Brand new lighting kit with Dimmers.

This is a well-equipped Lowel DP3 Jr Kit with three lights. It's supplied with 120V bulbs, barndoor sets, umbrellas, scrims, gels, stands, space clamp, and a kit case. The DP Light is a powerful key, backlight or background light. Use the umbrellas for diffusion for soft key or fill light. Swap to the super-spot reflector for long throws, or customize it with a variety of other accessories. 
When fitted with a 1000W 120V bulb and the supplied reflector, each fixture will emit a beam of 88 footcandles @ full flood, and 711 footcandles @ full spot, from a distance of 10 ft (3 m).

Focusing 
A true focusing knob moves the beam-angle from spot to flood

Hand Held Capability 
A built-in rubberized folding grip offers the user the capability to use the DP Light as a hand-held light

Parabolic Reflector 
The peened, parabolic reflector provides non-crossover beam with axial filament orientation for improved shadow and longer gel life

Dimmers 
This Impact D-1000 1,000W AC Dimmer Control gives you stepless 1-100% power control over your quartz halogen or incandescent light source up to 1,000W. Unlike other models, the dimmer is equipped with a 3-prong US grounded plug with heavy-gauge 6'4" cord, as well as a 3-prong input for the light to be dimmed. The lightweight plastic D-1000 features a simple sliding rheostat control that can be operated by hand or foot.

Includes:
3 x DP Focus Flood Light (120-240VAC) 1K
3 x Complete 4-Leaf Barndoor Set for DP Light
3 x KS Jr. Light Stand (7.6')
1 DP Brella - White - 41"
Lobo
Tota-Clamp
1 Di

Complete DSLR RIG Rail system for the DSLR or video camera owner, consisting of: Shoulder Mount, Follow Focus and Professional Matte Box. The aim of this kit is to provide the operator maximum flexibility while shooting both outdoors and indoors. The professional Matte Box has Two 360-degree rotating filter trays support 4x5.65" filters with 3 Universal Lens Donut Set.

Kit Includes:

1) 1 x Professional Rail rod system for Follow Focus brackets 
2) 1 x Should pad 
3) 3 x support rod 
4) 1 x SLR Cameras DV Follow Focus 
5) 1 x Professional Matte box 
6) 1 x Gear Belt for Follow Focus

6Pcs Set Gradual Neutral Density

Gradual filter is a MUST for digital users, because the digital sensor unlike film has very low exposure tolerance. Detail will be lost on both low and high light area. To correct this, you need gradual filter to balance it!

Suitable For: 
This filters fits all standard (100x100 mm) filter holder (For Cokin Z series, Lee, Hitech etc.).

Package Includes: 
G.ND2 filter-- x1 
G.ND4 filter-- x1 
G.ND8 filter-- x1 
ND2 filter-- x1 
ND4 filter-- x1 
ND8 filter-- x1 
6 slots filter case-- x1 
Cleaning cloth-- x1

Fotga 12" Flexible Whip Speed Crank for Follow Focus FF 12mmx12mm

The FOTGA DP3000 whip speed crank can be attached in the provided square hole at the center of the wheel in the follow focus. Thus, the hand merely has to spin the rod, which turns the wheel. The micro whip allows the user to adjust focus remotely significantly reducing the risk of vibration being picked by the camera.

Made of the material as heat-shrink tube and aluminum, this Fotga brand

4K internal mirrorless shooting has arrived and when you see the dynamic range of this little camera (up to ISO 409600!) in low light situations, you'll be blown away.

Notes:
The Sony Alpha a7S II Mirrorless Digital Camera allows you to shoot 4K internally with built-in stabilization and 169 autofocus points, an upgrade from the original a7S, which required the use of an external recorder for 4K. The relatively low megapixel count sensor of the a7SII is designed for video recording and features a full sensor readout without any of the line skipping found in very large megapixel count cameras. You will see a sharp footage devoid of major aliasing and moiré when recording internally in 4K. The 4K recording capabilities is paired with a redeveloped recording setup, including the ability to use S-Log3 Gamma and S-Gamut3 in addition to S-Log2 for increased dynamic range values by up to 1300% to better match high-end post-production workflows. 
This camera also features multiple timecode recording options to match different workflows. Focus peaking to aid in manual focusing, zebra markers to help judge overexposure, and an audio level overlay for mixing audio are among the qualities that make working with the a7SII desirable, along with its svelte size. With an ISO expandable from 50 to 409600, this camera is well suited to shooting in low light conditions thanks to a new RGB color filter array, as well as a gapless on-chip lens design, which allows for low noise, high-sensitivity recording.

Includes:
Canon EF Lens to Sony E Mount T Smart Adapter (Mark V)
7 x NP-FW50 Lit

4K internal mirrorless shooting has arrived and when you see the dynamic range of this little camera (up to ISO 409600!) in low light situations, you'll be blown away.

Owner Notes: 
A7Sii

The Sony Alpha a7S II Mirrorless Digital Camera allows you to shoot 4K internally with built-in stabilization and 169 autofocus points, an upgrade from the original a7S, which required the use of an external recorder for 4K. The relatively low megapixel count sensor of the a7SII is designed for video recording and features a full sensor readout without any of the line skipping found in very large megapixel count cameras. You will see a sharp footage devoid of major aliasing and moiré when recording internally in 4K. The 4K recording capabilities is paired with a redeveloped recording setup, including the ability to use S-Log3 Gamma and S-Gamut3 in addition to S-Log2 for increased dynamic range values by up to 1300% to better match high-end post-production workflows. 
This camera also features multiple timecode recording options to match different workflows. Focus peaking to aid in manual focusing, zebra markers to help judge overexposure, and an audio level overlay for mixing audio are among the qualities that make working with the a7SII desirable, along with its svelte size. With an ISO expandable from 50 to 409600, this camera is well suited to shooting in low light conditions thanks to a new RGB color filter array, as well as a gapless on-chip lens design, which allows for low noise, high-sensitivity recording.

Flame:

The Atomos Ninja Flame 7" 4K HDMI Recording Monitor has the brigh

Atomos has crafted a 7" touch screen monitor that serves as a recorder. Using the proress or DNxHR, you can record RAW 4K for certain cameras. When doing UHD 4K you can record up to 30 fps on this 1920x1200 touchscreen. And HDR technology allows for viewing 10 stops dynamic range on log footage. HDMI inputs.

Owner Notes: 
This is a brand new purchase so everything is new! If you don't see an accessory on here that you'd like let me know. I may have it!

Includes:
Ninja Flame
4 x NP-F750 5200mAh Batteries
2 x Battery Chargers
1 AC Adapter
1 500GB Ultra 3D NAND SATA III SSD
1 480GB Ultra II SATA III SSD
USB 3.0 Docking Station
HDR Sunhood
Coiled D-Tap to DC Barrel Cable
2.5mm Female to Dual 2.5mm Male Control Cable
Right-Angle Micro to Full HDMI Coiled Cable
15' Micro to Full HDMI cable
10' Full HDMI cable
HPRC Hard Flight Case for Flame
CAMVATE Strong Articulating Magic Arm

panning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.
Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Standard zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 38.4-112mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom range and also affords greater control over depth of field for working with selective focus techniques.
One Super Ultra-Low Dispersion element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Zoom lock lever secures the zoom position at the wide end to maintain a compact form factor and protect the lens when not in use.

A fine addition to any kit, this Canon lens gives you a water proof housing on the wider side of the focal length. 3 high-precision aspherical lens elements help improve image quality over the previous model. And the circular aperture makes for quite a nice bokeh when shooting at wider apertures.

Owner Notes: 
The Canon EF 16-35mm f/2.8L II USM Lens is a high performance, water-resistant ultrawide-to-wide zoom lens that is perfectly suited to landscape and outdoor shooting. It produces little distortion, making it a good choice for architecture and interior photography as well. It is a versatile lens that can be paired with both full frame sensor cameras, such as the Canon 5D Mark III, and with crop frame sensor cameras, such as the Canon 7D Mark II. The focal length equivalent on crop frame sensors is 25.6-56mm, a great range for events. While this lens is lightweight and easy to handle, it does not have built-in image stabilization.

Includes:
Circular Polarizer 82mm
Zomei 82mm ND2/ND4/ND8

The Sigma 24-70mm f/2.8 IF EX DG HSM Lens for Canon is a versatile mid-length zoom with a constant f/2.8 maximum aperture across the entire zoom range. It sports a quiet and fast autofocus and is really lightweight for the range it covers. It can be paired with both full frame and crop frame sensor EF mount cameras. This lens is ideal for photojournalism, street photography, travel, and events.

This lens is compatible with Canon EF mount cameras in both full frame and crop frame sensors. The focal length equivalent on crop frame sensors is approximately 40-112mm. 
• This lens is not compatible with 2X and 1.4X Canon extenders. 
• Canon 5D Mark IV Users: As of 09/2016, Sigma issued the following warning about pairing Sigma lenses with the Canon 5D Mark IV: 
"Manual Override function is unavailable with this camera. Full-time manual function can be offered. When using a Sigma interchangeable lens, setting the corrections to 'Disable' is recommended, as 'Lens Correction' functions of the camera are not supported.

Includes:
Sony A7SII
Canon EF Lens to Sony E Mount T Smart Adapter (Mark V)
Canon 16-35mm f/2.8L II USM FAVORITE
Sigma 24-70mm f/2.8 IF EX DG HSM Lens for Canon
PIXEL Vertax AG-C2 Battery Grip for Sony A7SII
7 x NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)
2 x SanDisk 128GB
1 x SanDisk 64GB
Duel Battery Charger
SMALLRIG VersaFrame Cage (Large) 1750
SMALLRIG Top Handle
Sony AC Adapter
OP/TECH USA 8" Small Rain Sleeve
Commando Pro 65 DSLR Shoulder Bag
BC-VW1 AC Charger for W Series Battery
Circular Polarizer 82mm
Zomei 82mm ND2
Zomei 82mm ND4
Zomei 82mm ND8


The 301 3-Light P360 LED Kit from Fiilex is built around the variable color variable beam angle P360 LED light. The kit includes three P360s for a combined total of approximately 1000 tungsten-equivalent watts along with AC/DC power adapters and 4-way barndoors for each light. The kit also includes three 7' light stands 12x16 softbox with speedring and a carry-on friendly wheeled case with an auto-purge pressure system.Ideal for on- or off-camera video work the P360 90W LED Light has a variable color temp. 

Included:

H6 Handy Recorder with Interchangeable Microphone System
XY Microphone
Mid-Side Microphone
SanDisk - 16GB Ultra UHS-I SDHC Memory Card (Class 10)
Senal - SMH-1000 Professional Field and Studio Monitor Headphones
Auray - WRW-H4N Custom Windbuster for Zoom H4n
4 x AA Batteries
Zoom Hard Case

The big brother of the popular Zoom H4n, this recorder allows for 4 XLR inputs and the opportunity to record each as a discrete track. Also equipped with onboard mic options, it has the capability to record up to 6 tracks. Great for when discrete tracks and light mixing are needed.

Includes:

EK 100 G4 Wireless Camera-Mount Receiver A1: (470 to 516 MHz)
SK 100 G4 Wireless Bodypack Transmitter A1: (470 to 516 MHz)
ME 2-II Omnidirectional Lavalier Microphone (Black)
CA2 Shoemount Adapter
CL-100 1/8"-M Mini to XLR-M
CL1 Mini to Mini Cable for EK100
8 x AA Batteries
SKB Hardcase

The Sennheiser EW 112P G4 Camera-Mount Wireless Lavalier Microphone System is an update to the portable G3 wireless series, continuing the winning combination of flexible control, reliability, and broadcast-quality sound that has made the evolution series an industry standard. 
With a rich and flexible feature set, the EW 112P G4 gives videographers and journalists the tools to adapt and meet the wireless challenges that inevitably arise on set. The frequency scan function automatically searches for the cleanest frequency at your location, while the adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech, and even line-level audio. 
The system includes the improved ME 2-II omnidirectional lavalier mic, a bodypack transmitter, and a camera-mount receiver. It connects to a camcorder or a DSLR/mirrorless camera to capture crisp-sounding speech or dialog for projects ranging from documentaries to wedding videos, corporate videos, and hands-free interviews. 
The EW 112P G4 is backward-compatible with previous evolution systems, giving you the ability to mix and match G4/G3/G2/G1 receivers or bodypacks, handhelds, and plug-on transmitters.

Included:

H6 Handy Recorder with Interchangeable Microphone System
XY Microphone
Mid-Side Microphone
SanDisk - 16GB Ultra UHS-I SDHC Memory Card (Class 10)
Senal - SMH-1000 Professional Field and Studio Monitor Headphones
Auray - WRW-H4N Custom Windbuster for Zoom H4n
Zoom Hard Case
EK 100 G4 Wireless Camera-Mount Receiver A1: (470 to 516 MHz)
SK 100 G4 Wireless Bodypack Transmitter A1: (470 to 516 MHz)
ME 2-II Omnidirectional Lavalier Microphone (Black)
CA2 Shoemount Adapter
CL-100 1/8"-M Mini to XLR-M
CL1 Mini to Mini Cable for EK100
8 x AA Batteries
SKB Hardcase


One of the most versatile lenses available, the EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. An Air Sphere Coating is also featured, and works to reduce flare and ghosting for greater color fidelity and contrast in all conditions.
Complementing the speed and optics is an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake to better enable working handheld and in low-light situations. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.
Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent performance throughout the zoom range and offers notable control over depth of field for working with selective focus techniques.
One fluorite element and five ultra-low dispersion glass elements noticeably 

Use the Nucleus-Nano Wireless Focus Control System from Tilta to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses. The core of the system is the pairing of the focus control motor and the focus hand wheel. The units can connect to each other from 300' away, and can be mounted in a variety of ways.

The units support run/stop functions and setting hard A and B limits for more control over your camera and lens. The hand wheel is powered by a single 14500 lithium battery and the motor is powered by your camera or a battery via its micro-USB connector. The units are both constructed of durable materials, and the hand wheel features an attractive, comfortable rosewood grip.

Included in the kit with the hand wheel and motor are a mounting baseplate for 95mm lenses, a 15mm rod, a micro-USB motor cable, a 0.8 MOD motor gear, two lens gear rings, attachment plates for the Ronin-S/G2 and Zhiyun Crane, a dual-battery charger, two batteries, mounting screws, and two Allen keys. See below for more information about the items that make up the system.
Nucleus-Nano Wireless Focus Hand Wheel Controller
Pair this Nucleus-Nano Wireless Focus Hand Wheel Controller from Tilta with the Nucleus-Nano Motor to wirelessly control the focus of most DSLR, mirrorless, or cine-style lenses.
The large Hand Wheel responds with no delay as it wirelessly controls the separately available Nucleus-Nano motor from up to 300' away via 2.4 GHz Wi-Fi, and it lasts up to six hours on a single 3.7V 14500 lithium-ion battery. You can also perform run/stop functions and set hard A and B li

The professional fluid video system MVK502AM-1 includes the fluid video head (75mm half ball) MVH502A and the telescopic twin leg tripod MVT502AM.The MVH502A is a professional video head and has a 75mm half ball video tripod mount. It’s designed for use with HDSLR cameras and latest interchangeable lens cameras. It offers professional features such as high-performance variable fluidity and a counterbalance setting designed to match the weight of the most popular cameras and their accessories as external monitors, lights or microphones. The 502 head has a pre-set counterbalance of 4kg (8.8 lbs.), but is able to support equipment of up to 7kg (15.4 lbs.).The 502 head has two Easy Link connectors to allow an external monitor or other accessory equipment to be fitted directly on the head. The MVT502AM video tripod is a traditional 2-stage, aluminum twin-tube video tripod that has professional features yet is designed to be intuitive, user-friendly and suited to lightweight applications. The MVT502AM has telescopic aluminum legs for compactness and reduced weight; its innovative ellipse-profile tubing with redesigned leg locking collars give it excellent levels of rigidity and stability. The first-stage spreader has improved ergonomics and ease of use, while the tripod’s rubber feet improve grip on all floor and ground surfaces. A rubber strap ensures easier, safer transport. Supplied with padded carrying bag. Center Of Gravity 2.16 in closed length 29.53 in Counterbalanced Weight 8.82 lbs. maximum height 61.42 in minimum height 27.76 in Safety Payload Weight 15.43 lbs. weight 8

He was amazing and responds quickly to any requests or questions. definitely renting again!

Easy to communicate and perfect gear! Looking to do business again! Thanks Jeff 



Great Price, Lens is in mint condition, and Jeff goes above and beyond when it comes to communication so be ready as he expects the same in return regardless of your busy schedule. Knowing this i'd still rent from him again, it was a great rental.

Jeff was really wonderful and everything worked beautifully! He was flexible in where he could meet me for both pick up and drop off. Great rental experience :) 

Jeff

It’s a bit quiet here...

Jeff

Communications