Diaphragm Blades:9, Mounting Type:Canon EF, Min Focus Distance:1.3 m, Filter Size:77 mm, Special Functions:Tele, zoom, Zoom Adjustment:Manual, Minimum Aperture:F/32, Lens Construction:23 group(s) / 17 element(s), Type:Telephoto zoom lens, Lens Aperture:F/2.8, Features:Full-time manual focusing, splashproof, LD glass, Utrasonic Silent Drive (USD), VC (Vibration Compensation), XLD (Extra Low Dispersion) glass, Focal Length:70 mm - 200 mm, Magnification:1 / 8, Max View Angle:34.3 degree(s), Image Stabiliser:Optical, Focus Adjustment:Automatic, manual, Intended For:35mm SLR, digital SLR, Optical Zoom:2.9 x, Min View Angle:12.3 degree(s), Included Accessories:Lens hood, dust cap, lens cap

Panasonic HX-WA10 HD Camcorder. 
32gb SD card. Battery. USB to micro USB charger.
3-Meter Waterproof (to IEC60529 IPX8 which does not guarantee waterproofing in ALL conditions)
Bright and Stunning Full-HD Video Shooting with BSI Sensor
16-Megapixel Still Image Recording
12x Advanced Zoom for Video Shooting
Always Optimal Settings with iA (Intelligent Auto) Mode
A stylish, Easy-to-hold Vertical Design

Canon 650D Camera. Battery. Charger. 256GB SD card. Lenses rented separately.
An ideal start to an EOS adventure

An ideal entry to the world of EOS imaging. The EOS 650D 18.0-megapixel sensor is superb for both still images and Full HD movies. A Vari-angle Clear View LCD II Touch screen makes shooting simple.

18-megapixel resolution
18-megapixel resolution.
Click here for a larger image.
18 Megapixel resolution

Thanks to an 18.0 Megapixel sensor, the EOS 650D captures images in stunning high resolution at a maximum size of 5184 x 3456 pixels. Print poster sized images, or crop to make new compositions with abundant detail.

Full HD quality

Creative movie making is made even easier on the EOS 650D thanks to high-speed autofocus, on screen editing and full stereo sound. Canon's advances in Full HD Movies means the joy of creating a movie is exciting and easy to achieve.

Sony HDR-TD10 Camcorder. Battery. Charger. 256gb SD Card. 

The World’s first 3D Full HD consumer camcorder HDR-TD10 is set to expand the world of 3D while redefining the meaning of home video. Up until now, high quality 3D image capturing was only possible with professional cameras, but with the HDR-TD10, anyone can shoot stunningly beautiful Full HD 3D videos. From the occasional big moments, to the day-to-day small moments, you can now capture all that in Full HD 3D.

The PAL Sony 64GB FDR-AXP35 4K Camcorder with Built-In Projector is a palm-sized Handycam camcorder compatible with European broadcast standards. It combines 4K video recording and Balanced Optical SteadyShot image stabilization to deliver clear, high-resolution video, even as you follow the action. It is equipped with a wide-angle Zeiss Vario Sonnar T* lens with 10x optical zoom and up to 20x Clear Image zoom and features an Exmor R CMOS sensor with Bionz X image processor that delivers Ultra HD (3840x2160) resolution video at 24, 25 fps using Sony's XAVC S codec. It also records 1080p video up to 50 fps in XAVC S or AVCHD and takes up to 20.6MP upscaled (interpolated) still images. It features a built-in DLP projector so you can watch your footage virtually anywhere you can find a flat surface.

Compact and affordable, the EF-S 18-55mm f/3.5-5.6 IS is the ideal general-purpose standard zoom. Its 4-stop Image Stabilizer provides great performance in low light conditions.


- Affordable, multi-purpose zoom 
- Approx. 29-88mm equivalent focal length 
- 4-stop Image Stabilizer 
- Aspherical element 
- Super Spectra coating reduces flare and ghosting 
- Circular aperture for good bokeh 
- Fast auto focus with 25cm close focusing distance 

Versatile, compact telephoto. 

Affordable, high-quality zoom
The EF-S 18-55mm f/3.5-5.6 IS is a high-quality, standard zoom lens that will appeal to photographers who prefer to travel light. With a focal length equivalent of 29-88mm in 35mm format, the lens’ wide zoom range is suitable for most general photography. For close-up work, auto focus continues to work at distances of just 0.25m (25cm) throughout the zoom range.

Image Stabilizer
To minimise risk of image blur, the EF-S 18-55mm f/3.5-5.6 IS incorporates Canon’s latest 4-stop compensation Image Stabilizer technology. This allows photographers to use shutter speeds up to 4 times slower with no perceptible increase in image blur - ideal for shooting in low light.

Aspherical lens element with Super Spectra coating
As well as ensuring true colour balance and sharp, high contrast images, Super Spectra coatings combat ghosting and flare by absorbing light reflecting off digital camera sensors or internal lens elements. An aspherical lens element delivers crisp, high contrast images even with the aperture fully opened. 

Circular aperture
For shots taken at full aperture, a circul

The EF 75-300mm f/4-5.6 III Lens from Canon is a telephoto zoom lens ideal for day-to-day use because it is particularly light and compact, especially given its long focal reach. Able to magnify distant subjects, it also compresses the space between subjects within the frame and with a shallow depth of field at its longer lengths, it offers enhanced out of focus bokeh. Its minimum focus distance is 4.9 feet, even at the telephoto end of its zoom.

High performance flexible wide angle zoom

With an effective focal length range of approximately 24-136 mm (35 mm equivalent), the EF-S 15-85 mm f/3.5-5.6 IS USM is a lens that delivers outstanding flexibility while delivering remarkable image quality. With its wider angle than many comparable lenses, it captures more of the scene and adds a greater sense of space and perspective to your photography.

Image Stabilizer

The EF-S 15-85 mm f/3.5-5.6 IS USM features Canon’s 4-stop Image Stabilizer (IS). Ideal for handheld work, IS allows the use of shutter speeds up to 4 stops slower without causing image blur. The Image Stabilizer helps when shooting in low light conditions or from moving vehicles.

Looks as good as it performs

The EF-S 15-85 mm f/3.5-5.6 IS USM features Canon’s new exterior design, with a textured finish for a high quality look and feel, that matches your EOS camera.

Ultra fast, ultra quiet auto focus

The ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive responsive, near-silent high speed auto focus. The ring type USM allows full time manual focus override without having to switch out of AF, for a greater level of usability.

Super Spectra coatings

Lens elements are coated using Canon’s Super Spectra lens coating which suppresses flare and prevents ghosting – which is more prone to occur with digital cameras due to reflection off the image sensor. Canon’s Super Spectra coating also helps achieve true colour balance and increase contrast for vivid hi-fidelity images.

The Tamron 18-270mm VC ultra zoom for APS-C format DSLRs has reached an exceptional level of compactness, performance, and speed. This lens incorporates the addition of a PZD (Piezo Drive), an ultrasonic autofocus motor based on a piezoelectric design. The result is a lens that's considerably light, and noticeably shorter and slimmer (filter diameter only 62mm) than many previous lenses in its class, and provides fast, quiet auto-focusing. Signature features that have made this versatile lens the world standard in its class have been retained. They include a 28-419mm equivalent (15X) zoom range, an improved, lightweight, compact Vibration Compensation (VC) system, macro focusing to 0.49m (19.3 inches) throughout, and, of course, superlative imaging performance.

Tamron SP 70-150mm F/2.8 Model 51A: Tamron's fast 70-150 F/2.8 constant aperture zoom lens was specifically designed for portrait photography, and was the first compact telephoto zoom lens ever produced by any manufacturer which featured a built-in softness control. This lens is extremely sharp at all focal lengths when not using the softness control since a total of six lens elements are used in the variator and compensator groups to reduce zoom dependent aberrations to their absolute minimum. Although the optical performance is somewhat optimized for 105mm (the ideal portrait focal length), this lens's optical performance nevertheless is very good throughout the entire zoom range.

Comes with adaptall-2 to canon EF mount, but can be easily adapted to any other compatible system.

Tamron's SP 24-70mm is a high quality, highly functional, high speed standard zoom lens covering the 24-70mm focal range. It includes both Tamron's proprietary VC (Vibration Compensation) Image stabilization to reduce shake and its USD (Ultrasonic Silent Drive) motor, enabling speedy yet silent autofocusing.

This SP (Super Performance) series lens makes full use of specialized glass elements in its lens layout, designed with top priority on image quality, including three LD elements and two XR (Extra Refractive Index) elements.

Tamron has minimized all types of chromatic aberration in the SP 24-70mm, making it a lens at the top of its class whether you use it on a digital APS-C, full frame, or 35mm SLR camera.

The SP 24-70mm F/2.8 aperture enables a balance between brilliant resolution and beautiful soft blur effects. This ideal lens makes full use of Tamron's rounded diaphragm and the uncontrived, artistic blur that it provides. It is also Tamron's first lens to feature our new moisture-resistant construction.

Portraits, Landscapes, Studio Shoots, this is the lens for them all.

Capture the finest details of your images in precisely the way you have always wanted to and extend your art to the limits of your inspiration with the Tamron SP 24-70mm.

Superior performance redesigned to meet photographers’ needs. Introducing a precise and powerful large-aperture 300mm telephoto zoom. This lens combines the highest levels of optical performance and photographic expression with equally fine functionality and usability. It embodies the concept of the Sports line, which features outstanding action-capture performance. Fully customizable, it allows the photographer to create his or own specification. It is an ideal choice for photographing sports events, animals and natural environments, airplanes, motorsports and even portraits. It greatly empowers photographic expression, allowing photographers to capture those crucial shots.

A 10x high zoom ratio ultra telephoto zoom lens incorporating Sigma's original Optical Stabiliser function. This lens covers a wide range of focal lengths from 50 mm-500 mm ultra telephoto

The optical stabiliser function allows the use of shutter speeds approximately 4 stops slower than would otherwise be possible

As compensation for camera shake is visable in the viewfinder the photographer can easily check for accurate focus and ensure there is no subject movement

Maximum magnification of 1:3.1 (at 200 mm) makes this lens ideal for close up photography

Super Multi-Layer Coating reduces flare and ghosting and ensures high image quality

Petal shaped lens hood to block out extraneous light

The filter size of this lens is 95 mm and the lens is supplied with a step down ring enabling digital cameras with APS-C image sensors to use an 86 mm filter

Recently, DSLR cameras have been evolving rapidly, and more and more photographers have been seeking a lens that can bring out the potential of a high-resolution sensor. There are occasions when photographers select zoom lenses as they offer more convenience than a fixed focal length lens, yet they do not want to compromise on image quality. SIGMA has long tackled this task to provide excellent quality images for such occasions. We are proud that SIGMA 24-105mm F4 DG OS HSM meets these requirements and is the standard zoom lens from our "Art" line, offering stable and fine image quality from wide to mid-telephoto range. It has a combination of fixed aperture and a good zoom ratio that we kept as high as possible. Many simulations were carried out before achieving this goal, and made the specification compatible with 35mm full size image sensors. Moreover, it was designed to surpass the quality inspection of the original MTF measuring system, A1, so it has succeeded in creating superior image quality for new standard of high-spec cameras. This lens incorporates the OS function and minimizes camera shake effectively.

This 20-40mm f2.8 EX Aspherical DG DF lens provides f2.8 large maximum aperture for all focal lengths between ultra-wide angle 20mm to 40mm. The lens has minimum focus distance of 11.8 inches (30cm) at all focal lengths and maximum magnification is 1: 4.6. It incorporates aspherical lenses in the front lens group and rear lens group to minimize distortion, astigmatism and spherical aberration. The lens is equipped with a DF (Dual Focus) mechanism and also an IF (Inner Focus) system. It is easy to hold the lens during shooting, since the focusing ring does not rotate during auto focusing, and yet it provides adequate dampening of the focusing ring during manual focusing of the lens. This lens is designed to be desirable for both digital SLR cameras and conventional 35mm SLR camera. Sigma s 20-40mm f2.8 EX Aspherical DG DF lens is equipped with a removable type lens hood (Petal shaped hood) to prevent extraneous light harmful for image quality.

A ultra wide angle zoom lens incorporates the latest optical design and provides superior performance. FLD (F Low Dispersion) glass elements, which have performance equal to fluorite, and SLD (Special Low Dispersion) glass elements provide excellent correction of colour aberration. Aspherical lenses give advanced performance with a compact and lightweight construction and ensure high image quality throughout the entire zoom range. The Super Multi-Layer Coating reduces flare and ghosting and incorporation of HSM ensures quiet and high speed autofocus as well as full-time manual focus capability. This lens has superior peripheral brightness and provides sharp and high contrast images even at the maximum apertures.

The SIGMA 30mm F1.4 DC HSM, the large-aperture standard lens with an angle of view equivalent to 45mm on a 35mm camera, is a superb go-to lens for artistic photography on an APS-C format digital SLR. Offering a bright F1.4 aperture and an angle of view extremely close to that of human vision, this lens is ideal for many different types of photographic expression. Featuring an advanced design and the latest manufacturing technologies, the SIGMA 30mm F1.4 DC HSM delivers the highest level of image quality worthy of SIGMA's Art line. The photographer can leverage the shallow depth of field that creates beautiful bokeh for portraits, landscapes, and many different styles of photography.

This super-wide-angle lens is ensured minimal light-fall-off with superior peripheral brightness. The iris diaphragm has 9 diaphragm blades to obtain beautiful out of focus images in the foreground and background. This is an ideal DG lens optimised Digital SLR camera.

The minimum focusing distance of this lens is 20cm and it has maximum magnification of 1:4 with fast F1.8 maximum aperture. The minimum focusing distance of 20cm and 94.5 degree angle of view allow close-up photography surrounding the photographic subject.

The lens incorporates a Dual-Focus (DF) mechanism. It is easy to hold the lens, since the focusing ring does not rotate during auto-focus, yet it provides adequate focusing torque of the focusing ring during manual focusing of the lens. The rear focus system eliminates the need for the front of the lens to rotate, thus allowing the use of a "Petal-type hood", which is superior light blocking effect.

The use of aspherical lens elements in both of the front and rear lens groups effectively compensates for distortion, spherical aberration and astigmatism.

The Rokinon 24mm T1.5 Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been "declicked" for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Rokinon 24mm cine lens is compatible with full-frame sensors. APS-C sensors with a crop factor of 1.5 - 1.6 will exhibit a 35mm equivalent angle-of-view equal to approximately 38mm. The optical construction is comprised of 13 lenses arranged in 12 groups. Four lenses are low-dispersion glass (ED), plus two aspheric elements. The 24mm features Ultra Multi Coated (UMC) lenses for improved light transmission and resistance to ghosting and flares.

The Rokinon 85mm T1.5 Lens produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been "declicked", which facilitates smooth iris pulls.

The 85mm has a minimum focus distance of 3.38'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 7 groups, including one aspherical element to reduce spherical aberrations. In addition, multi-coated elements help improve light transmission.

EF Mount L-Series Lens
Aperture Range: f/1.2-16
Aspherical Lens Element
Ultrasonic Autofocus Motor
Manual Focus Override
Minimum Focus Distance: 18"
Depth of Field Scale and Infrared Index
Tight Seal Structure Resists Moisture
72mm Filter Thread Diameter

Offering a natural perspective and a wider angle of view, the EF 35mm f/2 IS USM is a good alternative standard lens to a traditional 50mm optic when used on a full-frame DSLR. On EOS cameras with APS-C sized sensors it gives an angle of view similar to a 56mm lens.

Image stabilisation for low-light shooting

Shoot hand held in low-light conditions using shutter speeds that are up to four stops slower than usually recommended. Image Stabilizer (IS) technology detects automatically when a photographer is panning to follow moving objects and switches off stablisation in this direction.

Large f/2 maximum aperture

Shooting with apertures as wide as f/2 enables photographers to work with shallow depth of field. Enjoy a bright viewfinder image and use relatively fast shutter speeds even in dim conditions.

Advanced autofocus

Enjoy fast, near-silent autofocus thanks to a ring-type ultrasonic AF motor. Stay in control with full-time manual focus override.

Sophisticated optical design

An aspherical lens element maximises image quality while a eight-bladed aperture diaphragm delivers smooth, out-of-focus bokeh. The EF 35mm f/2 IS USM focuses down to 0.24m, letting you get close to your subjects.

Compact design

Small enough to always warrant a place in your bag, the EF 35mm f/2 IS USM is perfect for reportage and street photography.

A versatile fisheye zoom lens offering a choice of full frame or circular image. The EF 8-15mm f/4L Fisheye USM is part of Canon’s high performance L series lenses and delivers fantastic image quality, even with such a wide angle view.

Circular or full frame Fisheye zoom lens
There’s no need to buy two specialist lenses when the EF 8-15mm f/4L Fisheye USM offers, either full frame or circular fisheye images when used with cameras with a 24x36mm (full frame) sensor. For photographers shooting with DSLR’s with a smaller sensor, full frame fisheye images are possible. With a 180 diagonal field of view, capturing the whole scene in a single image has never been easier.

L-series quality
The L-series is Canon's flagship professional lens range, representing the best in precision-designed EF optics. L-series lenses combine superior performance with superlative handling, and are highly resistant to dust and moisture.

Fast, quiet auto focus
A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and optimised AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF mode.

Enhanced image quality with SWC coating
Designed for use in digital photography, Canon’s patented Subwavelength structure coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause, the coating reduces reflections and helps to deliver crisp, clear images.

Manufacturer description: This large aperture medium telephoto macro lens offers advanced performance of close-up photography. Sigma’s own proprietary OS (Optical Stabilizer) system enables handheld close-up photography.A Special Low Dispersion (SLD) lens and one high refractive index SLD lens provide excellent correction for all types of aberration and distortion.A floating focusing system moves two different lens groups in the optical path to different positions. This system compensates for astigmatic aberration and spherical aberration and provides extremely high optical performance from infinity to 1:1 Macro. he HSM (Hyper Sonic Motor) ensures quiet and high speed autofocus as well as full-time manual focus capability. This lens features a splash proof design for use in harsh conditions and a rounded 9 blade diaphragm creating an attractive blur to the out of focus areas of the image.

The TS-E 17mm f/4L Tilt-Shift Lens from Canon is an ultra wide-angle manual focus lens for EF mount cameras with a 104º diagonal angle of view on full frame cameras. It is the widest tilt-shift lens in the Canon lineup and provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in architecture, landscape, and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.
The tilt-shift function on the 17mm f/4 lens allows adjustment of the focal plane by an angle of +/-6.5º and enables parallel shift of the optical axis by +/-12mm. Both tilt and shift can be engaged singly and in combination. The tilt-shift rotation mechanism locks at right angle and at parallel and clicks at 45º and the lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.
Being a Canon L-series lens, its optical design and physical structure are optimal. Aspherical and ultra-low dispersion lens elements suppress aberrations and provide sharp delineation. Subwavelength Structure Coating (SWC) reduces ghosting and flare and truly circular diaphragm results in pleasing out-of-focus backgrounds. The focus ring on the lens provides precise manual focus action and the improved tilt and shift knobs are sturdy and smoothly control the mechanisms.

Expanding the possibilities for tilt and shift photography
The TS-E 24 mm f/3.5L II allows tilt and shift movements to be made independently of each other. This means perspective and depth of field can be controlled separately, vastly enhancing lens flexibility.

Widest range of movement
A wide-angle focal length of 24mm, combined with ±8.5° of tilt and ±12mm shift makes the TS-E 24mm f/3.5L II a versatile optic. Furthermore, ±90° of rotation on both the tilt and the shift mechanisms is available. The lens also features locks on the tilt and shift mechanisms to ensure unwanted movements are avoided.

High precision lens elements
A high-precision, large-diameter moulded glass aspherical lens element gives outstanding edge-to-edge resolution and low distortion. Chromatic aberration – common in wide-angle shooting – is combated by four UD (ultra low-dispersion) elements.

Subwavelength structure coating
Designed for use in digital photography, Canon’s patented lens element coating helps minimise the ghosting and flare caused by internal reflection and helps to deliver crisp, clear images.

This is a Tilt and Shift lens TS-E45mm 2.8

- Focal length and maximum aperture: 45 mm f2.8
- Lens construction: 10 elements in 9 groups
- Diagonal angle of view: 51°
- Focus adjustment: Manual focus, rear focusing system
- Closest focusing distance: 0.4m / 1.3ft
- Filter size: 72mm

Normal lens featuring tilt and shift movements. The floating system, and rear focusing give sharp and stable delineation from 0.4 m to infinity. The 45 mm focal length is ideal for obtaining a natural looking perspective.
Other Characteristics:
Closest focusing distance: 0.4 m
Colour of product: Black
Diagonal angle of view (max): 51°
Diameter: 8.1 cm
Filter size: 7.2 cm
Fixed focal length: 4.5 cm
Length: 9.01 cm
Lens structure (elements/groups): 10/9
Magnification: 0.16x
Manual focus: Yes
Maximum aperture number: 22
Number of diaphragm blades: 8
Weight: 645 g

The TS-E 90mm f/2.8 Tilt-Shift Lens from Canon is a telephoto length manual focus lens for EF mount cameras with a 27º diagonal angle of view on full frame cameras. It provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in portrait and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.
The tilt-shift function on the 90mm f/2.8 lens allows adjustment of the focal plane by an angle of +/-8º and enables parallel shift of the optical axis by +/-11mm. Both tilt and shift can be engaged singly and in combination. The lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.

The 35mm SLR / DSLR format wide-angle photographic lens MC TS-PC HARTBLEI 35mm / f=2.8 Super-Rotator has been designed for the professional photographers.
Hartblei™ Tilt-Shift Lens Super-Rotator® was developed on demand of both photographers and movie makers giving the possibility to rotate the directions of the 8° tilt (with 1-degree-step) and 12mm shift independently of each other.
Hartblei™ Super-Rotator® shares many qualities, which are necessary in commercial, scientific and industrial photographical artworks. Because Hartblei™ Super-Rotator® is originally designed for middle-format systems, the provided image circle is much larger than a full frame sensor (24x36mm).
According to your needs you have big choice of applications such as
• Perspective correction or distortion
• Architectural artwork
• Indoor artwork
• Macro artwork
• Commercial video
• Panoramic picture (36mm (sensor size) + 12mm * 2 (right/left shift) = 60mm image size)

Moreover, Hartblei™ Super-Rotator® gives the possibility to make pictures or videos under the conditions, which are typically not suitable for normal photography, like narrow space locations and non-desirable reflections, i.e. appearing the reflection of photographic equipment in the mirror. 

The 35mm SLR / DSLR format wide-angle photographic lens MC TS-PC HARTBLEI 65mm / f=3.5 Super-Rotator has been designed for the professional photographers.
Hartblei™ Tilt-Shift Lens Super-Rotator® was developed on demand of both photographers and movie makers giving the possibility to rotate the directions of the 8° tilt (with 1-degree-step) and 12mm shift independently of each other.
Hartblei™ Super-Rotator® shares many qualities, which are necessary in commercial, scientific and industrial photographical artworks. Because Hartblei™ Super-Rotator® is originally designed for middle-format systems, the provided image circle is much larger than a full frame sensor (24x36mm).
According to your needs you have big choice of applications such as
• Perspective correction or distortion
• Architectural artwork
• Indoor artwork
• Macro artwork
• Commercial video
• Panoramic picture (36mm (sensor size) + 12mm * 2 (right/left shift) = 60mm image size)

Moreover, Hartblei™ Super-Rotator® gives the possibility to make pictures or videos under the conditions, which are typically not suitable for normal photography, like narrow space locations and non-desirable reflections, i.e. appearing the reflection of photographic equipment in the mirror. 

Medium format lens converted into a Canon Tilt-shift telephoto. For manipulation of depth of field and perspective effects. Tilt and shift can be rotated, but are fixed at right angles to one-another. 

Danelectro Baritone Guitar. Currently tuned ADGCea 7 semitones below a normal guitar, but can be tuned up to B if desired. 24 frets, 2 lipstick pickups, will come with strap, case & jack to jack lead. 

Electric guitar with 31 frets, for hitting those high notes a normal guitar just can't reach. Comes with strap, case, & Jack to Jack lead. 

Bass guitar with 8 strings in 4 courses, tuned eEaAdDgG. For when you need that big melodic sound that cuts through the mix in a way a normal bass can't. Active powered with 3 band EQ, comes with strap, gig bag, and jack to jack lead. 

42 string lever harp, tuned in the key of C. Has a crack at the top, but still plays fine. Will come with softcase, tuning lever and spare strings. Warning: too large to fit in a normal car, do not rent unless you have a van to transport it. 

Battery powered busking amp for guitar, vocals and backing tracks. Has XLR, Jack, Phono and ipod inputs with separate volume controls. Lasts approximately 8 hours on a full charge. 

Doubleneck electric guitar for those epic rock tunes that have lots of different sounds in them. Comes with hardcase, strap and jack lead. 

A full selection of Canon EF mount tilt shift lenses of all focal lengths from ultrawide to telephoto, for a production that needs to make heavy use of them. Contains 17mm, 24mm mk ii, 35mm, 45mm, 65mm, 90mm and 180mm lenses.  

Eastwood Electric Mandocello in cream. Tuned in CGDA with all courses in unisons. Comes with strap, jack lead and hard case. 

Zoom R16 8 track recorder for both studio and remote multitrack recording. Can record standalone, as an audio interface for a laptop, or daisy-chained with other models in the same series for more simultaneous tracks. One plastic fader has been lost, but still functions fine. Includes Zoom R16 audio recorder. Plug. 32gb SD Card. 6 rechargeable AA batteries.

Industry standard dynamic microphone for live music. Can supply up to 3 of them, along with XLR cables. 

The Slim Pod II Monopod from Slik is a very compact, lightweight monopod with 4 leg sections and a lever leg lock system. It can be used between 19.69" (50 cm) and 5.01' (1.53 m), and supports up to 2.75 lbs (1.24 kg). It weighs just 0.62 lbs (0.28 kg).



Maximum height 5.01' (1.53 m)

Minimum height 19.69" (50 cm)

Folded Length	19.69" (50 cm)

Load capacity 2.75 lbs (1.24 kg)

Weight 0.62 lbs (0.28 kg)

4 leg sections

C shaped camera stabilizer for overarm carrying or attaching to objects. 

The Fin microphone from Heil Sound Ltd. was featured prominently in the ad campaign for the 2012 smash hit movie ‘The Hunger Games’, (as well as the sequel 'Catching Fire'), for its amazing looks. The Fin combines that “vintage mic look”, with a blend of futuristic, and TIMELESS, all in one shiny microphone. However, The Fin is a professional microphone with all the qualities you could ask for in a dynamic cardioid microphone, it just happens to be one of the coolest looking mics you’ve ever seen.

Best-in-class, smooth, flat response from the shock mounted, large, low mass diaphragm element driven by a powerful magnet, will reward you with rich sound throughout its broad frequency range. The Fin is great in the studio, or live, and it particularly exhibits excellent upper mids.

The Fin has a beautifully sculpted body that is double-chromed in a three stage plating process. Horizontal fins accent its soft angular profile. As an added bonus, The Fin glows via the four L.E.D. lights inside, which can be turned on and off from via the phantom power from the mixing board. This can make for a dramatic effect, or create that “certain vibe” to enhance your next performance.

Comes with round base retro mic stand & XLR cable. 

Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.

The 8pre audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU audio interfaces.

Comes with Firewire 400 or 400 to 800 cable and up to 4 Toslink ADAT optical cables as desired.

Sea Green Eastwood solid body electric mandola. Tuned in 5ths to CGDA. Comes with strap and soft case. 

Fender Squier Bass VI guitar. Tuned EADGBE an octave below normal guitars. 30" Scale, 21 frets, 3 independently switchable pickups. Tremolo Arm, Bass cut switch. Comes with strap, soft case and jack lead. 

Purple sparkly Electro-Acoustic Violin. Standard GDAE tuning. Comes with hard case, two bows, Rosin & jack lead.

The Laney PRISM P20 Guitar Amplifier Combo follows the Laney philosophy in Digital amp design. The PRISM P20 features a logically laid out pre amp which gives you clear access to everything you need.

The left hand side of the Laney PRISM P35 houses the AMP settings and the mode selection switches and onboard tuner, the centre of the pre amp features the conventional amplifier controls and the right hand side of the pre amp is devoted to handling the effects side of things and the overall master volume control.

The Laney P20 generates 15 watts RMS output and houses an 8" Custom Driver. Round the back of the unit the rear panel houses an extension speaker out, a phones / record out socket and the FS2 and FS1 footswitch sockets to enable foot switching of the user channels. The top of the unit is finished off with a very stylish moulded handle.

The P20 can be used in one of two modes - HERO & LIVE. HERO mode comes pre-loaded with 11 inspirational guitar tones from "Clean to Extreme" which take their inspiration from the different amp and effects combinations used on classic guitar recordings.

In LIVE mode the P20's controls function like a conventional amplifier, but with the cool feature of being able to use one of the 11 different AMP settings as a starting point for producing your own tone. Simply select the AMP mode you want, adjust the controls to suit and the add the effects you want and then store the end result to one of the four user channels, simply holding the desired channel button for 2 seconds.


100W guitar amp. Clean and multiple stages of gain, effects loop that can be controlled with footswitch. 

Providing power to up to 12 different appliances without sacrificing space this surge protected tower is ideal for various applications.

LED ring lights for camera mounting. Can be fixed to the hot shoe, or around the front of any lens with a filter size between 49mm and 82mm. Left and right can be switched on independently to control shadows. 


The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.

At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.

The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

(camera for demonstration purposes, not included.)

Lytro Illum Light Field camera

Introducing Lytro Illum, the first high-end camera that harnesses the power of light field – capturing the direction, color and brightness of the rays of light within the frame. That means the ability to explore your pictures from different perspectives, focal points and dimensions. A new era of photography has arrived. Now, with Lytro Illum, nothing stands in your way from telling a deeper story by truly capturing life in a different light.

Product highlights
Ground-breaking lens design, Constant f/2.0 aperture, Full touch screen, Light custom design

Sensor
Lytro Illum’s 40 Megaray customized sensor, with Lytro’s patented microlens array technology, unlocks the ability to capture the color, intensity and direction of the light rays flowing into the camera. This allows you to create imagery on a truly experiential canvas. By capturing and harnessing the power of light field, photographers can portray not just a cross-section of reality, but an authentic, interactive window into their world. 

Comes with charger, USB Cable and SD card.

Macbook Pro 15.4" with 2.7Ghz quad core Processor, 16GB RAM, 1650x1050 Hi-Res screen and 1TB Hard drive. The last, best non retina model, has USB3 and thunderbolt, while still also having Firewire 800, Ethernet, CD/DVD Drive, and separate minijack audio in/outs. 

By default, comes with the latest OS X version, but can also have hard drive swapped out for your own, or several older OS versions if needed for legacy software.

Upgraded, redesigned, and filled with features, the Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera from Panasonic provides an outstanding imaging platform for shooters who demand some of the best video and still photography quality they can get in a single compact camera. At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor, which both offer dramatically improved processing times over its predecessor. This enables the ability to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. Also, the camera features built-in 5-axis sensor stabilization, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.

V-Log is pre-installed. Comes with Battery, Charger & SD cards.

The T Speed Booster XL 0.64x Adapter for Full-Frame Canon EF-Mount Lens to Select Micro Four Thirds-Mount Cameras from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1.3-stop increase for the camera over the lens's aperture range. 


Compact, convenient, and ultra high definition! The GY-LS300 is equipped with a 4K Super 35 CMOS sensor and accommodates a wide range of cinema and photographic lenses and adapters for dazzling cinematic effects. Create hours of pristine recordings on SDHC/SDXC media in a variety of image formats including 4K Ultra HD, Full HD with 4:2:2 sampling, SD and web friendly proxy formats. Conventional DSLR cameras simply can't match the high reliability, long recording time and ergonomics provided by JVC's GY-LS300. Its dual codec design allows you to make 2 copies of your program simultaneously. You can even stream live HD over the internet to content delivery networks such as USTREAM while recording full HD. No other removable lens video camera offers this much flexibility in such a compact, easy-to-handle form factor. 

Updated to 4.0 firmware with external 60p 4k recording. 

Canon B4 mount 6-48mm f1.7 Cine-servo parfocal zoom lens from the 80's. Designed to cover 2/3 sensors, or 4/3 ones when the inbuilt doubler is engaged. Requires external power supply to control power zoom,  but can also be operated manually. Some wear and tear on casing, but built solidly and optics are still good. 

Adapter for using B4 mount cine lenses with modern micro four thirds cameras. Non-powered, so all control is manual. 

The T Smart Adapter for Canon EF or Canon EF-S Mount Lens to Select Micro Four Thirds-Mount Cameras from Metabones allows a Canon EF or EF-S mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter is designed to support electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, as well as camera-controlled aperture functions, this adapter is intended to allow those features to be used. If an attached lens is also capable of generating EXIF metadata when used with a directly compatible camera, the T Smart Adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a Micro Four Thirds-mount camera, and the adapter.
By enabling camera-controlled aperture functions for a Canon EF or Canon EF-S Mount Lens when used with a Micro Four Thirds-mount camera, program, shutter-priority, aperture-priority, as well as manual modes can be set and used through the camera. Power for these functions is transferred from the camera to the lens, and when manual focusing is preferred with a compatible electronic lens and a Panasonic camera, an integrated jog dial that allows incremental aperture adjustment can be depressed to open the lens's aperture diaphragm to its largest setting. The resulting shallow depth-of-field can then be used to help ensure focus accuracy.


The T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Micro Four Thirds-Mount Camera from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range.
If a lens intended for 35mm film or similarly-sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Micro Four Thirds-Mount Camera condenses the light from a lens designed for 35mm film or "full frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1 stop of light for each of the lens's f/stop settings.

Spanning a versatile focal length range while retaining a compact form factor, the Lumix G X Vario PZ 14-42mm f/3.5-5.6 ASPH. POWER O.I.S. from Panasonic is a slim 28-84mm equivalent zoom for Micro Four Thirds mirrorless cameras. Contributing to its sleek profile, the optical design uses four aspherical elements to also reduce spherical aberrations and distortion throughout the zoom range. A pair of extra-low dispersion elements are also featured, to control chromatic aberrations and color fringing, and a Nano Surface Coating has been applied to suppress flare and ghosting. Additionally, the lens uses a stepping AF motor and internal focus design for quick and quiet focusing performance and POWER O.I.S. helps to compensate for the effects of camera shake in order to deliver sharper imagery when shooting handheld.
Wide-to-portrait-length zoom is designed for Micro Four Thirds mirrorless cameras and provides a 28-84mm equivalent focal length range.
Four aspherical elements help reduce spherical aberrations and distortion throughout the zoom range while two extra-low dispersion elements control chromatic aberrations and color fringing for improved clarity and color accuracy.
A Nano Surface Coating has been applied to individual elements to noticeably reduce lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.
Stepping AF motor and internal focus design provides smooth and quiet focusing performance that is well-suited to both photo and video use.
POWER Optical Image Stabilizer (OIS) minimizes the appearance of camera shake

With the M.ZUIKO DIGITAL ED 12-100mm 1:4.0 IS PRO (24-200mm*), you have a universal lens perfect for any photo assignment with an amazing zoom of 8.3x. It works with the world's most powerful 5-axis IS via Sync IS** to capture clear images without a tripod. It's also compact in size but big on technology, with a max magnification of 0.3x (0.6x*) for wide and 0.21x (0.42x*) for tele shooting. Thanks to the constant bright aperture, you can zoom in/out without having to worry about exposure.

Bored of playing the same old chords and melodies? The phase 4 microtonal guitar lets you experiment with quarter tones. Create and record songs that are impossible to replicate on an ordinary instrument. Comes with strap, jack lead and hardcase. 

The spectrum 5 is a guitar for the technically minded, offering far more precision in controlling the sound than an ordinary guitar. Each pickup can be switched on and off individually, and phase reversed, giving you 13 different tone variations even before adding any effects. On top of that, it has two outputs which can be used either to output all 6 strings in parallel to different places, or separate the top and bottom 3 strings outputs and apply different effects to them, allowing you enormous flexibility both live and in the studio. Comes with softcase, strap, and 2 jack leads. 

Capture the wider picture with Tamron's ultra-wide-angle 15-30mm f2.8 lens for Full-Frame and smaller sensors. Incorporating professional features such as Tamron's proprietary VC (Vibration Compensation) optical image stabilization, a constant f2.8 aperture throughout the zoom range, whisper quiet and super fast USD (Ultrasonic silent drive) focusing as well as a water & dirt repellent Fluorine coating on the new XGM (expanded glass moulded aspherical) front element. This Ultra Wide Angle 15-30mm zoom lens continues Tamron's development of lenses for professional photographers and enthusiasts, adding an ultra-wide-angle solution to their line-up of pro-quality optics for pro DSLR users.

 The 35mm SLR / DSLR format photographic lens MC TS-PC HARTBLEI 80mm / f=2.8 Super-Rotator has been designed for the professional photographers.
   Hartblei™ Tilt-Shift Lens Super-Rotator® was developed on demand of both photographers and movie makers giving the possibility to rotate the directions of the 8° tilt (with 1-degree-step) and 12mm shift independently of each other.
Hartblei™ Super-Rotator® shares many qualities, which are necessary in commercial, scientific and industrial photographical artworks. Because Hartblei™ Super-Rotator® is originally designed for middle-format systems, the provided image circle is much larger than a full frame sensor (24x36mm).
According to your needs you have big choice of applications such as
•       Perspective correction or distortion
•       Architectural artwork
•       Indoor artwork
•       Macro artwork
•       Commercial video
•       Panoramic picture (36mm (sensor size) + 12mm * 2 (right/left shift) = 60mm image size)

   Moreover, Hartblei™ Super-Rotator® gives the possibility to make pictures or videos under the conditions, which are typically not suitable for normal photography, like narrow space locations and non-desirable reflections, i.e. appearing the reflection of photographic equipment in the mirror.

A unique telephoto offering close focus control along with perspective control capabilities the TS-E 135mm f/4L Macro from Canon is a tilt-shift lens well-suited for studio, product, and tabletop photography. Up to +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.6' and a maximum magnification of 0.5x are also benefitted by the range of movements for more control over depth of field when photographing close-up subjects.
Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations for high clarity. Individual elements also feature a Subwavelength Coating to suppress flare and ghosting for greater contrast and color neutrality.
Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 10° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, the tilt and shift functions can be rotated +/- 90° in any direction for applying the movements in distinct directions.
Tilt-locking mechanism and a large tilt knob benefit operation and ensure the lens stays in place while shooting.

A guitar/mandolin hybrid so you can play both in a set without having to switch instruments. 

FEATURES & SPECS

Body Wood: Basswood
Neck Wood: Both necks Maple with Rosewood Fingerboard
Number of Frets: Guitar 21, Mando 20
Scale Length: Guitar 25 1/2", Mando 14"
Nut Width: Guitar 1 5/8", Mando 1 3/16"
Pickups: Hi-Output Nashville Series Neck and Bridge Combo, Mando Blade
Bridge: Both Tele-style
Electronics: Guitar 3 Way Switch, Volume, and Tone, 3-way Guitar/both/Mando
Gig Bag: INCLUDED

The green bullet is the first choice of microphone for blues harmonica players. It features a volume control knob and integrated jack cable that allows the user to easily control their levels during performances. 

Pink 3/4 size double bass with electro-acoustic pickup. Requires large car or van to transport. Comes with softcase, jack lead, and bow if desired. 

The Sigma 14mm F1.8 DG HSM Art is the world’s first F1.8 prime lens at the 14mm focal length. In taking photographs of starry skies or other celestial scenes at night, a large-diameter lens is a strong ally, since it allows the capture of a moving subject by adjusting shutter speed without relying on ISO sensitivity. With its full-frame 35mm coverage, 14mm focal length for an ultra-wide angle of view, F2 barrier-breaking F1.8, the SIGMA 14mm F1.8 DG HSM | Art is the true high-speed ultra-wide-angle lens for which so many photographers have been waiting. This fast, wide prime features a large spherical element to control distortion and create stunning imagery. An updated Hyper Sonic Motor (HSM) provides fast and accurate autofocus while 3 Premium FLD and 4 SLD glass elements control chromatic aberration and sagittal comma flare. 

This is the first macro photo lens designed to achieve a high magnification greater than 1x without additional accessories. It is ideal for small subjects. The newly designed optical formula and UD-glass elements suppress chromatic aberrations which become apparent at high magnifications.

Canon 1D X Mark III is the new flagship DSLR, presenting a 5.5K RAW Video and uncompromising autofocus performance. Featuring a brand-new AF sensor with 28 times more resolution than its predecessor. Built for speed, sensitivity and precision, this powerful DSLR camera was made for sports, wildlife, and other trying and dynamic imaging applications. Designed as the flagship of the EOS system, the 1D X Mark III is outstanding for stills and video.

Comes with strap, padded case, 2 CFExpress cards, spare battery, charger. 

Great communication and easy to arrange everything. Highly recommended.

Good communication and product as described

OVERVIEW
The EF 70-200mm f/2.8L USM Lens from Canon is a high performance telephoto zoom lens with a constant f/2.8 maximum aperture. It has four UD glass elements to correct chromatic aberrations and provide overall high resolution, high-contrast images. A newly-designed inner focusing system brings high image quality throughout the zooming range and the ultrasonic autofocus motor (USM) provides fast, smooth and quiet autofocus action. This lens can focus as close as 4.9' (1.5 m). It includes a removable tripod collar and is compatible with the Extender EF 1.4x II and 2x II.

TECH SPEC
Four ultra-low dispersion lens elements.
Internal focusing system.
An ultrasonic autofocus motor (USM) provides fast, smooth and silent autofocus.
A focus range limiter lets you set the range of focus distance which enables shorter focusing times. The two ranges are 4.9' to infinity and 9.8' to infinity.
Removable, rotatable tripod collar.

OVERVIEW
An essential telezoom lens for sports, wildlife or portraits.

The EF 70-200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use. It has a rugged durable design, a four-stop Image Stabilizer and specialised lens elements.

TECH SPEC
High-performance, L-series telephoto zoom lens
Constant maximum aperture of f/2.8
Four-stop Image Stabilizer
Fluorite and UD lens elementsImproved durability
1.2m minimum focussing
Water and dust resistant
Ring type USM AF motor

INCLUDES
1x Canon 70-200mm f2.8L IS II USM Lens
1x ET-87 Lens Hood
1x Removeable Tripod Mount

OVERVIEW
What photographers demand from the 24-70mm F2.8 specification is much more than outstanding image quality. They want all the features that make this a go-to lens for a wide range of photographic opportunities, including optical design ideal for the latest ultra-high-megapixel digital cameras, hypersonic motor (HSM) for high-speed autofocus, optical stabilizer (OS) with powerful stabilization effect, dust- and splash-proof mount with rubber sealing, and a metal barrel for a stable, rigid feel. This all-new 24-70mm F2.8 lens from SIGMA delivers the performance and functionality that help pros succeed in news, nature, and many other fields of photography.

TECH SPECS
Lens Format: Full Frame
Focal Length: 24-70mm
Image Stabilisation: Yes
Lens Mount: Canon EF
Lens Type: Standard Zoom
Max Aperture: f/2.8
Type: Photo, Video

OVERVIEW
Versatile High Performance

Get high F2.8 brightness over the entire zoom range with this high-speed lens. Its focal length of 12-35mm  (35mm camera equivalent: 24 - 70mm) covers wide-angle to standard to medium telephoto shooting, Not only ideal for capturing landscapes while travelling, this lens's wide diameter gives you top quality indoor shots too. Perceptive and defocusing effects add to the features, giving you exactly the kind of photos and videos you're looking for. Its splash/dust/freeze proof design also makes it great for shooting outdoors, so you can use it in nearly any weather!

Power O.I.S Ultra-Sharp Photos

Capture scenes carefree or at the spur of the moment. The optical image stabilisation technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture.

Taking highly popular MEGA O.IS. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true -to-life scenes without the need for a tripod. In the end, you'll enjoy wonderful crisp images

Nano Surface Coating - Clarity from all angles

Put an end to unwanted ghosting and flaring. The Nano Surface Coating has been applied to lenses with the system. This special, ultra-thin coating was developed originally by Panasonic to reduce bothersome reflections across the entire light spectrum. The result: crystal clear pictures even if you're photographing a light source in the dark

Video Support - perfect video-recording

With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts silent design for enhanced capture of the scenes audio. What’s more, the stunning AF performance of this lens records excellent 4k video where precise focussing is essential.

Splash/Dust/Freeze proof - more creative options

Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction that is tough enough to withstand even heavy field use. It protects the lens system inside from sand. Rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you want.

With an ultra-long range of 35–100mm (35mm camera equivalent: 70–200mm) at a high-speed F2.8, this lens lets you softly blur the background for portraits and close-ups. And it delivers high shutter speeds to freeze-frame fast-moving subjects such as action and sports. At the same time, its splash/dust/freeze proof design also makes it durable enough for shooting outdoors, so you can go out in nearly any weather with a splash/dust/freeze proof LUMIX camera and be creative.
Splash/Dust/Freeze proof.
Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freeze proof construction* that is tough enough to withstand even heavy field use. It protects the lens system inside from sand, rain and more, making it perfect for shooting under harsh conditions. Now there is nothing holding you back...

canon fd 50mm  plus 28mm 2.8 lens with fd-eos adapters,nice tidy lens, good if you want to experiment with.

OVERVIEW
Canon EF 100mm f/2.8L Macro Is UsM EOS mount 

The EF 100mm f/2.8L IS USM, part of Canons prestigious L series, and first featuring an Image Stabilizer with angle and shift detection that is highly effective at close focusing distances.

Canon high performance macro
Life size image reproduction (1:1)
UD lens element
Focus distance limiter
8 blade circular aperture for beautiful creative blur effects
58mm filter size
Ring type USM AF motor

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	19.8 degrees, 13.5 degrees, 24 degrees
Lens construction (elements/groups)	15/12
No. of diaphragm blades	9
Minimum aperture	32
Closest focusing distance (m)	0.3
Maximum magnification (x)	1
Distance information	Provided
Image stabilizer	4-stops
 	3-stops at 0.5x magnification
 	2-stops at 1.0x magnification
AF actuator	Ring USM (1)
Dust/moisture resistance	Yes (1)
Filter diameter (mm)	67
Max. diameter x length (mm)	77.7 x 123
Weight (g)	625g
Magnification - Extension Tube EF12 II	1.17-0.12
Magnification - Extension Tube EF25 II	1.37-0.27
Lens hood	ET-73
Soft case	LP1219
G.F.Holder III (hood III*)	4
G.F.Holder IV (hood IV*)	4
Extenders EF1.4x II and EF2x II	NC

INCLUDES
100MM f/2.8L Lens
Lens hood
Carrier bag

OVERVIEW
Cheap as chips and a great low light performer. It's not the superfast f/1.4 but to get f/1.8 for a fiver a day you won't go far wrong. If you have the freedom to move relative to your subject, in a lot of circumstances this lens could be all you need. Travel light, shoot cheap and get great results.

TECH SPECS
Focal Length & Maximum Aperture
50mm 1:1.8
Lens Construction
6 elements in 5 groups
Diagonal Angle of View
46°
Focus Adjustment
Overall linear extension system with Micromotor
Closest Focusing Distance
0.45m / 1.5 ft.
Filter Size
52mm
Max. Diameter x Length, Weight
2.7" x 1.6", 4.6 oz. / 68.2 x 41.0mm, 130g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
Still our most popular EF lens. It produces great images and for a zoom at 2.8 has fantastic performance in low light for a lens in it's class. Everybody loves this lens. There's not a bad word to say about it.

TECH SPEC
Focal Length & Maximum Aperture
24-70mm 1:2.8
Lens Construction
16 elements in 13 group
Diagonal Angle of View
84° - 34°
Focus Adjustment
Front-focusing method
Closest Focusing Distanc
0.38m/1.25 ft.
Zoom System
Rotating Type
Filter Size
77mm
Max. Diameter x Length, Weight
3.3" x 4.9", 2.1 lbs. / 83.2mm x 123.5mm, 950g

INCLUDES
Lens, Hood, Bag
UV filter for glass protection

OVERVIEW
The professional’s ultra wide-angle zoom lens.

A fast, ultra wide-angle zoom lens offering excellent optical performance throughout the zoom range. A constant f/2.8 maximum aperture makes this an ideal lens for low-light photography.

TECH SPECS
Angle of view (horzntl, vertl, diagnl)             98º - 54º, 74º 10' - 38º, 108º 10' - 63º

Lens construction (elements/groups)           16/12

No. of diaphragm blades                                7

Minimum aperture                                           22

Closest focusing distance (m)                       0.28

Maximum magnification (x)                            0.22 (at 35mm)

Distance information                                      Yes

Image stabilizer                                               No

AF actuator                                                      Ring USM¹

 Filter diameter (mm)                                      82

Max. diameter x length (mm)                         88.5 x 111.6

Weight (g)                                                        640

Magnification - Extension Tube EF12 II       0.62-0.36¹

Magnification - Extension Tube EF25 II       1.11-0.80¹

Lens Cap                                                         E-82U / E-82II          

Lens hood                                                       EW-88

For rental is a Canon 100-400mm f/4.5 - 5.6 Mark II lens.

OVERVIEW
Rapid focusing system, fast apurture and high performance. The EF 50mm f/1.4 USM is an all round great and reliable lens. It features two high-refraction lens elements, new gaussian optics, astimatism and suppress astigmatic difference.  

TECH SPECS
Angle of view (horzntl, vertl, diagnl)	40, 27, 46 degree
Lens construction (elements/groups)	7/6
No. of diaphragm blades	8
Minimum aperture	22
Closest focusing distance (m)	0.45
Maximum magnification (x)	0.15
AF actuator	Micro USM (1)
Filter diameter (mm)	58
Max. diameter x length (mm)	73.8 x 50.5
Weight (g)	290
Magnification - Extension Tube EF12 II	0.39 - 0.24
Magnification - Extension Tube EF25 II	0.68 - 0.53
Lens hood	ES-71 II
Hard case	LHP-C10
Soft case	ES-C9/LP1014
G.F.Holder III (hood III*)	(2)
G.F.Holder IV (hood IV*)	(2)
 AF actuator	(1)Mechanical full-time manual focusing built-in.
 *Maximum number of Hood III/IV attachable. In case of zoom lenses, the maximum number applies to the short focal length

INCLUDES
- 50mm Lens
- Front and rear element cap
- Bag

OVERVIEW
The compact-Servo lenses feature high-performance optics in a compact design. Different aspects of lens performance are emphasized when shooting video compared to still images, and Compact-Servo lenses are optimized for video production.

The Compact-Servo family of lenses are a new 4K Super 35mm lens category in the Cinema EOS lineup. They combine the qualities from our EF lenses such as a light weight, compact size, integrated autofocus and excellent optical quality with the professional video features of our Cinema lenses, such as minimal focus breathing and parfocal zooming.

These features, along with high level 4K optical performance and functionality such as integrated servo controls for zoom, iris and focus for electronic control from a camera, optional remote controller and optional ZSG-C10 Zoom Servo Grip make the Compact-Servo lenses ideal for those seeking the traditional lens operational practices associated with professional cinematography.

TECH SPEC
Lens Format: Super 35
Focal Length: 70-200mm
Image Stabilisation: Yes
Lens Mount: Canon EFLens
Type: Telephoto Zoom
Max Aperture: T/4.4
Type: Cine

OVERVIEW
Great all-rounder with a robust build and good range from 24mm all the way to 105mm. We like to use this lens when you only want to carry one lens because it matches the width but has a longer reach than the popular 24-70. It is slower at a respectable f/4 but it does give f/4 all the way so will still open wide when fully zoomed in.

TECH SPECS
Focal Length & Maximum Aperture - 24-105mm f/4
Lens Construction - 18 elements in 13 groups
Diagonal Angle of View - 84° - 23° 20' (with full-frame camera)
Focus Adjustment - Inner focusing system with focusing cam
Closest Focusing Distance - 1.48 ft./0.45m
Zoom System - 5-group helical zoom (front group moves: 32.5mm)
Filter Size - 77mm
Max. Diameter x Length, Weight - 3.3 in. x 4.2 in., 23.6 oz. / 83.5mm x 107mm, 670g (lens only)

INCLUDES
Lens Hood & Cap

This 35mm wide angle Canon prime lens is a fantastic all-rounder. With a wide f1.4 aperture it is great in low light. The bokeh is extremely smooth and the lens lends a fantastic contrast to images. As an L series lens it has a solid metal construction and comes with a UV filter to protect the front lens and a lens hood to minimise flaring.

This is the Sigma 10 - 20mm lens with EF mount

if you would like any other additional hires with this lens please get in touch.

This hire comes with:

Sigma 10 - 20mm lens
lens box/case (where apropriate)

(the images were taken by myself and are not from the internet)

This is the Samyang 14mm Cine Lens with EF mount

If you would like any other additional hires with this lens please get in touch.

This hire comes with:

Samyang 14mm Cine lens
lens box/ lens case (where apropriate)

(the images were taken by myself and are not from the internet)

Filter Thread Size: 52mm

This lens is Incompatible with A2, Elan II, Newer Bodies, therefore if used with new Digitial EOS Bodies the aperture and autofocus will not be active.

The Sigma 24mm f/2.8 Macro Super-Wide II Lens provides photographers of all skill levels with the necessary features to create beautiful, unique photographs. This lens is manufactured to fit on Canon EOS APS SLR cameras with the EF mount. This lens offers short focusing distances of just 18cm, making it perfect for macro photography. The wide aperture and angle of view create unique images that will add depth and beauty to your portfolio. 

Samyang 14mm f/2.8 ED AS IF UMC Lens for Canon EF Mount. THis lens is a manual focus, incredibly wide angle, that manages to not distort to the extent of a fish-eye lens.

Can also provide a Sigma EF-mount to Sony E-mount for use with Sony mirrorless cameras (at an additional charge)

Love the look this lens gives. One of my favourites, workhorse for all sorts of photography. Comes with tripod mount - just remind us to include it as we rarely use it!

Canon’s four-stop Image Stabilizer (IS) makes the EF 70-200mm f/2.8 IS II USM ideal for shooting in low light conditions when using a tripod is not possible. The IS system allows shutter speeds up to four stops slower than normal to be used without causing image blur.

Shoot hand held in low light conditions thanks to a fast f/2.8 maximum aperture, which stays constant throughout the zoom range. Such an aperture also gives a photographer control over depth of field.

The EF 24-70mm f/2.8L II USM’s constant f/2.8 aperture throughout the zoom range makes the lens a great low light performer that’s able to make the most of any available ambient light. The fixed aperture also gives you optimum control over depth-of-field. The new 9-bladed diaphragm produces a circular aperture, which helps to achieve beautifully blurred backgrounds with attractive bokeh. 

This is a fast ultra wide angle zoom lens. It is the mk 1 version so a bit of an older lens now but optically fantastic, great for gimbal work and featuring a clutched focus ring allowing hard stops so great for video.    
comes with Hoya 72mm variable ND filter 

Sigma 14-24mm f/2.8 DG DN Lens for Sony E-Mount.

Very good condition. No scratches on Lens

Canon EF 24-70mm f2.8 L USM Zoom Lens (version 1)

In good condition. A great zoom lens for DSLR filmmaking or photography in general. 



Canon's flagship Macro lens - a great addition to any kit bag, amazingly sharp & reliable.

Tamron 70-200 F/2.8 VC Lens Canon mount

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Tamron 70-200 F/2.8 VC Lens Canon mount

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