup via phone or tablet
Super small and lightweight
Frame rate and TC output level adjustable via Tentacle Setup App (iOS/ Android/ macOS/ Windows)
Two Tentacle Sync Studio Software Licenses included
Tentacle Clamp locks a right-angle mini jack connector
Accurate built-in reference microphone
Generates All SMPTE timecode rates or jam-sync to any external timecode source
High precision TCXO: accuracy with less than 1 frame drift in 24 hours (-30°C to +85°C)
Designed and manufactured in Köln, Germany

Manual Follow Focus for 15mm rods
pen-free focus marking
Ultra precise marking
Has 0.8 pitch gear
Includes 2 marker disks (black and white)
Works with any mechanical lens (focus ring may be required)
100% CNC machined aluminum body
FocusONE comes with x1 edelkrone Lens Gear to work with any lens.

Upgraded from Deity S-mic 2, the Deity S-Mic 2 is a professional shotgun mic features a shorter, lighter body with a slightly wider pickup pattern for multi-talent scenes. This makes it the S-Mic 2S perfect for things like reality TV crews, indoor sit down interviews, and indy filmmaking
The Deity S-Mic 2S features a super cardioid pickup pattern which minimizes surrounding ambient sounds but still offers low off-axis coloration, lets you capture natural-sounding speech and dialog without any distractions
Designed to hold up to the brutality of run-and-gun-style shoots, the Deity S-Mic 2's body is machined from 100% solid brass and features a epoxy sealed gold-coated PCB board and a moisture-resistant capsule
The S-Mic 2S is as light as other industry standard mics used on film sets. Coming in at a mere 3 ounces, you might forget you have a microphone on the end of your boom pole
All Deity S-Mic 2S come with a waterproof, shockproof hard case to keep your microphone safe during storage or travel. Also included with ever purchase is a mic clip and a foam windscreen

Cornhole is a lawn game popular in North America in which players or teams take turns throwing fabric bean bags at a raised, angled board with a hole in its far end. The goal of the game is to score points by either landing a bag on the board or putting a bag through the hole.

GREAT FOR PARTYS AND CORPARTE EVENTS 

5 GALLON WATER COOLER

Includes convenient cup dispenser
Maintains ice for up to 3 days*
Recessed, angled, drip-resistant spigot for easy dispensing • Reinforced handles for strength and product longevity
Pressure-fit lid will not trap dirt/mold
THERMECOOLTM Foam – Cleaner, eco-friendly insulation
20 Quarts / 18.9 Liters

Sony FX30
4 batteries 
Cage 
Mc11 ef to emount
Audio handle 

Any questions please feel free to ask   

 Hollyland HL-SOLIDCOM C1

Highlights

Wide Frequency Response for Clear Audio

True Wireless Headset, No Bodypack

Comfortable to Wear All Day Long

1000' 2-Way Operating Range

DECT 6.0 for Stability and Security

Instant Pairing, Easy to Use

Acoustic Echo Cancellation

Includes Batteries and Charger

Expandable System

Features

The Hollyland Solidcom C1-3S is a full-duplex wireless DECT intercom system engineered to provide clear audio and all-day wearing comfort in a true-wireless design with no bodypack or hub required. This configuration includes 3 single-sided headsets, 1 master and 2 remote units, along with rechargeable batteries, a charger, and accessories. The system uses DECT 6.0 encryption and dual antenna technology to ensure secure and reliable transmission at a range of up to 1000'—making it well suited for a variety of applications including film production, concerts, and public events.

True-Wireless Self-Contained



 Accsoon Dual-Band reliability with four antennas
The CineView SE RX and TX units each have four removable antenna and a range of 1200ft using Accsoon’s unique Dual-Band wireless technology. This transmits the same image on both 2.4GHz and 5GHz frequencies at the same time. The receiver then intelligently identifies interference as it combines the two signals together as needed into a complete single stream. This is inherently more stable than lower performing wireless systems that simply hop between frequencies. The result is a super robust, near real time transmission of HD video and audio that can reach the length of a football field and is not...  INCLUDED IN BOX
1 x Transmitter
1 x Receiver
2 x Cold Shoe Mount Adapter
9 x Antenna
1 x User Manual

GREAT JOY 50mm T2.9 1.8x Anamorphic Lens Groundbreaking 1.8x Anamorphic Lens with Excellent Performance Cinematic Widescreen With 33x24 mm image circle, GREAT JOY 50mm T2.9 1.8x Anamorphic Lens supports full...




Aputure Fresnel 2X Bowens Mount for LS 120 and 300 Lights. Brighter Than Ever:
The Fresnel 2x design features dual optical intensifying elements, a large 5.5” front Fresnel lens, improved ventilation, and the elimination of light leaks, making this the ultimate Bowens Mount Fresnel.
Dual Lens Design:
The rear lens focuses and magnifies the beam onto the larger 5.5” front Fresnel lens, maximizing light utilization. Our dual lens optical design makes the Fresnel 2X twice as powerful as the original Aputure Fresnel, and makes the 120d II almost 10 times brighter than with the reflector.
New Rotating Design:
By utilising a new rotating barrel design, the Fresnel 2X creates an intuitive user experience, similar to a camera lens. The smooth focus throw gives users an ability to accurately finesse the beam angle of their light source, allowing you to easily spot or flood your light with a simple twist.
Versatility and Portability:
By utilising a...

ColorChecker Passport DUO is ideal for photographers who also shoot video and any creative looking for accurate and consistent colour and creative flexibility. The ColorChecker Passport DUO contains four targets: ColorChecker Classic 24 patch target used to create custom camera profiles for still photographers shooting raw, White Balance target for in-camera white balance, and two video targets to be used for zebras, vectorscope, and RGB parade video settings all in one rugged, pocket-sized, protective case.

The combination of targets, camera calibration software, Lightroom® plug-in, and compatibility with major video editing software makes the ColorChecker Passport DUO our most versatile passport product. It delivers professional-quality colour control and camera matching for still photography and video. Now there is one ColorChecker Passport for hybrid users to get to a worry-free colour balance and consistent neutral white point faster, which reduces editing time to focus on getting to your creative vision faster. The new and improved protective case identifies the Passport DUO on the outside, providing a panel to customise yours with your name or other identifying information.

This pocket-sized ColorChecker is ready for any photo or video challenge that comes your way. Measuring only 125 x 90mm, whether you’re travelling a short distance or around the world, you’d never need to leave home without your Passport DUO.



SmallRig 3932 (SR3932) RA-L90 Lantern Softbox. SmallRig RA-L90 Lantern Softbox is a versatile lantern-shaped soft light accessory with 90cm diameter. The 270°beam angle and industrial grade soft fabric bring you a more even and softer light effect.

Universal Bowens mount design, makes it compatible with SmallRig RC 120D/RC 120B/RC 220D/RC220B and other Bowens Mount Light.

The new generation of self-developed quick installation design, the diffusion and the frame are combined into one, and the installation and disassembly can be completed in seconds, simplify the use process, bring you the best user experience.

The flexible barn doors feature with hook and loop fasteners can support more lighting layout options.
 
Soft, Uniform Omnidirectional Lighting
Utilizing high-performance soft-light fabric and a high-reflective coating enable the Lantern Softboxes to achieve smooth, omnidirectional lighting while retaining the original colour temperature and CRI

Quick Setup...
INCLUDED IN BOX
1x RA-L90 Lantern Softbox 

1x Fabric Barn Doors

1x Carry Bag

1x User Manual



1x Close-Up Lens

1x Protection Case
1x Cleaning Cloth
1x Memory Card foam For Protection Case

Product information Macro photographyThe close-up lens is the most effective way to achieve a closer minimal focal distance. +1 / +2 Diopter Strength Combined with 50-300mm telephoto lens, Meco close-up...

The Canon Speedlite 580EX-II a high-end flash gun suitable for the professional as well as the serious hobbyist. It is powerful, versatile and comes along with the correspondingly high-end price tag. If you need to have an abundance of creative control with your lighting or you want to give yourself a reward for your hard work, the the Canon 580EX II is a good choice.

 1,000FT Full-Duplex Wireless Intercom Headset System
The Solidcom C1 full-duplex wireless intercom headset system, adopting the advanced DECT 6.0 technology, is Hollyland's first true wireless and self-contained headset communication solution with exceptional sound clarity. The system operates in the 1.9GHz band, providing a reliable transmission range up to 1000ft (350m) radius (LOS).

Effortless Conversation Flow
Hands-free operation maximizes team productivity.
Each headset is designed with a dual-antenna diversity scheme that reinforces anti-interference capability, guaranteeing secured and constant team communication in complex environments.

True Wireless Self-contained Headset Communication Solution
With no belt pack or base station, it offers a highly portable and hands-free coordinating experience for media production teams or any team looking for real-time non-blocking voice communication in socially distanced working scenarios.

 [EASY OPEN, FOLDING DESIGN & BOWENS MOUNT] The softbox opens and closes the same way as an umbrella; it easily opens out and locks into shape and folds away again into its draw string carry bag for storage or travel. It has a Bowens standard mount and is compatible with Bowens fit studio lights / adapters.

[TWO LAYERS OF DIFFUSION] Inner and outer colour neutral diffusers ensure a smooth soft light. They can be removed individually for a harder light and more contrast in your images.

[HIGH QUALITY BUILD] A high quality silver flat reflective material has been used on the inner softbox that guarantees maximum brightness and light ouput. It outperforms other softboxes available on the market, which use cheap grained silver interior. The softbox also features heat resistant materials and black outer casing that ensures no light spill.

[AIR VENTS] Two Velcro air vents have been included to control air flow and temperature within the softbox. They are featured at the back of the softbox and can easily be opened / closed as needed.

[HONEYCOMB GRID] A material honeycomb grid is included for extra control of light spill. It simply attaches to the inner Velcro rim on the softbox to give you a narrower spread of light.

See less product details



 Quick Release Design & Lightweight and Foldable: Using the original developed quick release structure, it can be quickly installed and removed in just 15 seconds. The SmallRig parabolic softbox is foldable for easy storage, weighs only 1kg and comes with a storage bag for easy portability. This is a very handy lightbox for those who use at multiple shooting locations.

Enhancing the Shooting Effect: The softbox adopts a two-layer cloth structure made of Oxford cloth and high-grade reflective materials, with multi-layer coating. It is durable and reflective, while maintaining the original color temperature and color Rendering Index (CRI) while spreading the light more evenly and wider for improved shooting results.

High Durability: The SmallRig light softbox is supported by 16 ribs that form a rounded surface for a specific depth of surface effect. It adopts military umbrella ribs, which are lightweight and durable, high elasticity, and can withstand tens of thousands of presses without deformation. In addition, all the ribs of the umbrella are attached to the outside, which gives a smoother and more uniform coating effect on the inside, and does not affect the reflected light function inside.

Adjustable Light Direction: SmallRig softbox comes with 2 pieces of high-quality diffuser cloth and 1 piece of fabric mesh (the beam angle is concentrated at 45° , which can be freely combined when using, and can play a positive role in various situations. For example, it can be applied to portrait photography, studio photography, LED video light photography, flash photography, etc.

Wide Compatibility and Package Includes: Not only SmallRig video lights (RC 120D / RC 120B / RC 220D / RC 220B), but also other Bowens mount standard LEDs and COBs can be attached to Bowens mount's video lights, video lights are also supported. The package Includes: 1 x Softbox, 1 x Honeycomb, 1 x Internal Diffusion, 1 x External Diffuse, 1 x Carry Bag, 1x User Manual.



SmallRig SR3622 (3622) RC220B Bi-Colour LED Light- UK Version smallrig-sr3622-rc220b-bi-colour-led-light / SR3622. Description
Living streaming, V-log, Wedding, Documentary, TVCRC 220B, the first generation point-source LED light of SmallRig. With thelatest COB technology and SmallRig's industrial design excellence, the RC220B isunique.  With the included high-reflectance hyper reflector, at a distance of 1 meter (3.3ft.), the center illuminance reaches 84,500 lux at 5600K, Far beyond the same level ofproducts on the market. High color fidelity, CRI 95+, TLCI 96+. Standard Bowens mountallows it to compatible with more light-control accessories. 9 built-in light effects“Paparazzi, Firework, Lightning, Fault Bulb, TV, Breath, Flash, Party, Flame”andbrightness can be remotely controlled by SmallGoGo

 SmallRig 3972 (SR3972) RC450D COB LED Video Light (UK) smallrig-sr3972-rc450d-cob-light-uk / SR3972. SmallRig RC 450D, SmallRig’s new generation of powerful COB LED video light, employs the“Dharma Shark” optical system with a 55-degree hyper reflector to realize 172,000Lux (1m) andrivals 1.2K HMI Par when working with a 55-degree hyper reflector at the beam angle tested at 5m distance. It features CRI 96+ and TLCI 97+ for accurate colour rendering and reproduction,outperforming predecessors, a GaN (Gallium Nitride) adapter that allows for power efficiency ofat least 95%, as well as a damping head support system to protect the light. This item, made ofmetal and V-0 non-inflammable material, is 20% lighter and can be controlled by the switch,SmallGoGo App, or control panel (optional). The Bowens mount supports most light-control accessories to create varied lighting effects. Besides, a carrying bag is included for easier storageand transport.

INCLUDED IN BOX

1 x RC 450D COB LED Video Light

1 x Adapter

1 x Power Cable

1 x User Manual (in eight languages)

1 x 55-Degree Hyper Reflector

1 x Protection Cover

1 x Carrying Bag



 Used for mounting strobe lights, reflectors, umbrellas, softboxes and other photographic equipment; Its solid locking capabilities ensure the safety of your lighting equipment when in use.
Sandbags can be placed on the legs to increase the base weight(Not included).
The light stand is made of lightweight metal making it strong for heavy duty work.
Its solid locking capabilities ensure the safety of your lighting equipment when in use.

Specifications:
Center Stand Maximum Height: 10.8 feet/3.30 meters
Center Stand Folded Height: 4.9 feet/1.5 meters
Boom Arm Length: 4.2 feet/1.28 meters
Material: Stainless Steel
Color: Silver

 

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70mm F2.8 DG MACRO | Art

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Stunning resolutionand clarity
for a breathtaking visual experience—
a razor-sharpmacro lens joins
the Art line

The successor of the legendary,
razor-sharp macro lens—
the SIGMA MACRO 70mmF2.8 EX DG

In recent years, macro lenses in the standard range have tended to employ inner focusing with the goal of maximizing autofocus speed. In contrast, the new SIGMA 70mm F2.8 DG MACRO | Art lens is designed to prioritize optical performance, fulfilling the demanding image quality requirements that define the Art line. In the standard to mid-telephoto range, it delivers stunning resolution and incredible clarity that greatly exceed expectations for a macro lens. The coreless DC motor further enhances image quality, while an optimized algorithm helps offer extremely smooth autofocus performance for a weightier, high-performance lens. Photography enthusiasts will recall a certain legendary, razor-sharp macro lens—the SIGMA MACRO 70mm F2.8 EX DG—and be glad to learn it is available in a new form, updated with outstanding Art line quality.



SmallRig All-in-One 4-Arm Suction Cup Camera Mount Kit for Vehicle Shooting SC-15K 3565 represents a professional and reliable solution to vehicle-based or other personalized photography, achieving multi-scene applications. It is suitable to mount onto cars, trucks, boats, and other smooth and dry surfaces nor breathable, such as hoods, roofs, doors, or windows, for capturing stable dynamic footage. With powerful suction force, the mount has maximum horizontal suction of 120 kg and maximum vertical suction of 30 kg. The suction cup camera mount, with great air-tightness and wear-resistance, can wok at -40°C to 60°C, suitable for clean, dry, smooth and even curved surfaces. The kit consist of 4 suction cups, 4 x 11" magic arms, 1 lens support, 1 half ball head and 2 cable tethers. Among them, the suction cup quickly attaches magic arm via a NATO clamp to prevent twisting; the half ball head, which is -8°/+8° adjustable, supports Arca-Swiss and DJI RS stabilizer quick release plate for quick switch between car, handheld and stabilizer shooting; and the cable tether ensures your gear is safe. The kit also comes with an integrated storage case, which is resistant to dust, abrasion and rain in complex outdoor environments. 

SmallRig RM75 Magnetic Smart LED Light 3290 is SmallRig's first App-enabled, full-spectrum LED light characterized by remote control and four-sided magnetism. It has 7 function modules, namely CCT, HSI, RGBW, FX, color atlas, color picker, and light effect pickup, to make for more interesting videoing. The eye-catching LED light features a full metal frame and carbon fiber texture, as well as a unique four-sided magnet design that allows adhering to most metal surfaces and supports a multi-light setup, exploring infinite creativities. 4000mAh large capacity battery together with PD fast charging enable precise control of 15 light effects, 2500K-8500k color temperature, and 36000 colors, making it a hassle-free way of long-time shooting.


Sigma looked to create a peak portrait prime with the 85mm f/1.4 DG HSM Art Lens, and they delivered an optic with high performance, a large f/1.4 aperture, and a variety of technologies. Available here with a Canon EF mount, this lens offers a super-fast f/1.4 aperture that is great for getting images with an exceptionally shallow depth of field and smooth bokeh. It also uses two SLD elements, one anomalous partial dispersion/high-refractive index element, and one aspherical element that minimize aberrations and ensures a crisp, clear image. A Super Multi-Layer coating helps by suppressing flare and ghosting.


As part of the Art line within Sigma's Global Vision series, this lens' is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
This short telephoto 85mm f/1.4 prime lens is designed for full-frame format Canon EF-mount cameras, and can also be used with APS-C models where it will provide a 136mm equivalent focal length.
Fast f/1.4 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques.
Two SLD elements, one element with a high rate of anomalous partial dispersion and a high index of refraction, and one aspherical element have been incorporated within the lens design to correct for chromatic aberrations throughout the entire focusing range and help to ensure high image sharpness, clarity, and contrast regardless of focus point or aperture setting. This optical design also helps to control distortion and limit vignetting.
A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.

Smooth rental and item as describer! Recommended 

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great communication, kit in pefect conditions. Will rent agan!

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Great communication. Adaptor worked great. Thanks

The kit was in good condition and everything was provided as advertised. They were accommodating when it came to collection and return. Would recommend!

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Aspire, was super accommodating and the kit was in great condition with loads of extras

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I suddenly needed to book kit at 11pm for 8am the next day. Aspire replied super quick and sorted me out with his kit. Took the stress off massively. Thanks again!

Great communication, flexible and understanding when our circumstances changed. Thanks very much

Super fast communication, easy pick-up & drop-off. Highly recommended. 

Aspire was amazing! They were very helpful and friendly. I recommend Aspire for renting

Great kit. Good communication. Will hire from you again. 

Renting from Aspire was a brilliant experience - they were extremely helpful, very quick to respond and the equipment we rented was perfect - thank you Aspire!


Very flexible and helpful! Thank you very much 

Aspire is amazing. Easy to rent from and get to. Provided exactly what I needed and met all needs. Can't find any fault at all. 

Jason is a professional and the kit was in perfect condition 

Super easy rental. Lorna was very flexible and generous about timing and pickup/dropoff. Would definitely rent from again!

Great camera, great service, couldn't be better!

Saved the day! Replied instantly to a frantic message asking for a clapboard at 8am on a Saturday morning. Within 30 minutes we had it. Couldn’t have been easier. Fantastic first experience on this site. A million thank yous.

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