Sony PXW-FX9 (PXW-FX9V, PXWFX9V, FX9, FX9V) Full Frame 6K Sensor & 4K Recording 6008x3168 30fps with 35.7MP Exmor-R CMOS Sensor Interchangable Camcorder Body Only. Please note: System Software Updade V2.00 is now available - please check the support tab and Sony website for more details. 
New Features & Improvements wth the new Firmware update: 
Full-frame 4K 60p/50p recording with oversampling (image sensor scan size is around 5K) 
FHD 180fps shooting 
DCI 4K recording 
16 bit RAW output (with XDCA-FX9) 
Support DWX digital wireless audio receiver (with XDCA-FX9) 
Eye-AF capability 
Support 6G-SDI 
Adds User 3D LUT function 
Adds HDR shooting function with Hybrid Log Gamma 
Support touch screen operation (regarding some status screen and some setting) 
Increased upper limit of Gain setting 
Support XLR-K3M with digital I/F

The Sony A7S III Full-Frame Mirrorless Camera takes the Sony Alpha series to a whole new level of full-frame movie expression. Іt’ѕ еquірреd wіth а new Ехmоr R 12МР Full Frame ВЅІ Ѕеnѕоr which has been paired with the nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе. This prоvіdеѕ uр tо 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ, reduced rolling shutter, 15 stops of dynamic range, extra-strong image stabilisation, ultra-low-noise & exceptional low light performance. 

Іt’ѕ vіdео сараbіlіtіеѕ offer up to 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn video. New versions of XAVC feature the addition of HEVC/H.265 encoding or ALL-I encoding. Improved colour science which draws inspiration from Sony’s FX9 & VENICE cameras with the ability to shoot S-Log3 & S-Gamut3.Cine for better colour matching. 

Іt’ѕ еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng іn bоth vіdео аnd ѕtіllѕ. The camera also features a full size HDMI output capable of outputting 16bit RAW to compatible recorders! Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу.

 

URSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more.

Blackmagic Pocket Cinema Camera 6K

Featuring a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets you use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects! Extra resolution also gives you more room for reframing in editing and colour correction. This means that you can shoot in 6K and then in post production zoom and re‑frame to allow wide shots and close ups to be created, all from a single camera and without losing image quality!
Blackmagic Pocket Cinema Camera has the professional features needed for feature film, television programming and documentaries, however now these same features can be used to revolutionise other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the key reason why feature films look so amazing and now you can get these same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more!

Lightweight Carbon Fiber Polycarbonate Composite

The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturised, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.

Get the "Hollywood Look" with Digital Film!

Blackmagic Pocket Cinema Camera has the professional features needed for feature film, television programming and documentaries, however now these same features can be used to revolutionise other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the key reason why feature films look so amazing and now you can get these same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more!

Multifunction Grip with Fingertip Controls!

The multifunction handgrip features a comfortable and familiar design that puts important functions such as ISO, WB and shutter buttons right at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! You get additional controls that go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect them to be, including user assignable function keys and control buttons for high frame rate, focus zoom, menu operation, playback and more.

High Resolution Cinematic Digital Film Sensor!

The Blackmagic Pocket Cinema Camera 6K features a a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, both models feature 13 stops of dynamic range and dual native ISO up to 25,600 for stunning low noise images in all lighting conditions. 6K model's larger Super 35 sensor allows shooting with a shallow depth of field and anamorphic lenses. Both models let you shoot up to 60 fps in full resolution or 120 fps windowed. When you combine the sensor with the latest Blackmagic Generation 4 Colour Science, you get the same imaging technology as Blackmagic's most expensive digital film cameras.

Compatible with Cinema and Photographic Lenses!

The 6K model features an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera! You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen.

Shoot Incredible High Dynamic Range (HDR) Images

The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Pocket Cinema Camera 4K and 6K both have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You even get more colours than the standard DCI‑P3 colourspace used for feature films. DaVinci Resolve Studio software is included with the camera, which means that you get total creative freedom with full exposure adjustment and recovery controls when colour grading!

Dual Gain ISO for Exceptional Low Light Performance

In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Blackmagic Pocket Cinema Camera features dual gain ISO up to 25,600, which means both the 4K and 6K models are optimised to minimise grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on‑set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting on the camera, so it's easy to capture great images when you don’t have time to set up lights.

Multiple Resolutions and Frame Rates

Depending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can also shoot still photos at 21.2 megapixels on the 6K model and 8.8 megapixels on the 4K model. The new 6K model will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3624 x 3020. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160.You can even shoot 120 fps in 1080HD!

Load Custom 3D LUTs to Recreate Film Looks!

Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.

USB‑C for Recording Direct to External Media Disks

The Blackmagic Pocket Cinema Camera features an innovative and high speed USB‑C Expansion Port that operates at up to 5 Gb/s. USB‑C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk, eliminating file copying.

Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same "look" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colours. You get advanced features such as 4K, 6K or 6K Pro models, large 5" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more! DaVinci Resolve Studio is also included for editing, colour correction, audio post and VFX!

The Blackmagic Pocket Cinema Camera 4K features a 4/3 image sensor with 4096 x 2160 resolution and an MFT lens mount, allowing you to capture wide dynamic range, Hollywood quality, digital film images in the palm of your hand! It’s an extremely advanced and affordable high end digital film camera!

INCLUDES
Hard Case, batteries, minimum 128GB CFast card and 64GB High Speed SD media. Additional Media on request.

A professional digital film camera that combines the incredible image quality of URSA Mini 4.6K with the features and controls of a traditional broadcast camera You get a massive number of ergonomically designed controls on the side of the camera so you can adjust most settings by feel, and without ever having to take your eyes off the action. URSA Mini Pro also features built-in ND filters, a status display and a revolutionary new interchangeable lens mount that lets you change between EF photographic lenses or PL and B4 lenses. URSA Mini Pro records up to 60fps and features dual C-Fast 2.0 recorders as well as dual UHS-II SD Card recorders. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more.

INCLUDES
1x Canon 5D Mark IV Camera Body

3x Batteries

2x 32GB CF cards.

1x Battery charger

1x Fig 8 cable

1x CF Card reader

OVERVIEW
Renowned for enabling people to tell the stories that need to be told, the EOS 5D series has captured many of the world’s most significant moments in history. As the successor to the EOS 5D Mark III, the camera has been designed using first-hand feedback from the photographic community to create the most adaptable EOS model yet. Featuring a 30.4 megapixel CMOS sensor with wide exposure latitude, 7 frames per second (fps) high-speed shooting, internal 4K movie recording and built-in Wi-Fi and GPS, the camera fuses speed and resolution with exceptional low light capability and movie functionality. The EOS 5D Mark IV is also the first EOS camera to premiere the advanced Dual Pixel RAW file format, allowing photographers to fine-tune images in post-production by adjusting or correcting the point of sharpness, shifting the foreground bokeh or reducing image ghosting.

TECH SPECS

IMAGE SENSOR
Type	36 x 24 mm CMOS
Effective Pixels	Approx. 30.4 megapixels
Total Pixels	Approx. 31.7 megapixels
Aspect Ratio	3:2
Low-Pass Filter	Built-in/Fixed
Sensor Cleaning	EOS integrated cleaning system
Colour Filter Type	Primary Colour

IMAGE PROCESSOR
Type	DIGIC 6+
LENS
Lens Mount	EF (excludes EF-S / EF-M lenses)
Focal Length	Equivalent to 1.0x the focal length of the lens

FOCUSING
Type	TTL-secondary image-forming phase-difference detection system with dedicated AF sensor
AF System/ Points	61 Point / max of 41 cross-type AF points Inc. 5 dual cross type at f/2.8 and 61 points / 21 cross-type AF points at f/8
The number of cross-type AF points will differ depending on the lens.
AF working range	EV -3 - 18 (at 23°C & ISO 100)
AF Modes	One Shot, AI Focus, AI Servo AF
AF Point Selection	Automatic selection: All 61 point AF (based on EOS iTR AF setting)
Manual selection: Single point AF (selectable points 61, 15, 9 or cross type only points selectable )
Manual selection: Single point Spot AF
Manual selection: AF point Expansion 4 points (up, down, left, right)
Manual selection: AF point Expansion surrounding 8 points
Manual selection: Zone AF (all AF points divided into 9 focusing zones)
Manual selection: Large Zone AF (all AF points divided into 3 focusing zones)
AF points can be selected separately for vertical and horizontal shooting
Selected AF point display	Transparent LCD in viewfinder and shown on Quick Control screen
AF Lock	Locked when shutter button is pressed half way or AF ON is pressed in One Shot AF mode. Using customised button set to AF stop in
AI servo
AF Assist Beam	Emitted by an optional dedicated Speedlite
Manual Focus	Selected on lens
AF Micro adjustment	Manual: Enter adjustment +/- 20 steps (wide and tele setting for zoom lenses)
Adjust all lenses by same amount
Adjust up to 40 lenses individually
Adjustments remembered for lens by serial number

EXPOSURE CONTROL
Metering modes	Approx. 150,000-pixel RGB+IR metering sensor, 252-zone metering. EOS Intelligent Subject Analysis system
(1) Evaluative metering (linked to All AF point)
(2) Partial metering (approx. 6.1% of viewfinder at centre)
(3) Spot metering: Centre spot metering (approx. 1.3% viewfinder at centre)AF point-linked spot metering not provided
(4) Centre weighted average metering
Metering Brightness Range	EV 0 - 20 (at 23°C, ISO 100, with evaluative metering)
AE Lock	Auto: In the One-Shot AF mode with evaluative metering, AE lock takes effect when focus is achieved
Manual: By AE lock button in P, Av, Tv and M modes
Exposure Compensation	+/-5 EV in 1/3 or 1/2 stop increments (can be combined with AEB).
AEB	+/-3 EV in 1/3 or 1/2 stop increments
Anti-flicker shooting	Yes. Flicker detected at a frequency of 100 Hz or 120 Hz. Maximum continuous shooting speed may decrease
ISO Sensitivity	Auto 100-32000 (in 1/3-stop or whole stop increments)
ISO can be expanded to L: 50, H1: 51200, H2: 102400,

SHUTTER
Type	Electronically-controlled focal-plane shutter
Speed	30-1/8000 sec (1/2 or 1/3 stop increments), Bulb (Total shutter speed range. Available range varies by shooting mode)
Shutter Release	Soft touch electromagnetic release
WHITE BALANCE
Type	Auto white balance with the imaging sensor
Settings	AWB (Ambience priority/White priority), Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Colour
Temperature Setting
White balance compensation:
1. Blue/Amber +/-9
2. Magenta/ Green +/-9
Custom White Balance	Yes, 1 setting can be registered
WB Bracketing	+/-3 levels in single level increments
3, 2, 5 or 7 bracketed images per shutter release
Selectable Blue/Amber bias or Magenta/ Green bias

VIEWFINDER
Type	Pentaprism
Coverage (Vertical/Horizontal)	Approx. 100%
Magnification	Approx. 0.71x
Eye-point	Approx. 21mm (from eyepiece lens centre)
Dioptre Correction	-3 to +1 m-1 (dioptre)
Focusing Screen	Fixed, with information Transparent LCD overlay
Mirror	Quick-return half mirror
Viewfinder Information	AF information: Single/Spot AF points, AF Frame, AF status, Focus indicator, AF mode, AF point selection, AF point registration
Exposure information: Shutter speed, aperture value, ISO speed (always displayed), AE lock, exposure level/compensation, flash metering, spot metering circle, exposure warning, AEB, metering mode, shooting mode
Flash information: Flash ready, high-speed sync, FE lock, flash exposure compensation, red-eye reduction light
Image information: Card information, maximum burst (2 digit display), Highlight tone priority (D+), JPEG/RAW indicator, Dual Pixel RAW,Digital
Lens Optimizer
Composition information: Grid, Electronic level
Other information: Battery check, Warning symbol, Flicker Detection, drive mode, white balance
Depth of field preview	Yes, with Depth of Field preview button
Eyepiece shutter	On strap

LCD MONITOR
Type	8.10cm (3.2") Clear View LCD II, approx. 1620K dots
Coverage	Approx. 100%
Viewing Angle (horizontally/vertically)	Approx. 170° vertically and horizontally
Coating	Anti-reflection and Anti-smudge. Reinforced glass incorporated
Brightness Adjustment	Manual: Adjustable to one of seven levels
Colour Tone Adjustment: 4 settings
Touch-screen operations	Capacitive method with menu functions, Quick Control settings, playback operations, and magnified display. AF point selection in Live View and Movies, touch shutter is possible in Live View still photo shooting
Display Options	(1) Quick Control Screen
(2) Camera settings
(3) Dual Axis Electronic Level
(4) Custom Quick Control Screen
FLASH
Modes	E-TTL II Auto Flash, Metered Manual
X-sync	1/200sec
Flash Exposure Compensation	+/- 3EV in 1/3 increments with EX series Speedlites
Flash Exposure Bracketing	Yes, with compatible External Flash
Flash Exposure Lock	Yes
Second Curtain Synchronisation	Yes
Hot Shoe/ PC terminal	Yes/ Yes
External Flash Compatibility	E-TTL II with EX series Speedlites, wireless multi-flash support
External Flash Control	via camera menu screen

SHOOTING
Modes	Scene Intelligent Auto, Program AE, Shutter priority AE, Aperture priority AE, Manual (Stills and Movie), Bulb and Custom (x3)
Picture Styles	Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined
Colour Space	sRGB and Adobe RGB
Image Processing	Highlight Tone Priority
Auto Lighting Optimiser (4 settings)
Long exposure noise reduction
High ISO speed noise reduction (4 settings)
Lens optical correction (1)
- Peripheral illumination correction, Chromatic aberration correction (during/after still photo shooting, during Video only)
- Distortion correction, Diffraction correction, Digital Lens Optimiser (during/after still photo shooting)
-Resize to M, S1, S2 or S3
Cropping: JPEG images can be cropped (Aspect ratios 3:2, 4:3, 16:9, 1:1)
- 45 cropping sizes selectable, from 11% to 95% (diagonal)
- Switch between vertical and horizontal cropping orientation
- Cropping frame can be moved using touch screen operation
RAW image processing (3)
Multiple exposure
Drive modes	Single, Continuous High, Continuous Low, Silent Single, Silent Continuous High, Silent Continuous Low, Self-timer (2s+remote, 10s+remote)
Continuous Shooting	Max. Approx. 7fps with full AF / AE tracking, speed maintained for up to unlimited number of JPEGs or 21 RAW images (1) (2) (3)
Max. 4.3fps in Live View mode with AF Tracking
Interval timer	Built-in, number of shots selectable from 1-99 or unlimited (Selectable interval time - 1sec to 99hr 59mins 59sec). Bulb timer possible (Selectable time - 1sec to 99hr 59mins 59sec)

LIVE VIEW MODE
Type	Electronic viewfinder with image sensor
Coverage	Approx. 100% (horizontally and vertically)
Frame Rate	29.97 fps (may increase when AF is performed)
Focusing	Manual Focus (Magnify the image 5x or 10x at any point on screen)
Autofocus: Dual Pixel CMOS AF (Face Detection and Tracking AF, FlexiZone - Single, FlexiZone - Multi), available with all EF lenses and Touch
Shutter
Metering	Real-time evaluative metering with image sensor (315-zone)
Partial metering (approx. 6.3% of Live View screen)
Spot metering (approx. 2.7% of Live View screen)
Centre-weighted average metering
Active metering timer can be changed
Display Options	4 levels available through INFO button: No information, Basic shooting information, Advanced shooting information and
Advanced shooting information with Histogram
Multiple Exposure status also available in Multiple Exposure mode
FILE TYPE – Stills
Still Image Type	JPEG: 3 compression options
RAW: RAW, M-RAW, S-RAW and Dual Pixel RAW (14bit, Canon original RAW 2nd edition)
Complies with Exif 2.30 and Design rule for Camera File system 2.0
Complies with Digital Print Order Format [DPOF] Version 1.1
RAW+JPEG simultaneous recording	Yes, any combination of RAW + JPEG possible, separate formats to separate cards possible including Dual
Pixel RAW +JPEG
Image Size
JPEG:
3:2 ratio (L) 6720x4480, (M1) 4464x2976, (S1) 3360x2240, (S2) 1696x1280, (S3) 640x480
4:3 ratio (L) 5952x4480, (M1) 3968x2976, (S1) 2976x2240, (S2) 1920x1280, (S3) 720x480
16:9 ratio (L) 6720x3776, (M1) 4464x2512, (S1) 3360x1888, (S2) 1920x1080, (S3) 720x408
1:1 ratio (L) 4480x4480, (M1) 2976x2976, (S1) 2240x2240, (S2) 1280x1280, (S3) 480x480
RAW:
(RAW) 6720x4480, (M-RAW) 5040x3360, (S-RAW) 3360x2240
Folders	New folders can be manually created and selected
File Numbering	(1)Consecutive numbering
(2) Auto reset
(3) Manual reset

EOS MOVIE
Movie Type	MOV Video: 4K (17:9) 4096 x 2160 - Motion JPEG (internal recording only), Full HD, HD - MPEG4 AVC / H.264 variable (average) bit rate, Audio: Linear PCM
MP4 Video: Full HD (16:9) 1920 x 1080 - MPEG4 AVC/H.264, Audio: AAC
Movie Size	4K (17:9) 4096 x 2160 (29.97, 25, 24, 23.98 fps) Motion JPEG
Full HD (16:9) 1920 x 1080 (59.94, 50, 29.97, 25, 23.98 fps) intra or inter frame (13)
Full HD (16:9) 1920 x 1080 HDR (29.97, 25 fps) inter frame (13)
Full HD (16:9) 1920 x 1080 (29.97, 25) lite inter frame
HD (16:9) 1280 x 720 (119.9, 100 fps) intra frame
Colour Sampling (Internal recording)	4K - YCbCr4:2:2 (8 bit)
Full HD/ HD - YCbCr4:2:0 (8 bit)
Movie Length	4K and Full HD - Max duration 29min 59sec. (excluding High Frame Rate movies). No 4GB file limit with exFAT CF card
High Frame Rate Movie	MOV Video: HD - 1280 x 720 at 100fps or 119.9fps
Recorded as 1/4-speed slow motion movie
Single scene maximum recording up to 7min 29sec.
4K Frame Grab	8.8 megapixel JPEG still image frame grab from 4K movie possible
Bitrate / Mbps
MOV:	4K (29.97p/25.00p/24.00p/23.98p): Approx. 500 Mbps
Full HD (59.94p/50.00p)/ALL-I: Approx. 180 Mbps
Full HD (59.94p/50.00p)/IPB Approx. 60 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/ALL-I: Approx. 90 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/IPB (Standard): Approx. 30 Mbps
HD (119.9p/100.0p)/ALL-I: Approx. 160 Mbps
MP4:	Full HD (59.94p/50.00p)/IPB (Standard): Approx. 60 Mbps
Full HD (29.97p/25.00p/24.00p/23.98p)/IPB (Standard): Approx. 30 Mbps
Full HD (29.97p/25.00p)/IPB (Light): Approx. 12 Mbps
Microphone	Built-in monaural microphone (48Khz, 16 bit x 2 ch)
HDMI Display	External monitor only, External Monitor only without information display or Simultaneous on camera and external monitor
HDMI Output	Full HD recording only, uncompressed YCbCr 4:2:2, 8-bit, sound output via HDMI is also possible
Focusing	Dual Pixel CMOS AF with Face Detection and Tracking AF, Movie Servo AF
Manual Focus
ISO	4K - Auto: 100-12800, H: 25600, H: 32000, H1: 51200, H2: 102400,
Full HD / HD - Auto: 100-25600, H: 32000, H1: 51200, H2:102400
BUILT-IN GPS
Geotag Information	Longitude, Latitude, Elevation, Coordinated Universal Time
Positioning Modes	Mode 1: Camera continues to receive GPS signals at regular intervals when power is switched off
Mode 2: GPS is switched off when power is switched off
Position Update Timing	Intervals of 1 sec, 5 sec, 10 sec, 15 sec., 30 sec, 1 min, 2 min or 5 min.
Position Accuracy	Within approx. 30 m/98.4 ft. (Based on good GPS satellite reception conditions on a clear day with no surrounding obstructions)
Compatible Satellite Navigation Systems	GPS satellites (USA)
GLONASS satellites (Russia)
Quasi-Zenith Satellite Michibiki (Japan)
Log Files Format	NMEA Format. One log file per day based
Log File Usage	Transfer log data to memory card and copy it to a computer
Use Map Utility to append the log file to the images
Digital Compass	Not provided

OTHER FEATURES
Custom Functions	17 Custom Functions with 46 settings
Metadata Tag	User copyright information (can be set in camera)
Image rating (0-5 stars)
IPTC data (registered with EOS Utility)
Image transfer with caption (Caption registered with EOS Utility)
LCD Panel / Illumination	Yes / Yes
Water/ Dust resistance	Yes
Voice Memo	No
Intelligent Orientation Sensor	Yes
Playback zoom	1.5x - 10x in 15 steps
Display Formats	(1)Single image
(2)Single image with information (2 levels)
Basic - Shooting information (shutter speed, aperture, ISO and Image quality)
Detailed - Shooting information (shutter speed, aperture, ISO, metering Image, quality and file size), Lens information , Brightness and RGB histogram, White balance, Picture Style, Colour space and noise reduction, Lens optical correction, GPS information
(3) 4 image index
(4) 9 image index
(5) 36 image index
(6) 100 image index
(7) Jump Display (1, 10 or 100 images, Date, Folder, Movies, Stills, Protected images, Rating)
(8) Movie edit
(9) RAW processing
(10) Rating
Slide Show	Image selection: All images, by Date, by Folder, Movies, Stills, Protected images or Rating
Playback time: 1/2/3/5/10 or 20 seconds
Repeat: On/Off
Histogram	Brightness: Yes
RGB: Yes
Highlight Alert	Yes
Image Erase	Single image, selected images, Folder, Card
Image Erase Protection	Erase protection of Single image, Folder or Card
Self-Timer	2 or 10 sec.
Menu Categories	(1) Shooting menu 1 - 6
(2) AF Menu 1 - 5
(3) Playback menu 1 - 3
(4)Setup menu 1 - 5
(5)Custom Functions menu 1 - 5
(6) My Menu (1 - 5 user selectable)
Menu Languages	25 Languages
English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese
Firmware Update	Update possible by the user (Camera, Lens, WFT, External Speedlite)

INTERFACE
Computer	SuperSpeed USB 3.0
WiFi	Wireless LAN (IEEE802.11b/g/n), (2.4 GHz only), with Dynamic NFC support [12] Features supported - FTP/FTPS, EOS Utility, SmartPhone,
Upload to Web , Wireless printing
Other	HDMI mini out (Type C, HDMI-CEC compatible), External Microphone In / Line In (Stereo mini jack), Headphone socket (Stereo mini jack), N3-type terminal (remote control terminal)

DIRECT PRINT
PictBridge	Yes (Via Wireless LAN only)
STORAGE
Type	1x CompactFlash Type I (UDMA 7 compatible) (Incompatible with Type II and Microdrive)
1x SD/SDHC/SDXC and UHS-I
SUPPORTED OPERATING SYSTEM
PC & Macintosh	Windows 7 (excl. Starter Edition) Windows 8 and Windows 10 OS X v10.7-10.11
SOFTWARE
Image Processing	Digital Photo Professional 4.5 or later (RAW Image Processing)
Other	EOS Utility 3.5 or later (inc. Remote Capture ), Picture Style Editor, Map Utility, EOS Lens Registration Tool, EOS Web Service Registration Tool, Canon Camera connect app (iOS/ Android)
POWER SOURCE
Batteries	Rechargeable Li-ion Battery LP-E6N (supplied) / LP-E6
Battery life	"Approx. 900 shots (at 23°C)
Approx. 850 (at 0°C)"
Battery Indicator	6 levels + percentage
Power saving	Power turns off after 1, 2, 4, 8, 15 or 30 mins
Power Supply & Battery Chargers	Battery charger LC-E6E (supplied), Battery charger LC-E6, AC Adaptor AC-E6N and DC Coupler DR-E6, AC Adaptor Kit ACK-E6N/ACK-E6, Car Battery Charger CBC-E6

PHYSICAL SPECIFICATIONS
Body Materials	Magnesium Alloy body and poly-carbonate with glass fibre Prism cover
Operating Environment	0 – 40 °C, 85% or less humidity
Dimensions (WxHxD)	150.7 x 116.4 x 75.9mm
Weight (body only)	Approx. 890 g
ACCESSORIES
Viewfinder	Eye cup Eg, Eg-series Dioptric Adjustment Lens with Rubber Frame Eg, Anti Fog Eyepiece Eg, Angle Finder C
Wireless File Transmitter	Wireless File Transmitter WFT-E7B
Lenses	All EF lenses (excluding EF-S / EF-M lenses)
Flash	Canon Speedlites (90EX, 220EX, 270EX, 270EX II, 320EX, 380EX, 420EX, 430EX, 430EX II, 430EX III 550EX, 580EX, 580EX II, 600EX, 600EX-RT, 600EX-II-RT, Macro-Ring-Lite MR-14EX, Macro Ring Lite MR- 14EX II, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2, Speedlite Transmitter ST-E3-RT
Remote Controller/ Switch	Remote control with N3 type contact, Wireless Controller LC-5 and Speedlite 600EX-II-RT
Other	BG-E20 battery grip, Hand Strap E2, Connect Station CS100

The Mark III is a professional grade 22.3 megapixels full-frame DSLR With a max ISO of 25600 and a 61point AF system, making this a superior option to the Mark II

INCLUDES
Canon Battery Charger LC-E6E & Figure 8 Cable
Lexar Professional USB Duel- Slot Reader & USB 3.0 Cable
SanDisk 32GB Extreme Pro CompactFlash Memory Card (160MB/s)
16GB CompactFlash Memory Card
Canon Battery (LP-E6)

TECH SPECS
Camera Type
Interchangeable Lens DSLR

Lens Mount
Canon EF

Sensor Size
Full-Frame (36 x 24mm)

Sensor Type
CMOS

Image Processor
DIGIC 5+ Image Processor

Resolution
22.3MP

File Formats
JPEG and RAW

Bit Depth
14-bit

Continuous Shooting Speed
Up to 6.0 fps (with UDMA CF Card)

Autofocus Points
61

Focus Type
Auto and Manual

Exposure Metering
iFCL (with 63-zone Dual Layer metering sensor)

Flash Connection
Hot shoe and PC terminal

Viewfinder Type
Optical pentaprism with superimposed LCD

Viewfinder Coverage
~100%

Viewfinder Magnification
0.71x

Viewfinder Angle of View
34.1°

Video Clip Length
29 minutes 59 seconds (4GB automatic file partition)

Video Compressions
All i-Frame and IPB compressions

Video Recording Formats
1080/30p (29.97), 24p (23.976), 25p; 720/60p (59.94), 50p; 480/30p (29.97), 25p

Time Code
Yes

Creative Modes
Multiple Exposure and High Dynamic Range (HDR)

Connectivity
HDMI, A/V output, USB 2.0

Power Source
LP-E6 lithium-ion battery pack

Dimensions
6 x 4.6 x 3" / 15.2 x 11.7 x 7.6 cm

Wireless Capability
Compatible with optional transmitters and receivers

Weight
1.90 lb / 860 g

With an ultra-long range of 35–100mm (35mm camera equivalent: 70–200mm) at a high-speed F2.8, this lens lets you softly blur the background for portraits and close-ups. And it delivers high shutter speeds to freeze-frame fast-moving subjects such as action and sports. At the same time, its splash/dust/freeze proof design also makes it durable enough for shooting outdoors, so you can go out in nearly any weather with a splash/dust/freeze proof LUMIX camera and be creative.
Splash/Dust/Freeze proof.
Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction* that is tough enough to withstand even heavy field use. It protects the lens system inside from sand, rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back...

The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35

Focal Length: 18-35mm, 50-100mm

Image Stabilisation: No

Lens Mount: Canon EF

Max Aperture: T2

Type: Cine, Video

OVERVIEW
A full set of 6 Samyang VDSLR MkII Cine lenses, consisting of 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5,85mm T1.5 and 135mm T2.2 lenses. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage.

INCLUDES
1x 14mm T3.1 VDSLR lens
1x 24mm T1.5 VDSLR lens
1x 35mm T1.5 VDSLR lens
1x 50mm T1.5 VDSLR lens
1x 85mm T1.5 VDSLR lens
1x 135mm T2.2 VDSLR lens
1x Custom Case

OVERVIEW
An essential telezoom lens for sports, wildlife or portraits.

The EF 70-200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use. It has a rugged durable design, a four-stop Image Stabilizer and specialised lens elements.

TECH SPEC
High-performance, L-series telephoto zoom lens
Constant maximum aperture of f/2.8
Four-stop Image Stabilizer
Fluorite and UD lens elementsImproved durability
1.2m minimum focussing
Water and dust resistant
Ring type USM AF motor

INCLUDES
1x Canon 70-200mm f2.8L IS II USM Lens
1x ET-87 Lens Hood
1x Removeable Tripod Mount

OVERVIEW
The EF 70-200mm f/2.8L USM Lens from Canon is a high performance telephoto zoom lens with a constant f/2.8 maximum aperture. It has four UD glass elements to correct chromatic aberrations and provide overall high resolution, high-contrast images. A newly-designed inner focusing system brings high image quality throughout the zooming range and the ultrasonic autofocus motor (USM) provides fast, smooth and quiet autofocus action. This lens can focus as close as 4.9' (1.5 m). It includes a removable tripod collar and is compatible with the Extender EF 1.4x II and 2x II.

TECH SPEC
Four ultra-low dispersion lens elements.
Internal focusing system.
An ultrasonic autofocus motor (USM) provides fast, smooth and silent autofocus.
A focus range limiter lets you set the range of focus distance which enables shorter focusing times. The two ranges are 4.9' to infinity and 9.8' to infinity.
Removable, rotatable tripod collar.

OVERVIEW
The compact-Servo lenses feature high-performance optics in a compact design. Different aspects of lens performance are emphasized when shooting video compared to still images, and Compact-Servo lenses are optimized for video production.

The Compact-Servo family of lenses are a new 4K Super 35mm lens category in the Cinema EOS lineup. They combine the qualities from our EF lenses such as a light weight, compact size, integrated autofocus and excellent optical quality with the professional video features of our Cinema lenses, such as minimal focus breathing and parfocal zooming.

These features, along with high level 4K optical performance and functionality such as integrated servo controls for zoom, iris and focus for electronic control from a camera, optional remote controller and optional ZSG-C10 Zoom Servo Grip make the Compact-Servo lenses ideal for those seeking the traditional lens operational practices associated with professional cinematography.

TECH SPEC
Lens Format: Super 35
Focal Length: 70-200mm
Image Stabilisation: Yes
Lens Mount: Canon EFLens
Type: Telephoto Zoom
Max Aperture: T/4.4
Type: Cine

OVERVIEW
Versatile High Performance

Get high F2.8 brightness over the entire zoom range with this high-speed lens. Its focal length of 12-35mm  (35mm camera equivalent: 24 - 70mm) covers wide-angle to standard to medium telephoto shooting, Not only ideal for capturing landscapes while travelling, this lens's wide diameter gives you top quality indoor shots too. Perceptive and defocusing effects add to the features, giving you exactly the kind of photos and videos you're looking for. Its splash/dust/freeze proof design also makes it great for shooting outdoors, so you can use it in nearly any weather!

Power O.I.S Ultra-Sharp Photos

Capture scenes carefree or at the spur of the moment. The optical image stabilisation technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture.

Taking highly popular MEGA O.IS. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true -to-life scenes without the need for a tripod. In the end, you'll enjoy wonderful crisp images

Nano Surface Coating - Clarity from all angles

Put an end to unwanted ghosting and flaring. The Nano Surface Coating has been applied to lenses with the system. This special, ultra-thin coating was developed originally by Panasonic to reduce bothersome reflections across the entire light spectrum. The result: crystal clear pictures even if you're photographing a light source in the dark

Video Support - perfect video-recording

With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts silent design for enhanced capture of the scenes audio. What’s more, the stunning AF performance of this lens records excellent 4k video where precise focussing is essential.

Splash/Dust/Freeze proof - more creative options

Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction that is tough enough to withstand even heavy field use. It protects the lens system inside from sand. Rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you want.

OVERVIEW
The professional’s ultra wide-angle zoom lens.

A fast, ultra wide-angle zoom lens offering excellent optical performance throughout the zoom range. A constant f/2.8 maximum aperture makes this an ideal lens for low-light photography.

TECH SPECS
Angle of view (horzntl, vertl, diagnl)             98º - 54º, 74º 10' - 38º, 108º 10' - 63º

Lens construction (elements/groups)           16/12

No. of diaphragm blades                                7

Minimum aperture                                           22

Closest focusing distance (m)                       0.28

Maximum magnification (x)                            0.22 (at 35mm)

Distance information                                      Yes

Image stabilizer                                               No

AF actuator                                                      Ring USM¹

 Filter diameter (mm)                                      82

Max. diameter x length (mm)                         88.5 x 111.6

Weight (g)                                                        640

Magnification - Extension Tube EF12 II       0.62-0.36¹

Magnification - Extension Tube EF25 II       1.11-0.80¹

Lens Cap                                                         E-82U / E-82II          

Lens hood                                                       EW-88

OVERVIEW
Still our most popular EF lens. It produces great images and for a zoom at 2.8 has fantastic performance in low light for a lens in it's class. Everybody loves this lens. There's not a bad word to say about it.

TECH SPEC
Focal Length & Maximum Aperture
24-70mm 1:2.8
Lens Construction
16 elements in 13 group
Diagonal Angle of View
84° - 34°
Focus Adjustment
Front-focusing method
Closest Focusing Distanc
0.38m/1.25 ft.
Zoom System
Rotating Type
Filter Size
77mm
Max. Diameter x Length, Weight
3.3" x 4.9", 2.1 lbs. / 83.2mm x 123.5mm, 950g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
Canon EF 100mm f/2.8L Macro Is UsM EOS mount 

The EF 100mm f/2.8L IS USM, part of Canons prestigious L series, and first featuring an Image Stabilizer with angle and shift detection that is highly effective at close focusing distances.

Canon high performance macro
Life size image reproduction (1:1)
UD lens element
Focus distance limiter
8 blade circular aperture for beautiful creative blur effects
58mm filter size
Ring type USM AF motor

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	19.8 degrees, 13.5 degrees, 24 degrees
Lens construction (elements/groups)	15/12
No. of diaphragm blades	9
Minimum aperture	32
Closest focusing distance (m)	0.3
Maximum magnification (x)	1
Distance information	Provided
Image stabilizer	4-stops
 	3-stops at 0.5x magnification
 	2-stops at 1.0x magnification
AF actuator	Ring USM (1)
Dust/moisture resistance	Yes (1)
Filter diameter (mm)	67
Max. diameter x length (mm)	77.7 x 123
Weight (g)	625g
Magnification - Extension Tube EF12 II	1.17-0.12
Magnification - Extension Tube EF25 II	1.37-0.27
Lens hood	ET-73
Soft case	LP1219
G.F.Holder III (hood III*)	4
G.F.Holder IV (hood IV*)	4
Extenders EF1.4x II and EF2x II	NC

INCLUDES
100MM f/2.8L Lens
Lens hood
Carrier bag

OVERVIEW
Great all-rounder with a robust build and good range from 24mm all the way to 105mm. We like to use this lens when you only want to carry one lens because it matches the width but has a longer reach than the popular 24-70. It is slower at a respectable f/4 but it does give f/4 all the way so will still open wide when fully zoomed in.

TECH SPECS
Focal Length & Maximum Aperture - 24-105mm f/4
Lens Construction - 18 elements in 13 groups
Diagonal Angle of View - 84° - 23° 20' (with full-frame camera)
Focus Adjustment - Inner focusing system with focusing cam
Closest Focusing Distance - 1.48 ft./0.45m
Zoom System - 5-group helical zoom (front group moves: 32.5mm)
Filter Size - 77mm
Max. Diameter x Length, Weight - 3.3 in. x 4.2 in., 23.6 oz. / 83.5mm x 107mm, 670g (lens only)

INCLUDES
Lens Hood & Cap

OVERVIEW
Rapid focusing system, fast apurture and high performance. The EF 50mm f/1.4 USM is an all round great and reliable lens. It features two high-refraction lens elements, new gaussian optics, astimatism and suppress astigmatic difference.  

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	40, 27, 46 degree
Lens construction (elements/groups)	7/6
No. of diaphragm blades	8
Minimum aperture	22
Closest focusing distance (m)	0.45
Maximum magnification (x)	0.15
AF actuator	Micro USM (1)
Filter diameter (mm)	58
Max. diameter x length (mm)	73.8 x 50.5
Weight (g)	290
Magnification - Extension Tube EF12 II	0.39 - 0.24
Magnification - Extension Tube EF25 II	0.68 - 0.53
Lens hood	ES-71 II
Hard case	LHP-C10
Soft case	ES-C9/LP1014
G.F.Holder III (hood III*)	(2)
G.F.Holder IV (hood IV*)	(2)
 AF actuator	(1)Mechanical full-time manual focusing built-in.
 *Maximum number of Hood III/IV attachable. In case of zoom lenses, the maximum number applies to the short focal length

INCLUDES
- 50mm Lens
- Front and rear element cap
- Bag

OVERVIEW
Cheap as chips and a great low light performer. It's not the superfast f/1.4 but to get f/1.8 for a fiver a day you won't go far wrong. If you have the freedom to move relative to your subject, in a lot of circumstances this lens could be all you need. Travel light, shoot cheap and get great results.

TECH SPECS
Focal Length & Maximum Aperture
50mm 1:1.8
Lens Construction
6 elements in 5 groups
Diagonal Angle of View
46°
Focus Adjustment
Overall linear extension system with Micromotor
Closest Focusing Distance
0.45m / 1.5 ft.
Filter Size
52mm
Max. Diameter x Length, Weight
2.7" x 1.6", 4.6 oz. / 68.2 x 41.0mm, 130g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
What photographers demand from the 24-70mm F2.8 specification is much more than outstanding image quality. They want all the features that make this a go-to lens for a wide range of photographic opportunities, including optical design ideal for the latest ultra-high-megapixel digital cameras, hypersonic motor (HSM) for high-speed autofocus, optical stabilizer (OS) with powerful stabilization effect, dust- and splash-proof mount with rubber sealing, and a metal barrel for a stable, rigid feel. This all-new 24-70mm F2.8 lens from SIGMA delivers the performance and functionality that help pros succeed in news, nature, and many other fields of photography.

TECH SPECS
Lens Format: Full Frame
Focal Length: 24-70mm
Image Stabilisation: Yes
Lens Mount: Canon EF
Lens Type: Standard Zoom
Max Aperture: f/2.8
Type: Photo, Video

OVERVIEW
The Samyang 135mm T2.2ED UMC VDSLR Cine Lens is the cine/video version of the Samyang 135mm f2.0 ED UMC lens featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. Full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor.

The Samyang 135mm features a floating type design, one Extra-low dispersion lens element (ED) for maximum optical performance. A circular aperture of T2.2 with 9 blades offer great bokeh for close head and shoulder portrait work and short telephoto. To ensure high contrast and faithful colour reproduction, all lens elements have been covered with Samyang's multi-layered UMC anti-reflective coatings. The design and lens coatings offer impressively low chromatic aberrations, ghosting and flare.

Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of the 9 circular aperture blades make it especially suited to film, where the separation of the subject from the background is desired.

OVERVIEW
A small difference in optical performance makes photography even more pleasant.

Hybrid glass aspherical (H-ASP)
Glass aspherical lens (ASP)
High-refractive, extra low dispersion lens (HR ED)
Uncoupled aperture and focus gear ring
VDSLR II CINE LENS
Circular aperture with 8 blades

Wide Angle Manual Focus Cine Lens
Samyang Optics 14mm T3.1 VDSLR ED AS IF UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 14mm T3.1 VDSLR ED AS IF UMC II is carefully designed for professional film and video works so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
This lens features 14 lenses in 10 groups including 3 high-refractive and extra low dispersion lenses (HR ED), 1 hybrid aspherical lens (H-ASP) and 1 glass aspherical lens (ASP). H-ASP and ASP lenses minimize colour aberration to produce exceptional image quality and high contrast for center and corner of the image even when the aperture is fully opened. HR ED lens of 14mm T3.1 VDSLR ED AS IF UMC II effectively controls the light dispersion to prevent flare and ghost. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration to also minimize flare and ghost.

Hardware Features
The frame of Samyang 14mm T3.1 II is compact and solid since it is made of high-strength aluminium alloy so trustworthy images can be captured even in an inferior environment. Also, a detachable petal-shaped lens hood shelters the lens from unnecessary lights. Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

Samyang Optics VDSLR lens line
Samyang 14mm T3.1 II is one of Samyang Optics VDSLR lens line for full frame image sensor size. The lenses produce the same image colour and have a united location of aperture and focus gear ring to maximize the convenience when filming.

OVERVIEW
The Samyang 24mm T1.5 lens is a super-fast aperture lens designed for shooting high-quality video footage on full-frame and APS-C sensored DSLR cameras as well as professional camcorders. Optical construction is based on the super-sharp 24mm f1.4 lens, with 13 elements in 12 groups and 84 degrees field of view. However this ‘cinema’ version features gearing on the focus and aperture rings to allow follow focus and aperture control from a professional camera rig. The aperture ring is also stepless for smooth and continuous adjustment. Focus distance and aperture settings are clearly marked on the side of the lens barrel to allow easy reference when mounted on a tripod. The stated aperture of T1.5 refers to the actual light transmission of the lens and is particularly important in the film industry where light readings are normally made manually.

INCLUDES
16-35MM f/2.8L Lens
Lens hood
Carrier bag

TECH SPECS
Focal length
24mm

Aperture range
T1.5 - 22 (stepless, with gearing)

Angle of view
84 degrees diagonal

Minimum focus distance
0.25m

Number of diaphragm blades
8

Focus type
manual focus (with gearing)

Lens construction
13 elements in 12 groups (4 ED, 2 Aspherical)

Dimensions
87.5x83mm

Weight
565g

OVERVIEW
Wide Angle Manual Focus Cine Lens
Samyang Optics 35mm T1.5 VDSLR AS UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 35mm T1.5 VDSLR AS UMC II is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film much precisely. The lens operates in manual aperture system with low T number which enables natural shooting under various light exposure circumstances. 

Optical Features
As Samyang 35mm photo lens does, this cine lens also has an outstanding optical function. Samyang 35mm T1.5 VDSLR AS UMC II features 12 lenses in 10 groups including 2 high refractive index lenses (HR) to compactify the size of lens and increase the sharpness. Glass aspherical lens (ASP) minimizes color aberration to realize exceptional image quality and high contrast for center and corner of image even when aperture is fully opened. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration and minimizes flare and ghost. Samyang 35mm T1.5 II is known for its beautiful and soft bokeh. It adapts floating lens system to find the minimum focus distance. There are 8 aperture blades designed to be almost as a full circle when aperture is closed which expresses starlike ray clearly and beautifully. 

Hardware Features
Samyang VDSLR lens can be used both in photography and cinematography, perfect for amateurs and professionals. The frame of Samyang 35mm T1.5 II is compact and solid since it is made of high-strength aluminum alloy so trustworthy images can be captured even under inferior environment. Also, detachable petal-shaped lens hood shelter the lens from unnecessary lights. Filter size is 77mm. 
Available for 10 camera mounts: Canon, Canon-M, Nikon, Pentax, Sony ∝, Sony-E, Four-Thirds, MFT, Samsung NX, and Fujifilm-X.

OVERVIEW
The Samyang 50mm T1.5 AS UMC VDSLR Cine Lens is the cine / video version of the Samyang 50 mm f1.4 AS UMC featuring the same excellent optics, but with integrated gearing for video rigs with follow focus systems. This specially designed Samyang 50mm lens is full frame compatible, suitable for cameras and interchangeable lens camcorders fitted with 24x36mm (full frame) or smaller sensor. 

The Samyang 50mm standard prime lens gives 46.2 degrees field of view with a fast aperture of T1.5 (f/1.4) for great low light videography / photography and shallow depth of field work. Splendid image quality and small depth of field with beautiful, natural rendered bokeh by use of 8 circular aperture blades makes it especially suited to film, where separation of the subject from the background is desired.

OVERVIEW
The Samyang 85mm T1.5 is a manual focus prime lens. This VDSLR (Video DSLR) version has been developed primarily for professional cine / movie making purposes. The VDSLR version features follow focus gearing and decoupled aperture, which allow the user to smoothly and quietly change focus and aperture/depth of field whilst filming, and link to professional follow focus cam systems.
It is designed to give exceptional results at wide apertures. At T1.5 great images can be obtained, which is perfect for portraiture and low light shooting, particularly when mounted on a full frame DSLRs.

OVERVIEW
The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35
Focal Length: 18-35mm
Image Stabilisation: No
Lens Mount: Canon EF
Lens Type: Wide Zoom
Max Aperture: T2
Type: Cine, Video

OVERVIEW
The High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

TECH SPECS
Lens Format: Super 35Focal Length: 50-100mmImage Stabilisation: NoLens Mount: Canon EFLens Type: Standard Zoom, Telephoto ZoomMax Aperture: T2Type: Cine, Video

APUTURE NOVA P300C KIT
Up to 9000lux at 1 meter
CRI & TLCI >95+
Soft 120° Beam Angle
Fully Tunable CCT from 2000K to 10000K
Tunable Green-Magenta Adjustment in CCT Mode (Full Plus/Minus Green)
RGB Color Tunability with Hue, Saturation & Intensity Control
Industry-standard X,Y (CIE 1931): Color Coordinate Adjustment to Match Other Lights
>90% of Colors Within Rec.2020 Color Space
300+ Industry-Standard Gel Presets Built-in
15 Built-in Lighting FX: Cop Car, Lightning, Paparazzi, Candle, Fire, etc.
User-Programmable Presets
Stepless Dimming from 0 to 100 % with no color shift
User Programmable Presets
Sidus Link App Compatible (Sidus Mesh TM )
Onboard 5-Pin DMX512 In & Out
Extendable Control Box w/ Lightning Clamp QR Plate
0.6m & 3m-long Head Cables for Flexibility & Organization
4-Pin XLR DC 24V(15A)-48V(7.5A) Battery Input
Built-in Internal Ballast
Neutrik powerCON Locking Power Cables
Dual Junior/Baby Pin (28mm/16mm) for Mounting on Any Stand
Handbrake-locking Yoke with 360° Tilt
Accessory Slot Compatible with Nova P300c Softbox & DOPchoice RABBIT-EARS®
Hard Shell Rolling Case

OVERVIEW
The 300x is the first Bowens Mount Bi-Color light to be compatible with lensed optical modifiers like the Fresnel 2X and Spotlight Mount.
The 300x’s ability to use lensed optical modifiers allows its CCT flexibility to be enhanced even further, by being able to output over 56,000 lux at 1 meter with the Fresnel 2X.
The 300x is the first of many Aputure lights to utilize the expanded vari-white CCT range of 2700K-6500K, going beyond traditional bi-color.
The 300x outputs reliable color with CRI and TLCI scores of 96+, a tungsten SSI score of up to 85, and a D55 SSI score of up to 74, competing with industry giants.
The 300x also takes a note from the 300d II, by incorporating the same 360-degree adjustable handbrake locking yoke and silent, all-in-one control box design.
The 300x now incorporates a new CCT control wheel with an integrated preset button, allowing users to fine-tune CCT in +/- 50K increments, or toggle between 5 common CCT presets (2700K, 3200K, 4300K, 5500K, 6500K) for quick accessibility.
The 300x features two output modes: Max Output and Constant Output mode. In Constant Output mode, the luminance level remains uniform while changing the CCT output. Max Output mode will always maximize the output for the chosen CCT and dimming level, with the highest output range being 4000K-5500K.
Like the 300d II, the 300x can also be operated with a single battery, up to half of its maximum output, or two batteries for full power*, all while accurately displaying remaining battery life. *Batteries that support 15A continuous discharge are recommended to power the light properly. *We recommend batteries that support 15A continuous discharge to power the light properly.
In addition to the control wheels, the 300x can be controlled using Aputure’s 2.4G RF Remote system, the professional DMX512 standard, as well as the Sidus Link mobile app via Bluetooth Mesh.
The 300x launches with 9 built-in lighting FX, such as Paparazzi, Fireworks, Lightning, Faulty Bulb, TV, Pulsing, Strobe, Explosion, and Fire, all with adjustable color temperature control.
The 300x continues Aputure’s tradition of using the prolific Bowens-S Mount, making it a unique modular bi-color fixture capable of adapting soft light or hard light modifiers.
The 300x joins the Sidus Link™ ecosystem, utilizing a Bluetooth mesh network to provide users with app control for up to 100 lights, up to 400 meters away.

OVERVIEW
The new Rayzr 7 300B Bi-colour combines a very bright light with the ability to seamlessly transition colour temperature between 3,200 K and 5,600 K, without losing the intensity of the light or sacrificing the smoothness of the light field. Like all Rayzr 7 lights, it is designed for maximum workflow. Quickly set it up, adjust the settings and enjoy all the benefits of LED.

TECH SPECS
Optical System - Focusable Fresnel
Lens Diameter - 170mm
Beam Angle - 18-50° 
Weight 6.4kg
Mounting - 16mm/28mm Combo Pin

Power Usage - 172W Nominal 192W Maximum
DC Voltage 24-36V DC

Colour Temperature Tolerance +/- 150 K (nominal)
Colour Rendition:
TLCI - 95-98
CRI 94 +-2
Dimming - 0-100% Continuous
DMX - RJ45

Aputure Light Dome II Softbox for LS 120 and 300 Lights. Makes one incredibly even and big soft light. Best for portraits, interviews and professional filmmaking. Re-designed with a fixed construction for a fast, one-person, setup. Bundled with a honeycomb grid, gel holder and 2 diffusers (1.5 stop and 2.5 stop brightness).

Тhе Арuturе Lіght Dоmе Міnі ІІ hаѕ а ѕhаllоwеr dеѕіgn thаn thе lаrgеr Lіght Dоmе, mаkіng іt thе іdеаl сhоісе fоr сrеаtіvеѕ nееdіng ѕоft lіght іn а mоrе соnfіnеd ѕрасе, ѕuсh аѕ аn оffісе оr ѕmаll ѕtudіо. Тhе nеw vеrѕіоnѕ оf thе Lіght Dоmеѕ fеаturе а nеw gеnеrаtіоn оf thе quісk-rеlеаѕе ѕрееd rіng. Yоu саn nоw еаѕіlу іnѕtаll аnd dіѕаѕѕеmblе thе dоmе іn lеѕѕ thаn 1 mіnutе.

COMPACT DIFFUSION
The Nova P300c Softbox is a 50x70cm rectangular softbox and comes with a ¼ grid diffusion fabric, making it the perfect size for fast paced shooting environments.

SEAMLESSLY INTEGRATED
The Nova P300c Softbox uses a compact rectangular frame that slides perfectly into the P300c’s accessory slot, for quick setups and easy maneuverability.

EASIER SETUP
The shell of the Nova P300c Softbox utilizes adjustable corners, allowing users to more easily attach all 4 rods to the mounting frame, and seal up the softbox.

LIGHT CONTROL
It is as important to control soft light as it is to shape hard light, which is why the Nova P300c Softbox includes a 40° Fabric Light Control Grid for crafting the perfect image.

3 sets available. 
1 x 4 lights
2 x 4 lights
3 x 4 lights

This light features full HSI colour control and a CCT range of 3200K-6500K, giving you a full range of colour options. On top of that, the built-in magnets and footprint roughly the size of a credit card allow this mini RGB light to fit anywhere you could ever need. The MC also features USB-C PD and Qi wireless charging, so it’s always ready to go. It is also compatible with Aputure’s own Sidus Mesh technology, so you can use the Sidus Link app to unlock all of the light’s capabilities. With its lightweight, slim profile, why not tuck several MCs in your camera bag or pockets, so you're always ready to go!

OVERVIEW
Light Storm LS 1s appears with about 30000lux in half a meter(1.64ft), which is almost equal to a traditional 1000W tungsten. In half a meter, while the aperture is 32.6, the shutter is 24f/s, and the ISO is 400, you can easily get the correct exposure.

Seamless Colour Temperature Control
Light Storm LS 1c contains both 3200K and 5500K colour temperature bulbs. More scenes need more versatile lighting. The colour temperature adjustment can be controlled by DMX console, remote control, and wheel on the controller box.

Tough and Professional Aero-Aluminium
Light Storm 1 use aero-aluminum to achieve the best balance performance of heat, density, strength, workability, etc. So that the function parameters can get a perfect show. Delicate design and elaborate production combine for a robust but exquisite housing that can fulfill low forward heat of the fixture.

Breathtaking Design
From appearance to function, from material to craft, from small accessories to large complex production processes, the Light Storm 1 design reflects the combination of technology and humanity.

Exceptional Light Efficiency Experience
The Light storm 1 maintains industry-leading color reproduction, meticulously selected diffusing paper and increased barn door, achieving more variable light-effect control.

DMX Control
The brightness of the LS 1 can be controlled by a DMX console, which is under the standard DMX512 protocol. The brightness wheel on the controller box also can adjust the brightness. Two 90-degree antennas can cover all the surroundings within 360 degrees.Using 2.4G FSK technologies, the Light Storm LS 1 can be adjusted in brightness wirelessly using a remote, even 100m away.

TECH SPECS
Operation Current	8A
Power Supply	DC 15V
Power Input	120W
Beam Angle	45degrees
Colour Temperature	3200K-5500K
Average Life Span	>100,000 hours
Cooling Mode	Natural Convection Heat Transfer
Radio Frequency	2.4GHz
Channels	1/2/3
Groups	A/B/C/D
Remote Range	<100m
Dimensions (Light)	377.8 x 320.7 x 33.2mm
(Controller Box - Anton Bauer Battery)	238.0 x 118.7 x 59.6mm
(Controller Box - V Mount)	238.0 x 118.7 x 59.6mm
Colour Accuracy CRI	>95
TLCI	>95
CQS	>95
Bulb	1536 lamp bulbs
INCLUDES
1x Light
1x Controller Box
1x Hook
1x Button Battery
1x Controller
1x AC Adapter
1x Power Cable
1x Connect Cable

OVERVIEW
The Q500 leads the revolution in LED Lighting, intense power and control in a form smaller and lighter than previously seen in LEDs. The lighting world just got a lot brighter, and a lot more efficient. This one light replaces both your daylight and tungsten lights, and you can also leave behind your color correction gels, scrims, and grip gloves.

TECH SPECS
Size
L 12″ x W 12.75″ x H 15″ (with Yoke) 
305mm X 325mm x 380mm with yoke 
L 12″x W 9″ x H x 6.75″ without 
305mm X 230mm x 172mm without

Weight (Include Yoke)
12 lbs / 5.5 kg

LED
Dense Matrix LED

Thermal Design
Advanced Vapor Cooling

Beam Angle
27°-50° (With Fresnel Lens)

CCT Range
2800-6500K Continuous Tuning

Hue Control
plus/minus .25 Magenta/Green

CRI
>93

LED Life
42,000 hrs - (15 Years of average use.)

Power Consumption
185W Max / Comparable in Output to 750W Tungsten

Input Voltage
AC Power: 100-240 VAC, 50~60Hz, Max 185W

Input Port
Detachable Power Con Cable

DMX Control
2 XLR ports and 2 RJ45 ports (512 Addresses)

Temperature Range
32-104ºF / 0-40º C (over temperature protection)

INCLUDES
Q500 Light Head
Q500 Barndoor
5" Glass Fresnel Lens
20' Power Con Cable
Cord Tie
Stand

OVERVIEW
The K302 Lighting Kit has all the same great qualities of our K301 Kit, but with 20% more brightness per light, and DMX Control with the optional DMX Connection Box (sold separately). The K302 gives you the ability to create interview or traditional 3 point lighting setups. The P360EX is a powerful high-quality specular light. It reveals colour with great accuracy, and gives you control over the light quality. With the colour tunabilty you can match existing light sources and keep everything on colour. The kit is very portable, it comes with three P360EX colour-tunable light heads, power adapters, barndoors and light stands.

TECH SPECS
60.9cm x 40.6cm x 25.6cm

Case Weight - Fully Loaded 36 lbs.

Light Stand Height Closed 21.7"

Light Stand Height Extender
7 ft / 2.13 Meters

INCLUDES
P360EX Light Heads
P360EX Barndoors
90W - AC/DC Power Adapters
Reverse Leg Light Stands
Rolling Travel Case
Softboxes (Including speedring) are available at £5 each (ex VAT), please let us know if you would like to add this to your hire. 

OVERVIEW
The Light Storm LS 1s appears with about 30000lux in half a meter(1.64ft), which is almost equal to a traditional 1000W tungsten. In half a meter, while the aperture is 32.6, the shutter is 24f/s, and the ISO is 400, you can easily get the correct exposure.

Seamless Colour Temperature Control

Light Storm LS 1c contains both 3200K and 5500K colour temperature bulbs. More scenes need more versatile lighting. The colour temperature adjustment can be controlled by DMX console, remote control, and wheel on the controller box.

Tough and Professional Aero-Aluminium

Light Storm 1 use aero-aluminum to achieve the best balance performance of heat, density, strength, workability, etc. So that the function parameters can get a perfect show. Delicate design and elaborate production combine for a robust but exquisite housing that can fulfil low forward heat of the fixture.

Breathtaking Design

From appearance to function, from material to craft, from small accessories to large complex production processes, the Light Storm 1 design reflects the combination of technology and humanity.

Exceptional Light Efficiency Experience

The Light storm 1 maintains industry-leading colour reproduction, meticulously selected diffusing paper and increased barn door, achieving more variable light-effect control.

DMX Control

The brightness of the LS 1 can be controlled by a DMX console, which is under the standard DMX512 protocol. The brightness wheel on the controller box also can adjust the brightness. Two 90-degree antennas can cover all the surroundings within 360 degrees. Using 2.4G FSK technologies, the Light Storm LS 1 can be adjusted in brightness wirelessly using a remote, even 100m away.

TECH SPECS
Operation Current	8A
Power Supply	DC 15V
Power Input	120W
Beam Angle	45degrees
Colour Temperature	3200K-5500K
Average Life Span	>100,000 hours
Cooling Mode	Natural Convection Heat Transfer
Radio Frequency	2.4GHz
Channels	1/2/3
Groups	A/B/C/D
Remote Range	<100m
Dimensions (Light)	377.8 x 320.7 x 33.2mm
(Controller Box - Anton Bauer Battery)	238.0 x 118.7 x 59.6mm
(Controller Box - V Mount)	238.0 x 118.7 x 59.6mm
Colour Accuracy CRI	>95
TLCI	>95
CQS	>95
Bulb	1536 lamp bulbs
INCLUDES
3x Light
3x Controller Box
3x Hook
3x Button Battery
3x Controller
3x AC Adapter
3x Power Cable
3x Connect Cable

OVERVIEW
The K411 Lighting Kit is ideal for when you need to light both your subject and your background. All four lights have Fiilex's patented color tunable technology, so you can quickly match ambient or artificial light. It is even great for green screen work. You will be able to work with, or create, complex lighting set-ups with the K411 kit. 

1100W of Total Equivalent Output
Colour tunable Between 3000 – 5600 Kelvin
Broadband full spectrum LED source
Color Rendering Index >92
Virtually heat free
Dimming from 100-10%
AC/DC Power options (P360 12-28V DC, P180E 12-24V DC optional adapter required)
Lightweight, Compact & Easy for Travel
TECH SPECS
P360 LIGHT 

350W Equivalent Output - 90W Draw
Color Temperature Range 3000-5600K
Full Spectrum Light Quality - No Spikes
Dimming (100%-10%)
Flicker Free at any Frame Rate
Single Point Light Source
Patented Dense Matrix LED Technology
Solid State Technology - No Bulbs to Replace
Does not Emit UV Light/Radiation
Compatible with Broadcast Batteries
Lightweight, Compact, Easy for Travel
Cool to the Touch Housing
Size (without Barndoor)	4" (Diameter) x 4.7" (Length)	 
Weight (Include Yoke)	1.6 lb / 0.74 kg
LED	Dense Matrix LED
Thermal Design	Advanced Vapor Cooling System
CCT Range	3000K to 5600 K Continuous Tuning
Dimming	100-10%
CRI	>92
Power Consumption	90W Max.
Input	12 to 28 V DC
AC Adaptor	100 - 240V AC, 50-60Hz (In) / 19V DC, 90W Max. (Out)
Operating Temperature	0 - 40° C / 32° - 104°F
P180E LIGHT

200W Equivalent Output - 40W Draw
Color Temperature Range 3000-5600K
Full Spectrum Light Quality - No Spikes
Dimming (100%-10%)
Flicker Free at any Frame Rate
Single Point Light Source
Solid State Technology - No Bulbs to Replace
Does not Emit UV Light/Radiation
IP-24 Water Resistant (IP-25 w/ Rain Shield)
Compatible with Broadcast Batteries
Lightweight, Compact, Easy for Travel
Size (without Barndoor)	2.9"(Diameter) X 3.8" (Length)	 
Weight (Include Yoke)	1.2lbs / 544g
LED	Dense Matrix LED
Thermal Design	Passive Cooling System
CCT Range	3000K to 5600K Continuous Tuning
CRI	>92
Power Consumption	40W Max.
Input	12 to 24 V DC
AC Adaptor	100 - 240V AC, 50-60Hz (In) / 19V DC, 65W Max. (Out)
Operating Temperature	-30° - 40° C / -22° - 104°F
Softboxes (Including speedring) and additional light stands are available at £5 each (ex VAT), please let us know if you would like to add this to your hire.

INCLUDES
Complete in a rolling travel case, the kit has two P360 lights with 350W of equivalent power (uses 90W), and two P180E lights with 200W of equivalent power (uses 40W), four AC Power adapters, four barndoors, three light stands and one cold shoe mount (for P180E).

OVERVIEW
The EyeDirect is an eye-contact interview device for mounting in front of any camera to facilitate the interviewee seeing the face of the presenter, rather than looking off-camera to the interviewer, or straight down the lens. This enables incredibly connected, powerful interviews where the subject talks directly to the viewer. Unlike straight 'down the lens' presenting, this relaxes the subject who engages in a real conversation and will even look away in thought replicating normal interpersonal eye-contact patterns. The results are particularly effective for emotional content. 

This technique was pioneered in documentaries such as Touching the Void and has been used more recently in documentaries looking at particularly emotional subjects. With minimal setup, the EyeDirect 16x9 can be used by either a camera operator/interviewer duo, or a lone camera operator. The adjustable wing mirror tilts toward the top or bottom for director comfort. It can easily be used on the left or right side of the camera. It uses a high-quality glass 60/40 beam splitter, identical to most teleprompters, the secondary mirror is also glass. The adjustable 22" sliding baseplate accommodates balance of most professional cameras and includes a riser for mounting prosumer and still cameras. The opening has a 16x9 ratio field of view (10.25" x 6.25") and the lens port diameter is 4". A rubber donut is included to block stray light around the lens barrel.

We are the only suppliers of the EyeDirect device within the Bristol and SouthWest area and offer a courier service nationally. 

INCLUDES
2 photograph set up sheets
iPad Accessory
Mirror
2 plastic headed bolts with alum head
Foam lense donut ring
Riser with 1/4'' male thread
Angle bracket
Mirrorbox with mirror and triangle foam mirror protectors
2 part base plate includes 4 wing nuts and 2 bolts with washers

OVERVIEW
3 solutions in 1 On-camera unit Straight-read - above camera Floor or tripod standing straight-read monitor Everything you need in 1 box Pops up for easy mounting Icon-based software included Designed for all cameras - riser and easy balance system

TECH SPECS
Dual screen functionality that reverses the script for reflection in the prompt monitor but keeps it the right way round on the PC
Multi-language text and menus with icon-based action buttons
Multiple control options
Import QStart, .rtf and .txt files
Formatting and search functionality
Ability to set markers in the script and assign keys to them
USB security dongle – allows you to move software to any PC and simply insert dongle to validate

INCLUDED
All equipment provided in a custom-built flight case for safe and easy transportion.

17” LCD Monitor with VGA & BNC video inputs
Pop up, fully adjustable hood
Ready built mounting system that fits to all tripods and is fully adjustable to deliver balance without the need for counterweights
Broadcast quality prompter glass (70:30), designed to produce the clearest reflected image and the optimal light to the camera
10m VGA cable
Feature-rich software
Dual screen functionality that reverses the script for reflection in the prompt monitor but keeps it the right way round on the PC
Multi-language text and menus with icon-based action buttons
Multiple control options
Import QStart, .rtf and .txt files
Formatting and search functionality
Ability to set markers in the script and assign keys to them
USB security dongle – allows you to move software to any PC and simply insert dongle to validate

OVERVIEW
ATEM Television Studios are the first live production switchers designed for both broadcasters and AV professionals. There are 2 powerful HD models with 4 SDI and 4 HDMI inputs and a new Ultra HD model with 8 12G-SDI inputs. Packed with high end broadcast features, ATEM Television Studio models feature re-sync on all inputs so you always get clean switching whether you’re using professional or consumer cameras. Plus, you get multiview output so you can see all of your sources, preview and program on a single screen, aux out, built in talkback, 2 still stores, an audio mixer, camera control unit and more. ATEM Television Studio Pro models have the same features plus an integrated professional broadcast hardware control panel and additional CCU controls. Both models are perfect for live production, episodic television, web shows, AV or even live coverage...

MARS 400S PRO is using the latest coding, decoding technology, and 5Gwireless transmission technology. It can achieve ultra-low latency wirelessvideo transmission. It has a transmission range over 400ft with a clean line ofsight (LOS) when the transmitter is connected to 1 or 2 receivers. MARS400S PRO also can support 2 APPs monitoring when connection with 1 receiver. MARS 400S PRO is supports up to 1080P 60Hz image resolution. Both transmitter and receiver equipped with L-series battery plate and also can power by DC adapter or power by USB-C interface.

Hollyland Mars T1000. Full-duplex Wireless Intercom System - 1 Portable Base Station with 4 Beltpacks. The Hollyland MARS T1000 is a full-duplex wireless intercom system with 1000' line-of-sight transmission range. It includes a base station and four beltpacks. The base station powers from an included AC power adapter with 4-pin XLR connector or from optional L-series batteries via the dual-battery plate built into the top of the station.
The base station supports wireless tally, and it has a built-in OLED screen that displays the status of each beltpack in real-time. In each beltpack, there is a diaplay screen to let us know the details easily. It also has a 3.5mm jack for the included headset and a button that mutes the mics on the beltpacks. The base station has four USB ports for charging the included beltpacks as well as for paired data connection.

MARS 400S PRO is using the latest coding, decoding technology, and 5Gwireless transmission technology. It can achieve ultra-low latency wirelessvideo transmission. It has a transmission range over 400ft with a clean line ofsight (LOS) when the transmitter is connected to 1 or 2 receivers. MARS400S PRO also can support 2 APPs monitoring when connection with 1 receiver. MARS 400S PRO is supports up to 1080P 60Hz image resolution. Both transmitter and receiver equipped with L-series battery plate and also can power by DC adapter or power by USB-C interface.

Hollyland Mars T1000. Full-duplex Wireless Intercom System - 1 Portable Base Station with 4 Beltpacks. The Hollyland MARS T1000 is a full-duplex wireless intercom system with 1000' line-of-sight transmission range. It includes a base station and four beltpacks. The base station powers from an included AC power adapter with 4-pin XLR connector or from optional L-series batteries via the dual-battery plate built into the top of the station. The base station supports wireless tally, and it has a built-in OLED screen that displays the status of each beltpack in real-time. In each beltpack, there is a diaplay screen to let us know the details easily. It also has a 3.5mm jack for the included headset and a button that mutes the mics on the beltpacks. The base station has four USB ports for charging the included beltpacks as well as for paired data connection.

Blackmagic Video Assist is a portable monitor, a professional recorder, a portable scope and a fantastic camera viewfinder solution! You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera! The new design has innovations such as 4 built in scopes, enhanced focus assist features, a tally indicator and built in 3D LUTs. The 3G models support formats up to 1080p60 and the 12G HDR models up to 2160p60. The 12G HDR models have a brighter touchscreen for shooting HDR digital film and for outdoor shooting in sunlight. Plus the 12G HDR models support Blackmagic RAW recording from supported cameras! The new design also has L‑Series batteries for longer life. Blackmagic Video Assist really is 4 products in one!

OVERVIEW
The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.

For the first time, your on-set production monitors can be HDR capable and have recording capacity. The Sumo is not only for high quality shot preview, it can record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19in 1200nit 10-bit HDR screen.

Take Sumo into the studio to use as an HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see colour accurate HDR in 10-bit quality with 10 stops of dynamic range.

As of April 2018 the SUMO supports PRORES RAW.

TECH SPECS
Weight	
Without batteries, media & stand	5.6kg / 12.3lb
With stand	6.2kg / 13.7lb
Dimensions (W x H x D mm)	504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
Construction	Aluminium alloy chassis with built in armor protection
Mounting Points	1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
 VESA mount rear
Power	
Operating power	75W
Compatible batteries	V-Lock / Anton Bauer via XLR terminal 
(optional mounting plates available)
Input voltage (battery)	14.4V nominal
Battery time (based on 7.4V)	Depends on Watt Hours speci cation of battery used
DC In	1 x DC in (6.2 - 16.8V)
Continuous power	Primary-secondary battery system. 
* Patent pending	Change batteries without losing power 
Loop batteries continuously
Touchscreen	
Size	19”
Resolution	1920 x 1200
PPI	120
Aspect ratio	16:9 native
Colour Gamut	REC709 HDTV
Look up table (LUT) support	3D LUT (.cube format)
Anamorphic de-squeeze	2x, 1.5x, 1.33x, Panasonic 8:3
Technology	SuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit
HDR	
AtomHDR	Yes
Supported Log formats	Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts	Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth	10-bit (8+2 FRC)
Brightness	1200nit (+/- 10%)
HDR input (PQ/HLG)	Yes / Yes
HDR output (PQ/HLG)	Yes / Yes
Video Input/Loop Out	
HDMI	1 x HDMI (2.0)
SDI	Quad link 4 x 3G SDI* or up to 12G single link SDI
Signal	Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)	
HDMI	1 x HDMI (2.0)
SDI	1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal	Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats	
HDMI to HDMI	720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI	720p 50/60, 1080i 50/60 
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
Video Signal Conversion	
HDMI to SDI	720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI	720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & Frame Rates (Record & Playback)	
Raw Record	Sony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p 
4K UHD; 
2K; 24/25/30/50/60/100/120p 
1080; 
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080;
Panasonic VaricamLT / Varicam35* CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 
Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p 
2880x2160; 24/25/30/50/60p 
Raw to ProRes / DNxHR	Sony FS5/FS7/FS700 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50/60p 
4K UHD; 
2K; 24/25/30/50/60/100/120/200/240p 
1080; 
Canon C300MKII/C500 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 
Panasonic VaricamLT / Varicam35* 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50*/60p* 
4K UHD; 24/25/30/50*/60p* 
2K; not supported in camera 
1080; not supported in camera
Video to ProRes / DNxHR 	Codecs 
(DNx utilizes a .MOV wrapper)	Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates 
4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50/60p 
2K; N/A 
1080p; 24/25/30/50/60/100^/120^/200/240p 
1080i; 50/60i 
720p; 50/60p
Onboard Processing	
Pulldown removal	24/25/30pSF 24/25/30p (2:2 pulldown)
60i 24p (3:2 pulldown)
4K UHD downscale for HD monitoring	Yes - Loop-out and playback (Not available in RAW)
Audio In/Out (48kHz PCM Audio)	
HDMI	2 or 8ch 24-bit, camera dependent
SDI	12ch 48kHz 24-bit
Audio	2ch balanced XLR analogue in/out (direct XLR connection)
Dynamic range 90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Headphone Out	3.5mm
Built-in Speakers	Yes
Remote Start/Stop	
HDMI	Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI	SDI trigger camera selectable
Other	LANC control - Slave
Playback	
Playlist / Genlock / LTC	Yes / Yes / Yes
CDNG (Recorded content)	No support
ProRes (Recorded content)	All recorded files can playback. Playback in slow motion = 100fps
DNxHR / DNxHD (recorded content)	All recorded files can playback. Playback in slow motion = 100fps
Recording	
Pre-roll record	Yes (HD 8s, 4K 2s)
Custom timelapse	Yes
Meta data tagging	Yes (10 tags available)
Supported media	2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of
tested and approved drives
Master caddy case	Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock	2.5” SATA to USB 2.0/3.0
Supported applications	Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support	FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools

INCLUDES
1x Atomos Sumo 4K Monitor & Recorder
1x Master Caddy II
1x AC Power Supply

Blackmagic Design Web Presenter Now you can make any professional SDI and HDMI video source appear as a USB webcam for high quality streaming on the internet.
Blackmagic Web Presenter makes any SDI or HDMI video source appear as a USB webcam for higher quality web streaming using software such as Skype or streaming platforms such as YouTube Live, Facebook Live, Twitch.tv, Periscope and more. Blackmagic Web Presenter includes 12G-SDI and HDMI inputs, an XLR microphone input, HiFi audio input, and Teranex quality down conversion for converting any SD, HD or Ultra HD video source to 720p for easy, low data rate, high quality streaming. Plus, Blackmagic Web Presenter can even live switch programs using its built in 2 input production switcher using the Teranex Mini Smart Panel.

TECH SPEC
Connections	
SDI Video Input	1
SDI Video Output	1x program out, 1x loop out.
SDI Rates	1.5G, 3G, 6G, 12G
HDMI Video Input	1
HDMI Video Output	1x loop out
Analog Audio Inputs	1x XLR mic and line, 2x HiFi analog.
Total Audio Outputs	None, embedded audio only.
USB Webcam	1
12G-SDI	1 X BNC input, 1 X BNC Loop out, 1 X BNC monitor, (2 channel
embedded audio)
HDMI 2.0	1 X Input, 1 X loop out, (2 channel embedded audio)
RCA	2 X HiFi Analog audio input
XLR	1 X input supporting both microphone and line levels
USB 2.0	1 X Type B
Mini USB	1 X for software updates
HDMI Format Support	
SD Video Standards	525i59.94 NTSC, 625i50 PAL
HD Video Standards	720p50, 720p59.94, 720p60, 
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50,
1080p59.94, 1080p60, 
1080i50, 1080i59.94, 1080i60
UHD Video Standards	2160p23.98, 2160p24, 2160p25, 2160p29.97,
2160p30, 2160p50, 2160p59.94, 2160p60
12G SDI Format Support	
SD Video Standards	525i59.94 NTSC, 625i50 PAL
HD Video Standards	720p50, 720p59.94, 720p60, 
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50,
1080p59.94, 1080p60, 
1080PsF 23.98, 1080PsF 24, 1080PsF 25, 1080PsF 29.97, 1080PsF 30, 
1080i50, 1080i59.94, 1080i60
UHD Video Standards	2160p23.98, 2160p24, 2160p25, 2160p29.97,
2160p30, 2160p50, 2160p59.94, 2160p60
Control	
Basic Settings Control	Mini Switches.
Optional Front Panel Control	Six settings buttons including 2 input switcher.
Software	
Compatible Services and Software	YouTube Live, Facebook Live,
Twitch.tv, Periscope, Skype, Open Broadcaster and XSplit Broadcaster.
Operating Systems	MAC OS X 10.10 Yosemite
MAC OS X 10.11 El Capitan or later
Linux
Windows 8.1 64-bit or Windos 10 64-bit
Settings Control	
Basic Settings Control	Mini Switches
Optional Front Panel Control	Front mounted Smart Panel with LCD, rotary
knob and six settings buttons.
Power Requirements	
Power Supply	1 x built-in international AC power supply with IEC C14
inlet. IEC Power cable required. 90 - 240V AC Input.
Power Consumption	24 watts
Operational Voltage Range	90 - 240V AC
Physical	
Dimensions	14x16.8x4.4cm
5.5x6.6x1.7in
Weight	.63kg
1.4lb
Environmental Specifications	
Operating Temperature:	5° C to 50° C (41° - 122°F)
Storage Temperature:	-20° to 60° C (-4° to 140° F)
Relative Humidity:	0% to 90% non-condensing

INCLUDES
1x Web Presenter with Terranex Mini Smart Panel

ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom! Simply connect ATEM Mini and you can switch live between 4 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary! There are loads of video effects too! All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro model adds live streaming and recording to USB disks. ATEM Mini even has secret broadcast features built in so it can do high end work!

The Benro BV10 Twin-Leg Aluminum Tripod Kit is a complete tripod system ideal for studio applications and handling larger, fully rigged cameras weighing up to 22 pounds. The kit pairs the 100mm-ball BV10 video head with a twin-leg aluminum tripod. The BV10 head features a 5-step counterbalance system to dial in the correct amount for your setup, and independent 4-step pan and tilt drag settings for precise control over camera movements. A Manfrotto 501/504PL compatible sliding quick release plate is provided. All the main controls aside from counterbalance are located on the left side of the head, making it easy to make adjustments with a single hand while operating the camera. For added versatility, the 100mm ball tie-down stud is removable to convert the head to a flat base for use on a slider or other support device.

An award winning Dolly and track system - designed to be quick and easy to use while being ultra portable.

TECH SPECS
SLEEPERS

Each sleeper, manufactured from hi-grade 40mm x 40mm aluminium box section, supports a rail track gauged at industry standard 62cm (24½").

Light and very simple to manoeuvre, there is virtually no limit to the track length you can achieve.

Specifically designed rail mounts at each end feature the Hillrigs klik-quik™ system, both fast and secure, enabling portability of an entire assembled track up to 5m (16'5") sections.
Built-in fluid level vials at each end make levelling simple and quick.
Flat silicone rubber feet and height adjustable tilting feet are fitted to each end of the sleeper.
Anodised in matt black for minimum glare and reflection.

TRACK RAIL

Manufactured specifically to our own exacting standards (no you can’t have the recipe!) each Ø32mm (1¼") hi-grade aluminium track rail is designed to fit together simply and snugly without slack.

Anodised in a tough dull black finish, each 60cm (23½") track rail is strong enough to bear an equalised dolly load of over 70-80kg (154-176 pounds) with minimal deflection ) 0.2mm (0.008") at the unsupported centre point.
Our additional EPDM track seals, fitted to each rail, ensure a virtually seamless transition along the track
Designed with portability in mind these rails are super strong and lightweight, and are short enough to transport with ease.
BUFFERS

Made from Acetal (POM) our track buffers simply clip into the end of each rail to prevent drive off.

HILLRIGS WEDGES

No need to search around for odd wooden wedges to level your track. Our all-weather, silicone rubber wedges are perfect for levelling up in small increments. Size: 100mm x 65mm x 20mm (4" x 21½" x ¾).

INCLUDES
KlikTrak 3.2 metre track system
1 Kombidolly 3 legged dolly system
Hardcase Carry System

TECH SPECS
SLEEPERS
Each sleeper, manufactured from hi-grade 40mm x 40mm aluminium box section, supports a rail track gauged at industry standard 62cm (24½").

Light and very simple to manoeuvre, there is virtually no limit to the track length you can achieve.

Specifically designed rail mounts at each end feature the Hillrigs klik-quik™ system, both fast and secure, enabling portability of an entire assembled track up to 5m (16'5") sections.
Built-in fluid level vials at each end make levelling simple and quick.
Flat silicone rubber feet and height adjustable tilting feet are fitted to each end of the sleeper.
Anodised in matt black for minimum glare and reflection.

TRACK RAIL
Manufactured specifically to our own exacting standards (no you can’t have the recipe!) each Ø32mm (1¼") hi-grade aluminium track rail is designed to fit together simply and snugly without slack.

Anodised in a tough dull black finish, each 60cm (23½") track rail is strong enough to bear an equalised dolly load of over 70-80kg (154-176 pounds) with minimal deflection ) 0.2mm (0.008") at the unsupported centre point.
Our additional EPDM track seals, fitted to each rail, ensure a virtually seamless transition along the track
Designed with portability in mind these rails are super strong and lightweight, and are short enough to transport with ease.
BUFFERS

Made from Acetal (POM) our track buffers simply clip into the end of each rail to prevent drive off.

HILLRIGS WEDGES
No need to search around for odd wooden wedges to level your track. Our all-weather, silicone rubber wedges are perfect for levelling up in small increments. Size: 100mm x 65mm x 20mm (4" x 21½" x ¾).

INCLUDES
KlikTrak 6.4 metre track system
1 Kombidolly 3 legged dolly system
Hardcase Carry System

Featuring a 45 degree-angled roll motor, The G2X gives you more room to balance longer camera setups. Ideal for use with the EVA-1 or DLSRs and with a monster battery life for continuous use. A lightweight gimble to up your production values.

OVERVIEW
Tilta GR-V02A (GR-V02-A) Gravity G2X Compact Handheld Angled Gimbal with Safety Case. Please Note: Camera not supplied.
The Gravity G2X is a compact handheld gimbal system for: mirrorless DSLRs, DSLRs, Smartphones, and GoPros. It has four user modes and is compatible with the TILTA Assistant App via Bluetooth, for greater calibration of features. Two rosettes on the handle allow for the mounting of various accessories to customise your rig with your needs. A 14.8V DC output allows you to power your optional accessories and a 5V Mini USB can power the Nucleus-Nano Motor.

Also included are the Tilta GR-V01-DH Gravity G Series Dual Pistol Grip Battery Handles. When configured with the Gravity G Series Dual Pistol Grip Battery Handles, an operator can extend the  G2X gimbal body’s operating life with eight fully charged 18650 batteries (4 in each handle). This will give up to 20 hours of power to your gimbal. If used in conjunction with the G2X Battery Pistol Grip Handle, up to 30 hours of runtime can be achieved.

INCLUDED
1x G2X Gimbal Body
1x G2X Hard Shell Waterproof Safety Case
1x G1 Hotshoe Support Bracket
1x Multi-Head Screwdriver
1x G1 Baseplate Lens Support
1x G2 and G2X Baseplate with Riser
1x Tilta 18650 Battery Charger
1x G2 and G2X Battery Pistol Grip Handle
2x  Tilta GR-V01-DH Gravity G Series Dual Pistol Grip Battery Handles
4x  Tilta  18650 batteries + 8x  18650 batteries (12 Total)

TECH SPECS
Weight: 3.95 lbs (with balancing plate, baseplate with riser, no lens support, no batteries, no camera)

Height: 48.26cm (top of hot shoe mount to base of balancing plate)
**Note: Height may vary depending on height of camera.

Gimbal Body Only:
Length/Height: 22.86cm
Depth: 16.51cm (gimbal end)
Handle Only:

Handle Only:
Length: 7.62cm
Depth: 2.54cm
Balancing Plate Only:

Balancing Plate Only:
Length: 12.7cm
Depth: 11.43cm
Color: Black

OVERVIEW
The Secced Reach Plus 3 Kit CF is the carbon fibre version of the Secced Reach Plus 3 kit. It includes a fluid head with ø100 mm integrated ball and a carbon fibre video tripod leg with floor-spreader. It is recommended for portable broadcast camcorders in ENG configuration, up to a load of 15.4 kg / 34 lb.


The fluid head of the Reach 3 Plus tripod set features a balance adjustment lever device designed to duplicate the available counterbalance steps. The ENG/CF100D tripod included in the kit is a 2-stage carbon fibre tripod, traditional build (top and middle sections are twin-tubed) with standard ø100 mm bowl. It is lightweight and strong with excellent torsional rigidity.


The torsional rigidity is a measure of a body's resistance to twisting.
The high torsional rigidity is the most important characteristic of professional video tripods. It determinates how resistant the video tripod is to twisting mechanical influences during pan. The adequate torsional rigidity is essential at recording to achieve smooth camera movements.

TECH SPECS
2-stage construction with 100mm bowl
Lightweight, stable, reliable structure
Outstanding torsion rigidity
Fast and easy set-up
Wide range of height adjustment
Most frequently used clamps and knobs are easily handled with gloves
User adjustable brake force of the leg-lock
Compact transport size

OVERVIEW
The Secced Reach Plus 4 Kit replaces the discontinued Reach 9 and Reach 10 tripod systems. It is the strongest ø100 mm tripod system of Secced, a perfect high-end solution for professionals in EFP and field-based HD production environments or for studio application or even for stereoscopic shooting with light 3D Rig. The highly sophisticated operation of Reach Plus 4 extends its use to the commercial, drama, feature filmmaking and high-quality television production.

The payload of the Plus 4 tripod system is approx 28 kgs / 61.7 lbs and can be used with portable broadcast cameras and camcorders in heavy configuration or even for studio application with a teleprompter or compact studio lens as well.

TECH SPECS
Typical Payload Capacity: 0-28 kg / 0-61.7 lbs at C.O.G. height (Center of Gravity Height is the distance between the CoG of the fully loaded camera mounted on the fluid head and the top of the fluid head).
The higher the CoG height is, the lower the fluid head can be loaded. of 125 mm)
Maximum Height: 180 cm / 70.9 in
Minimum Height: 81 cm / 31.8 in
Transport Length: 97 cm / 38.2 in
Weight: 11.2 kg / 24.7 lbs
Tripod/Head fitting: ø100 mm integrated ball

Wireless GO is an ultra-compact digital wireless microphone system which is unique in its clip’n’go versatility, incredibly compact form-factor, and unmatched price accessibility. It’s the perfect wireless mic solution for content creators in all disciplines: filmmakers, on-camera presenters, newsgatherers, vloggers and more.

Built-In Omni Mic & 3.5mm Mic Input
Miniature Clip-On Transmitter
Miniature Clip-On Receiver
Easy Setup with No Menus
Three Adjustable Gain Settings
7-Hr Rechargeable Batteries + USB Power
Bright, Informative LCD Screen
Battery Status & Audio Level on Display
Up to 8 Mics on Set / 230' Range

The RØDE NTG-3 super-cardioid shotgun microphone is designed for professional use on film, television, ENG and wherever high-resolution broadcast audio is required.

As RØDE's premiere directional microphone the NTG-3 exhibits superlative audio quality with a rich warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue.

Machined from solid brass and nickel plated with an anti-glare finish, the NTG-3 is incredibly robust while remaining incredibly lightweight.

Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG-3 will capture audio clearly every time.

TECH SPECS
Acoustic Principle:	Line Gradient
Directional Pattern: Super-Cardioid
Frequency Range:	40Hz - 20,000Hz
Nominal Impedance: 25 Ohms
Equivalent Noise: 13dBA SPL
Maximum Output:	+8.2dBu
Dynamic Range: 117dB
Maximum SPL: 130dB
Signal/Noise:	81dB SPL
Power Requirements: 48V Phantom Power
Dimensions: Length - 255mm
Diameter - Ø19mm
Output Connection: 3 pin XLR
Net Weight: 163g

2 MATCHED PAIRS AVAILABLE.

OVERVIEW
Location and Studio Shotgun Featuring Exceptional Off-axis Rejection

・ Location and studio shotgun featuring exceptional off-axis rejection
・ Unique design combination of line mic array and second pressure gradient method
・ Very sharp pinpoint directivity
・ Provides rich human voice characteristics

The CS-3e stands out among shotgun microphones because it maintains directivity over an extremely wide frequency range, especially in the low frequencies. Because of its unique design, the CS-3e is an excellent choice for use in difficult applications, such as close-to-ceiling positions or locations near a noisy camera. Even in such challenging situations, the excellent side and rear rejection of the CS-3e helps to capture only the targeted dialogue without ambient reverberation problems. The CS-3e delivers sharp directional sound even in the lower frequencies. Sanken's original design results in a low proximity effect which facilitates working in a scene close-up and wide, while producing little change in sound character.

In the CS-3e, three directional capsules are arranged in a front-back array to combine line microphone performance and second-order pressure gradient response in a single system. With this unique design, the CS-3e achieves phenomenal supercardioid directivity in the lowest frequencies and throughout the full range in a microphone only 27cm (10 inches) in length. It is significant that the CS-3e picks up the targeted frontal sound sources with exceptional clarity over a wide frequency range - even in noisy ambient environments or in long reverberation spaces - by rejecting undesired noise and sounds coming from the rear and sides.

TECH SPECS
Directivity	Super Cardioid / lobar
Transducer	DC biased condenser
Frequency Range	50Hz - 20kHz
Sensitivity (nominal at 1kHz)	50mV/Pa (-26dB,0dB=1V/Pa)
Equivalent Noise Level (A-weighted)	15dB-A
Max SPL (1% THD)	120dB SPL
Output Impedance at 1KHz	120 ohms
Powering	+48±4V phantom
Current Consumption	less than 2.5mA
Surface Finish	Matte black
Connector	XLR-3M
Dimensions	27.0 cm X 1.9 cm (diameter)
Weight	0.12 kg

OVERVIEW
Output Flexibility
In complex, multi-camera productions, output flexibility is essential. The 664 can send its main left/right outputs to three cameras simultaneously. Two additional output buses, X1 and X2, appear on balanced TA3 connectors. AES3 digital outputs are individually selected to appear on the main XLR and multi-pin output connectors.

Recording
The 664 can record each of its inputs and its four output buses, for 10 record tracks. Recordings are saved to CompactFlash and SD cards. Recordings are either 16- or 24-bit Broadcast WAV files with extensive metadata. All popular production sampling rates are supported. When used with a CL-6 Input Expander, the 664 records 16 tracks, 12 inputs and four output buses.

Integrated Time Code
With the mixer's built-in, rock-steady Ambient time code generator, multiple devices can operate in synchronization. The 664 operates as either a time code master clock or its clock can be jammed from external time code. A helpful time code compare utility shows the difference between internal and external time code.

Ease-of-Use
The 664 was designed with knowledge gained from the industry's top engineers and from Sound Devices' expertise in portable mixers. Because sound engineers operate in fast-paced environments, important controls are on dedicated knobs and switches, while additional features are quickly accessed through the intuitive LCD-based menu control.

TECH SPECS
Frequency Response
20 Hz to 50 kHz, ± 0.5 dB
THD + Noise
0.09% max (50 kHz, +18 dBu at line out, fade fully up)

Equivalent Input Noise
-126 dBu (-128 dBV) maximum. (22 Hz - 22 kHz bandwidth, flat filter, trim control fully up)
Inputs
XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
XLR AES: AES3 or AES42 (10 V power), SRC
XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
TA3 Line (7-12): active-balanced for use with ≤2k ohm outputs, 10k ohm actual
RTN A,B,C (3.5 mm/10-pin): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual

Maximum Input Level
XLR Mic: 0 dBu (0.78 Vrms)
XLR Line: +40 dBu (80 Vrms)
RTN A,B,C (3.5 mm/Multi-pin): +24 dBu (12.4 Vrms)

High-Pass Filters
Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz

Input Limiters
Individual limiters on both trim and fader stages, +16 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 500 mS release time
Link I/O

Unbalanced stereo for linking to MixPre, 302, 442, 552, and 664; 2k ohm impedance

Maximum Gain
Mic-In-to-Line-Out: 93 dB
Mic-In-to-Aux-Out, -10 Out: 79 dB
Line-In-to-Line-Out: 39 dB

Output Type
Line: transformer-balanced for use with >=600 ohm inputs, 100 ohms
-10: transformer-balanced for use with >=10k ohm inputs, 3.2k ohm
Mic: transformer-balanced for use with >=600 ohm inputs, 150 ohms
TA3 Mic/Line: active-balanced, pin-2 and 3 driven, for use with >=3k ohm inputs, 1k ohm
TA3 Direct Outs Mic/Line: active-balanced, pin-2 and 3 driven, use with >=3k ohm inputs, 1k ohm
Tape Outs (3.5 mm and TA3-type): unbalanced, stereo, use with >=6k ohm input, 1.8k ohm actual
Headphones (3.5 mm and 1/4"): unbalanced, stereo, use with 8-2k ohm headphones, 50 ohms

Line Output Clipping Level
(1% THD) 20 dBu minimum with 10k load

Maximum Output Level
Line: +20 dBu (7.8 Vrms)
-10: +6 dBu (1.5 V rms)
Mic: -20 dBu (0.078 Vrms)
Tape Outs: +6 dBu (1.5 Vrms)

Output Limiters
Affects analog output. Threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time, 500 mS release time.

Recording Tracks
16 tracks (12 inputs, 4 output buses), monophonic or polyphonic Broadcast WAV or timecode-stamped MP3
A/D
24-bit, 114 dB, A-weighted dynamic range typical; 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz SR

Digital Outputs
AES3 transformer-balanced, in pairs; 1-2 XLR-L, 3-4 XLR-R, 5-6, multi-pin 1, 7-8, multi-pin 2, 110 ohm, 2 V p-p, AES and S/PDIF compatible

Recording Storage Type
SDHC, SD, SDXC - exFAT for cards >32 GB, FAT32 for <32 GB; CompactFlash (CF) FAT32, will format memory cards in unit

Sample/Timecode Accuracy
± 0.2 ppm (0.5 frames per 24 hours)

Timecode and Sync
Modes Supported: off, Rec Run, Free Run, 24h Run, External
Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
Accuracy: Ambient generator, 0.5 frame in 24 hr
Time Code Input: 20k ohm impedance, 0.3 V - 3.0 V p-p (-17 dBu - +3 dBu)
Time Code Output: 1k ohm impedance, 3.0V p-p (+12 dBu)
Word In/Out: square wave; 10k/75 ohm, 1-5V p-p input; 75 ohm, 3.3V p-p output, at SR
Power
External: isolated 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
Internal: accepts five (5) NiMH, 1.5V Lithium, or Alkaline AA batteries. Note that run time will be very limited when using Alkaline batteries (30 minutes to one hour depending on settings). NiMH or Lithium batteries are the preferred type because of the approximate 2x to 4x run time compared to Alkalines.

Environmental
Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing) Storage: -40°C to 85°C

Dimensions and Weight
Dimensions: 5.3 cm x 32 cm x 19.8 cm (H x W x D) 2.1" x 12.6" x 7.8"
Weight: 4 lbs. 12 oz. (unpackaged, without batteries)

OVERVIEW
The Zoom H6 is the perfect audio recorder for almost all applications. It features 4 XLR inputs, each with the option for phantom power. As well as an input for one of the Zoom's 'capsules'. The built-in preamps provide amazing, high-quality sound. recording.

The Zoom H6 comes with 2 microphone capsules:
XYH-6 X/Y Capsule:  The H6's included X/Y capsule employs two angled high-quality unidirectional mics which are sensitive to signals coming from the front but less to signals coming from the sides and rear. X/Y recording is optimum when you want to cover a wide area yet still capture a strong center image, making it the perfect choice for all types of live stereo recording.
MSH-6 MS Capsule:  Welcome to “Mid-Side” recording, a whole new level of precision in your ability to shape the sound. The H6's provided MS Capsule contains dual mic elements – a forward-facing, unidirectional mic (the “Mid”) and a side-facing, bi-directional mic (the “Side”). Together with the H6's onboard MS decoder, they capture a fully mono-compatible stereo image that can actually be adjusted after recording – ideal for film, video, and television projects.

INCLUDED
1x H6 Hand Held Recorder
1x XYH-6 X/Y mic capsule
1x MSH-6 MS mic capsule
1x SD card
1x WSH-6S Foam Windscreen
1x USB Cable
1x Case
[requires AA size (LR6) battery x 4]

TECH SPECS
Recording media	
16MB–2GB SD cards
4GB–32GB SDHC cards
64GB–128GB SDXC cards
Inputs L/R	
XY mic (XYH-6)	
Mic Type:	Unidirectional
Sensitivity:	–41 dB, 1 kHz at 1 Pa
Input Gain:	–∞ to 46.5 dB
Maximum Sound Pressure Input:	136 dB SPL
[MIC/LINE IN]	
Connector:	1/8" stereo mini jack
Input Gain:	–∞ to 46.5 dB
Input Impedance:	2 kΩ
Plug-in Power:	2.5V supported
MS mic (MSH-6)	
Mic Types:	Unidirectional and bi-directional
Sensitivity:	–37 dB, 1 kHz at 1 Pa (unidirectional),–39 dB,1 kHz at 1 Pa (bi-directional)
Input Gain:	–∞ to 42.5 dB
Maximum Sound Pressure Input:	120 dB SPL (unidirectional),122 dB SPL (bi-directional)
Inputs 1 to 4	
Connectors:	XLR/TRS combo jacks
(XLR:	2 hot / TRS: TIP hot)
Input Gain (PAD OFF):	–∞ to 55.5 dB
Input Gain (PAD ON):	–∞ to 35.5 dB
Input Impedance	6.8kΩ
Maximum Input Level:	+22 dBu (PAD ON)
Phantom Power:	+12V / +24V / +48V
Equivalent Input Noise (EIN):	–120 dBu or less
Outputs	
Line Out	
Connector:	1/8" stereo mini jack
Rated Output Level:	–10 dBu (when output load impedance is 10 kΩ or more)
Phone Out	
Connector:	1/8" stereo mini jack
Output Level:	20 mW + 20 mW (into 32Ω load)
Built-in Speaker	400 mW/8 Ω mono speaker
Recording Formats	
[WAV setting]	
Sampling Frequency:	44.1/48/96kHz
Bit Rate:	16/24-bit (Mono/Stereo, BWF-compliant)
Maximum Simultaneous Recording Tracks:	8 tracks (6 tracks + L/R backup)
Backup recording:	12dB lower than set L/R input gain
[MP3 setting]	
Sampling Frequency: 44.1kHz Bit Rate:	48–320 kbps
Maximum Simultaneous Recording Tracks:	2 tracks
Recording Time	
(with 2GB card)	03:08:00 (44.1kHz/16-bit WAV)
34:43:00 (128kbps MP3)
Display	2.0-inch full-color LCD (320 x 240 pixels)
USB	
[Mass Storage Class operation]	
Class: USB2.0 High Speed
[Audio Interface operation: Multi-track mode]	
Class:	USB2.0 High Speed
Inputs / Outputs:	6 / 2
Sampling Frequency:	44.1/48/96kHz
Bit Rate:	16/24bit
Note:	Use with Windows requires a driver, but Macintosh does not.
[Audio Interface operation: Stereo mode]	
Class:	USB2.0 Full Speed
Inputs / Outputs:	2 / 2
Sampling Frequency:	44.1/48kHz
Bit Rate:	16 bit
Note:	iPad operation supported in stereo mode only.
Battery Life	
(with alkaline battery)	
XY mic, 44.1kHz/16-bit (stereo x 1):	21 hours
XY mic and Inputs 1, 2, 3 and 4 used,96kHz/24-bit(stereo x 3):	9 hours 45 minutes
Note:	The above times are estimates. Approximate continuous recording times when using battery power were calculated using our own testing method. They may differ greatly depending on operating conditions.
Power	AA size (LR6) battery x 4
AC adapter:	AD-17 (DC5V/1A/USB-type) (optional)
USB bus power
Dimensions	H6: 77.8mm（W）x 152.8mm（D）x 47.8mm（H）
XYH-6: 78.9mm（W）x 60.2mm（D）x 45.2mm（H）
MSH-6: 58.0mm（W）x 67.6mm（D）x 42.1mm（H）
Weight H6：	280g (without batteries)
XYH-6:	130g
MSH-6：	85g

KRK Headphones provide a precise listening experience that takes you from personal studio to commercial studio to on-the-go track evaluations -- and they allow you to accurately enjoy your music with the consistent voicing philosophy and honest reproduction top producers, studio musicians, performers and engineers have come to trust. KRK headphones provide incredibly natural frequency response that gives you a reference standard unaffected by your location. Day or night. Studio or home. Without disturbing others. Without compromising your tracks. 

This RODE boom pole is machined from anodized aluminium, providing ultimate boom pole performance in a convenient and portable size. Intuitive twist locks allow the pole's three sections to extend to its maximum height of 2m, while its ergonomic grip handle ensures comfort during use.

This RODE boom pole is machined from anodized aluminium, providing ultimate boom pole performance in a convenient and portable size. Intuitive twist locks allow the pole's three sections to extend to its maximum height of 3m, while its ergonomic grip handle ensures comfort during use.

The Beta 58A dynamic vocal microphone is precision-engineered for live performance and project studio recording. A tailored frequency response accentuates vocals, and thesupercardioid pattern isolates from other sound sources.  

OVERVIEW
2 matched condenser microphones for stereo studio recording and live applications. Ideal as main and support microphones for studio and live applications

TECH SPEC
Cardioid pickup pattern for effective feedback elimination
Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
Switchable low-frequency roll-off and input attenuation
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Ultra-rugged construction with metal die-cast body
Gold-plated 3-pin XLR connector for highest signal integrity

OVERVIEW
RØDELink represents the next generation of digital wireless systems. Using a Series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDE has included an omnidirectional lavalier microphone in the kit to provide the highest possible audio reproduction quality. 

INCLUDES
Lavalier Mic - with Tie clip, vampire clip and windshield.
RX-CAM - Camera-Mounted Wireless Receiver
TX-BELT - Beltpack Wireless Transmitter
Captive TRS cable With XLR adaptor

OVERVIEW
The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response, a selectable high-pass filter at 80Hz is available, which will prevent low-end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from an AA  (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.

The Rycote A5 News Boom Pole is extremely robust and features a patented, quick release mechanism. The innovative triple-cam locking system of the pole allows for minimal twisting when locking/unlocking, making it less likely to jam when dirty. The locking system can also be stripped down completely for easy cleaning of the pole. Designed for especially demanding applications such as television news broadcasting, the A5 News Boom Pole is made of top grade 1.0 mm thick aircraft grade aluminium and is also available with an internal coiled cable. 

OVERVIEW
Sennheiser EW-100-P G3 Package - with upgraded mic Sanken Black Cos11D (As opposed to the Sennheiser shipped lav mic)

INCLUDES
1x EK 100 G3 bodypack transmitter
1x EK 100 G3 diversity receiver
1x omnidirectional lavalier microphone (Sanken Black Cos 11D)
1x Mic mounted Wind Filter
1x Tie Clip
1x microphone holder clip belt clip
1x 3-pole locking mini plug/XLR-3-12C (male)  
1x locking mini plug/Stereo mini plug

OVERVIEW
The super-cardioid MKH 50 offers a higher attenuation of diffuse field and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent.

TECH SPECS
High rejection of lateral sounds
Exceptionally low inherent self-noise
Transformerless and fully floating balanced output
Symmetrical transducer technology ensures extremely low distortion
Switchable roll-off filter to compensate for proximity effects at a distance of approx. 0.5 m
Switchable pre-attenuation
Black, anodised light metal body

OVERVIEW
The ECM-77 is probably the most often seen lapel microphone on TV and it is used widely in both studio production and on location. Its popularity is based on a combination of excellent sound quality, robust construction and an attractive cosmetic design.

This microphone is the ECM-77B XLR3 version with power barrel for use as a wired microphone.

FEATURES
Designed for high-quality voice pick-up 
The ECM-77’s capsule features a voice emphasis curve, extended frequency response and sensitivity. 
Minute size 
The capsule has a diameter of only 5.6mm and is 12.5mm long. 
Ready for wired applications 
The ECM-77B is the wired microphone version with an XLR output and integral power supply barrel. The B version can either be powered by the external microphone amp or an internal battery (LR6/AA size).

OVERVIEW
Sony UWP-D11 Package - with upgraded mic Sanken Black Cos11 (As opposed to the Sony shipped lav mic)

INCLUDES
1x UTX-B03 belt-pack transmitter
1x URX-P03 portable receiver
1x omnidirectional lavalier microphone (Sanken Black Cos 11)
1x windscreen 
2x microphone holder clip belt clip 
1x shoe-mount adaptor
1x 3-pole locking mini plug/XLR-3-12C (male)  
1x 3-pole locking mini plug/Stereo mini plug 
1x soft case

Available with both wood and leatherette seating. Height 84cm x Width 44cm x Depth 45cm. Up to 30 chairs available for hire.

Folding chair that folds flat. Easy to store. Padded, fabric seat and backing with a strong steel frame. Up to 30 chairs available for hire.

5 Trestle Tables Available Width: 183cm Depth: 75cm Height: 75cm

Durable 15mm one-piece plywood top finished with 6 layers of varnish to protect from moisture damage
25mm diameter tubular steel folding wishbone legs
Heavy duty, black PVC edging provides protection to the plywood edge
Plastic feet to help prevent scratching on floor surfaces

Sony FX9 with 28-135mm lens, top mic and spare batteries. I have most things to make this kit work for you including lights, radio mics and boom. Send me a message if you would like to know more. 

Blackmagic Pocket Cinema Camera 4k (BMPCC4K)

1 x BMPCC4K
1 x SmallRig Cage
1 x SSD Holder
1 x 1tb SSD
1 x Power Cord
1 x Battery

The Sony Fs7 is a Super 35mm 4k Video Camera.

This hire comes with:

Sony Fs7 Body
Viewfinder
Directional Microphone with Shield
Xlr Cable
Tilta shoulder mount
Quick Release Plate
MetaBones Speedbooster Adaptor
Samyang 24mm cine lens
3 x 128 XQD Cards
3 x Hawkwoods Batteries
Sony Battery Charger
X rite Colour Checker
X rite Grey Scale
Sony Remote
Manfrotto Camera Bag

The hire is as pictured, if you request a tripod please get in touch.
(the images were taken by myself and are not from the internet)

Brand New Sony rx100 iv Camera 
with charger and 
32GB card

Offering out my Sony FS7, I come with it either as an operator or as a camera assistant. 

My showreel; https://vimeo.com/316805245

Included kit list; 

FS7 
Miller Solo Compass Tripod
Speedbooster EF/E
Atomos Shogun 
Smallrig Baseplate

17/40 Canon L series EF F4
24/105 Canon L series EF F4
50 Canon L series EF F1.4 

ME66 Sennheiser
Rode Radio Mic x 2

IDX 95C X 2
XQD 128GB X 2
Sony Remote Grip
FSTOP Camera bag
Reflector and XLRS

If you would like to see more specific examples then please let me know and i'll happily share more relevant links to your project. 

Canon C100 MKII

Items Included:
1x Canon C100 MKII Camera Body
1x Canon C100 MKII Top Handle Unit
1x Canon C100 MKII Side Grip Unit
3x Canon BP-955 Batteries
4x 128GB SD Cards
1x Canon CG-940 
Battery Charger
1x Canon CA-941 Power Adapter
1x Fig 8 Mains Cable
1x Tenba Cineluxe Backpack 21

For rental is a Canon C200 cine camera.

This camera has an EF mount and will shoot 4K Raw internally, without the need for an external recorder, at 12-bit 25p or 10-bit 50p. (NTSC formats also available in the same configurations).

It will shoot 8-bit 4K files for those not wanting to handle the Raw files.

Includes top handle, touchscreen LCD monitor, and two batteries. 1x 128GB memory card (C-Fast 2.0, Lexar), and 2x 128GB Sandisk SD cards.

Please note there is no side-grip supplied with this camera.

RAILS AND BASE PLATE NOT INCLUDED. These are available for an additional fee - contact me if needed.

Included:
- Canon C200
- SmallRig top plate and handle
- Canon C200 LCD on ballmount
- 1 x BP-A30 and 1 BP-A60 batteries
- charger
- 2 x 256GB CFast cards
- 2 x 128GB SD cards

Provided in Peli hardcase with roller wheels. 

Please see other listings for lenses and accessories or message me with any questions.

Capture sharp and natural 4K images internally in Cinema RAW Light, MP4 or XF-AVC formats, recording to CFast 2.0 or SD cards respectively; additionally, shoot 120P slow-motion in Full HD, making the EOS C200 suitable for a variety of productions.



Takes EF-Mount lenses. Beastly camera, awesome footage. Comes in Tilta’s full cage.

This listing is for body only. Lens not included.

Panasonic EVA1 5.7k with some great ALL-I codecs. Replaced top handle with small rig plate and handle - much sturdier and can be rigged up with all sorts of accessories.  

See other listings for rig package and feel free to get in touch for a custom package and price, we'll sort something out. We have audio gear, recorders, lenses, matte box etc, shoulder rigs, follow focus etc.

Notes:
1- The EVA1 LCD screen hood has broken. For what is a pretty bad LCD, it's a touch worse outside without the hood. We normally pair with the inferno but a makeshift hood could be assembled fairly easily. 
2- DOP available to hire. Get in touch

Black Magic 4K Pocket Cinema Camera. Brand new. 13 stops of dynamic range, dual native ISO and 4K 60FPS, HD 120FPS. Great camera!

Included:

1 x Blackmagic Pocket 4k (Body Only)
1 x Samsung T5 
SSD 500GB with USB-C cables
1 x Smallrig SSD Mount 
7 x LP-E6 Batteries 
1 x Dual Battery Charger with Micro USB Plug
1 x Factory power supply
1 x MFT to EF lens adapter 

Gear:
Arri Alexa Plus
Sony lenses (35/50/85)
2x 32GB SxS Cards
SxS Card Reader
4x V locks
handle bars
15m rods
Cables

Director of Photography/Camera Operator with 6+ years in the industry, specialising in Music, Narrative and Commercial video's.

Showreel:
www.samuelperry-falvey.co.uk


The new Blackmagic 4k Pocket Cinema Camera with Viltrox EF-M2 Speedbooster (0.71x for Canon EF mount Lens to M43).  

Amazing camera, 13 stops of dynamic range, records 4K up to 60 frames per second in RAW and ProRes Codecs. HD at up to 120 frames per second.

What's included...
1 x Blackmagic Pocket 4k (Body Only)
1 x Viltrox EF-M2 Speedbooster 
1 x Samsung T5 SSD 500GB with USB-C cables
1 x Smallrig SSD Mount
5 x LP-E6 Batteries
1 x Dual Battery Charger with Micro USB Plug
1 x Factory power supply

If looking for EF lenses I've also got a Sigma 18-35 and Canon 50mm available to hire as well, please see my other listings. 


The new Blackmagic 4k Pocket Cinema Camera. Amazing camera, 13 stops of dynamic range, records 4K up to 60 frames per second in RAW and ProRes Codecs. HD at up to 120 frames per second.

What's included...
1 x Blackmagic Pocket 4k (Body Only)
1 x Samsung T5 SSD 500GB with USB-C cables
1 x Smallrig SSD Mount
5 x LP-E6 Batteries
1 x Dual Battery Charger with Micro USB Plug
1 x Factory power supply



Sony PXW-FS5 Body Only

Grab and Shoot with handheld Super 35

A handheld camera should be able to get you into tight places. To work in your lap. To move with the talent. To shoot high and low angles with equal agility. And a handheld camera should function beautifully against your chest, comfortably steadied by your right hand with all the controls at your fingertips. Sony’s extraordinary PXW-FS5 does all of this, and more.

Ultimate Mobility
The FS5 is a radical re-imagining of the FS7 for unsurpassed on the go shooting in the most demanding of conditions. With a body-only weight less than half the FS7 at 0.8kg, you can shoot almost anywhere.Handheld operation is simply exceptional as the superbly balanced chassis is easily configured to shoot from high to low angles thanks to a flexible, rotatable grip and a LCD viewfinder that can be mounted in no less than nine locations. And as you’d expect from Sony, to provide complete control over lighting in fast moving situations, we invented the first built-in electronic Variable ND Filter for a Super35mm camcorder.

Adaptable Design
When you’re in the field, you don’t want to lose time or miss any opportunity. The FS5 allows you to quickly add or remove components such as the grip and LCD viewfinder without special tools, while standard ¼-inch screw holes support mounting on a drone, gimbal or in a underwater housing.

α Mount Flexibility
Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. The FS5’s E-Mount can take cinema lenses and SLR lenses with a third party adaptor.

Fs7 Mark 1 body
Handle & Eye piece
Metabones Speedbooster
4 x 64GB Lexar Professional 1400x XQD (210 MB/s)
Rode NTG2 Top Mic
2 x Big and 2 x small Batteries
Dual Charger

Sony Fs7 mark 1
Canon 24-105 L mark 1
Metabones Speedbooster
1x Sennheiser G3 transmitter and receiver 
Rode NTG2 directional mic
Manfrotto 504 fluid head & MPRO535 carbon fiber legs.
4 x 64GB Lexar Professional 1400x 210 MB/s XQD cards
XQD card reader
2 Lager & 2 Small BPU batteries
Dual Charging dock

Perfect condition Sony FS5 professional camcorder with metabones EF-E speedbooster ultra, Atomos ninja inferno recorder & RAW firmware upgrade.

The kit comes with everything needed to shoot both internally on the FS5 and with the Atomos recorder in a variety of resolutions and frame rates. 

The atomos comes with a 500GB SSD & reader, as well as 4x batteries & charger, as well as audio inout leads, SDI cables & soft case. 

The FS5 comes with top handle, side handle, top mic, windshields, Metabones EF-E Speedbooster Ultra & 3x batteries with charger. 

I also have lenses which fit that are available to rent on my profile.


Canon C70 RF mount cinema camera with canon's EF-RF speed booster for using EF lenses

Included:
- Canon C70
- Canon top handle
- 2 x BP-A30 batteries
- charger
- 2 x 128GB SD cards
- RF-EF mount adapter (Canon Mount Adapter EF-EOS R 0.71x)
- one lens from my other listings

Provided in Peli hardcase with roller wheels. 

Please see other listings for lenses and accessories or message me with any questions.

 New in for 2020. Canon C300Mk3 Cine camera is a beast, if you don't know its specs get on Google, chances are if your reading this you do, so... Kit comes with body, with side handle, top handle, screen, normal and longer screen cables, three batteries enough for a full day of shooting, a 512 cf express card and a 256gb,again enough for a full day shooting raw and card reader. Official Canon charger, xlr mic with cable and deadcat. 100% ready to pull out and shoot all day with kit, tried and tested. 

FS7 kit with Sony FE PZ 28- 135mm f4 zoom lens MetaBones EF-E mount adaptor , Support Bars, Quick release plate, 1 BPU30  battery x 1 128GB card x 32GB card, Additional mics available on request

Blackmagic pocket cinema camera 4K rigged with a smallrig cage, samsung t5 500Gb ssd (for raw recording) and a metabones speedbooster ultra (MFT to EF).

Blackmagic pocket cinema camera with 3 batteries and charger. This a is a great power house of a camera for its size. Records in various high quality formats, resolutions and frame rates and also RAW.

I have this camera in various combinations available for hire so please check out my listings if you want something a little more rigged up.

Check out our other items for multiple order discounts.

VAT invoices available upon request.

Delivery available within Bristol.

Canon EOS C200 Body with 2x BP-A30 batteries & charger.

Price inclusive of VAT. Vat invoice can be provided on request. 

Blackmagic pocket cinema camera 6k 
smallrig cage
Samsung T5 1tb SSD Drive
T5 holder on cage
Top Handle
Battery adaptor & x2 or 3 batteries (great battery life using this)
Battery charger
Mains power supply
Alan Key and bolts

Sony FX9 Cinema Camera

Description

Location

Item lent by Floating Harbour

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FAQs

Sony FX9 Cinema Camera

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