All inclusive run & gun documentary HD camera kit, with 3 face-tracking auto focus compatible zoom lenses, Apple ProRez recording monitor, shotgun and lav microphones, 3 batteries & kit bag.

Kit includes:
Canon C100 MkII body + top handle + side handle + strap + x2 128GB SanDisk SD cards + x3 Canon BP-955 batteries + battery charger + mains power adapter
Atomos Ninja V + Angelbird AtomX SSD Mini 500GB + x3 Hawkwood DV-F790 batteries + battery charger
Rode NTG1 shotgun + Rycote mount + XLR lead
Rode RodeLink Filmmaker Kit
Sennheizer HD 280 pro headphones


Atomos Ninja V
Angelbird AtomX SSD Mini 500GB
x3 Hawkwoods DV-F790 batteries
Hawkwoods NPF charger (as required)

Worth £1000 in total.

Samyang full frame VDSLR cine lens set (EF mount). 8 lenses.

Including:
Samyang VDSLR 12 mm T3.1 Fisheye
Samyang VDSLR 14 mm T3.1
Samyang VDSLR 24 mm T1.5
Samyang VDSLR 35 mm T1.5
Samyang VDSLR 50 mm T1.5
Samyang VDSLR 85 mm T1.5
Samyang VDSLR 100 mm T3.1 Macro
Samyang VDSLR 135 mm T2.2

Canon C100 Mk II body + top handle + side handle + 3 batteries + x2 Sandisk 128GB SD cards

Canon XC10 + 3 batteries + mains power adapter + charger

Aputure LS C300X supplied with Arri light stand.

The Light Storm 300x is Aputure’s latest point-source LED and is the first bi-colour Bowens mount light fixture to be compatible with optical lens modifiers. By combining the latest optical colour blending technology with Aputure’s dual-colour LED chipset, the LS 300x can utilise the Fresnel 2X and Spotlight Mount to give you unprecedented flexibility from a single fixture. With a simple turn of a dial or press of a button, you can adjust the fixture’s white light CCT output between 2700K-6500K in just seconds. And utilising the same robust lamp head and control box design as the 300d II, this light is built to handle any filmmaking challenge.  

The First of Its Kind

The 300x is Aputure’s latest flagship Light Storm LED fixture, finally integrating properly mixed variable-white lighting into an easily modifiable point-source light engine. The 300x features a specially designed colour-blending optical element in front of its LED light source, combining the bi-colour chipset into one cohesive point-source. The combination of this new technology, along with the Aputure ecosystem, allows you to achieve bi-colour flexibility never before experienced with Aputure products. 

Enhanced Output

With the Fresnel 2X, the LS 300x can produce over 56,000 lux at 1 meter, creating a stunningly bright light, with CCT control always at your fingertips. By having the ability to use lensed modifiers like the Fresnel 2X or the Spotlight Mount, in addition to soft light modifiers like the Light Dome II, you can achieve extreme lighting precision to match any shooting environment. Spot, flood, cut, or diffuse your light without worrying about unwanted artifacts while controlling your white point. 

Flexible Bi-Colour Range

The 300x is the first of many Aputure lights to utilise the expanded vari-white CCT range of 2700K-6500K, going beyond traditional bi-colour, allowing you to produce light that is warmer than typical tungsten fixtures, and cooler than conventional daylight (D55). Flexibility with your white light is key to moving quickly on set, so with the expanded bi-colour range, that’s fewer gels you have to carry. So whatever your ideal effect is, the 300x will help you create light that will perfectly match your atmosphere.

Reliable colour Rendering

No matter which light engine you use, colour fidelity is always essential, so like all Aputure lights, the 300x sports reliable colour rendering abilities. With CRI and TLCI scores of 96+, a tungsten SSI score of up to 85, and a D55 SSI score of up to 74, the 300x will always provide you with top of the line, accurate colour reproduction. 

Robust Design

The 300x also takes a note from the 300d II, by incorporating the same sleek lamp head design and control box design. The 300x utilises a full 360-degree adjustable handbrake locking yoke. It also matches the 300d II with a completely silent, passively-cooled all-in-one control box, integrating the power supply and control system into a single unit. 

Quick and Precise CCT Control

The main difference between the two control boxes is that the 300x now utilises a new CCT control wheel, in addition to the intensity wheel. The 300x CCT dial allows you to fine-tune your CCT in +/- 50K increments. But with the PRESET button located in the middle of the wheel, you can also toggle between 5 common CCT presets (2700K, 3200K, 4300K, 5500K, 6500K) for quick accessibility. 

Dual Output Modes

The 300x even features two output modes: Max Output and Constant Output mode. In Constant Output mode, you can change your CCT precisely while maintaining a consistent luminance level. Combined with a new, smoother dimming system, you even gain the ability to seamlessly shift your colour temperature in the middle of a scene. In Max Output mode, however, the 300x will always maximise your output for your CCT and dimming level, with the highest output range being 4000K-5500K. With these two modes, you can do everything from overpowering existing light to tackling precise problems. 

Creative Power Solutions

Like the 300d II, the 300x can also be operated with a single battery, up to half of its maximum output, or two batteries for full power* -- so no matter how many batteries you have, your scene will always shine. The 300x’s control box also accurately displays realtime expected remaining battery life, allowing users to always understand and plan for any filmmaking scenario. By being battery-operable, the 300x gives you greater freedom in lighting, giving you the ability to craft creative images anywhere. *Aputure recommends 14.4V batteries that support 15A continuous discharge to power the light properly.

Multiple Control Methods

The Light Storm product line is all about flexibility, and the 300x continues to support this by being compatible with multiple control methods. In addition to the control wheels, the 300x can be controlled using Aputure’s tried and true 2.4G RF Remote, DMX512, as well as by the Bluetooth Mesh Sidus Link App. With the added range you get from having multiple Sidus Link lights active, you can control all of your lights’ settings from nearly anywhere on set. And with professional DMX512 compatibility, the 300x allows for control through several channels so you can precisely fine-tune your lighting setup. 

Built-in Effects

The 300x also launches with 9 built-in lighting FX, such as, “Paparazzi,” “Fireworks,” “Lightning,” “Faulty Bulb,” “TV,” “Pulsing,” “Strobe,” “Explosion,” and “Fire,” all with adjustable colour temperature, opening up new possibilities for precise lighting control on your film sets. The 300x’s capabilities will always continue to grow with firmware upgrades to both the fixture and the Sidus Link ecosystem in the future. 

Bowens Mount Modularity

Not to be taken lightly, the 300x continues Aputure’s tradition of being compatible with the Bowens-S Mount, offering a wide variety of both soft light and optical modifiers to choose from, making it a unique bi-colour fixture. With the Bowens Mount, you can flexibly change the quality of your light source in seconds. Whether you want a punchy hard light with crisp shadows or a pleasing soft light, never sacrifice output or colour quality. The 300x’s Bowens Mount can even be used with other industry-standard modifiers from brands like Chimera, as long as you have a Bowens mount speed ring. 

The Sidus Link Ecosystem

With the integration of the Sidus Mesh chipset, the 300x gives you professional lighting control from a single app. This mesh technology extends across the entire future Aputure product line, creating an ecosystem you can trust. With the Sidus Link Mesh Network created by Aputure products, such as the 300x, 300d II, and MC, you can control up to 100 fixtures from your smartphone or tablet, with each additional light fixture increasing the range of the network. That means every light not only talks to your phone but also to each other, creating a smarter ecosystem. Sidus Link allows you to control every aspect of your light’s output, including luminance, CCT, Effects, and even Light Source presets for fast-paced situations. 

With its immense flexibility, the 300x becomes an incredibly powerful light, whether you are working on a large film set, or you’re a solo guerilla filmmaker. Meet the latest member of the Aputure Light Storm family.

Canon R5 C Body supplied with:
EF-RF converter with variable ND + clear
SmallRig cage
x3 LP-E6 batteries
x1 LP-E6 charger
x1 512GB CFexpress
x1 256GB V90 SD card

Worth £5600 in total.

Canon's smallest most versatile Cinema EOS Camera combines outstanding 8k video capturing with 45 megapixel still image capture at 20fps. Featuring Dual Pixel CMOS Autofocus and extensive professional recording formats, the EOS R5 C is a compact and powerful camera, providing high-level performance.
With advanced connectivity, revolutionary RF mount technology and lens flexibility, you can be free to shoot whatever you want, however you want.
Shoot stunning 8K video or capture incredible 45MP stills, all from the beautifully compact EOS R5 C; a camera that combines the best of Cinema EOS alongside the advantages of the EOS R-series. It’s ready for anything – are you?

Aputure Light Dome II with case, grid and silk options.

Makes one incredibly even and big soft light. Best for portraits, interviews and professional filmmaking. Re-designed with a fixed construction for a fast, one-person, setup. Bundled with a honeycomb grid, gel holder and 2 diffusers (1.5 stop and 2.5 stop brightness).

LIGHT DOME II

The ultimate diffusion accessory

CINEMATIC QUALITY

The Light Dome II is a significant upgrade from the original Light Dome, featuring even higher quality diffusion fabric, a rapid build and breakdown system, an included honeycomb egg crate, and several more new additions.

ADVANCED DIFFUSION MATERIALS

The Light Dome II now includes two options (1.5 stops & 2.5 stops) for ultra-soft front diffusion fabric. These materials create a beautiful soft light that provides a very even wrap around your subject.

QUICK SETUP

The Light Dome II also features Aputure’s quick-release speed ring, allowing you to open or close the dome in a matter of seconds.

GEL HOLDER SUPPORT

The new speedring design of the Light Dome II allows it to be compatible with the included Aputure gel holder that maximises the capabilities of your gels while minimising the amount of material needed.

PERFECTLY ROUND CATCHLIGHT

The 35′′ Light Dome II uses 16 rods to create 32 points of axis, allowing an exceptionally round softbox that produces perfectly circular catchlights.

QUALITY FABRIC GRID

In addition to the multiple diffusion options, the Light Dome II also includes a studio grade 40​° ​fabric light control grid to help fine tune your soft light.

UNIVERSAL MOUNT

The new Light Dome II is designed to work with all fixtures from the Light Storm COB family. It is also compatible with a wide variety of Bowens mount lighting systems, the most common mount used in the world of photography.

Canon RF 15-35mm 2.8 L lens supplied with lens cap, hood, dust cap and lens bag.

Fast and wide – the ultimate ultra-wide zoom for professionals

Capture more, even in low light, with this fast f/2.8 L-series RF-series ultra-wide angle 15-35mm zoom with 5-stops of image stabilisation – ideal for landscape and architecture where innovative angles can make all the difference.

Capture new creative angles thanks to this fast and sharp f/2.8 zoom featuring a dynamic 15-35mm focal length and advanced 5-stop image stabilisation

Take your photography to higher standards thanks to three aspherical and two UD lens elements, advanced optical coatings and a 9-blade aperture

Enjoy rapid, accurate focusing thanks to a Nano USM motor that ensures instant and silent autofocus with exceptional smoothness

Confidently shoot in all conditions thanks to L-series quality with weather-sealing and fluorine coatings on the front and rear elements to guard against water drops and dust

Control settings via the Lens Control Ring and use in a variety of situations including macro work, with focusing as close as 28mm

Accsoon Cineeye 2 Pro set in box with antennas.

Atomos Shinobi 5" monitor + 3 NPF batteries + SD card for LUTs

Aputure Lantern with bag and fabric barn doors.

Aputure’s Chip‐on‐Board LEDs shine because of their versatility, and ability to create hard or soft light simply by using different lighting modifiers. With the recent release of the Fresnel 2X and the Spotlight Mount, for intensifying and shaping hard light, we decided it was time to introduce an easier way to shape your soft light too.

Aputure Lantern 90 with bag and fabric barn doors.

Blackmagic Pocket Cinema Camera 6K supplied with Tilta Advanced cage, x1 LP-E6, x4 NPF for battery handle, NPF charger, 1TB CF card, card reader.

Discover the Blackmagic Pocket Cinema Camera 6K, completely packed with new features, the pocket 6k camera comes with a Super 35 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and spectacular low light performance.
External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Features include built in SD/UHS‑II or CFast 2.0 recorders for Blackmagic RAW or ProRes recording as well as a USB‑C expansion port for recording externally to disks, plus EF lens mount, built-in microphones, XLR input, full sized HDMI, 3D LUT support, Bluetooth and more.

Samyang VDSLR 12 mm T3.1 Fisheye with bag, lens cover and body cap.

Samyang VDSLR 14 mm T3.1 cine lens with bag,, lens cover and body cap.

Samyang VDSLR 24 mm T1.5 cine lens with bag, lens cover and body cap.

Samyang VDSLR 35 mm T1.5 cine lens with bag, lens cover and body cap.

Samyang VDSLR 50 mm T1.5 cine lens with bag, lens cover and body cap.

Samyang VDSLR 85 mm T1.5 cine lens with bag, lens cover and body cap.

Samyang VDSLR 100 mm T3.1 cine lens with bag, lens cover and body cap.

Samyang VDSLR 135 mm T2.2 cine lens with bag, lens cover and body cap.

Aputure Fresnel 2x in case
Worth £120 new

JBL EON 500 series 2k PA + desk

x2 JBL EON 515 (tops)
x2 JBL EON 518s (subs)
Speaker stands/poles
x4 IEC
x2 10m XLR
x2 30m XLR
x1 Mixing desk

Canon EFS 55-250mm lens with lens cover, body cap & bag.

The RF 24-70 F2.8L IS USM Lens is the new standard of kit lens from Canon.

Fast and sharp – the ideal full frame mirrorless standard zoom for professionals

Give your full frame mirrorless photography an edge with a 24-70mm zoom built to exceed expectations. Superb optical engineering, a fast f/2.8 maximum aperture and 5-stop image stabilisation helps you stay creative in all conditions. 

Capture your subjects in amazing detail thanks to this fast and sharp f/2.8 zoom featuring the popular 24-70mm range and advanced 5-stop image stabilisation

Enjoy rapid, accurate focusing thanks to a Nano USM motor that ensures instant and silent AF with exceptional smoothness, perfect for video as well as stills

Take your photography to higher standards thanks to three glass moulded aspherical and three UD lens elements, advanced optical coatings and a 9-blade aperture

The build quality redefines L-series quality with weather-sealing and fluorine coatings on the front and rear elements to guard against waterdrops and dust

Control settings via the Lens Control Ring and use in a variety of situations including macro work, with focusing as close as 21cm

Supplied with lens cap, hood & dust cap.

Aputure LS 600D Light supplied in case with Arri light stand

The Light Storm 600d is a perfect light for any demanding lighting situation you may encounter as a cinematographer or photographer. Utilizing the same light source as its professional predecessor, its immensely powerful 600W COB LED positions the LS 600d as one of the brightest point source LEDs on the market. It outputs an incredible 8,500+ lux with the HyperReflector or up to 29,300+ lux at 3 meters with the F10 Fresnel. And with a Max Power Draw of only 720W, this light is able to approach the brightness of 1200W HMIs at only a fraction of their total energy consumption.

As a member of the Light Storm family, it also features an integrated Bowens Mount for easily attaching accessories and modifiers, ranging from the F10 Fresnel for intense brightness to the Light Dome 150 for spectacular softness. Maintaining multiple control methods and the same multivoltage battery plates with a lighter weight and more streamlined control box makes the LS 600d a light fixture that truly standardizes access to high intensity lighting to overpower the sun.

Amaran 200X Bi-colour LED supplied in box with light stand. 2 available.

The Amaran 200x is a bi-colour point-source LED fixture with stunning brightness, flexible color temperature control and wireless Bluetooth app control.
High-quality and affordable, the 200x from Amaran is a great light for content creators, interviews, portrait photography and video production.
By using the latest COB technology from Amaran, the 200x bi-colour LED is able to output up to 51,600 lux at 1 meter using the 55° Hyper-Reflector while remaining incredibly compact.
The 200x light also boasts CRI & TLCI scores of 95+ for immaculate color quality. The Amaran 200x also features a Bowens Mount for is compatibility with a wide universe of accessories.
The Amaran 200x is equipped with Sidus Mesh® technology, forming a network with other Sidus compatible lights, allowing users to precisely control the fixture from nearly any smartphone or tablet using the Sidus Link® mobile app.

Canon RF 100mm F2.8L Macro suppled with lens cap, hood, dust cap and lens bag.

The RF 100mm F2.8L Macro IS USM is a professional macro lens with class-leading 1.4x magnification and a variable Spherical Aberration Control to adjust Bokeh.

Get closer, with images larger than life

The RF 100mm F2.8L Macro IS USM is the world’s first1 AF macro lens with an incredible 1.4x close up magnification for superb images. A Spherical Aberration Control ring lets you vary the Bokeh along with a soft focus affect, making this an exquisite portrait lens too.

Incredible 1.4x magnification

Ideal for handheld macro, the lens gets closer than ever before.

Adjust soft focus and bokeh

A variable Spherical Aberration Control ring can be used to adjust the look of the Bokeh, while applying a flattering soft focus effect.

Outstanding image quality

A 9-blade iris and fast f/2.8 maximum aperture offers great creative opportunities and stunning image quality, even in low light.

Advanced image stabilisation

Designed for assured handheld shooting, a Hybrid Image Stabilizer gives great confidence with up to 5-stops2 of compensation.

Fast, silent, precise AF

Dual Nano USM motors bring new levels of rapid and silent focusing, perfect for stills or video. The lens design suppresses focus breathing too, ensuring consistency.

No compromise construction

This L-series lens features weather-sealing and fluorine coating on the outer element to guard against dust and water.

A lens for all situations

RF 100mm F2.8L Macro IS USM is a superb L-series lens for close focus and portrait work, inspiring creativity.

Aputure Light Dome 150 supplied in bag with 1.5 & 2.5 stop diffusion and grid.

SUPERB SOFTNESS

The Light Dome 150's expansive 5 foot (150cm) transforms Bowens Mount point-source lights into a massive soft source, elegantly illuminating large spaces.

MULTIPLE DIFFUSIONS

Like other members of the Light Dome family, the Light Dome 150 includes two diffusion options (1.5 & 2.5 Stop), allowing you to adjust the density and quality of your soft light.

QUICK BUILD

Using Aputure's pioneered quick-release setup design, the Light Dome 150 remains one of fastest modifiers on the market and can be assembled in seconds.

LIGHT CONTROL GRID

No Aputure soft light modifier would be complete without the ability to control the direction of the light source. The Light Dome 150 includes a 45° fabric light control grid to minimize excess spill light so you can achieve the perfect look.

PERFECTLY CIRCULAR

Following the Light Dome II, the Light Dome 150 utilizes a 32-sided design, resulting in one of the most perfectly round modifiers on the market, allowing for completely circular reflections.

UNIVERSAL ACCESSORY

The entire Light Dome lineup utilizes the most common lighting accessory mount in the world: the Bowens Mount. And the Light Dome 150 is no exception, allowing it to be used in conjunction with any Bowens Mount fixture including Aputure's Light Storm product line, and works especially well with the output power of the LS 600 series.

YONGNUO YN560 IV YN-560IV Wireless Flash Speedlite Master supplied with light stand mount, wireless trigger, light stand and umbrella. You will need to supply AA batteries!

Supports Wireless Master Function: The YN560 IV can be used as master unit, provides 3 independent groups with controlling ability, realizing remote control the flash mode, flash output and focal length of the YN560 IV and YN560 III
Supports Wireless Slave Function, fully supports YN560-TX, RF-603(I/II), RF-602 Wireless transmitter: One YN560 IV can respectively receive the wireless signal from YN560 IV, YN560-TX, RF-603 (I/II), RF-602 with optional 16 channels; when the YN560 IV and YN560-TX used as transmitter, it can realize remote control the parameter settings
Multiple Trigger Synchronous Mode Supported: The YN560 IV can triggered through the set top of the camera, 2.4G wireless triggering, S1 and S2 pre flash cancel mode
Settings Save Automatically, Supports Custom Settings (Fn): The parameters on the flash will automatically save when the flash turned off; the users can customize setting the flash function as needed
GN58 @ ISO100, 105mm: High Guide Number 2.4G wireless speedlite, supports M/Multi/--mode. Sound Prompting System: When the sound prompting system is enabled, the different sound ways will prompt different operating state of the flash so as to allow you focus on shooting. Support Electric Zooming Function: The flash coverage can be altered between 24~105mm through the [ZOOM] button. Ultrafast Charging Recycle System, Supports External Power Supply. Equipped with Big Size LCD Display Screen, Standard PC Synchronous Interface

Aputure LS 600D Light supplied with Light Dome 150, Arri light stand

Aputure LS 300X Bi-Colour suppled with Light dome II and Arri light stand.

The Light Storm 300x is Aputure’s latest point-source LED and is the first bi-colour Bowens mount light fixture to be compatible with optical lens modifiers. By combining the latest optical colour blending technology with Aputure’s dual-colour LED chipset, the LS 300x can utilise the Fresnel 2X and Spotlight Mount to give you unprecedented flexibility from a single fixture. With a simple turn of a dial or press of a button, you can adjust the fixture’s white light CCT output between 2700K-6500K in just seconds. And utilising the same robust lamp head and control box design as the 300d II, this light is built to handle any filmmaking challenge.  

The First of Its Kind

The 300x is Aputure’s latest flagship Light Storm LED fixture, finally integrating properly mixed variable-white lighting into an easily modifiable point-source light engine. The 300x features a specially designed colour-blending optical element in front of its LED light source, combining the bi-colour chipset into one cohesive point-source. The combination of this new technology, along with the Aputure ecosystem, allows you to achieve bi-colour flexibility never before experienced with Aputure products. 

Enhanced Output

With the Fresnel 2X, the LS 300x can produce over 56,000 lux at 1 meter, creating a stunningly bright light, with CCT control always at your fingertips. By having the ability to use lensed modifiers like the Fresnel 2X or the Spotlight Mount, in addition to soft light modifiers like the Light Dome II, you can achieve extreme lighting precision to match any shooting environment. Spot, flood, cut, or diffuse your light without worrying about unwanted artifacts while controlling your white point. 

Flexible Bi-Colour Range

The 300x is the first of many Aputure lights to utilise the expanded vari-white CCT range of 2700K-6500K, going beyond traditional bi-colour, allowing you to produce light that is warmer than typical tungsten fixtures, and cooler than conventional daylight (D55). Flexibility with your white light is key to moving quickly on set, so with the expanded bi-colour range, that’s fewer gels you have to carry. So whatever your ideal effect is, the 300x will help you create light that will perfectly match your atmosphere.

Reliable colour Rendering

No matter which light engine you use, colour fidelity is always essential, so like all Aputure lights, the 300x sports reliable colour rendering abilities. With CRI and TLCI scores of 96+, a tungsten SSI score of up to 85, and a D55 SSI score of up to 74, the 300x will always provide you with top of the line, accurate colour reproduction. 

Robust Design

The 300x also takes a note from the 300d II, by incorporating the same sleek lamp head design and control box design. The 300x utilises a full 360-degree adjustable handbrake locking yoke. It also matches the 300d II with a completely silent, passively-cooled all-in-one control box, integrating the power supply and control system into a single unit. 

Quick and Precise CCT Control

The main difference between the two control boxes is that the 300x now utilises a new CCT control wheel, in addition to the intensity wheel. The 300x CCT dial allows you to fine-tune your CCT in +/- 50K increments. But with the PRESET button located in the middle of the wheel, you can also toggle between 5 common CCT presets (2700K, 3200K, 4300K, 5500K, 6500K) for quick accessibility. 

Dual Output Modes

The 300x even features two output modes: Max Output and Constant Output mode. In Constant Output mode, you can change your CCT precisely while maintaining a consistent luminance level. Combined with a new, smoother dimming system, you even gain the ability to seamlessly shift your colour temperature in the middle of a scene. In Max Output mode, however, the 300x will always maximise your output for your CCT and dimming level, with the highest output range being 4000K-5500K. With these two modes, you can do everything from overpowering existing light to tackling precise problems. 

Creative Power Solutions

Like the 300d II, the 300x can also be operated with a single battery, up to half of its maximum output, or two batteries for full power* -- so no matter how many batteries you have, your scene will always shine. The 300x’s control box also accurately displays realtime expected remaining battery life, allowing users to always understand and plan for any filmmaking scenario. By being battery-operable, the 300x gives you greater freedom in lighting, giving you the ability to craft creative images anywhere. *Aputure recommends 14.4V batteries that support 15A continuous discharge to power the light properly.

Multiple Control Methods

The Light Storm product line is all about flexibility, and the 300x continues to support this by being compatible with multiple control methods. In addition to the control wheels, the 300x can be controlled using Aputure’s tried and true 2.4G RF Remote, DMX512, as well as by the Bluetooth Mesh Sidus Link App. With the added range you get from having multiple Sidus Link lights active, you can control all of your lights’ settings from nearly anywhere on set. And with professional DMX512 compatibility, the 300x allows for control through several channels so you can precisely fine-tune your lighting setup. 

Built-in Effects

The 300x also launches with 9 built-in lighting FX, such as, “Paparazzi,” “Fireworks,” “Lightning,” “Faulty Bulb,” “TV,” “Pulsing,” “Strobe,” “Explosion,” and “Fire,” all with adjustable colour temperature, opening up new possibilities for precise lighting control on your film sets. The 300x’s capabilities will always continue to grow with firmware upgrades to both the fixture and the Sidus Link ecosystem in the future. 

Bowens Mount Modularity

Not to be taken lightly, the 300x continues Aputure’s tradition of being compatible with the Bowens-S Mount, offering a wide variety of both soft light and optical modifiers to choose from, making it a unique bi-colour fixture. With the Bowens Mount, you can flexibly change the quality of your light source in seconds. Whether you want a punchy hard light with crisp shadows or a pleasing soft light, never sacrifice output or colour quality. The 300x’s Bowens Mount can even be used with other industry-standard modifiers from brands like Chimera, as long as you have a Bowens mount speed ring. 

The Sidus Link Ecosystem

With the integration of the Sidus Mesh chipset, the 300x gives you professional lighting control from a single app. This mesh technology extends across the entire future Aputure product line, creating an ecosystem you can trust. With the Sidus Link Mesh Network created by Aputure products, such as the 300x, 300d II, and MC, you can control up to 100 fixtures from your smartphone or tablet, with each additional light fixture increasing the range of the network. That means every light not only talks to your phone but also to each other, creating a smarter ecosystem. Sidus Link allows you to control every aspect of your light’s output, including luminance, CCT, Effects, and even Light Source presets for fast-paced situations. 

With its immense flexibility, the 300x becomes an incredibly powerful light, whether you are working on a large film set, or you’re a solo guerilla filmmaker. Meet the latest member of the Aputure Light Storm family. 

Shure SM7B supplied with desk stand or floor stand. 2 available.

Whether it’s broadcasting, podcasting or recording, voices need to be handled with care. When purified and polished, every detail has more impact. That’s why the SM7B was built — to capture smooth, warm vocals that connect the speaker to the listener.

Simply the first choice for voice.
Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting
Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
Internal "air suspension" shock isolation virtually eliminates mechanical noise transmission
Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals
Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
Rugged construction and excellent cartridge protection for outstanding reliability
What is the SM7B best suited to?
The SM7B is a smooth and warm sounding microphone that is ideal for close-talk applications such as radio presenting and voiceovers for TV. It has also been widely used for vocals on numerous albums.

Why would I want a mic that shields against electromagnetic hum?
Electromagnetic hum is emitted by computer monitors which can cause interference to your sound if the mic is in close proximity to a TV screen or computer monitor and is not shielded.

Rode PodMic supplied with desk stand and floor stand. 2 available.

The PodMic is a broadcast-quality dynamic microphone optimised for incredible performance in podcasting, livestreaming, and other speech or vocal applications. Offering a rich, full-bodied sound, with an internal pop filter for minimising plosives, internal shockmount for reducing vibrations, and a swing mount for easy positioning, the PodMic will take your content to the next level.

Key Features:

Broadcast-quality dynamic microphone
Rich, detailed sound optimised for podcasting, livestreaming and other speech applications
Internal pop filter, shock mount and integrated swing mount
Robust all-metal construction

Aputure Spotlight Mount with 19deg and 36deg lenses

The Spotlight 36 degree set mount is Perfect for restricted setup where wide beam of light is required; @3m distance, it has a beam diameter of 180cm which is twice as wide as 19° Spotlight Mount. 36° Spotlight Mount has the least light output among the three options.

With the Spotlight Mount, Apurture enters into a whole new class of modifiers with the introduction of the world's first Bowens spotlight mount. Achieve a greater degree of control with the Spotlight Mount's internal shutter blades for sharp cuts. Acquire pinpoint accuracy whe projecting your light with your choice of 3 different lenses. 

The three lenses for the Spotlight Mount were designed with professionals in mind. In addition to allowing the 120d II to produce 10 times its original output, the high-resolution lenses produce an even beam of light, with minimal light falloff on the edges, while maintaining a shift in color temperature of less than 200 degrees Kelvin. 

The Spotlight Mount’s new lens technology minimizes chromatic aberrations around the edge of the illumination circle. Compared to similar ellipsoidal fixtures, the Spotlight Mount significantly decreases its edge color fringing to a mere 1mm at a distance of 5 meters.

Like typical ellipsoidal lights, the Spotlight Mount also offers simple user-interchangeability between Aputure’s 19°, 26°, and 36° lenses, whether you need a wider illumination circle or pinpoint accuracy. Combined with the internal shutters, filmmakers will be able to gain more control of the shape of their light.

With the included B-size Gobos, Gobo Holder, and gel frame the Spotlight Mount allows for even further light manipulation, to easily project any shape or color you can think of. The optional removable iris also allows filmmakers to further hone in the shape and size of the Spotlight Mount’s light output. The Spotlight Mount’s dual slot design allows filmmakers to use both their Gobos and iris simultaneously.

In line with Aputure’s other high-quality lighting modifiers, the Spotlight Mount maintains our philosophy of versatility and modularity by utilizing the Bowens mount, for use with our 120d Mark II and 300d lights.

The Spotlight Mount is created with rigging in mind. We gave the Aputure Spotlight a dual Junior/Baby mount so it can be attached to anything from a C-Stand to a Combo Stand or underslung from a lighting grid.

The Aputure Spotlight Mount is built to last. With its aluminum alloy die-cast metal body, it maintains Aputure’s standards for durability while utilizing a more lightweight design than typical tungsten ellipsoidal lights. The Spotlight Mount is ready for wherever your filmmaking adventures take you.

Blackmagic 12g directors monitor setup w/ Accsoon Cineeye 2 Pro transmission system & 4x NPF 70 batteries to power a 12 hour production day.

Canon RF 70-200mm F2.8L IS USM Telephoto Zoom Lens

Good communications and looked after the kit. 
Thanks

Good communications and looked after the kit. Thanks

Jack is a top lad, would definitely do business with him in future

Very accommodating with my awkward timing requests and great piece of kit for my shoot 


Jack was super nice, and friendly and I’d definitely recommend him as a renter. I rented a piece of kit I’ve never used before and he took time to go over it with me, ensured it worked, and answered any questions I had. He was also punctual and fantastic at communicating. Highly recommend. 

Fantastic service, quick responses and gear was in great condition 

Jack was so helpful and very responsive to any questions I had. I’ll check his equipment any time when I need something to rent. 

Very smooth rental with Jack, highly recommended! 

Was good but first day communication was could of been better but after was fine 

Excellent renter! Will surely be renting from again :) 

Gear was top notch. Jack was punctual and generous. Definitely would recommend. 

Jack is brilliant, I couldn't have asked for a nicer person to hire equipment from.  The gear itself was just like new and did the job perfectly. I will definitely be hiring from him again!

Jack H

It’s a bit quiet here...

Jack

Communications