Essential guitar pedals for any gig! See my other listings for more pedals/pedal board.

Reissue classic valve amp. Works like a dream. Comes with attenuator so you can crank it and get the crunch and gain but without blowing people's ear drums out!

Crate BT100 100 watt bass amp. It has a clean and a distortion channel. It has an octaver to get those pant poopingly low frequencies from your axe! It's quite light for its size, certainly you won't break your back moving it. It also has a headphone socket, aux in, 15 db pad and built in tuner. 25x15 inches.

Get that analogue warmth on your mixes/recordings by throwing them to tape through this classic 2 track  quarter inch machine. Then record them back into Pro Tools/Logic or any DAW, and you get the advantages of tape in a digital recording. Works like a dream. Take the machine away with you or (preferably) come to my studio and I'll do the transfers for you. You'll need your own tape. SM900 from studio spares is your best bet.

Make your guitar chucka chucka wah wah with this original cry baby pedal!

A Boss BCB 60 pedal board with power supply, daisy chain, and cables. Plus your choice of any of my pedals. They are... Dunlop Cry Baby Wah, Dunlop variable Tremolo/volume pedal (rare!), Durham Electronics Crazy Horse Fuzz, Line 6 Tap Tremolo, Foxrox Electronics Octron, MXR Carbon Copy Analog Delay, Boss Blues Driver, Boss Phase Shifter, Boss Distortion, Boss TU2 tuner.

A very versatile pedal. You tap in the rhythm you require for the tremolo effect. So easy to change the tempo mid-song. Check my other listings for more pedals/pedal board.

An incredibly versatile pedal. Can be used as a traditional volume pedal for swells, but switch to trem mode and you can alter the tempo of your tremolo/vibrato effect with your foot, as you would a wah or volume pedal. It also has a modulation intensity control and a hard/smooth modulation switch. See my other listings for more pedals/pedal board.

A versatile octave pedal. It has BOTH octave up and down, which a lot of pedals do not! The Octron is an analog pedal - not to be confused with a digital octave pedal. You won't get that cheesy harmonizer sound with digital latency. Instead, it's an organic analog effect that responds to your playing style/technique. And it takes on a new life when you put it though other effects and crank it up. Octave up, down, clean with a little of each mixed...you can dial in just a hint of octave or you can make Octron your octave monster! See my other listings for more pedals/pedal board.

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation. It's just so much better than digital delay pedals which can suffer from latency and sound fake. See my other listings for more pedals/pedal board.

This is, I believe, the most adaptable distortion/fuzz pedal on the market. Definitely not a one trick pony! Though the inspiration for this pedal came from the legendary tone of Neil Young, it’s versatility is endless. The controls required to obtain that classic tone also allow you to get any other tone you may dream up. There are many copies of this pedal out there, but none come close to this. See my other listings for more guitar pedals/pedal board.

Acclaimed 88 Series Equalization in a USB-compatible Rack Unit

Part of the exclusive Neve 88 Series, the 8803 is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC.

The Red Eye 3D phantom is the new improved major revision of the popular Little Labs Redeye direct box / re-amp box. More people are re-amping now than ever before, and we at Little Labs know re-amping! We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.

For easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument / re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument / re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.

The heart of the original Red Eye was a Little Labs custom wound transformer. This transformer was chosen for its sonic character- istics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (1MÎ© or 10MÎ©) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye.

The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box. The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.

4xSM57s, 1xSM58, 1xSM48, 1xSennheiser e845 - Tell me whichever one/s you need and I'll do a custom quote for you. £12.50 each per day.

Sounds like a banjo, tuned like a guitar. If you want that banjo sound but do not have time to learn how to play a traditional banjo!

Plays well, low action, solid instrument for gigging/recording.

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more. iD22 is more than just a two in, six out interface. iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via the ASP 800 eight-channel mic pre (also pictured). It's an extra £25/day or £75/week for the ASP800. I can do it on a custom quote for you.

A classic tube mic preamp & LA-2A-style compressor in a single unit. The LA-610 combines a hand-built in the USA, all-tube, vintage mic preamp design with authentic Teletronix T4 opto-compression circuitry.

This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.

The LA-610 is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.

The LA-610 T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or "T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 legendary preamp and compression circuits.

The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.

The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.
More details at http://www.avalondesign.com/vt747sp.html

The MixDream is a cascadable, 16-in-2 analog summing device. Any DAW or digital console can be expanded with active analog summing, channel and main bus and inserts and processing.

The MixDream discrete class A technology is based on a 60-volt rail (+/- 30V). This ensures extremely high slew rates, low noise level of -97dBu (A-weighted, all channels active) and a dynamic range of over 125dB. Thus the MixDream outperforms the technical level of the best analog consoles.

More info here... https://spl.audio/studio/mixdream/?lang=en 

The Behringer Ultralink MS8000 8-channel microphone splitter sends your mic signal to multiple locations, such as mixing consoles, stage monitors, and broadcast trucks. This, for example, would allow you to connect to front of house and your in-ear monitors simultaneously. Eight inputs and 16 outputs provide you with plenty of flexibility, while a Lift/Ground switch and linkable channels make the Ultralink MS8000 an indispensable tool for stage and studio. 

Behringer Ultralink MS8000 Features:
8-in/16-out microphone splitter
Direct and Link outputs let you send pre- and post-transformer signals
Lift/Ground switch eliminates hum and other ground loop noises
Input Link function doubles your outputs
Passes phantom power from your console or mic pre to Direct Outputs

More info here... https://www.sweetwater.com/store/detail/MS8000--behringer-ultralink-ms8000



Cable driven cajon pedal with superior weight and feel that produces an authentic palm sound.

 Instantly turns a cajon into a kick drum
  Super slick and quiet cable system
  Adjustable spring tension caters to all playing styles
  Specially designed mount plate seats most standard size cajons
  3-Foot long cable allows player to adjust comfortably to their desired playing position
  Patent Pending Beater

Several items of percussion, including cajon, shakers, bells, tambourine, bongos. Just tell me what you need.

One 6 metre and one 15 metre XLR loom. 8 way, male to female.

Lots of XLR cables. Tell me how many you need! £15 per day for up to 10.

I also have a couple of 8 way looms listed.

This is a flight case for a Allen & Heath QU16 desk. Or put whatever you want in it.

Flightcase designed specifically for the Qu-16
Qu-16 can be used in the base of the case (lift-off lid style)
4x Strong butterfly catches with loops for padlock holds the lid in place (padlock not supplied)
Lid removes fully via butterfly catches
1x Recessed handle fitted on the side
4x Large rubber feet bolted to base
Ball corners
Fully foam lined
Internal dimensions 441mm (L) x 497mm (D) x 186mm (H)
External 527mm(L) x 557mm(W) x 281mm(H)
Approx weight 9.5Kg

The carry bag can hold around 6 mic stands. If you need more than this tell me and I'll do a custom quote.

Great on vocals and instruments. 

From the Neumann website... 

We developed the TLM 102 as an universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kilohertz which is crucial for human voices. The recordings get a silky elegance which is typical for large diaphragm microphones; the voice gets a noble presence in the overall mix. Suddenly, there’s a natural, organic separation between your vocal and your acoustic guitar, for example. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants: It has an integrated pop shield.

High Volume? No Problem at All.
The TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. Our “baby” reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of 10 cm) with great clarity: open, detailed, with powerful bass and refined treble.

TLM: Clear Sound, Powerful Bass
Our TLM series works with a transformerless output stage. This means: a clean and direct sound, very “close” to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.

"The Thom Yorke mic". Great on vocals and instruments like bass and kick drum.

From the EV website...

The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D™ design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

Variable-D™ for minimal proximity effect
True cardioid with no coloration at 180-degrees off-axis
Voice tailored frequency response
Studio condenser-like performance
Large diaphragm
Humbucking coil 
Bass roll-off switch

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

d:dicate™ 4091 Omnidirectional Microphone, Loud SPL, P48
With 144 dB SPL handling, this microphone can meet just about any challenge including miking an electric guitar amp.

It is also an excellent microphone for use with percussion instruments as well as wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning.

The rugged and compact design features a 5.4 mm (.21 in) diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).
 
A bit about omnis
An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Two C414s - a XLS and a LTD. Perfect for drum overheads or a host of other recording applications.

The C414 multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use.  Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.

The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays.

Suspension mount included.

The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low cut options make it adaptable to a wide range of applications.

More info at https://en-de.neumann.com/u-87-ai

Please note, in order to get an exceptional recording you also need an exceptional microphone pre-amp. I also have exceptional pre-amps available, for very reasonable prices, including Neve and API. See my other listings!

The sE2200 is the award-winning cardioid condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications.

Made famous through use with world-class vocal artists like Amy Winehouse, it revives the spirit of classic studio microphones, and still remains a standard in mic lockers around the world.

Tonebar included. Sounds great through a valve amp... which you can also rent from me! See my other listings.

4 channel recorder. Two mic/line inputs, plus built in stereo mics.  Comes with case, power adaptor, screw on handle, wind shield, and can lend a tripod if needed. 

This light weight digital recorder has a hard drive built in. It appears like a traditional mixer for ease of use. Can record up to 8 sources simultaneously at 44.1k 16 bit. You can also use it as a mixing desk at the same time. It’s cool if you need a simple solution for gigging/rehearsing/ recording, and don’t want to set up a computer/interface.

Excellent analog desk for live purposes. For those who prefer an analog setup.

16 channels, 6 aux sends, inserts and direct outs on every channel, inc master. 2 stereo send/returns. Built in fx, reverbs/delays etc.

Comes in flight case.

Tools for recording vocals with. All you need now is a mic! Check my other listings for that.

One of the greatest mic pres ever made. Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

Extremely characterful high end compressor. Housed in the API lunchbox for portability. Available with or without the neve pre amp also pictured (see my other listings). You can add your own 500 series modules when renting if you have any. Comes with power supply. 

One of the greatest mic pres ever made. And a top end characterful compressor. Perfect for recording vocals or anything you wish! Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, drums, piano...  Two here for stereo purposes. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

PLEASE NOTE: This listing is for ONE of the Neve pre amps in the picture. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. This API 512 is perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. Bundles available. I also have mics!

Extremely characterful high end compressor. Housed in the Radial cube for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply. Cables included on request. See my other listings for different combos and bundles of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!


Specifically designed for enhancing the chest resonances, to get richer, deeper and warmer vocals. Can also be used on bass guitar, and on drums. Housed in the Radial cube, which comes with a power supply. Cables included on request.  See my other listings for pre amps, and different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

The Series 80B 500 Series EQ incorporates a classic four band equaliser which is identical to that employed in the Trident Series 80 console. It consists of frequency switchable high and low pass shelving sections, coupled with two swept low and high mid range bands and a switchable 50Hz, 12dB per octave filter. Both swept midranges have been carefully chosen for maximum effect on music programme and a good degree of overlap is provided.

Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments or vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus a character compressor, the Chandler, to tame your transients, and the Trident EQ to shape your sound. Housed in the portable Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. Here are 2 of them...The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for DI'ing instruments. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments, particularly good for bass guitar, or for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect, or enhances the sound of bass guitar.  Plus a Trident EQ to help shape your overall sound. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Bundle for instruments and vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for Di'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals/instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is a classic for vocals, and also comes with a Hi-z input for DI'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request.   See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Recording bundle for vocals and instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 and the Neve 1073 are widely regarded as the best pre amps in the world. Plus a Trident EQ to sculpt and shape your sound. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Powerful and portable studio recording gear. Housed and powered in the Api lunchbox. Included are two Neve 1073lb pre amps, a Api 512 pre amp, a Chandler little devil compressor, a Trident 80b equaliser and a Little Labs VOG bass resonance tool. Everything you need for a professional recording project, especially useful for live location recording. For detailed descriptions of each unit, and to rent single units or other combinations, see my other listings.

Fuse distinctive analog percussion with samples. Bring in the power of sequencing and performance controls. The Analog Rytm MKII is a one stop solution beat machine. See it in action here https://m.youtube.com/watch?v=QPYNPgN95S4

 Neve 1073 pre amp, plus a api 550b eq and a api 527 compressor, housed in a radial cube which has its own power supply.

 A Neve 1073 pre amp and a Api 550b eq houses in a radial cube with its own power source. Top spec gear for better recordings.

Tascam DR-70D Compact, professional-grade audio recorder designed to be used in combination with a DSLR camera Uses an SD/SDHC/SDXC card as recording medium (up to 128 GB) High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps NE5532 operational amplifiers for even higher audio performance (also used on DA-3000) In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible Four channels can be mixed down to a stereo signal Recording levels can be adjusted independently for inputs 1-4 Dual recording function allows two files to be recorded simultaneously at different levels Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format) Broadcast Wave Format (BWF) supported as WAV recording format Two built-in omnidirectional microphones Four XLR/TRS combo inputs can provide phantom power (+24V/+48V) +24 dBu maximum input level (20 dB headroom) Additional unbalanced input for channels 1 and 2 (stereo mini jack) supports mics that require plug-in power, allowing the input of video mics and other high-output mics Switchable low-cut filter conveniently reduces low-frequency noise (40 Hz, 80 Hz, 120 Hz) Switchable limiter to prevent clipping High-quality audio can be output to a DSLR camera for recording Camera input enables convenient monitoring of audio from a DSLR camera Selectable mid-side decoding for use with MS microphone setups Slate tone functions (automatic/manual) to simplify synchronization of video files when editing External power or 4 x AA batteries

One of the greatest mic pres ever made. This listing is for just the pre amp WITHOUT the lunchbox. Check the other listings if you want the full package.

Smaller more portable power rack for 500 series modules. See my other listings for 500 series gear to house in the cube.

Versatile delay pedal with stereo ins and outs (left mono option of course) and an input for an expression control pedal that allows control of any and all parameters.
Great for gigging as it's easy to switch between sound banks for different songs, and very easy to get creative with for recording sessions thanks to the SYNC mode which is able to create intense polyrhythmic delays.

-High fidelity 24-bit/48 KHz audio processing
-Seamless program change ensures smooth transitions
-Advance bypass function avoids abrupt effect cut-offs
-Comes with power supply

Warm Analog Compression
Level and Sensitivity Controls
True Bypass
Super solid metal casing
Part of the Baby Boom series
Uses 9V battery or standard Boss style adapter


DigiTech JamMan Looper

Featuring a dual-stomp design for tandem looping, six and a half hours of loop time recordable to a removable memory card and easily navigable interface, the Digitech JamMan is an industry standard in looping.


Not much to say about this pedal. It's a classic. Good for grungy, heavily saturated tones.
Volume, Gain and Tone controls.

Not much to say about this one. Boss TU3 Chromatic Tuner. Great working tuning pedal, accurate, easy to use and durable. Has a regulated power out so you can power other pedals from it also.

The DD-7 is much more than just a pure Delay pedal: next to an interesting selection of effects such as Reverse or Modulation Echos, a Looper is also onboard with 40 seconds of recording time with overdubs.
The Expression pedal input allows, combined with the Boss FS-5U for example, tap-tempo functions to be controlled via a footswitch or realize continuous tempo control via the Roland EV-5 pedal. In addition, the Boss DD-7 can also be integrated quite easily into stereo setups this way.

A Boss classic. Has a punchy, very dry and focussed sound to it. Great as solo boost or a rhythm drive sound when pushing a valve amp.
Gain, Volume and Tone controls.

This is MXR's hot-rodded and modded take on the Boss DS1 circuit. It's my favourite drive pedal and (in my opinion) much more usable than the DS1. Great dynamics, amp-like crunch and distortion and very natural sounding. I have it running 95% of the time when I play with my rock band.
Gain, Volume and Tone controls as well as a switch to change the clipping style from more compressed to less compressed.

Behringer clone of the infamous Boss FZ2 pedal.
Volume and Gain controls as well as active (boost/cut) treble and bass controls.
3 modes:
Fuzz 1: Thick saturated fuzz with an octave up when played around the 12th fret. Perfect for stoner rock or doom metal (think Electric Wizard/Fu Manchu).
Fuzz 2: Like Fuzz 1 but with a big mid-scoop. More defined sound, much more suited for palm-muting and more intricate riffs.
Boost: Clean boost with active tone shaping (theres A LOT of boost on tap here!)

This pedal is fairly new, and in my experience the little rubber footpad on Behringer pedals tends to come off after a while. If this happens while it's on loan don't sweat it, but bring the rubber pad back if possible!

Amazing sounding analogue delay pedal.

Other pedals available!

Fantastic industry standard wah pedal.

Comes with carry case. 

Other pedals also available. 

Boss rc 20 in great condition, rarely removed from box. Comes with Boss AC adapter.

Create "violin" effects on your guitar or bass using this rock-steady volume pedal from Boss. Designed specifically with a high impedance output to emulate the unbuffered output of a guitar. The FV50H is designed to be placed before other effects pedals in your pedal chain.

The FV-50H is a stereo volume pedal that can be used for electric guitar or bass. The high impedance FV-50H is designed to be connected before guitar effect units in the signal chain.

Specifications

Connectors: Input x 2, Output x 2, Tuner Out
Width: 86 mm, 3-7/16 inches
Depth: 200 mm, 7-7/8 inches
Height: 54 mm, 2-1/8 inches
Weight: 0.4 kg, 0 lbs. 15 oz

Vintage original Boss CE-2 chorus pedal.

Seen some action in its time but still working perfectly and sounding lush (Boss pedals are indestructable!)

The BOSS - SYB-3  Bass Synthesizer is a sick pedal that basically turns any active signal you feed it into a lo-fi-ish TB-303 or XOXbox. Feed it a guitar, drum machine, analog synth...

Included is only the pedal and a fresh 9 volt Battery, but I can possibly lend some cables and jack adapters too. 

**Something  to consider with this badboy is that it only outputs a MONO signal! This can be a bum-pain, on my normal setup for example i only get the sound from 1 side of the speakers. You'll have to get creative and find a way to run it through Stereo on an interface or PC. 

Other items: Allen & Heath XONE: 22 mixer / Synq Xtrem-1 Turntables / Rode NTG-1 Shotgun Mic/ and more...

That classic 70s wah wah. Great for cop chase scenes but also experimenting with synths.

A best selling metal distortion, the MT2 delivers effortlessly when it comes to hi-gain goodness. Metal Zone has a 3-band EQ on board (with sweepable mid frequency) for maximum control of that all-important metal scooped mid sound. Tap into a gnarly saturated tone free from muddiness.

Key Features
Incredible-sounding distortion pedal with unique dual-gain circuitry
Provides super-long sustain and heavy mids and lows like a stack of overdriven amps
Three-band EQ with semi-parametric Mid control offers a wide range of extreme distortion textures
A must-have pedal for any hard rock or metal guitarist

The Boss DC-3 Digital Dimension Chorus brings spacey, organic choral sounds of the '80s in a through a four-knob control layout of E. Level, EQ, Rate, and Depth, all digital circuitry for more precise effects emulation, and a sampling rate of 50kHz. Departing from its predecessor, the DC-2, by incorporating digital as opposed to analog circuitry, this model's spatial angle in its effect is perfect for post-rock, grunge, or psych.

Features
Expanded delay time, up to 6.4 seconds
Modulation Delay mode offers natural, chorus-type sounds
Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
Tap tempo controllable via external footswitch
Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
Up to 40 seconds of recording for sound on sound (Hold mode)
BOSS five-year warranty

 4th gen. Octave shifter and harmoniser. Comes with power supply.

Fulltone Ultimate Octave pedal. 

"A very fat Distortion/Fuzz with a very active tone control and a separate footswitch that kicks in the most searing Octave-Up available... use it as a Fuzz or Octave-Up"

Works perfectly and sounds vicious!! As used by Josh Homme of Queens Of The Stone Age, and many others. Great for Hendrix tones also.

Dunlop Volume Pedal with low friction band drive.

This is a classical Boss DS-1 Modded for a different sound. It's still a distortion with a classical 80's-90's sound

Polyphonic tuner / buffer
The Bonafide circuitry receives its sound through long cable paths and several effects devices
Polyphonic tuning - simultaneous display of all strings
Fast chromatic tuner with 0.5 cent accuracy
Ultra-precise strobe tuner with ± 0.02 cent accuracy
The "Always On" mode offers a tuner display even if the Polytune 3 is not muted
Automatic brightness adjustment
109 Super bright LED display with automatic brightness adjustment
Automatic change between polyphonic and monophonic tuning
Foot switch: On / Off / Mute
True Bypass
Power consumption: 45 mA
Power supply with a 9 V battery or a 9 V DC power supply 
Dimensions (W x D x H): 72 x 122 x 50 mm
Weight: 300 g

This is widely considered to be the best octave pedal on the market. Fantastic tracking, polyphonic and capable of sounding like a synth or organ (due to multiple octaves and modes and attack/tuning controls). Also save presets for instant recall.

I also have the following pedals available; message for details -


(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon Timeline
Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky
Strymon BigSky

Industry standard professional delay pedal, amazing for both live and studio.

I also have the following pedals available; message for details -


(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky
Strymon BigSky


(Multi/Other) -

Roger Linn AdrenaLinn III
Keeley Mod Workstation (Klon, Boost/Plexi and Modulation)
Keeley Tone Workstation (Comp, Boost/Plexi & TS)
Electro-Harmonix Key 9

Industry standard professional reverb pedal, amazing for both live and studio. 

I also have the following pedals available; message for details -

(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon Timeline
Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky


(Multi/Other) -

Roger Linn AdrenaLinn III
Keeley Mod Workstation (Klon, Boost/Plexi and Modulation)
Keeley Tone Workstation (Comp, Boost/Plexi & TS)
Electro-Harmonix Key 9



Good condition, pedal kept in full working order.

"Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box."

Boss RC-30 - Loop Pedal - Loop Station
Great condition - Perfect working order

I can also provide the FS-5U, which helps to switch between tracks faster.
Comes with batteries fully charged, which gives you many days of battery life.

Pack contains: 
x1 Boss RC-30
x1 Boss FS-5U switch
x1 Jack Lead

All the pictures are my own and show the actual pedals for rent.
Easy pick-up right next to Hoxton Station (E2).
Get in touch if you're interested!

 Original Dunlop Cry Baby Wah pedal. Perfect working order. 

A classical Boss FZ-3 modified. Still a great Fuzz pedal

Digital delay

Controls: Level, Feedback, Time, Mode
Effect on LED
Footswitch: Effect Bypass
Current consumption: 45 mA
Power supply via 9 V battery or 9 V DC power adapter (suitable power supply)
Dimensions (W x D x H): 73 x 129 x 59 mm
Weight: 420 g

Built with space in mind, the Boss RC-2 Loop Station is the compact little brother of the RC-20XL and the RC-50. Perfect for any genre where multiple layers and looping is required, the Boss RC-2 features up to 16 minutes of recording time and the capacity to store up to 11 separate phrases, all in a stomp box.

Boss guitar pedals: Blues Driver, Tuner, Distortion, Phase

Description

Location

Item lent by Steve

Other items from Steve

FAQs

Boss guitar pedals: Blues Driver, Tuner, Distortion, Phase

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