Filter Thread Size: 52mm

This lens is Incompatible with A2, Elan II, Newer Bodies, therefore if used with new Digitial EOS Bodies the aperture and autofocus will not be active.

The Sigma 24mm f/2.8 Macro Super-Wide II Lens provides photographers of all skill levels with the necessary features to create beautiful, unique photographs. This lens is manufactured to fit on Canon EOS APS SLR cameras with the EF mount. This lens offers short focusing distances of just 18cm, making it perfect for macro photography. The wide aperture and angle of view create unique images that will add depth and beauty to your portfolio. 

The Sirui 50mm F1.8 Anamorphic Lens 1.35X (Sony E-mount) is a high-quality anamorphic lens that allows you to take pictures with a cinematic look. This allows you to use the entire resolution of the image sensor, resulting in better image quality. Thus, you have cinematic recordings with only one press of the button. The lens produces a cinematic 2.35:1 video with a 34% increase in the horizontal field of view. This robust and lightweight lens ensures that the focal range and optical distortion are well controlled. The lens is also equipped with a Nano-coating that gives you smooth backlighting effects. In addition, you can create an oval bokeh effect by means of the aperture ring.


Features:

Lens 1.33X (Sony E-Mount)
High-quality anamorphic lens
Shots with a cinematic appearance
2.4:1 video with 34% horizontal field of view
Sturdy and lightweight lens
Nano coating
Focal length: 50mm
11 elements in 8 groups
10 aperture blades
Filter size: 67 mm
Sony E-mount
Designed for 1.6 crop-factor, however, can be used on larger sensors if soft edges are acceptable.

The DJI Ronin-SC is a super-portable, 3-axis single handle gimbal made for mirrorless cameras. It features a magnesium & aluminium construction providing robust performance and weighs just 1.1 kg. With a modular, quick setup design, Ronin-SC can pack neatly in limited space and be carried with ease.

The Pro Combo kit includes a BG18 battery grip, an extended grip mini tripod, a quick-release camera plate, a camera riser, a focus motor with rod mount, control and charging cables, a focus motor with wheel and rod mount, and a storage case.

In the box:

DJI Ronin-SC Gimbal Stabilizer
DJI BG18 Grip for Ronin-SC Gimbal
DJI Camera Riser for Ronin-SC or Ronin-S Gimbal
DJI Multicamera USB Control Cable for Ronin-SC Gimbal
DJI USB Type-C Multicamera Control Cable for Ronin-SC Gimbal
DJI USB Type-C To Micro-USB Multicamera Control Adapter for Ronin-SC Gimbal
USB Type-C Charging Cable
Quick Release Camera Mounting Plate
Extended Grip/Tripod
Lens Support
Focus Motor
Focus Motor Rod Mount
Focus Wheel
Focus Gear Strip
RSS Splitter
6x Screws
2 x Allen Wrench
2 x 8-Pin Port Cover
3 x 1/4"-20 Screw
4 x M4 Screw
Storage Case

Greater Compatibility
Ronin-SC supports a wide range of cameras and lenses while meeting strict performance standards. Ronin-SC has been rigorously tested to support a payload of 2.0 kg while still achieving a smooth, cinematic shot. Intuitive and user-friendly controls for shutter and focus are also available for most camera brands.

Dynamic Stability
Even in action-packed scenes, Ronin-SC gives a perfectly stable shot. Sport mode improves the sensitivity of each axis while continuing to maintain stabilization, making Ronin-SC more effective in fast follows, sudden motions, and even complete changes in direction.

Unobstructed Roll Axis Arm
An innovative framework elevates camera payload above the roll axis, keeping the camera's built-in display free of obstruction. After DJI introduced this concept, it has been embraced throughout the handheld gimbal industry.

Unlimited Yaw Axis
The yaw axis allows for continuous movement, freeing the camera for more ambitious shots. Options like an infinite 360° roll allow filmmakers to achieve completely unique shots.

Down to Every Detail
The buttons and trigger are easy to reach for every essential control. A flared battery grip makes extended holding easier and slip-resistant, letting you capture moments throughout the day.

Panorama
Smooth, automated movement control allows you to create panoramas with unparalleled quality and precision.

Timelapse
Make the passage of time your ultimate storytelling tool, capturing sunsets and blossoming flowers in a steady frame.

Motionlapse
Smooth gimbal movement adds a compelling element to your timelapse.

Motion Control
Create a camera movement path to repeat the exact frame you want, whenever you need.

ActiveTrack 3.0
ActiveTrack technology arrives for the first time in the Ronin series. A smartphone mounted above the camera, the Ronin app, and Ronin-SC works together seamlessly to achieve smooth, precise gimbal movement at all times, allowing you to focus more on creating the shot that matches your vision.

Force Mobile
Ronin-SC introduces Force Mobile, an app-based version of the Force Pro camera movement control system. By tilting and rotating your smartphone, users can control the gimbal with ultra-low latency, delivering a fluid, expressive shot with an instinctive feel.

Ronin App
The Ronin app has also been improved for an even better user experience making Ronin-SC professional and easy to use. The layout has been refined to offer quicker access to preset scenarios, and we've also included a camera balancing guide, along with tutorials to help users master their handheld gimbal. The app also minimizes hardware tuning, setting filmmakers free to produce great footage.

The E-Image 2-Stage Aluminum Tripod with GH03 Head supports cameras and accessories weighing up to 11 pounds. The head and legs feature a 75mm ball/bowl, which provides a fairly wide platform. The legs are made from aluminium and feature three leg sections, with mono-lock leg locks. The mono-lock design allows you to lock and unlock all the sections of each leg using only one rotating locking lever. The tripod legs are height-adjustable from 26 to 61".

The GH03 head features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick-release system. It provides fixed counterbalance that helps the fluid head support loads up to 11 pounds. With variable fluid drag on both pan and tilt, you can adjust the fluid head to suit your shooting style or the needs of the shot. The head features a built-in 1/4"-20 accessory socket for available monitor support arms or other accessory items. It includes a padded carry bag with a shoulder strap

The Easy-Lock baseplate provides the balance adjustment range associated with a sliding balance plate but combines the ease of a quick release, as you can pop the camera (on the Easy Lock plate) into the top of the fluid head without having to support the camera while lining up the plate with the head. Easy to pop in, it stays secure until you release it, and you maintain the sliding balance adjustments.
Mono-Lock design allows you to lock and unlock the three sections of each leg using only one locking lever. The rotating lever provides a robust clamp mechanism that secures the legs and prevents them from slipping once locked. The single lever on each leg allows you to quickly lock the leg height without having to use two levers, making for a quicker workflow and sparing your back from having to bend down to open a bottom leg lock to raise the legs.
The legs feature dual spiked feet that provide solid purchase in soft surfaces when the legs are spread wide or extended to full height.
The rubber feet attach to the spiked feet for working on delicate or hard surfaces.
The Easy-Lock camera plate features a guided sled with a locating pin and supports both 1/4"-20 and 3/8"-16 camera tie-down screws (included).

The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length.

Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone.

With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight. The Dead Wombat windshield, caring brush and tail/patch cable are included.

The added confidence of a full ten year warranty* ensures that the Blimp is by far the best microphone windshield system available, further evidenced by a 2009 Red Dot Award and Australian International Design Award for outstanding product design. *Excludes normal wear and tear of Dead Wombat furry cover or any misuse, modification or improper storage and transportation of the product.

The Samyang 14mm f/2.8 Aspherical Wide Angle Lens is an excellent addition to any photographer's collection. It allows users the ability to expand their creativity and capture incredible scenes from a truly unique perspective. This manual focus lens creates images with an expanded perspective and sharp focus that extends throughout the entire frame. Optical construction is based on 14 elements in 12 groups. 2 ED low dispersion lenses, one hybrid aspherical element and one glass aspherical element combine to minimize distortion and chromatic aberrations. Advanced optical construction allows this lens to deliver razor sharp images even in the corners. The 14mm f/2.8 works perfectly even with latest high resolution, full-frame sensors. The lens is optically corrected, which is especially useful in architecture and landscape photography, and the 114 degree angle of view allows the user to create extremely unique and interesting pictures.
Focal length: 14mm
Angle of view: 114°
Maximum aperture: f/2.8 Minimum aperture: f/22
Focus type: manual Focus
Canon mount

Samyang 14mm f/2.8 ED AS IF UMC Lens for Canon EF Mount. THis lens is a manual focus, incredibly wide angle, that manages to not distort to the extent of a fish-eye lens.

Can also provide a Sigma EF-mount to Sony E-mount for use with Sony mirrorless cameras (at an additional charge)

Tokina 11-16 F2.8 DX II wide angle lens

EF mount for Canon cameras

Canon's flagship Macro lens - a great addition to any kit bag, amazingly sharp & reliable.

Available for rent, my pristine condition Sigma Art 18-35mm 1.8 zoom lens.

Lens Format: APS-C

Sigma 18-35mm f/1.8 DC HSM A Series Art Lens - Canon EF Mount. The Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal focusing and zooming allows for more usability and functionality. The 18-35mm is ideal for landscape photography, portrait photography, still life photography, snap shots, casual photography, and close-ups and the Hyper Sonic Motor (HSM) ensures smooth, fast and accurate autofocusing.

SIGMA 70-200MM F2.8 DG OS HSM - CANON EF

Sharp rival to the Canon 70-200mm.

Great lens with OS

OVERVIEW
The Samyang 24mm T1.5 lens is a super-fast aperture lens designed for shooting high-quality video footage on full-frame and APS-C sensored DSLR cameras as well as professional camcorders. Optical construction is based on the super-sharp 24mm f1.4 lens, with 13 elements in 12 groups and 84 degrees field of view. However this ‘cinema’ version features gearing on the focus and aperture rings to allow follow focus and aperture control from a professional camera rig. The aperture ring is also stepless for smooth and continuous adjustment. Focus distance and aperture settings are clearly marked on the side of the lens barrel to allow easy reference when mounted on a tripod. The stated aperture of T1.5 refers to the actual light transmission of the lens and is particularly important in the film industry where light readings are normally made manually.

INCLUDES
16-35MM f/2.8L Lens
Lens hood
Carrier bag

TECH SPECS
Focal length
24mm

Aperture range
T1.5 - 22 (stepless, with gearing)

Angle of view
84 degrees diagonal

Minimum focus distance
0.25m

Number of diaphragm blades
8

Focus type
manual focus (with gearing)

Lens construction
13 elements in 12 groups (4 ED, 2 Aspherical)

Dimensions
87.5x83mm

Weight
565g

OVERVIEW
Canon EF 100mm f/2.8L Macro Is UsM EOS mount 

The EF 100mm f/2.8L IS USM, part of Canons prestigious L series, and first featuring an Image Stabilizer with angle and shift detection that is highly effective at close focusing distances.

Canon high performance macro
Life size image reproduction (1:1)
UD lens element
Focus distance limiter
8 blade circular aperture for beautiful creative blur effects
58mm filter size
Ring type USM AF motor

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	19.8 degrees, 13.5 degrees, 24 degrees
Lens construction (elements/groups)	15/12
No. of diaphragm blades	9
Minimum aperture	32
Closest focusing distance (m)	0.3
Maximum magnification (x)	1
Distance information	Provided
Image stabilizer	4-stops
 	3-stops at 0.5x magnification
 	2-stops at 1.0x magnification
AF actuator	Ring USM (1)
Dust/moisture resistance	Yes (1)
Filter diameter (mm)	67
Max. diameter x length (mm)	77.7 x 123
Weight (g)	625g
Magnification - Extension Tube EF12 II	1.17-0.12
Magnification - Extension Tube EF25 II	1.37-0.27
Lens hood	ET-73
Soft case	LP1219
G.F.Holder III (hood III*)	4
G.F.Holder IV (hood IV*)	4
Extenders EF1.4x II and EF2x II	NC

INCLUDES
100MM f/2.8L Lens
Lens hood
Carrier bag

- Perfect for portraiture with fixed 50 mm focal length

- f/1.8 aperture for beautifully blurred background

- Quality elements and coating for sharper images

- Travel friendly lens is an essential part of any kit

Perfect for portraiture

The Canon EF 50 mm f/1.8 STM Standard Prime Lens offers a perspective that's similar to the human eye, making it ideal for portraiture and easy to achieve perfect framing with a smooth bokeh.

Near-silent STM focusing eliminates focus noise – ideal when shooting movies.

f/1.8 aperture

A bright maximum aperture of f/1.8 delivers great results in low-light conditions, while also letting you capture a smooth background to make your subject stand out.

Quality elements and coating

This fixed lens offers sharp images with increased contrast and reduced distortion. The glass elements are layered with Canon's bespoke Super Spectra coating to help prevent flare and ghosting caused by shooting into the light.

Travel friendly lens

Lightweight and compact, the EF 50 mm f/1.8 STM will form an essential part of your photography kit and is compatible with Canon EF mount cameras.


Sigma 18-35mm f/1.8 DC HSM A Series Art Lens - variable wide EF mount lens

Comes with lens hood (not pictured)

A professional-quality standard zoom that offers superlative image quality and a fast f/2.8 maximum aperture throughout its zoom range. The perfect companion to any full-frame EOS camera.<br/><br/><p>&nbsp;</p><hr><h3>Canon EF 24-70mm f2.8L II USM Lens</h3><p>The Gold Standard in professional zoom the 24-70 is&nbsp;a must for any full-frame photographer's kit bag. Useful in any environment or on any assignment you can count on the 24-70 to deliver&nbsp;crisp imagery time after time.&nbsp;&nbsp;</p>

Love the look this lens gives. One of my favourites, workhorse for all sorts of photography. Comes with tripod mount - just remind us to include it as we rarely use it!

 Brilliant 24mm prime Canon L series lens. Super sharp and great for landscape  and wide portraits. Brilliant condition, includes HOYA UV filter.

OVERVIEW
The Samyang 85mm T1.5 is a manual focus prime lens. This VDSLR (Video DSLR) version has been developed primarily for professional cine / movie making purposes. The VDSLR version features follow focus gearing and decoupled aperture, which allow the user to smoothly and quietly change focus and aperture/depth of field whilst filming, and link to professional follow focus cam systems.
It is designed to give exceptional results at wide apertures. At T1.5 great images can be obtained, which is perfect for portraiture and low light shooting, particularly when mounted on a full frame DSLRs.

OVERVIEW
The Samyang 50mm T1.5 AS UMC VDSLR Cine Lens is the cine / video version of the Samyang 50 mm f1.4 AS UMC featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. This specially designed Samyang 50mm lens is full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor. 

The Samyang 50mm standard prime lens gives 46.2 degrees field of view with a fast aperture of T1.5 (f/1.4) for great low light videography / photography and shallow depth of field work. Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of 8 circular aperture blades makes it especially suited to film, where separation of the subject from the background is desired.

OVERVIEW
Wide Angle Manual Focus Cine Lens
Samyang Optics 35mm T1.5 VDSLR AS UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 35mm T1.5 VDSLR AS UMC II is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film much precisely. The lens operates in manual aperture system with low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
As Samyang 35mm photo lens does, this cine lens also has an outstanding optical function. Samyang 35mm T1.5 VDSLR AS UMC II features 12 lenses in 10 groups including 2 high refractive index lenses (HR) to compactify the size of lens and increase the sharpness. Glass aspherical lens (ASP) minimizes color aberration to realize exceptional image quality and high contrast for center and corner of image even when aperture is fully opened. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration and minimizes flare and ghost. Samyang 35mm T1.5 II is known for its beautiful and soft bokeh. It adapts floating lens system to find the minimum focus distance. There are 8 aperture blades designed to be almost as a full circle when aperture is closed which expresses starlike ray clearly and beautifully. 

Hardware Features
Samyang VDSLR lens can be used both in photography and cinematography, perfect for amateurs and professionals. The frame of Samyang 35mm T1.5 II is compact and solid since it is made of high-strength aluminum alloy so trustworthy images can be captured even under inferior environment. Also, detachable petal-shaped lens hood shelter the lens from unnecessary lights. Filter size is 77mm. 
Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

OVERVIEW
A small difference in optical performance makes photography even more pleasant.

Hybrid glass aspherical (H-ASP)
Glass aspherical lens (ASP)
High-refractive, extra low dispersion lens (HR ED)
Uncoupled aperture and focus gear ring
VDSLR II CINE LENS
Circular aperture with 8 blades

Wide Angle Manual Focus Cine Lens
Samyang Optics 14mm T3.1 VDSLR ED AS IF UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 14mm T3.1 VDSLR ED AS IF UMC II is carefully designed for professional film and video works so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
This lens features 14 lenses in 10 groups including 3 high-refractive and extra low dispersion lenses (HR ED), 1 hybrid aspherical lens (H-ASP) and 1 glass aspherical lens (ASP). H-ASP and ASP lenses minimize colour aberration to produce exceptional image quality and high contrast for center and corner of the image even when the aperture is fully opened. HR ED lens of 14mm T3.1 VDSLR ED AS IF UMC II effectively controls the light dispersion to prevent flare and ghost. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration to also minimize flare and ghost.

Hardware Features
The frame of Samyang 14mm T3.1 II is compact and solid since it is made of high-strength aluminium alloy so trustworthy images can be captured even in an inferior environment. Also, a detachable petal-shaped lens hood shelters the lens from unnecessary lights. Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

Samyang Optics VDSLR lens line
Samyang 14mm T3.1 II is one of Samyang Optics VDSLR lens line for full frame image sensor size. The lenses produce the same image colour and have a united location of aperture and focus gear ring to maximize the convenience when filming.

OVERVIEW
The Samyang 135mm T2.2ED UMC VDSLR Cine Lens is the cine/video version of the Samyang 135mm f2.0 ED UMC lens featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. Full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor.

The Samyang 135mm features a floating type design, one Extra-low dispersion lens element (ED) for maximum optical performance. A circular aperture of T2.2 with 9 blades offer great bokeh for close head and shoulder portrait work and short telephoto. To ensure high contrast and faithful colour reproduction, all lens elements have been covered with Samyang's multi-layered UMC anti-reflective coatings. The design and lens coatings offer impressively low chromatic aberrations, ghosting and flare.

Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of the 9 circular aperture blades make it especially suited to film, where the separation of the subject from the background is desired.

OVERVIEW
What photographers demand from the 24-70mm F2.8 specification is much more than outstanding image quality. They want all the features that make this a go-to lens for a wide range of photographic opportunities, including optical design ideal for the latest ultra-high-megapixel digital cameras, hypersonic motor (HSM) for high-speed autofocus, optical stabilizer (OS) with powerful stabilization effect, dust- and splash-proof mount with rubber sealing, and a metal barrel for a stable, rigid feel. This all-new 24-70mm F2.8 lens from SIGMA delivers the performance and functionality that help pros succeed in news, nature, and many other fields of photography.

TECH SPECS
Lens Format: Full Frame
Focal Length: 24-70mm
Image Stabilisation: Yes
Lens Mount: Canon EF
Lens Type: Standard Zoom
Max Aperture: f/2.8
Type: Photo, Video

OVERVIEW
Still our most popular EF lens. It produces great images and for a zoom at 2.8 has fantastic performance in low light for a lens in it's class. Everybody loves this lens. There's not a bad word to say about it.

TECH SPEC
Focal Length & Maximum Aperture
24-70mm 1:2.8
Lens Construction
16 elements in 13 group
Diagonal Angle of View
84° - 34°
Focus Adjustment
Front-focusing method
Closest Focusing Distanc
0.38m/1.25 ft.
Zoom System
Rotating Type
Filter Size
77mm
Max. Diameter x Length, Weight
3.3" x 4.9", 2.1 lbs. / 83.2mm x 123.5mm, 950g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
The professional’s ultra wide-angle zoom lens.

A fast, ultra wide-angle zoom lens offering excellent optical performance throughout the zoom range. A constant f/2.8 maximum aperture makes this an ideal lens for low-light photography.

TECH SPECS
Angle of view (horzntl, vertl, diagnl)             98º - 54º, 74º 10' - 38º, 108º 10' - 63º

Lens construction (elements/groups)           16/12

No. of diaphragm blades                                7

Minimum aperture                                           22

Closest focusing distance (m)                       0.28

Maximum magnification (x)                            0.22 (at 35mm)

Distance information                                      Yes

Image stabilizer                                               No

AF actuator                                                      Ring USM¹

 Filter diameter (mm)                                      82

Max. diameter x length (mm)                         88.5 x 111.6

Weight (g)                                                        640

Magnification - Extension Tube EF12 II       0.62-0.36¹

Magnification - Extension Tube EF25 II       1.11-0.80¹

Lens Cap                                                         E-82U / E-82II          

Lens hood                                                       EW-88

Canon 24-70mm f/2.8 USM I w/ lens hood 

Filters can be supplied

Canon 24-70 f2.8 L USM.
Comes with pouch, caps, and can include lens hood.

The RF 50mm F1.8 STM is a small, light lens with a fast f/1.8 aperture, ideal in low light and great for creative depth-of-field. With new optics and a very quiet STM motor.

Hardly ever used telephoto Canon Lens. 
The EF 75-300mm f/4-5.6 III Lens from Canon is a telephoto zoom lens ideal for day-to-day use because it is particularly light and compact, especially given its long focal reach. Able to magnify distant subjects, it also compresses the space between subjects within the frame and with a shallow depth of field at its longer lengths, it offers enhanced out of focus bokeh. Its minimum focus distance is 4.9 feet, even at the telephoto end of its zoom.

OVERVIEW
Cheap as chips and a great low light performer. It's not the superfast f/1.4 but to get f/1.8 for a fiver a day you won't go far wrong. If you have the freedom to move relative to your subject, in a lot of circumstances this lens could be all you need. Travel light, shoot cheap and get great results.

TECH SPECS
Focal Length & Maximum Aperture
50mm 1:1.8
Lens Construction
6 elements in 5 groups
Diagonal Angle of View
46°
Focus Adjustment
Overall linear extension system with Micromotor
Closest Focusing Distance
0.45m / 1.5 ft.
Filter Size
52mm
Max. Diameter x Length, Weight
2.7" x 1.6", 4.6 oz. / 68.2 x 41.0mm, 130g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
An essential telezoom lens for sports, wildlife or portraits.

The EF 70-200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use. It has a rugged durable design, a four-stop Image Stabilizer and specialised lens elements.

TECH SPEC
High-performance, L-series telephoto zoom lens
Constant maximum aperture of f/2.8
Four-stop Image Stabilizer
Fluorite and UD lens elementsImproved durability
1.2m minimum focussing
Water and dust resistant
Ring type USM AF motor

INCLUDES
1x Canon 70-200mm f2.8L IS II USM Lens
1x ET-87 Lens Hood
1x Removeable Tripod Mount

OVERVIEW
Versatile High Performance

Get high F2.8 brightness over the entire zoom range with this high-speed lens. Its focal length of 12-35mm  (35mm camera equivalent: 24 - 70mm) covers wide-angle to standard to medium telephoto shooting, Not only ideal for capturing landscapes while travelling, this lens's wide diameter gives you top quality indoor shots too. Perceptive and defocusing effects add to the features, giving you exactly the kind of photos and videos you're looking for. Its splash/dust/freeze proof design also makes it great for shooting outdoors, so you can use it in nearly any weather!

Power O.I.S Ultra-Sharp Photos

Capture scenes carefree or at the spur of the moment. The optical image stabilisation technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture.

Taking highly popular MEGA O.IS. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true -to-life scenes without the need for a tripod. In the end, you'll enjoy wonderful crisp images

Nano Surface Coating - Clarity from all angles

Put an end to unwanted ghosting and flaring. The Nano Surface Coating has been applied to lenses with the system. This special, ultra-thin coating was developed originally by Panasonic to reduce bothersome reflections across the entire light spectrum. The result: crystal clear pictures even if you're photographing a light source in the dark

Video Support - perfect video-recording

With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts silent design for enhanced capture of the scenes audio. What’s more, the stunning AF performance of this lens records excellent 4k video where precise focussing is essential.

Splash/Dust/Freeze proof - more creative options

Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction that is tough enough to withstand even heavy field use. It protects the lens system inside from sand. Rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you want.

With an ultra-long range of 35–100mm (35mm camera equivalent: 70–200mm) at a high-speed F2.8, this lens lets you softly blur the background for portraits and close-ups. And it delivers high shutter speeds to freeze-frame fast-moving subjects such as action and sports. At the same time, its splash/dust/freeze proof design also makes it durable enough for shooting outdoors, so you can go out in nearly any weather with a splash/dust/freeze proof LUMIX camera and be creative.
Splash/Dust/Freeze proof.
Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction* that is tough enough to withstand even heavy field use. It protects the lens system inside from sand, rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back...

18-35mm F1.8 DC HSM | A

THE FIRST AND FASTEST OF ITS KIND

We all knows this lens - its great.

OVERVIEW
Great all-rounder with a robust build and good range from 24mm all the way to 105mm. We like to use this lens when you only want to carry one lens because it matches the width but has a longer reach than the popular 24-70. It is slower at a respectable f/4 but it does give f/4 all the way so will still open wide when fully zoomed in.

TECH SPECS
Focal Length & Maximum Aperture - 24-105mm f/4
Lens Construction - 18 elements in 13 groups
Diagonal Angle of View - 84° - 23° 20' (with full-frame camera)
Focus Adjustment - Inner focusing system with focusing cam
Closest Focusing Distance - 1.48 ft./0.45m
Zoom System - 5-group helical zoom (front group moves: 32.5mm)
Filter Size - 77mm
Max. Diameter x Length, Weight - 3.3 in. x 4.2 in., 23.6 oz. / 83.5mm x 107mm, 670g (lens only)

INCLUDES
Lens Hood & Cap

OVERVIEW
The EF 70-200mm f/2.8L USM Lens from Canon is a high performance telephoto zoom lens with a constant f/2.8 maximum aperture. It has four UD glass elements to correct chromatic aberrations and provide overall high resolution, high-contrast images. A newly-designed inner focusing system brings high image quality throughout the zooming range and the ultrasonic autofocus motor (USM) provides fast, smooth and quiet autofocus action. This lens can focus as close as 4.9' (1.5 m). It includes a removable tripod collar and is compatible with the Extender EF 1.4x II and 2x II.

TECH SPEC
Four ultra-low dispersion lens elements.
Internal focusing system.
An ultrasonic autofocus motor (USM) provides fast, smooth and silent autofocus.
A focus range limiter lets you set the range of focus distance which enables shorter focusing times. The two ranges are 4.9' to infinity and 9.8' to infinity.
Removable, rotatable tripod collar.

OVERVIEW
Rapid focusing system, fast apurture and high performance. The EF 50mm f/1.4 USM is an all round great and reliable lens. It features two high-refraction lens elements, new gaussian optics, astimatism and suppress astigmatic difference.  

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	40, 27, 46 degree
Lens construction (elements/groups)	7/6
No. of diaphragm blades	8
Minimum aperture	22
Closest focusing distance (m)	0.45
Maximum magnification (x)	0.15
AF actuator	Micro USM (1)
Filter diameter (mm)	58
Max. diameter x length (mm)	73.8 x 50.5
Weight (g)	290
Magnification - Extension Tube EF12 II	0.39 - 0.24
Magnification - Extension Tube EF25 II	0.68 - 0.53
Lens hood	ES-71 II
Hard case	LHP-C10
Soft case	ES-C9/LP1014
G.F.Holder III (hood III*)	(2)
G.F.Holder IV (hood IV*)	(2)
 AF actuator	(1)Mechanical full-time manual focusing built-in.
 *Maximum number of Hood III/IV attachable. In case of zoom lenses, the maximum number applies to the short focal length

INCLUDES
- 50mm Lens
- Front and rear element cap
- Bag

Easy to use, the RF 24-105mm F4-7.1 IS STM is lightweight, compact and wonderfully versatile with an in-built 5-stop optical Image Stabilizer to help keep your images and movies rock steady.

OVERVIEW
The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35Focal Length: 50-100mmImage Stabilisation: NoLens Mount: Canon EFLens Type: Standard Zoom, Telephoto ZoomMax Aperture: T2Type: Cine, Video

OVERVIEW
The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35
Focal Length: 18-35mm
Image Stabilisation: No
Lens Mount: Canon EF
Lens Type: Wide Zoom
Max Aperture: T2
Type: Cine, Video

The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35

Focal Length: 18-35mm, 50-100mm

Image Stabilisation: No

Lens Mount: Canon EF

Max Aperture: T2

Type: Cine, Video

OVERVIEW
The compact-Servo lenses feature high-performance optics in a compact design. Different aspects of lens performance are emphasized when shooting video compared to still images, and Compact-Servo lenses are optimized for video production.

The Compact-Servo family of lenses are a new 4K Super 35mm lens category in the Cinema EOS lineup. They combine the qualities from our EF lenses such as a light weight, compact size, integrated autofocus and excellent optical quality with the professional video features of our Cinema lenses, such as minimal focus breathing and parfocal zooming.

These features, along with high level 4K optical performance and functionality such as integrated servo controls for zoom, iris and focus for electronic control from a camera, optional remote controller and optional ZSG-C10 Zoom Servo Grip make the Compact-Servo lenses ideal for those seeking the traditional lens operational practices associated with professional cinematography.

TECH SPEC
Lens Format: Super 35
Focal Length: 70-200mm
Image Stabilisation: Yes
Lens Mount: Canon EFLens
Type: Telephoto Zoom
Max Aperture: T/4.4
Type: Cine

Manufacturer description: This large aperture medium telephoto macro lens offers advanced performance of close-up photography. Sigma’s own proprietary OS (Optical Stabilizer) system enables handheld close-up photography.A Special Low Dispersion (SLD) lens and one high refractive index SLD lens provide excellent correction for all types of aberration and distortion.A floating focusing system moves two different lens groups in the optical path to different positions. This system compensates for astigmatic aberration and spherical aberration and provides extremely high optical performance from infinity to 1:1 Macro. he HSM (Hyper Sonic Motor) ensures quiet and high speed autofocus as well as full-time manual focus capability. This lens features a splash proof design for use in harsh conditions and a rounded 9 blade diaphragm creating an attractive blur to the out of focus areas of the image.

Superior performance redesigned to meet photographers’ needs. Introducing a precise and powerful large-aperture 300mm telephoto zoom. This lens combines the highest levels of optical performance and photographic expression with equally fine functionality and usability. It embodies the concept of the Sports line, which features outstanding action-capture performance. Fully customizable, it allows the photographer to create his or own specification. It is an ideal choice for photographing sports events, animals and natural environments, airplanes, motorsports and even portraits. It greatly empowers photographic expression, allowing photographers to capture those crucial shots.

Sigma 24mm f/2.8 Macro Super-Wide II Lens for Canon EF-Mount

Description

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Item lent by CINE ULTRA

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Sigma 24mm f/2.8 Macro Super-Wide II Lens for Canon EF-Mount

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