In great condition. A few cosmetic scratches but in perfect working order - glass has always been protected.

Does what it says on the tin. A few scuffs and marks but all in good working order. Any questions, please do ask! 

A compact handy slider that is great for traveling light and popping on top of a tripod.

Full spec can be seen on the edelkrone website here: https://www.edelkrone.com/eu/p/512/sliderone

Note this is the slider - the 'motion module' I don't have.

GH5s complete with Metabones Canon EF adapter

In mint condition (have only just purchased it).

Awesome video capabilities with built in V-Log and 4k at 50fps. 

I also have a Zhiyun crane available for hire with 4K video assist monitor.. just ask. :-) 

Full camera details here: http://shop.panasonic.com/cameras-and-camcorders/cameras/lumix-interchangeable-lens-ilc-cameras/DC-GH5S.html


In mint condition (have only just purchased it).

Awesome low light video capabilities with built in V-Log and 4k at 50fps. 

I also have a metabones adapter - there's a separate listing for the GH5s with metabones adapter on my account.

Zhiyun Crane also available for hire - a great combo.

Full camera details here: http://shop.panasonic.com/cameras-and-camcorders/cameras/lumix-interchangeable-lens-ilc-cameras/DC-GH5S.html

In mint condition. Includes lens cap, tripod collar, protective UV filter, lens cap and protective carry case.

Awesome bit of kit. Up your timelapse / hyperlapse game with the Syrp Genie.

Comes with the Syrp Ballhead and quick release plate and all the gubbins you need, including charger. It'll be in a Lowepro Slingshot bag so you can easily carry it all about.

I also have a 1m long Glidetrack slider which works really well with the Syrp. Just ask and I can create a combo hire with the two.

Also, I have a Canon 5Diii with various lenses, so just ask if you want to go all out!

More info on the Syrp Genie here: https://syrp.co.nz/

Awesome bit of kit. Up your timelapse / hyperlapse game with the Syrp Genie.

Comes with the Syrp Ballhead and quick release plate and all the gubbins you need, including charger. It'll be in a Lowepro Slingshot bag so you can easily carry it all about.

The 1m long Glidetrack slider works really well with the Syrp. I also have just the Syrp Genie on here without the slider if you don't need it.

Also, I have a Canon 5Diii with various lenses, so just ask if you want to add a camera and I can create a custom hire offer!

More info on the Syrp Genie here: https://syrp.co.nz/

One of the niftiest gimbals around.. For details have a look on the DJI website: https://www.dji.com/ronin-s

I also have a Panasonic GH5s which is a great combination - take a look on my page to see the other stuff I have to hire through FatLama (including the GH5s).

Great panel lights - perfect for interview set ups. Comes with three batteries (charged) and charger meaning no wires are needed. 

Stands also included in the hire, as is the carry box for the lights. 

Full details can be found on the F&V website here: http://www.fvlight.eu/f-v-k4000s-se-bi-color-3-light-kit.html


In mint condition as it's practically new. Extremely low handling noise, high sensitivity, broadcast sound quality. 

I can provide an XLR cable, pistol grip, windshield (within this hire cost). 

I also have a Rode Blimp & dead wombat, as well as a boom pole if needed - check out my other listings. Happy to do a deal on a bundle.

In mint condition as it's practically new. The Blimp provides the ultimate in microphone suspension and isolation.

I also have two Rode NTG2 mics and a Rode NTG3 mic in my listings on Fat Llama which work perfectly with this blimp, do take a look: https://fatllama.com/rentals/bristol/hire-rode-ntg3-shotgun-microphone-85664852

Full details about the Blimp here: http://www.rode.com/accessories/blimp



Atomos Ninja V monitor, comes with SSD drive and reader, HDMI cable, plenty of batteries, charger, magic arm.
Some specs:
- 5inch 1000nit HDR Portable HDMI 
- Record up to 4Kp60 10-bit HDR video
- Weighs just 11oz (320g)

Ask me if you need any info :-) 

Great recorder - four XLR Inputs and a Stereo Mic for versatile audio production. 

Four balanced XLR mic inputs meet the requirements of production sound, from professional users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control.

Full spec can be found on Tascam website here: https://tascam.com/us/product/dr-70d/top

I have various other audio recording equipment, much of it isn't listed on FatLlama so if there's something related that you'd like to hire just ask me. 

The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone.

For full spec take a look at the Rode product description here: http://www.rode.com/wireless/filmmaker

A solid combo for video work. Any questions give me a shout. 

It's a Manfrotto 055 Tripod with a Manfrotto MVH502ah head. Details on the head here: https://www.jessops.com/p/manfrotto/mvh502ah-pro-video-head-96879?gclid=EAIaIQobChMIqaDo5f-13gIVibHtCh2DfQ6TEAQYASABEgL0tfD_BwE


Does what it says on the tin! This is the first model of this 430EX series. 

Neewer DSLR includes C-shaped Bracket, Handle Grip15mm Rod, Matte Box, Follow Focus. Perfect for Panasonic, Canon, Sony DSLRs. Allow a good fit for Canon Cine cameras (c100,c200 etc)

Zoom H6 Professional Audio Recorder 

Incredible simple to use whilst being a top quality recorder. Comes with a carry case and detachable mics. 

*Please note this listing is just for the recorder - not the XLR cable in the photo (although this can certainly be provided in addition if needed). 

The Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8.

Great lens!

In mint condition (have only just purchased it).

4K 60P Full Frame Mirrorless. Comes with V-Log installed.

What more could you want? 

(Actually if you do want more, check out my profile as I do have a few bits of gear - lenses, gimbals, tripods, mounts, lights, etc.)

Atomos Ninja Inferno 4K 60p monitor, caged and ready for action. 

Comes with SSD drive and reader, HDMI cable, plenty of batteries, charger, magic arm. In a hard case.

Some specs:
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability.

The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s

Rode NTG2 shotgun mic with XLR, pistol grip, windshield. Any questions just ask!

The sensational Aputure 120D MK2

Included:

Aputure 120d ii
Softbox
Light stand
Power Cord

Any questions give me a shout.

Amazing guy, friendly and helpful. Good quality lens, I  can't wait to borrow it again.

A professional-quality standard zoom that offers outstanding image quality and a fast f/2.8 aperture throughout its zoom range. This L-series lens has a reputation among professional photographers as being the go-to zoom lens, thanks to it’s sharp optics and ability to be used in almost any environment. The perfect companion to any full-frame EOS camera.

canon fd 50mm  plus 28mm 2.8 lens with fd-eos adapters,nice tidy lens, good if you want to experiment with.

This is the Sigma 10 - 20mm lens with EF mount

if you would like any other additional hires with this lens please get in touch.

This hire comes with:

Sigma 10 - 20mm lens
lens box/case (where apropriate)

(the images were taken by myself and are not from the internet)

This is the Samyang 14mm Cine Lens with EF mount

If you would like any other additional hires with this lens please get in touch.

This hire comes with:

Samyang 14mm Cine lens
lens box/ lens case (where apropriate)

(the images were taken by myself and are not from the internet)

Panasonic Lumix G X Vario 35-100mm f/2.8 II POWER O.I.S. Lens 

-Micro Four Thirds System
-70-200mm (35mm Equivalent)
-Aperture Range: f/2.8 to f/22
-Two Extra-Low Dispersion Elements
-One Ultra Extra-Low Dispersion Element
-Nano Surface Coating
-Linear Autofocus Motor
-POWER Optical Image Stabilizer
-Splash, Dust, and Freezeproof Design
-Rounded 7-Blade Diaphragm

This is a fast ultra wide angle zoom lens. It is the mk 1 version so a bit of an older lens now but optically fantastic, great for gimbal work and featuring a clutched focus ring allowing hard stops so great for video.    
comes with Hoya 72mm variable ND filter 

This 50mm Canon lens is a fantastic lightweight lens. With a fast f1.4 aperture this lens excels in low light offering fantastically sharp images at a normal focal length. Partnered with a full-frame camera this is a great all-rounder. The low-weight means that it can be carried all day with no issues. On a APS-C crop body the lens is a great traditional portrait length. The fast aperture gives fantastic background bokeh blur when shooting wide open. Lens comes with lens and body caps.


This lens is a fantastic all-rounder, covering wide-angle to short telephoto ranges. Excellent as a lens to keep on the camera for run and gun film work and when there isn’t the opportunity to take a selection of lenses. With built-in image stabilisation the lens works well in low light. A constant aperture of f4 means that it is not necessary to adjust exposure when adjusting the focal length of the lens. The lens comes with a UV filter to protect the front element and a lens hood to help minimise flaring and ghosting.


This 35mm wide angle Canon prime lens is a fantastic all-rounder. With a wide f1.4 aperture it is great in low light. The bokeh is extremely smooth and the lens lends a fantastic contrast to images. As an L series lens it has a solid metal construction and comes with a UV filter to protect the front lens and a lens hood to minimise flaring.

This Canon ultra wide angle lens has a constant aperture of f4 throughout the zoom range. Solid built L series lens with weather sealing to keep moisture and dust at bay. A solid lens great for landscape and photojournalism. Great full frame lens but also shines when mounted to an APS-C crop sensor the lens provides an excellent normal zoom range. Comes with 77mm UV filter to protect front element, a petal lens hood and dust cap.

Spanning a versatile focal length range while retaining a compact form factor, the Lumix G X Vario PZ 14-42mm f/3.5-5.6 ASPH. POWER O.I.S. from Panasonic is a slim 28-84mm equivalent zoom for Micro Four Thirds mirrorless cameras. Contributing to its sleek profile, the optical design uses four aspherical elements to also reduce spherical aberrations and distortion throughout the zoom range. A pair of extra-low dispersion elements are also featured, to control chromatic aberrations and color fringing, and a Nano Surface Coating has been applied to suppress flare and ghosting. Additionally, the lens uses a stepping AF motor and internal focus design for quick and quiet focusing performance and POWER O.I.S. helps to compensate for the effects of camera shake in order to deliver sharper imagery when shooting handheld.
Wide-to-portrait-length zoom is designed for Micro Four Thirds mirrorless cameras and provides a 28-84mm equivalent focal length range.
Four aspherical elements help reduce spherical aberrations and distortion throughout the zoom range while two extra-low dispersion elements control chromatic aberrations and color fringing for improved clarity and color accuracy.
A Nano Surface Coating has been applied to individual elements to noticeably reduce lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.
Stepping AF motor and internal focus design provides smooth and quiet focusing performance that is well-suited to both photo and video use.
POWER Optical Image Stabilizer (OIS) minimizes the appearance of camera shake

OVERVIEW
The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35Focal Length: 50-100mmImage Stabilisation: NoLens Mount: Canon EFLens Type: Standard Zoom, Telephoto ZoomMax Aperture: T2Type: Cine, Video

OVERVIEW
The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35
Focal Length: 18-35mm
Image Stabilisation: No
Lens Mount: Canon EF
Lens Type: Wide Zoom
Max Aperture: T2
Type: Cine, Video

OVERVIEW
The Samyang 85mm T1.5 is a manual focus prime lens. This VDSLR (Video DSLR) version has been developed primarily for professional cine / movie making purposes. The VDSLR version features follow focus gearing and decoupled aperture, which allow the user to smoothly and quietly change focus and aperture/depth of field whilst filming, and link to professional follow focus cam systems.
It is designed to give exceptional results at wide apertures. At T1.5 great images can be obtained, which is perfect for portraiture and low light shooting, particularly when mounted on a full frame DSLRs.

OVERVIEW
The Samyang 50mm T1.5 AS UMC VDSLR Cine Lens is the cine / video version of the Samyang 50 mm f1.4 AS UMC featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. This specially designed Samyang 50mm lens is full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor. 

The Samyang 50mm standard prime lens gives 46.2 degrees field of view with a fast aperture of T1.5 (f/1.4) for great low light videography / photography and shallow depth of field work. Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of 8 circular aperture blades makes it especially suited to film, where separation of the subject from the background is desired.

OVERVIEW
Wide Angle Manual Focus Cine Lens
Samyang Optics 35mm T1.5 VDSLR AS UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 35mm T1.5 VDSLR AS UMC II is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film much precisely. The lens operates in manual aperture system with low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
As Samyang 35mm photo lens does, this cine lens also has an outstanding optical function. Samyang 35mm T1.5 VDSLR AS UMC II features 12 lenses in 10 groups including 2 high refractive index lenses (HR) to compactify the size of lens and increase the sharpness. Glass aspherical lens (ASP) minimizes color aberration to realize exceptional image quality and high contrast for center and corner of image even when aperture is fully opened. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration and minimizes flare and ghost. Samyang 35mm T1.5 II is known for its beautiful and soft bokeh. It adapts floating lens system to find the minimum focus distance. There are 8 aperture blades designed to be almost as a full circle when aperture is closed which expresses starlike ray clearly and beautifully. 

Hardware Features
Samyang VDSLR lens can be used both in photography and cinematography, perfect for amateurs and professionals. The frame of Samyang 35mm T1.5 II is compact and solid since it is made of high-strength aluminum alloy so trustworthy images can be captured even under inferior environment. Also, detachable petal-shaped lens hood shelter the lens from unnecessary lights. Filter size is 77mm. 
Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

OVERVIEW
The Samyang 24mm T1.5 lens is a super-fast aperture lens designed for shooting high-quality video footage on full-frame and APS-C sensored DSLR cameras as well as professional camcorders. Optical construction is based on the super-sharp 24mm f1.4 lens, with 13 elements in 12 groups and 84 degrees field of view. However this ‘cinema’ version features gearing on the focus and aperture rings to allow follow focus and aperture control from a professional camera rig. The aperture ring is also stepless for smooth and continuous adjustment. Focus distance and aperture settings are clearly marked on the side of the lens barrel to allow easy reference when mounted on a tripod. The stated aperture of T1.5 refers to the actual light transmission of the lens and is particularly important in the film industry where light readings are normally made manually.

INCLUDES
16-35MM f/2.8L Lens
Lens hood
Carrier bag

TECH SPECS
Focal length
24mm

Aperture range
T1.5 - 22 (stepless, with gearing)

Angle of view
84 degrees diagonal

Minimum focus distance
0.25m

Number of diaphragm blades
8

Focus type
manual focus (with gearing)

Lens construction
13 elements in 12 groups (4 ED, 2 Aspherical)

Dimensions
87.5x83mm

Weight
565g

OVERVIEW
A small difference in optical performance makes photography even more pleasant.

Hybrid glass aspherical (H-ASP)
Glass aspherical lens (ASP)
High-refractive, extra low dispersion lens (HR ED)
Uncoupled aperture and focus gear ring
VDSLR II CINE LENS
Circular aperture with 8 blades

Wide Angle Manual Focus Cine Lens
Samyang Optics 14mm T3.1 VDSLR ED AS IF UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 14mm T3.1 VDSLR ED AS IF UMC II is carefully designed for professional film and video works so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
This lens features 14 lenses in 10 groups including 3 high-refractive and extra low dispersion lenses (HR ED), 1 hybrid aspherical lens (H-ASP) and 1 glass aspherical lens (ASP). H-ASP and ASP lenses minimize colour aberration to produce exceptional image quality and high contrast for center and corner of the image even when the aperture is fully opened. HR ED lens of 14mm T3.1 VDSLR ED AS IF UMC II effectively controls the light dispersion to prevent flare and ghost. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration to also minimize flare and ghost.

Hardware Features
The frame of Samyang 14mm T3.1 II is compact and solid since it is made of high-strength aluminium alloy so trustworthy images can be captured even in an inferior environment. Also, a detachable petal-shaped lens hood shelters the lens from unnecessary lights. Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

Samyang Optics VDSLR lens line
Samyang 14mm T3.1 II is one of Samyang Optics VDSLR lens line for full frame image sensor size. The lenses produce the same image colour and have a united location of aperture and focus gear ring to maximize the convenience when filming.

OVERVIEW
The Samyang 135mm T2.2ED UMC VDSLR Cine Lens is the cine/video version of the Samyang 135mm f2.0 ED UMC lens featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. Full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor.

The Samyang 135mm features a floating type design, one Extra-low dispersion lens element (ED) for maximum optical performance. A circular aperture of T2.2 with 9 blades offer great bokeh for close head and shoulder portrait work and short telephoto. To ensure high contrast and faithful colour reproduction, all lens elements have been covered with Samyang's multi-layered UMC anti-reflective coatings. The design and lens coatings offer impressively low chromatic aberrations, ghosting and flare.

Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of the 9 circular aperture blades make it especially suited to film, where the separation of the subject from the background is desired.

OVERVIEW
What photographers demand from the 24-70mm F2.8 specification is much more than outstanding image quality. They want all the features that make this a go-to lens for a wide range of photographic opportunities, including optical design ideal for the latest ultra-high-megapixel digital cameras, hypersonic motor (HSM) for high-speed autofocus, optical stabilizer (OS) with powerful stabilization effect, dust- and splash-proof mount with rubber sealing, and a metal barrel for a stable, rigid feel. This all-new 24-70mm F2.8 lens from SIGMA delivers the performance and functionality that help pros succeed in news, nature, and many other fields of photography.

TECH SPECS
Lens Format: Full Frame
Focal Length: 24-70mm
Image Stabilisation: Yes
Lens Mount: Canon EF
Lens Type: Standard Zoom
Max Aperture: f/2.8
Type: Photo, Video

OVERVIEW
Cheap as chips and a great low light performer. It's not the superfast f/1.4 but to get f/1.8 for a fiver a day you won't go far wrong. If you have the freedom to move relative to your subject, in a lot of circumstances this lens could be all you need. Travel light, shoot cheap and get great results.

TECH SPECS
Focal Length & Maximum Aperture
50mm 1:1.8
Lens Construction
6 elements in 5 groups
Diagonal Angle of View
46°
Focus Adjustment
Overall linear extension system with Micromotor
Closest Focusing Distance
0.45m / 1.5 ft.
Filter Size
52mm
Max. Diameter x Length, Weight
2.7" x 1.6", 4.6 oz. / 68.2 x 41.0mm, 130g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
Rapid focusing system, fast apurture and high performance. The EF 50mm f/1.4 USM is an all round great and reliable lens. It features two high-refraction lens elements, new gaussian optics, astimatism and suppress astigmatic difference.  

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	40, 27, 46 degree
Lens construction (elements/groups)	7/6
No. of diaphragm blades	8
Minimum aperture	22
Closest focusing distance (m)	0.45
Maximum magnification (x)	0.15
AF actuator	Micro USM (1)
Filter diameter (mm)	58
Max. diameter x length (mm)	73.8 x 50.5
Weight (g)	290
Magnification - Extension Tube EF12 II	0.39 - 0.24
Magnification - Extension Tube EF25 II	0.68 - 0.53
Lens hood	ES-71 II
Hard case	LHP-C10
Soft case	ES-C9/LP1014
G.F.Holder III (hood III*)	(2)
G.F.Holder IV (hood IV*)	(2)
 AF actuator	(1)Mechanical full-time manual focusing built-in.
 *Maximum number of Hood III/IV attachable. In case of zoom lenses, the maximum number applies to the short focal length

INCLUDES
- 50mm Lens
- Front and rear element cap
- Bag

OVERVIEW
Great all-rounder with a robust build and good range from 24mm all the way to 105mm. We like to use this lens when you only want to carry one lens because it matches the width but has a longer reach than the popular 24-70. It is slower at a respectable f/4 but it does give f/4 all the way so will still open wide when fully zoomed in.

TECH SPECS
Focal Length & Maximum Aperture - 24-105mm f/4
Lens Construction - 18 elements in 13 groups
Diagonal Angle of View - 84° - 23° 20' (with full-frame camera)
Focus Adjustment - Inner focusing system with focusing cam
Closest Focusing Distance - 1.48 ft./0.45m
Zoom System - 5-group helical zoom (front group moves: 32.5mm)
Filter Size - 77mm
Max. Diameter x Length, Weight - 3.3 in. x 4.2 in., 23.6 oz. / 83.5mm x 107mm, 670g (lens only)

INCLUDES
Lens Hood & Cap

OVERVIEW
Canon EF 100mm f/2.8L Macro Is UsM EOS mount 

The EF 100mm f/2.8L IS USM, part of Canons prestigious L series, and first featuring an Image Stabilizer with angle and shift detection that is highly effective at close focusing distances.

Canon high performance macro
Life size image reproduction (1:1)
UD lens element
Focus distance limiter
8 blade circular aperture for beautiful creative blur effects
58mm filter size
Ring type USM AF motor

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	19.8 degrees, 13.5 degrees, 24 degrees
Lens construction (elements/groups)	15/12
No. of diaphragm blades	9
Minimum aperture	32
Closest focusing distance (m)	0.3
Maximum magnification (x)	1
Distance information	Provided
Image stabilizer	4-stops
 	3-stops at 0.5x magnification
 	2-stops at 1.0x magnification
AF actuator	Ring USM (1)
Dust/moisture resistance	Yes (1)
Filter diameter (mm)	67
Max. diameter x length (mm)	77.7 x 123
Weight (g)	625g
Magnification - Extension Tube EF12 II	1.17-0.12
Magnification - Extension Tube EF25 II	1.37-0.27
Lens hood	ET-73
Soft case	LP1219
G.F.Holder III (hood III*)	4
G.F.Holder IV (hood IV*)	4
Extenders EF1.4x II and EF2x II	NC

INCLUDES
100MM f/2.8L Lens
Lens hood
Carrier bag

OVERVIEW
Still our most popular EF lens. It produces great images and for a zoom at 2.8 has fantastic performance in low light for a lens in it's class. Everybody loves this lens. There's not a bad word to say about it.

TECH SPEC
Focal Length & Maximum Aperture
24-70mm 1:2.8
Lens Construction
16 elements in 13 group
Diagonal Angle of View
84° - 34°
Focus Adjustment
Front-focusing method
Closest Focusing Distanc
0.38m/1.25 ft.
Zoom System
Rotating Type
Filter Size
77mm
Max. Diameter x Length, Weight
3.3" x 4.9", 2.1 lbs. / 83.2mm x 123.5mm, 950g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
The professional’s ultra wide-angle zoom lens.

A fast, ultra wide-angle zoom lens offering excellent optical performance throughout the zoom range. A constant f/2.8 maximum aperture makes this an ideal lens for low-light photography.

TECH SPECS
Angle of view (horzntl, vertl, diagnl)             98º - 54º, 74º 10' - 38º, 108º 10' - 63º

Lens construction (elements/groups)           16/12

No. of diaphragm blades                                7

Minimum aperture                                           22

Closest focusing distance (m)                       0.28

Maximum magnification (x)                            0.22 (at 35mm)

Distance information                                      Yes

Image stabilizer                                               No

AF actuator                                                      Ring USM¹

 Filter diameter (mm)                                      82

Max. diameter x length (mm)                         88.5 x 111.6

Weight (g)                                                        640

Magnification - Extension Tube EF12 II       0.62-0.36¹

Magnification - Extension Tube EF25 II       1.11-0.80¹

Lens Cap                                                         E-82U / E-82II          

Lens hood                                                       EW-88

OVERVIEW
Versatile High Performance

Get high F2.8 brightness over the entire zoom range with this high-speed lens. Its focal length of 12-35mm  (35mm camera equivalent: 24 - 70mm) covers wide-angle to standard to medium telephoto shooting, Not only ideal for capturing landscapes while travelling, this lens's wide diameter gives you top quality indoor shots too. Perceptive and defocusing effects add to the features, giving you exactly the kind of photos and videos you're looking for. Its splash/dust/freeze proof design also makes it great for shooting outdoors, so you can use it in nearly any weather!

Power O.I.S Ultra-Sharp Photos

Capture scenes carefree or at the spur of the moment. The optical image stabilisation technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture.

Taking highly popular MEGA O.IS. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true -to-life scenes without the need for a tripod. In the end, you'll enjoy wonderful crisp images

Nano Surface Coating - Clarity from all angles

Put an end to unwanted ghosting and flaring. The Nano Surface Coating has been applied to lenses with the system. This special, ultra-thin coating was developed originally by Panasonic to reduce bothersome reflections across the entire light spectrum. The result: crystal clear pictures even if you're photographing a light source in the dark

Video Support - perfect video-recording

With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts silent design for enhanced capture of the scenes audio. What’s more, the stunning AF performance of this lens records excellent 4k video where precise focussing is essential.

Splash/Dust/Freeze proof - more creative options

Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction that is tough enough to withstand even heavy field use. It protects the lens system inside from sand. Rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you want.

OVERVIEW
The compact-Servo lenses feature high-performance optics in a compact design. Different aspects of lens performance are emphasized when shooting video compared to still images, and Compact-Servo lenses are optimized for video production.

The Compact-Servo family of lenses are a new 4K Super 35mm lens category in the Cinema EOS lineup. They combine the qualities from our EF lenses such as a light weight, compact size, integrated autofocus and excellent optical quality with the professional video features of our Cinema lenses, such as minimal focus breathing and parfocal zooming.

These features, along with high level 4K optical performance and functionality such as integrated servo controls for zoom, iris and focus for electronic control from a camera, optional remote controller and optional ZSG-C10 Zoom Servo Grip make the Compact-Servo lenses ideal for those seeking the traditional lens operational practices associated with professional cinematography.

TECH SPEC
Lens Format: Super 35
Focal Length: 70-200mm
Image Stabilisation: Yes
Lens Mount: Canon EFLens
Type: Telephoto Zoom
Max Aperture: T/4.4
Type: Cine

OVERVIEW
The EF 70-200mm f/2.8L USM Lens from Canon is a high performance telephoto zoom lens with a constant f/2.8 maximum aperture. It has four UD glass elements to correct chromatic aberrations and provide overall high resolution, high-contrast images. A newly-designed inner focusing system brings high image quality throughout the zooming range and the ultrasonic autofocus motor (USM) provides fast, smooth and quiet autofocus action. This lens can focus as close as 4.9' (1.5 m). It includes a removable tripod collar and is compatible with the Extender EF 1.4x II and 2x II.

TECH SPEC
Four ultra-low dispersion lens elements.
Internal focusing system.
An ultrasonic autofocus motor (USM) provides fast, smooth and silent autofocus.
A focus range limiter lets you set the range of focus distance which enables shorter focusing times. The two ranges are 4.9' to infinity and 9.8' to infinity.
Removable, rotatable tripod collar.

OVERVIEW
An essential telezoom lens for sports, wildlife or portraits.

The EF 70-200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use. It has a rugged durable design, a four-stop Image Stabilizer and specialised lens elements.

TECH SPEC
High-performance, L-series telephoto zoom lens
Constant maximum aperture of f/2.8
Four-stop Image Stabilizer
Fluorite and UD lens elementsImproved durability
1.2m minimum focussing
Water and dust resistant
Ring type USM AF motor

INCLUDES
1x Canon 70-200mm f2.8L IS II USM Lens
1x ET-87 Lens Hood
1x Removeable Tripod Mount

OVERVIEW
A full set of 6 Samyang VDSLR MkII Cine lenses, consisting of 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5,85mm T1.5 and 135mm T2.2 lenses. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage.

INCLUDES
1x 14mm T3.1 VDSLR lens
1x 24mm T1.5 VDSLR lens
1x 35mm T1.5 VDSLR lens
1x 50mm T1.5 VDSLR lens
1x 85mm T1.5 VDSLR lens
1x 135mm T2.2 VDSLR lens
1x Custom Case

The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35

Focal Length: 18-35mm, 50-100mm

Image Stabilisation: No

Lens Mount: Canon EF

Max Aperture: T2

Type: Cine, Video

With an ultra-long range of 35–100mm (35mm camera equivalent: 70–200mm) at a high-speed F2.8, this lens lets you softly blur the background for portraits and close-ups. And it delivers high shutter speeds to freeze-frame fast-moving subjects such as action and sports. At the same time, its splash/dust/freeze proof design also makes it durable enough for shooting outdoors, so you can go out in nearly any weather with a splash/dust/freeze proof LUMIX camera and be creative.
Splash/Dust/Freeze proof.
Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction* that is tough enough to withstand even heavy field use. It protects the lens system inside from sand, rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back...

Sigma Art 18-35mm F1.8

1 x Sigma Art 18-35mm F1.8 EF
1 x Front lens Cap
1 x Rear Lens Cap
1 x Lens Hood
1 x Lens Bag

Canon EF Mount

Focus ring has gears for Follow Focus installed.

(Images for illustration only)

Filter Thread Size: 52mm

This lens is Incompatible with A2, Elan II, Newer Bodies, therefore if used with new Digitial EOS Bodies the aperture and autofocus will not be active.

The Sigma 24mm f/2.8 Macro Super-Wide II Lens provides photographers of all skill levels with the necessary features to create beautiful, unique photographs. This lens is manufactured to fit on Canon EOS APS SLR cameras with the EF mount. This lens offers short focusing distances of just 18cm, making it perfect for macro photography. The wide aperture and angle of view create unique images that will add depth and beauty to your portfolio. 

Easy to use, the RF 24-105mm F4-7.1 IS STM is lightweight, compact and wonderfully versatile with an in-built 5-stop optical Image Stabilizer to help keep your images and movies rock steady.

The RF 50mm F1.8 STM is a small, light lens with a fast f/1.8 aperture, ideal in low light and great for creative depth-of-field. With new optics and a very quiet STM motor.

This is the first macro photo lens designed to achieve a high magnification greater than 1x without additional accessories. It is ideal for small subjects. The newly designed optical formula and UD-glass elements suppress chromatic aberrations which become apparent at high magnifications.

The Sigma 14mm F1.8 DG HSM Art is the world’s first F1.8 prime lens at the 14mm focal length. In taking photographs of starry skies or other celestial scenes at night, a large-diameter lens is a strong ally, since it allows the capture of a moving subject by adjusting shutter speed without relying on ISO sensitivity. With its full-frame 35mm coverage, 14mm focal length for an ultra-wide angle of view, F2 barrier-breaking F1.8, the SIGMA 14mm F1.8 DG HSM | Art is the true high-speed ultra-wide-angle lens for which so many photographers have been waiting. This fast, wide prime features a large spherical element to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal comma flare. 

For rental is a Canon 100-400mm f/4.5 - 5.6 Mark II lens.

Canon 24-70mm 2.8 L USM lens

Description

Location

Item lent by Matt

Other items from Matt

Matt's reviews

FAQs

Canon 24-70mm 2.8 L USM lens

Explore other options around Bristol