New Sony a6500. Beautiful 4k, which downscales 1080p for a great image. Plus beautiful stills. I have adapters (both Vitrolix and Metabones) for Canon glass upon request and Canon lenses as well (50mm f1.4 and 24-105mm f4), plus Sigma 18-35mm APS-C lens (although the Sigma has been known to be a little buggy with the Sony's). Shoulder rig and  audio recording device also available. 

The ultimate low light beast! Full-frame and beautiful 1080p. There is a crack on the LCD screen which doesn't effect functionality at all but worth knowing. I have adapters (both Vitrolix and Metabones) for Canon glass upon request and Canon lenses as well (50mm f1.4 and 24-105mm f4), plus Sigma 18-35mm APS-C lens (although the Sigma has been known to be a little buggy with the Sony's). Shoulder rig and audio recording device also available.

Analogue synth business! As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time — three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords — a fantastic feature found on our recently-released Rocket Synthesizer.

Pair of focal studio monitors. The CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 20" away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Aluminum-Magnesium inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.


 The extreme Deluxe version shoulder rig is same as the Standard with the addition of DVTEC's unique shock absorbing waist support system. The Support kit adds stability and takes the entire load from the hands. It serves like a "Third Hand" to allow the operator to free one or both hands for focusing, zooming and operating the camera controls. The support Kit is contains: QR Rig connector, QR spring loaded support pod, An orthopedic Velcro waist belt.

Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass moulded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal focusing and zooming allows for more usability and functionality. The 18-35mm is ideal for landscapes, portraits, still life, snap shots, casual, and close-ups and the Hyper Sonic Motor (HSM) ensures smooth, fast and accurate autofocusing. The use of Thermally Composite Material (TSC) reduces size and weight but increases the lens durability. Its new Global Vision design works with its compatibility with the Sigma USB dock for further customization. A 9 blade rounded diaphragm also creates beautiful background blur. The Sigma 18-35mm 1.8 DC HSM is a new benchmark in photographic history and a must have for every camera bag.

With a wide-angle to mid-telephoto zoom range, the EF 24 - 105 mm f/4L IS II USM is a superb all-rounder. It’s able to handle everything from landscape work to portraiture, fashion and video. It also makes a great choice for those shooting weddings, travel or street photography.

A constant f/4 maximum aperture is available at all focal lengths, so metering and exposure values stay fixed as the lens is zoomed. A circular aperture diaphragm ensures excellent bokeh.

 A compact, professional 2-deck, galvanic insulated interface packed with creative features to give DJs a competitive edge. Boasting high quality 48 kHz, 24-bit audio, the Rane SL2 includes inputs for 2deck mixing on turntables or CD decks and two software-switchable analog Thru connections for regular vinyl or CD.

Great communication. Dan was very supportive.

Dave is super flexible on the pickup/dropoff. Recommend. Cheers

Great, easy to deal with - would definitely recommend. 

Great communication, all kit in good condition and super easy to deal with!

Dave O

It’s a bit quiet here...

Dave