ALSO INCLUDES 3 X BATTERIES AND CHARGING STATION 

Capture 360 spherical VR videos and stills in 8K and 3D. Put on an optional VR headset and watch everything as you capture it. Moreover, you can live stream it as you capture it, using less bandwidth thanks to H.265 compression and cube map projection techniques. These are just some of the features of the Insta360 Pro, which was designed from the ground up with creators in mind.

The Insta360 Pro is built with six 200° fisheye lenses and offers adjustable shutter speed, but you have complete control over how many lenses the camera shoots with. You can select from just three to all six and control which subjects take center stage in the image. The camera also records audio with four built-in mics and additionally supports an external mic.

There's a big difference between 360 with image stabilization and 360 without it. Advanced, real-time image stabilization is another of the features of the Insta360 Pro. The Insta360 Pro also employs a precise optical flow stitching process that minimizes seam lines.

The Insta360 Pro features a mostly aluminum frame and comes with a base stand that can be used as a stand or as a tripod mount (via a threaded mounting hole on the bottom).

Key Features
Capture 360 videos and stills in 8K and 3D
Live stream 4K video with H.264 and H.265 compressions to a variety of 360-supporting platforms, including Facebook, YouTube, and the Insta360 server
Six 200° fisheye lenses (selectable - use all six or less)
Adjustable shutter speed
High-resolution 100 fps slow-motion effect with post-processing
Four built-in mics and an AUX external mic input
Real-

One of the main issues shooters face when shooting 360 VR, is that uneven camera movements can make the viewer feel uneasy and even nauseous. Jerky movements coupled with rolling shutter can also make it very hard to stitch a 360 together, introducing errors that are time consuming to try to rectify.For this reason most high end professional VR shooting up until now has been done from a fixed position. If the camera is moved it is done on a dolly, track or specialised buggy. An obvious solution to this would be to use a brushless gimbal to stabilise the camera, the only problem being that it is hard to minimise the appearance of the gimal in your shot.  Tarzan-G which is capable of supporting rigs up to 3kg in weight. The gimbal features an internal battery that can last up to around five hours. VR Gimbal has both a 3.8″ and a 1/2 20″ mounting holes on the bottom of the unit which makes it very convenient for mounting onto monopods, tripods, or any other compatible device. This means you can position it up high on a pole and use the gimbal to stabilise the shot. The gimbal can also help to get better static and moving shots in conditions where there is a lot of wind

corrina m

It’s a bit quiet here...

corrina

It’s a bit quiet here...