The Easyrig Vario 5 with Gimbal Rig Vest and 5" Extended Arm is a body-worn support system that is adjustable to support camera rigs weighing 11 to 38 lb. The system works by using a suspension line to support the weight of the gimbal rig, taking the load off of your shoulder, neck, and arm muscles, and distributing it across your torso. The tension line is adjustable by turning a screw in the back, letting you dial in the appropriate amount of tension for your rig. The system consists of the gimbal rig vest, Vario 5 standard support bar, and a 5" extended support arm. As the name suggests, the gimbal rig vest is optimized for use with motorized gimbal stabilizers, providing increased lower back support that allows you to carry weights further away from your body. A carrying bag is also included for convenient storage and transport of the Easyrig system.

This is my Sony FS7 Kit. It comes with 5 batteries, Speedbooster, VCT shoulder plate, and 6 XQD cards.

This is a great single handed gimbal, that works well with cameras like A7s or A6300. It comes with everything that's in the package plus a little tripod so it's easier to balance.

The A7sII is a great camera with ISO 400,000, in camera stabilization, Slog3 and much more. 

This is a simple package without too much fuss:

Includes:
Sony ILCE-A7sII
Metabones MkIV EF-E adapter
Sony XLR-K2M Sound interface (with Sony shotgun mic)
4 SONY NP-FW50 batteries
1 Watson Dual Charger
1 Sony Single Battery Charger
1 64 GB Class 10 SD Card


This is a great run and gun tripod. It supports FS7 packages easily, and can also be used for small RED and Alexa mini packages. The quick release legs makes this a very good solution for single operators, since you can adjust the height without having to deal with multiple locks.

1000 Nits Daylight viewable monitor.
SDI and HDMI compatible.

Comes with 2 Sony L series batteries and 2 SDI cables. 

The Tilta Nucleus-M Wireless Lens Control` System features a 1000' transmission range, and comes with two lens drive motors with built-in wireless receivers, a FIZ hand controller, and two handgrips—one to control focus, and the other iris and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear and two 7-pin connectors, which enables you to freely swap or interchange each motor. The motors power by daisy-chaining using the 7-pin cables, and each motor includes a 19mm rod clamp with 19 to 15mm reducing bushing.

The Rokinon 85mm T1.5 Cine Lens for Canon EF produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been "declicked", which facilitates smooth iris pulls.

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

he 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.


The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.

This Kit provides four lenses that you can use to shoot images from wide shots to portrait; it includes Rokinon's 24mm, 35mm, 50mm, and 85mm T1.5 Cine DS Lenses for Canon EF Mount that feature sharp optics and similar physical characteristics for fast lens changes. The lenses share a T-stop range of 1.5 to 22. The included lenses feature Canon EF lens mounts and cover full-frame sensors. The lenses are suitable for shooting using available light, and as they all share the same exposure range, there is no worry when changing lenses you will also have to change your lighting or camera settings.

Aperture and focus scales are marked on both sides of the lens, which makes it easier for a focus puller to work either side of the lens. The lenses feature a multi-layer coating providing good contrast, a sharp image, and protection from veiling glare. Industry standard focus and iris gear rings share a common position across the lenses for quick lens swaps when working with lens accessories such as follow focus units. Focus and iris are manual only with no electronic focus or iris control by the camera, and the iris ring is de-clicked, which allows you to make smooth iris pulls during a shot.

Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.

Wireless Video System with both SDI and HDMI connection.

Zero Latency and no compression.

Included in the package: 
Transmitter and Receiver
8 Antennas
2 x V-Mount Batteries for Rx
2 x Sony NPF Batteries for Tx
Articulation Arm and Clamp for mounting
Sdi Cable 9" coiled
HDMI cable (Micro HDMI to HDMI)

Gear was in great shape and Flemming set me up! 

grait lens loved the resaloution . definitely would rent again

Flemming L

It’s a bit quiet here...

Flemming