The EF 28mm f/1.8 USM Lens from Canon is a wide-angle prime lens with a fast maximum aperture of f/1.8 enabling effective low-light imaging and shallow depth of field focus. An aspherical lens element reduces aberrations and improves image sharpness at the frame edges. The ultrasonic focus motor (USM) provides fast and quiet autofocus action, which is especially important when shooting video. Manual focus via the rubber focus ring is smooth and accurate.

We have 6 Century Stands available, all in great condition but various brands. All come with 1 arm and 1 head.

Dust and moisture resistant and incorporating Canon's very finest standards of precision optics, the EF 24-105mm f4L IS USM is designed for reportage, event, travel, and celebrity photographers looking for a lightweight and maneuverable lens with minimal image quality compromise.

Complementing the EF 17-40mm f4L USM and EF 70-200mm f4L USM, the lens completes Canon's f4L-series zoom lens range. These lenses are designed for professional photographers requiring a light zoom lens with a fixed aperture throughout the zoom range. For outstanding camera-shake reduction, Image Stabilizer allows shutter speeds of 3 stops slower than would otherwise be possible, with no perceptible increase in image blur.

The L-series is Canon's flagship professional lens range, designed to include outstanding image performance, ultimate operability, and weather resistance. The EF 24-105mm f4L IS USM offers a lightweight alternative to the renowned EF 24-70mm f2.8L USM.

Image Stabilizer
Image Stabilizer (IS) dramatically reduces image blur caused by camera shake. Gyro sensors detect unwanted vibrations, triggering the corresponding movement of a correcting lens group perpendicular to the optical axis. This alters the light path, returning the image to its correct position on the sensor or film plane.

The 3-stop advantage means that photographers normally shooting a 105mm lens handheld at 1/125 second can obtain a shake free result with a shutter speed as low as 1/15 second, for vastly extended options in low light conditions.

Superb autofocus
The ring-type USM motor found in the EF 24-105mm f4L IS USM employs ultra-sonic frequency vibrations to drive autofocus with unrivalled speed and near-silent operation. A powerful CPU and improved AF algorithm contribute to speed performance. Good holding torque stops the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. Photographers can choose manual focus instantly and at any time simply by moving the manual focus ring without first having to switch out of autofocus mode.

Constant f4 aperture from 24 to 105mm
The EF 24-105mm f4L IS USM offers the highest possible optical quality with no change in aperture over the full focal range of the lens. This allows photographers to set exposure at the widest aperture and zoom all the way through to 105mm without having to vary the shutter speed. It is the perfect lens for professional photographers looking for a lightweight and extended zoom alternative to its EF 24-70mm f2.8L USM counterpart. The lens employs an almost perfectly circular barrel aperture, helping create attractive, defocused backgrounds.

Image quality
To limit lens size and improve image clarity over the total image area, an Ultra-Low Dispersion glass (UD) element is used to eliminate the secondary chromatic aberrations that otherwise reduce sharpness and introduce color fringing. Aspherical lens elements correct spherical aberration for crisp, high-contrast, corner-to-corner quality. By optimizing Super Spectra lens coatings and lens element shaping, Canon's engineers have been effective in suppressing flare and ghosting--more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural color balance.

EOS system integration
The EF 24-105mm f4L IS USM includes distance metering information, providing compatibility with the E-TTL II flash system of late-model cameras such as the EOS-1D Mark II N and EOS 5D. When used in conjunction with Canon's range of EX Speedlite flash units, the lens passes distance information to the flash algorithm for markedly improved flash exposure metering. To match the weather resistance afforded by EOS-1 professional camera bodies, an O-ring seals the lens against the lens mount and numerous seals around the lens' moving components provide protection against the ingress of dust and moisture.

AF Mode and IS switches have been reshaped, making them less susceptible to being engaged or disengaged accidentally.

The EF 24-105mm f4L IS USM comes with a bayonet mount lens hood EW-83H and soft lens pouch LP1219. In keeping with Canon's Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.

Includes:
1 - Switronix L95 Red 95Wh V Mount Battery
2 - Switronix XP-L90S V Mount Battery
4 - Comer 190Wh Batteries
1 - Wooden Camera Low Mode Gold Mount Adapter
RED MINI-MAG 120GB
RED MINI-MAG Station
DSMC2 Universal Handle
DSMC2 RED Touch 4.7" LCD
RED MicroFiber Bag (Medium)
SMALLRIG Red Raven Baseplate
Unified Bridgeplate (15mm Studio)
2 - 12 inch 15mm aluminum rods
2 - 12 inch 15mm SMALLRIG Carbon Fiber Rods
SmallRig Top Nato Handle
SmallRig ARRI Standard Dovetail 12 Inches
SmallRig Top Plate for RED RAVEN
1 Comer Dual V Mount Battery Charger
1 Red Torx Wrench
1 GDU COWBOY HANDLE
1 Hex Wrench for GDU Handle
Noga - CineArm
Tilta - Pogo extension cable
Lemo to P-tap power adapter


The H5 Handy from Zoom is a compact, portable handheld digital recorder that is capable of four-track recording and features an interchangeable, modular microphone system. The recorder ships with an XY microphone capsule and is compatible with the existing line of H6 modules including the optional shotgun mic and XLR/TRS input modules. 
The included XY stereo mic module provides two matched unidirectional condenser microphones set at a 90 degree angle, and features a built-in shockmount system and a maximum SPL of 140dB. Additionally, the recorder is equipped with two inputs for external sources, allowing you to record simultaneously with the included stereo XY mic for a total of four input channels. Each input is controllable by its own analog gain knob, and also has a -20dB pad.
The recorder also has an LCD screen and a side-mounted toggle control for navigating through the menu options. It gives you fast access to transport functions, offering physical control buttons right underneath the screen, and conveniently stores its recorded audio to external SD cards.

The EF 28-135mm f/3.5-5.6 IS USM Lens from Canon is a compact and lightweight zoom lens that offers superior optical performance plus a built-in Image Stabilizer. The IS system reduces blurred photographs caused by camera shake and allows for handheld photography in comparatively dim light without a flash or tripod. At the wide-angle end of the zoom range, the equivalent shutter speed gain is approximately 1.5 stops while at the telephoto end, it is approximately 2 stops.

Great condition, lenses available as well.

Basically new c100 with accessories. Great deal for a smaller budget shoot.

Notes:
-Super 35mm 8.3MP CMOS Sensor
-EF Lens Mount with EF Contacts
-HDMI Outputs an Uncompressed Signal
-Dual SDHC/SDXC Memory Card Slots
-ISO 320 to 80,000
-Wide DR and Canon Log Gamma
-Reduced Rolling Shutter Skews
-Built-in ND Filters with Manual Controls
-Two XLR Audio Connectors
-Peripheral Illumination Correction

Compact and lightweight, the NIKKOR 20mm f/2.8 Lens from Nikon provides FX-format F-mount shooters with a wide-angle perspective for capturing a variety of subjects, such as landscapes or architecture. The lens has a maximum aperture of f/2.8 for good light transmission in low light and can be stopped down to f/22. Also, it has a Super Integrated Coating to limit flaring and ghosting along with Close-Range Correction to maximize image quality at close distances. The manual focus lens also has a 7-blade diaphragm for pleasing out-of-focus areas and a minimum focus distance of 9.8". Additionally, it accepts 62mm threaded filters.

EF-Mount Lens/Full-Frame Format
Aperture Range: f/1.4 to f/22
One Aspherical Element
Two High Refractive Index Elements
Super Spectra Coating
Micro Ultrasonic Motor AF System
Rounded 8-Blade Diaphragm

This kit pairs the Manfrotto 504HD Video Fluid Head with the 536 4-Section Carbon Fiber Tripod to form a solid yet lightweight support system that's ready for action. The head supports up to 16.5 lbs (7.5 kg) of professional video gear, be it a mid-sized HD camcorder or a fully outfitted DSLR camera rig. The 504HD head introduces Manfrotto's redesigned counterbalance system with four presets from 0 to 16.5 lbs. The head's redesigned variable friction components are marked clearly with degree scales, and pan/tilt movement is vibration-free.
The 536 tripod's four sections extend to a towering maximum height of 79.2" (203 cm). An angle selector helps set the legs in the proper position, and rubber feet (with retractable spikes) help keep the system firmly in place. A screw-in half bowl adapter offers the user the ability to work with 75 or 100mm bowl heads.

Manfrotto 504HD Fluid Video Head
The Manfrotto 504HD Fluid Video Head introduces a revolutionary new design that improves performance while reducing weight, as well as offering a soupçon of style. The head's patented Bridging Technology allows for a wider top plate and longer sliding plate that add stability and balance to a set of state-of-the-art professional features. With its ability to support up to 16.5 lbs, the 504HD can be used with a variety of video and photo cameras. The newly designed counterbalance system includes four presets--from 0 to 16.5 lbs--enabling proper balance no matter what the camera's size or weight.

At the same time, redesigned variable friction components--with clearly marked degree scales and vibration-free movement--bring new levels of fine tuning to your tilts and pans. An illuminated leveling bubble keeps horizons from tilting, even in the dark, while independent disc-brake locks make sure the head stays secure when at rest.

Whether you're using a pro camcorder or a highly accessorized video DSLR on a rod/rail system, the 504HD takes some of the strain off your support rig by providing two 3/8" threads integrated into the sides of the top plate. These Easy Link Connectors allow attachment of monitors, arms, and other accessories directly to the head, making the camera less top-heavy while reducing setup time. All while being oh-so-stylish!


PAN fluid drag system for a more ergonomic operation
Easy Link Connectors for a more flexible accessory attachment
Wider top plate and longer sliding plate for extra stability and balance while using video or photo equipment
More rigid structure for maximum precision and improved responsiveness
4-step counterbalance system ensures quick set-up and optimal performance
Ball-bearing drag system for precise, smooth movements
Lightweight modern materials for optimum balance of strength and size

Comes with:
-DeSisti Rembrandt Piccolo HMI 1200 Watt Fresnel, Cable
-Desisti HMI Ballast
-4 Leaf Barndoor Set

Quasar Tubes Q-LED X CrossFade Linear Lamp 4ft Bulb T12 120VAC. Singular tube. Dimmable. Color temp dial on bulb.

Color Rendering Index: 95 CRI +

Flicker Free 
Dimmer Compatible 
25,000 + Hour Lifetime

Linear LED Lamp - The unique form factor of the Quasar Science Q-LED Lamp offers a low profile yet broad lighting source that is capable of providing everything from traditional 3 point subject lighting to architectural accents and general area lighting.

Low Profile - Easy to hide when space is at a minimum the Q-LED Linear LED lamp can be mounted against a wall or ceiling without compromising framing.

Self Ballasted - Q-LED’s do not require troublesome power supplies or ballasts which often add time when quickly adding a light, get in the way or need to be hidden from camera.

Dimmer Compatible - Compatible with most existing dimming systems the Q-LED Lamps can be patched into the same infrastructure as your incandescent lighting sources.

We have a 3 lens kit of the Leica R primes with a Leitax EF adapter and Duclos Cine-Mod with 80mm front ring diameter. All CLAed recently.

Elmarit-R 24mm f/2.8 - 3 Cam Lens - #33XXXXX
Summicron-R 35mm F2 - 3 Cam Lens - #29XXXXX
Summicron-R 50mm F2 - #35XXXXX


Originally designed for use with reflectors, Combo stands became popular with lighting crews as Hollywood moved from studios to outside locations. MSE Combo stands are known for their rugged design, and each has a Rocky Mountain Leg for leveling its load on uneven terrain.

This triple riser stand extends to a maximum height of over 15 feet.

Duclos Cine-Mod lens. CLAed recently.

Elmarit-R 24mm f/2.8 - 3 Cam Lens - #33XXXXX

Duclos Cine-Mod lens. CLAed recently.

Summicron-R 50mm F2 - #35XXXXX
Beautiful condition.

Duclos Cine-Mod lens. CLAed recently.

Summicron-R 35mm F2 - 3 Cam Lens - #29XXXXX

 The SmallHD 702 Bright On-Camera Monitor is not only very bright (at a 1000 cd/m² brightness) but also very sharp with a Full HD 1080p display and 1000:1 contrast ratio. Moreover, the LCD features optically bonded glass with anti-reflective coating. All this adds up to highly more accurate daylight visibility in high image quality, on a fairly large 7" screen.

In addition, the 702 Bright is housed in an aircraft grade aluminum unibody, and has a slim and trendy design. The design also offers an industry-first battery support solution -- dual integrated battery plates each support both Sony L-Series and Canon LP-E6 batteries. If you have an L-Series battery, just snap it at the top of the plate. If you have an LP-E6 battery, snap it in instead at the bottom of the same plate. And feel free to mix and match.

The 702 Bright offers HD-SDI and HDMI inputs and outputs, as well as a headphone jack for monitoring audio. It also has a store of monitoring features, including Waveform, custom LUT support, anamorphic de-squeeze, and audio meters. On top of everything, it runs on SmallHD's Page Builder OS, which is designed more like a production assistant than operating system. This system allows you to create up to 12 pages of favorite features and to toggle between these pages with the flick of the joystick button.

More resolution, less reflection, rugged and modern build, powerful processing, and intuitive interaction -- these are the words that describe SmallHD's well-thought-out 702 Bright On-Camera Monitor.

The Manfrotto 504HD Head w/546B 2-Stage Aluminum Tripod System combines the innovative and stylish 504HD Fluid Video Head with the 2-stage aluminum 546B Pro Video Tripod--creating an ideal combo of affordability, stability, and smooth, precise control. This compact, versatile system was designed with independent video and DSLR shooters in mind, and provides the level of ergonomics and support required by today's small crews and one-man bands.


504HD Fluid Video Head
The 504HD's patented Bridging Technology allows for a wider top plate and longer sliding plate that add stability and balance to a set of state-of-the-art professional features. A newly designed counterbalance system includes four presets--from 0 to 16.5 lbs--enabling proper balance for camera loads up to 19.8 lbs, while 3/8" threads in the top plate allow attachment of monitors, arms, and other accessories directly to the head.

546B Tripod
This aluminum two-stage tripod combines stability and strength with affordability. Reaching a maximum height of 60.6" (154cm), the 546B is capable of supporting up to 44 lbs (20kg). Its spiked feet come with rubber overshoes, allowing setups on both smooth floors and uneven surfaces, while a newly designed mid-level telescopic spreader keeps the legs exactly where you need them.


Notes: 

-7' 6" Boom Pole and Integrated XLR Cable
-Lockable BoomTube Case
-Sturdy, Lightweight and Portable
-Prevents Intrusion of Dust and Moisture

Body, 4 Batteries + charger, and Metabones EF adapter included.

Notes:
-12.2MP Full-Frame Exmor CMOS Sensor
-BIONZ X Image Processor
-Internal UHD 4K30 & 1080p120 Recording
-S-Log3 Gamma and Display Assist Function
-5-Axis SteadyShot INSIDE Stabilization
-0.5" 2.36m-Dot XGA OLED Tru-Finder EVF
-3.0" 1,228,800-Dot Tilting LCD Monitor
-Up to 5 fps Shooting and ISO 409600
-Fast Intelligent AF, 169 AF Points
-Built-In Wi-Fi with NFC


Notes:
-EK 100 G4 Camera-Mountable Receiver
-SK 100 G4 Bodypack Transmitter
-ME 2-II Omnidirectional Clip-On Lav Mic
-1680 Tunable Frequencies Across 42 MHz
-Auto Frequency Scan Finds Open Bands
-3-Level Squelch to Block Interference
-20 Banks with 12 Channel Presets Each
-Compander for Clearer Sound
-Auto-Lock Prevents Accidental Adjustment


Notes:
-For Camcorders and Video DSLRs
-Highly Directive
-Compact Size
-Switchable Low-Cut Filter
-Phantom or Battery Powered
-Low Battery Indicator
-Shockmount for Camera Shoe
-Foam Windshield
-All Metal Housing

The BM210 is a lightweight and power-efficient 21.5” broadcast monitor with an extended feature set geared towards production, editorial, and broadcast environments. This Multi-Format broadcast monitor comes with 3G/Dual-Link/HD/SD-SDI, Component, Composite, & DVI-I Inputs. Like all BM series monitors this unit features full 12-bit video processing and a native 1920x1080 resolution 8-bit panel capable of reproducing over 16.7 million colors on screen. The BM210 offers support for virtually any signal format from NTSC/PAL to HD and 2K, including advanced 12-bit, 4:4:4, and XYZ signal formats.

3 foot and 6 foot rails included.

The Dana Dolly Portable Dolly System Kit with universal track ends is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7 rated precision bearings providing you with extremely smooth dolly shots. This kit is complete with 75, 100, and 150mm bowl adapters, and comes in a custom flight case. The wheel trucks swivel, allowing the dolly to ride on available straight or curved track, which you must source separately. The manufacturer recommends using standard speed rail or Schedule 80 aluminum pipe of compatible size. The dolly includes two universal track ends, which accept inch and a quarter pipe (standard speed rail) up to 1.9" O.D., and fit into available standard Junior stand receivers or 5/8" Baby pins. A center support is included for long track runs or when using heavy cameras.


Tilta Nucleus - M wireless follow focus system, with 1 motor and a run/stop cable for RED cameras. Very simple setup.

Power the motor with a D-tap power from camera or battery, 3 sets of batteries for FIZ unit. Each set should run around 7 hours.

The Canon EF 28-105mm standard zoom lens retains the optical capability of Canon's previous EF 28-105mm USM lens but with a refined exterior design. The lens is distinguished by a ring-type ultra-sonic monitor (USM) drive that provides silent, high-speed autofocusing, along with full-time manual focusing. The 1.6-foot close-focusing distance, meanwhile, lets you take great close-up portraits and nature shots. A good match for the Canon EOS A2/A2e or ELAN 7 series cameras with built-in flashes, the EF 28-105mm lens is an excellent zoom lens for everyday use. The lens carries a one-year warranty.

Focal length: 28-105mm
Maximum aperture: 1:3.5-4.5
Lens construction: 15 elements in 12 groups
Diagonal angle of view: 75 to 23 degrees (at 30 feet)
Focus adjustment: Inner focusing system with USM
Closest focusing distance: 1.6 feet
Zoom system: Rotating type
Filter size: 58mm
Dimensions: 2.8 inches in diameter, 3 inches long
Weight: 13.2 ounces


Flexible with regards to time, great equipment, very nice person!

A perfect pairing, these two lenses will cover a full range of focal lengths, staying sharp and beautiful even at f/1.8.  

Includes an Aurora-Aperture 1 to 7-Stop ND Filter.  

Note that these lenses do not cover full-frame sensors.

Best lens I've ever had. Complete with case and hood. A few slight scuffs but works perfectly.

Pristine condition, have used it less than 50 times total. Cash only, pickup in bushwick.

DESCRIPTION
A classic focal length and a classic design the Canon EF-mount Planar T* 50mm f/1.4 ZE from ZEISS is a normal-length prime ideal for working with most subjects. Its bright f/1.4 maximum aperture excels in low-light conditions and also offers greater control over depth of field for using selective focus. The Planar type optical concept is a tried-and-true design that yields consistently high sharpness throughout the focusing range with even illumination throughout the aperture range. 

This tiny 7-oz wide-angle camera lens is the perfect companion for outdoor shots. It comes with both an automatic and manual focusing mode, and switching between them is as easy as flicking a switch, which allows for seamless shooting with either focus option. The Nikkor AF-S's silent wave motor means that autofocus mode is fast, silent, and easy. The lens is equipped with Nikon's multi-coating to help prevent discoloration and lens flare, which makes it ideal for outdoor shots. Its standard 35mm focal length makes it ideal for candid shots taken on-the-go, and its wide focus means you can get clear shots of faraway subjects. The f/1.8 aperture means it's also perfect for night and low-light settings. It's a versatile option that is perfect for pictures on-the-go for anyone from hobbyist to a seasoned professional.

Tamron 24-70mm F/2.8 for Canon. Good condition. 

A great all-around lens with VR II and remarkably wide coverage.The most balanced and versatile standard zoom lens for passionate DX-format D-SLR shooters, the AF-S NIKKOR 16–85mm f/3.5-5.6G ED VR offers a 5.3x zoom range. Incredible sharpness, a compact body and Nikon VR II (Vibration Reduction) image stabilization ensure steadier stills and HD videos and more shooting opportunities—from everyday portraits to travel, landscape and architecture.The highly versatile AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR delivers incredible optical performance in any setting. Its compact 5.3x wide-angle to medium telephoto zoom is ideal for a broad range of still and HD video shooting situations, from interiors and portraits to breathtaking landscapes. Focus as close as 1.3-feet from your subject throughout the entire zoom range, and discover how far your creativity will take you.

Canon EF 50mm f/1.4 USM
Canon EF 50mm f/1.4 USM

Included:
- Canon 760d camera
- canon lens 50 f/1.8 STM lens
- charger
- USB cable
The camera is in perfect condition.

canon 24-70, 1st generation comes without lens hood

Great lens for interviews and getting nice depth of field! 

Owner Notes: 
Product Highlights

Aperture Range: f/1.8-16 
Fast Constant Maximum Aperture 
Designed for APS-C-Sized Sensors 
35mm Equivalent Focal Length: 28.8-56mm 
Hyper Sonic AF Motor 
Internal Focusing and Zoom Design 
Four Aspherical & 5 SLD Glass Elements 
Super Multi-Layer Coating 
Canon EF Lens Mount 
Compatible with Sigma USB Dock

Condition: Like New 
Replacement value: $900.00 
Filters: Zoom, EF 

Brand spanking new Canon 1DX mark II is an amazing piece for high quality professional camera. This camera is the best for both pottos and video cambo on the market. 

Rentals Include:
-Canon EOS 1DX MK II 
- ef 100mm F/2.8 Macro IS USM LENS 
- 2 BATTERY
- CHARGER
- CF and CFAST cards  64G/128G
- CAMERA STRAP
- CAMERA BAG

Available for pick up/ drop off


















Solid 50mm prime lens.
Work well on Canon Rebel Series.

This EF 50mm f/1.4 USM Lens from Canon is a standard length lens featuring superb quality and portability. Its f/1.4 maximum aperture makes it very effective in low light situations and able to provide shallow depth of field focus. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Its ultrasonic autofocus motor (USM) enables fast, smooth and silent autofocus action and full-time manual focus override allows for the precision of manual focus even in One Shot AF mode

A versatile one-lens solution for many shooting situations, the EF 24-105mm f/4L IS USM Lens is a Canon L-series zoom spanning a useful wide-angle to short-telephoto range and featuring a constant f/4 maximum aperture. Complementing the flexible design is an advanced optical layout that includes one Super UD element, which reduces color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.

Canon EF 24-105mm f/4L IS USM
Canon EF 24-105mm f/4L IS USM

Rokinon 85mm F 1.4 Manual Lens. 
Perfect for Portraits. 

Canon100mmmacro L USM. Fast Sharp and Ready to shot. 

ZEISS CONTAX SUPERSPEED PRIMES
*60mm   f/2.8 (1:1 Macro)

The redesigned Canon 24-70mm f/2.8 is respectably one of the most popular lenses in the Canon line, well known for its wide-to-zoom range which carries a consistent f2.8 aperture throughout. The glass features one Super UD lens element and two UD lens elements which minimizes chromatic aberration at the lenses widest focal length. The lens is compatible with EF mounts and features USM, which provides fast and silent auto focusing

Perfect all-rounder lens, covers the most used focal lengths for documentary/news and run and gun style shooting of any genre. When I'm shooting vérité this lens lives on my camera. Great on the A7S and I love the look on the FS7 with speedbooster. In my opinion a better image and color profile than the equivalent Canon lens.

Great condition versatile lens, perfect for event photography, birthday, wedding,... 
Excellent low light capability.

the 24-105 with IS from canon. A classic. polyvalent, amazing zoom range.

Nikon 55-200MM Lens Photo Wave Sensor, best lens I own.

Compatible with most Canon DSLR cameras
Works with cameras with Canon EF mounts.

50mm focal length
A versatile focal length for capturing crystal-clear shots throughout a variety of shooting situations. 80mm effective focal length when used with an APS-C camera.

f/1.8 maximum aperture
For optimal light gathering capacity, resulting in clear, highly-detailed images.

Smooth, quiet autofocusing
A gear-type STM (stepping motor) supports the Movie Servo AF function.

Create beautiful, soft backgrounds
Features a circular aperture with 7 blades.

14" minimum focus distance
Accommodates 49mm filters

Fantastic portrait lens. There's a reason why it's called the nifty fifty.

Standard focal length 50mm lens is effective in a multitude of shooting situations and ideal for day-to-day shooting
Elements/Groups: 7/6; Diaphragm: Blades 8; Filter Thread: Font 58mm
An f/1.4 maximum aperture provides clear imaging in low light situations and shallow depth of field
Ultrasonic autofocus motor (USM) operation is fast, smooth and virtually silent
Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference
Minimum focusing distance: 17.8 inch
This large aperture standard prime lens has superior peripheral brightness even at the maximum aperture
Lens construction: 8 elements in 6 groups, Filter size: 77mm
Optimized for Digital – super multi-layer coating minimizes flare and ghosting – a common problem of digital cameras
The optimum optical design and molded glass aspherical lens elements provide excellent correction for all types of aberrations, including coma aberration, resulting in superior optical performance
The Hypersonic Motor (HSM) ensures silent, high speed auto-focusing as well as full time manual focusing capability

EF Mount L-Series Lens
Aperture Range: f/2.8-22
UD and Three Aspherical Lens Elements
Ultrasonic Autofocus Motor

- Large f/2.8 aperture allowing for excellent low light performance and shallow depth of field
- High-performance, L-series telephoto zoom lens
- 4 stop Image Stabilizer
- Fluorite and UD elements minimise Chromatic Aberration
- 1.2m minimum focussing
- Rugged construction for high durability
- Water and dust resistant

EF-Mount Lens/Full-Frame Format
Aperture Range: f/2.8 to f/32
One Fluorite Element & Five UD Elements
Super Spectra Coating

Lens is like new, hardly a scratch on it. Has image stabilizer and auto focus.

Pickup in Fort Greene, Brooklyn near Atlantic Terminal/Barclays, or Lower Manhattan near Wall Street.



Canon EF 28mm f/1.8

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Canon EF 28mm f/1.8

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