A large maximum aperture of f/1.2 gives outstanding speed when shooting in low light. The lens also provides fine control over focusing, allowing extremely shallow depth of field for creative effects.


A virtually circular aperture diaphragm gives out of focus regions a softer, more uniform feel. Sharp foreground objects stand out against a smooth blurred background.

Super Spectra coatings ensure accurate colour balance and enhance contrast. They also reduce flare and ghosting – a common problem caused by light bouncing off a camera's sensor.

Canon 5d Mark III with 50 mm f 1.2 , 24-70 mm f2.8 and 70-200 mm f2.8 lenses; includes Manfrotto Tripod with Swivel Head, 430 EX2 Speedlite, 3 batteries plus charger, 16 GB Compac Flash Extreme Pro Card, Card Reader.

Also available at a reduced rate with 2 or 1 lens only respectively.

Canon 5 D Mark III, 50 mm f1.2, 24-70mm f2.8, 70-200mm f2.8 EF Lenses, Rhodes Video Pro X Stereo Microphone, Sennheiser 416 with basket, windshield and boom, Imorden shoulder rig, pull focus, Matt Box, Manfrotto 055CXPro 4  tripod with Manfrotto MVH502A M Size Pro Video Head, 3 batteries, charger, 64 GB Compac Flash Extreme Card 

Also available at a reduced rate with 2 or 1 lens only respectively.

Hasselblad 500 CM with CFV-50 Digital Back, 2 Analog Film Backs, Distagon f 3.5 60 mm, Synchro Compur f 4.0 150 mm and Superachromat  f5.6 250 mm Carl Zeiss lenses.

Comes with Manfrotto 055CXPro 4 Tripod with 804RC2 Swivel Head, battery, charger, 1x 16GB Compac Flash  Card, firewire cable and light meter.

Hasselblad 500 CM with CFV-50 Digital Back with 1 Carl Zeiss Lenses from the list below:

Distagon f 3.5 60 mm Carl Zeiss Lens
Synchro Compur f 4.0 150 mm Carl Zeiss Lens
Superachromat  f5.6 250 mm Carl Zeiss Lens

Comes with 16 GB Compac Flash Card, battery, charger and firewire cable, 1 analog film back, light meter as well as Manfrotto 055 CX Pro 4 Triplod with 804RC Swivel Tripod Head.

Hasselblad 500 CM with CFV-50 Digital Back with a selection of 2 Carl Zeiss Lenses from the list below:

Distagon f 3.5 60 mm Carl Zeiss Lens
Synchro Compur f 4.0 150 mm Carl Zeiss Lens
Superachromat  f5.6 250 mm Carl Zeiss Lens

Comes with 16 GB Compac Flash Card, battery, charger and firewire cable, 1 analog film back, light meter as well as Manfrotto 055 CX Pro 4 Triplod with 804RC Swivel Tripod Head.

Hasselblad CFV-50 Digital Back.

Comes with one battery, charger, 16 GB Compac Flash Card, and Firewire Cable.

Canon 5d Mark III with a selection of two EF lenses from the list below:

50 mm f 1.2  EF Lens
24-70 mm f2.8 EF Lens
70-200 mm f2.8 EF Lens

Includes Manfrotto Tripod 055CX Pro 4 with 804RC 2 Swivel Head,  430 EX2 Speedlite, 3 batteries plus charger, 16 GB SD Extreme Pro Compac Flash Card,USB Cable, Card Reader.

Also available as a complete set including all 3 lenses or with 1 lens only.

Canon 5d Mark III with a selection of one EF lenses from the list below:

50 mm f 1.2  EF Lens
24-70 mm f2.8 EF Lens
70-200 mm f2.8 EF Lens

Includes Manfrotto Tripod 055CX Pro 4 with 804RC 2 Swivel Head,  430 EX2 Speedlite, 3 batteries plus charger, 16 GB  Extreme Pro Compac Flash Card,USB Cable, Card Reader.

Also available as a complete set including all 3 lenses or with a selection of 2 lenses.

The EF 24-70mm f/2.8L II USM’s constant f/2.8 aperture throughout the zoom range makes the lens a great low light performer that’s able to make the most of any available ambient light. The fixed aperture also gives you optimum control over depth-of-field. The new 9-bladed diaphragm produces a circular aperture, which helps to achieve beautifully blurred backgrounds with attractive bokeh. 

Canon’s four-stop Image Stabilizer (IS) makes the EF 70-200mm f/2.8 IS II USM ideal for shooting in low light conditions when using a tripod is not possible. The IS system allows shutter speeds up to four stops slower than normal to be used without causing image blur.

Shoot hand held in low light conditions thanks to a fast f/2.8 maximum aperture, which stays constant throughout the zoom range. Such an aperture also gives a photographer control over depth of field.


The rare and exquisite Carl Zeiss  Sonnar f/5.6-250 mm Superachromat lands itself to taking photographs which are to be considerably re-enlarged. 

It is used in technical and scientific IR photography, for special effects in
landscape and architectural photography, geology, hydrology and archaeological documentation with the aid of the aerial photograph, botany, plant pathology, environmental control and multi-spectral photography are examples of the wide range of application of this extraordinary lens.

Variable Fluid Drag System on pan and tilt movements | Video head with counterbalance system on tilt movement | Sliding plate for the fast camera connection and setup | EasyLink for adding external accessories | Ø75mm ball for easy levelling

Broadcast industry standard short shotgun interference tube microphone for film, radio, and television, especially for outside broadcast applications. Excellent directivity and compact design, high consonant articulation and feedback rejection.


The Stereo Video Mic X is the ultimate broadcast-grade stereo microphone for on-camera use. Utilising all-metal construction, it is incredibly robust making it ideal for regular professional use, while also providing high levels of resistance to RF interference.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. Great as a vocal mic, for recording acoustic guitars and other string instruments.


SWIVI is a series of professional optical LCD viewfinder designed for video shooting with DSLR and mirrorless cameras.

The SWIVI S3 viewfinder provides an extremely clear, magnified view. Essential when shooting video in daylight condition.

It has 2 different modes: Magnification and Standard. Magnification mode provides a 3x magnifying view on LCD. Simply flip up the eyepiece to use as a sunshade hood.

The rubber eyecup can be changed for the left and right eye. The viewfinder attaches to the camera by using included mounting plate that attaches onto the base of the camera.


Durable construction with double-hand handgrip and C-shaped shoulder pad. Designed by ergonomics for comfortable operation. 15mm rail system to attach follow focus, matte box and more.


This is the Canon 5 D Mark III DSLR Body - also available with 1 ,2 or 3 lenses. 

Please see my listings. 

Canon L-Series Lens Set of Three:

Canon 1.2 50mm L-Series

Canon 24-70mm L-Series

Canon 70-200mm L-Series

Amazing help, patient kind and great communication. I need to pop  his SD card back asap ! Recommended. 

Excellent low-light prime lens, very sharp, smooth bokeh

Suitable for photo and video (though not a stabilised lens)

https://www.dpreview.com/reviews/canon-35mm-f1-4-ii



- Perfect for portraiture with fixed 50 mm focal length

- f/1.8 aperture for beautifully blurred background

- Quality elements and coating for sharper images

- Travel friendly lens is an essential part of any kit

Perfect for portraiture

The Canon EF 50 mm f/1.8 STM Standard Prime Lens offers a perspective that's similar to the human eye, making it ideal for portraiture and easy to achieve perfect framing with a smooth bokeh.

Near-silent STM focusing eliminates focus noise – ideal when shooting movies.

f/1.8 aperture

A bright maximum aperture of f/1.8 delivers great results in low-light conditions, while also letting you capture a smooth background to make your subject stand out.

Quality elements and coating

This fixed lens offers sharp images with increased contrast and reduced distortion. The glass elements are layered with Canon's bespoke Super Spectra coating to help prevent flare and ghosting caused by shooting into the light.

Travel friendly lens

Lightweight and compact, the EF 50 mm f/1.8 STM will form an essential part of your photography kit and is compatible with Canon EF mount cameras.


This 50mm Canon lens is a fantastic lightweight lens. With a fast f1.4 aperture this lens excels in low light offering fantastically sharp images at a normal focal length. Partnered with a full-frame camera this is a great all-rounder. The low-weight means that it can be carried all day with no issues. On a APS-C crop body the lens is a great traditional portrait length. The fast aperture gives fantastic background bokeh blur when shooting wide open. Lens comes with lens and body caps.

This 35mm wide angle Canon prime lens is a fantastic all-rounder. With a wide f1.4 aperture it is great in low light. The bokeh is extremely smooth and the lens lends a fantastic contrast to images. As an L series lens it has a solid metal construction and comes with a UV filter to protect the front lens and a lens hood to minimise flaring.

Canon's flagship Macro lens - a great addition to any kit bag, amazingly sharp & reliable.

The Samyang 14mm f/2.8 Aspherical Wide Angle Lens is an excellent addition to any photographer's collection. It allows users the ability to expand their creativity and capture incredible scenes from a truly unique perspective. This manual focus lens creates images with an expanded perspective and sharp focus that extends throughout the entire frame. Optical construction is based on 14 elements in 12 groups. 2 ED low dispersion lenses, one hybrid aspherical element and one glass aspherical element combine to minimize distortion and chromatic aberrations. Advanced optical construction allows this lens to deliver razor sharp images even in the corners. The 14mm f/2.8 works perfectly even with latest high resolution, full-frame sensors. The lens is optically corrected, which is especially useful in architecture and landscape photography, and the 114 degree angle of view allows the user to create extremely unique and interesting pictures.
Focal length: 14mm
Angle of view: 114°
Maximum aperture: f/2.8 Minimum aperture: f/22
Focus type: manual Focus
Canon mount

Samyang 14mm f/2.8 ED AS IF UMC Lens for Canon EF Mount. THis lens is a manual focus, incredibly wide angle, that manages to not distort to the extent of a fish-eye lens.

Can also provide a Sigma EF-mount to Sony E-mount for use with Sony mirrorless cameras (at an additional charge)

Canon's nifty fifty, an amazing lens. Used for film and photo.

Hardly ever used telephoto Canon Lens. 
The EF 75-300mm f/4-5.6 III Lens from Canon is a telephoto zoom lens ideal for day-to-day use because it is particularly light and compact, especially given its long focal reach. Able to magnify distant subjects, it also compresses the space between subjects within the frame and with a shallow depth of field at its longer lengths, it offers enhanced out of focus bokeh. Its minimum focus distance is 4.9 feet, even at the telephoto end of its zoom.

The RF 50mm F1.8 STM is a small, light lens with a fast f/1.8 aperture, ideal in low light and great for creative depth-of-field. With new optics and a very quiet STM motor.

Sigma 18-35mm f/1.8 DC HSM A Series Art Lens - variable wide EF mount lens

Comes with lens hood (not pictured)


This lens is a fantastic all-rounder, covering wide-angle to short telephoto ranges. Excellent as a lens to keep on the camera for run and gun film work and when there isn’t the opportunity to take a selection of lenses. With built-in image stabilisation the lens works well in low light. A constant aperture of f4 means that it is not necessary to adjust exposure when adjusting the focal length of the lens. The lens comes with a UV filter to protect the front element and a lens hood to help minimise flaring and ghosting.


A professional-quality standard zoom that offers superlative image quality and a fast f/2.8 maximum aperture throughout its zoom range. The perfect companion to any full-frame EOS camera.<br/><br/><p>&nbsp;</p><hr><h3>Canon EF 24-70mm f2.8L II USM Lens</h3><p>The Gold Standard in professional zoom the 24-70 is&nbsp;a must for any full-frame photographer's kit bag. Useful in any environment or on any assignment you can count on the 24-70 to deliver&nbsp;crisp imagery time after time.&nbsp;&nbsp;</p>

 Brilliant 24mm prime Canon L series lens. Super sharp and great for landscape  and wide portraits. Brilliant condition, includes HOYA UV filter.

An advanced one-lens solution, the EF 24-105mm f/4L IS II USM is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture. The version II of this popular lens sports a redeveloped optical design, which includes four aspherical elements to significantly reduce distortion and spherical aberrations throughout the zoom range for great sharpness and accurate subject rendering. Individual elements feature an Air Sphere Coating, too, to suppress flare and ghosting for greater contrast and color accuracy in harsh lighting conditions.,Complementing the refined optics, this 24-105mm f/4 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. A four-stop-effective Image Stabilizer is also used to minimize the appearance of camera shake for sharper handheld shooting. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.

Canon EF 70-200mm f/2.8L IS II USM fro rent in Bristol

Incredible portrait lens - Canon L series 85mm prime lens with Image Stabilisation. Brand new quality, please look after this legend! Comes with Hoya UV filter.

SIGMA 70-200MM F2.8 DG OS HSM - CANON EF

Sharp rival to the Canon 70-200mm.

Great lens with OS

18-35mm F1.8 DC HSM | A

THE FIRST AND FASTEST OF ITS KIND

We all knows this lens - its great.

Canon MP-E 65mm f/2.8 1-5x Macro Lens

This lens is in very good condition and will always be supplied in a soft bag with front and back cap.

Note: All lenses will be professionally mapped before and after hire.

Canon 16-35mm F2.8 Lens

This lens is in very good condition and will always be supplied in a soft bag with front and back cap as well as a protective UV filter.

Note: All lenses will be professionally mapped before and after hire.

Canon 100mm F2.8 Macro Lens

This lens is in very good condition and will always be supplied in a soft bag with front and back cap as well as a protective UV filter.

Note: All lenses will be professionally mapped before and after hire.

This Canon ultra wide angle lens has a constant aperture of f4 throughout the zoom range. Solid built L series lens with weather sealing to keep moisture and dust at bay. A solid lens great for landscape and photojournalism. Great full frame lens but also shines when mounted to an APS-C crop sensor the lens provides an excellent normal zoom range. Comes with 77mm UV filter to protect front element, a petal lens hood and dust cap.

Easy to use, the RF 24-105mm F4-7.1 IS STM is lightweight, compact and wonderfully versatile with an in-built 5-stop optical Image Stabilizer to help keep your images and movies rock steady.

The nifty fifty. Great for portraiture and night photography. For Canon EF mount.

Canon EF 50mm f/1.4 USM. Fast maximum aperture and rapid focusing system, very compact lens. 

EF Mount L-Series Lens
Aperture Range: f/1.2-16
Aspherical Lens Element
Ultrasonic Autofocus Motor
Manual Focus Override
Minimum Focus Distance: 18"
Depth of Field Scale and Infrared Index
Tight Seal Structure Resists Moisture
72mm Filter Thread Diameter

-Canon 50mm Lens
-Ideal for portraits
-Great Aperture Lens

Sigma 18-35mm F1.8 DC HSM (EF Mount). Fantastic wide angle lens, fixed aperture of 1.8, perfect for low light conditions. 

Canon 1.4 EF Lens.
Excellent condition.

Great prime lens for low light.

Canon fit
24-70mm Ultrasonic autofocus lens
2.8
No chips or scratches - great all round lens 

The Sigma 14mm F1.8 DG HSM Art is the world’s first F1.8 prime lens at the 14mm focal length. In taking photographs of starry skies or other celestial scenes at night, a large-diameter lens is a strong ally, since it allows the capture of a moving subject by adjusting shutter speed without relying on ISO sensitivity. With its full-frame 35mm coverage, 14mm focal length for an ultra-wide angle of view, F2 barrier-breaking F1.8, the SIGMA 14mm F1.8 DG HSM | Art is the true high-speed ultra-wide-angle lens for which so many photographers have been waiting. This fast, wide prime features a large spherical element to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal comma flare. 

Canon EF 24-70mm f2.8 L USM Zoom Lens (version 1)

In good condition. A great zoom lens for DSLR filmmaking or photography in general. 



A versatile fisheye zoom lens offering a choice of full frame or circular image. The EF 8-15mm f/4L Fisheye USM is part of Canon’s high performance L series lenses and delivers fantastic image quality, even with such a wide angle view.

Circular or full frame Fisheye zoom lens
There’s no need to buy two specialist lenses when the EF 8-15mm f/4L Fisheye USM offers, either full frame or circular fisheye images when used with cameras with a 24x36mm (full frame) sensor. For photographers shooting with DSLR’s with a smaller sensor, full frame fisheye images are possible. With a 180 diagonal field of view, capturing the whole scene in a single image has never been easier.

L-series quality
The L-series is Canon's flagship professional lens range, representing the best in precision-designed EF optics. L-series lenses combine superior performance with superlative handling, and are highly resistant to dust and moisture.

Fast, quiet auto focus
A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and optimised AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF mode.

Enhanced image quality with SWC coating
Designed for use in digital photography, Canon’s patented Subwavelength structure coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause, the coating reduces reflections and helps to deliver crisp, clear images.

Offering a natural perspective and a wider angle of view, the EF 35mm f/2 IS USM is a good alternative standard lens to a traditional 50mm optic when used on a full-frame DSLR. On EOS cameras with APS-C sized sensors it gives an angle of view similar to a 56mm lens.

Image stabilisation for low-light shooting

Shoot hand held in low-light conditions using shutter speeds that are up to four stops slower than usually recommended. Image Stabilizer (IS) technology detects automatically when a photographer is panning to follow moving objects and switches off stablisation in this direction.

Large f/2 maximum aperture

Shooting with apertures as wide as f/2 enables photographers to work with shallow depth of field. Enjoy a bright viewfinder image and use relatively fast shutter speeds even in dim conditions.

Advanced autofocus

Enjoy fast, near-silent autofocus thanks to a ring-type ultrasonic AF motor. Stay in control with full-time manual focus override.

Sophisticated optical design

An aspherical lens element maximises image quality while a eight-bladed aperture diaphragm delivers smooth, out-of-focus bokeh. The EF 35mm f/2 IS USM focuses down to 0.24m, letting you get close to your subjects.

Compact design

Small enough to always warrant a place in your bag, the EF 35mm f/2 IS USM is perfect for reportage and street photography.

Superior performance redesigned to meet photographers’ needs. Introducing a precise and powerful large-aperture 300mm telephoto zoom. This lens combines the highest levels of optical performance and photographic expression with equally fine functionality and usability. It embodies the concept of the Sports line, which features outstanding action-capture performance. Fully customizable, it allows the photographer to create his or own specification. It is an ideal choice for photographing sports events, animals and natural environments, airplanes, motorsports and even portraits. It greatly empowers photographic expression, allowing photographers to capture those crucial shots.

Diaphragm Blades:9, Mounting Type:Canon EF, Min Focus Distance:1.3 m, Filter Size:77 mm, Special Functions:Tele, zoom, Zoom Adjustment:Manual, Minimum Aperture:F/32, Lens Construction:23 group(s) / 17 element(s), Type:Telephoto zoom lens, Lens Aperture:F/2.8, Features:Full-time manual focusing, splashproof, LD glass, Utrasonic Silent Drive (USD), VC (Vibration Compensation), XLD (Extra Low Dispersion) glass, Focal Length:70 mm - 200 mm, Magnification:1 / 8, Max View Angle:34.3 degree(s), Image Stabiliser:Optical, Focus Adjustment:Automatic, manual, Intended For:35mm SLR, digital SLR, Optical Zoom:2.9 x, Min View Angle:12.3 degree(s), Included Accessories:Lens hood, dust cap, lens cap

Canon f1.2 50mm EF Lens

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Canon f1.2 50mm EF Lens

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