4xSM57s, 1xSM58, 1xSM48, 1xSennheiser e845 - Tell me whichever one/s you need and I'll do a custom quote for you. £12.50 each per day.

Reissue classic valve amp. Works like a dream. Comes with attenuator so you can crank it and get the crunch and gain but without blowing people's ear drums out!

Crate BT100 100 watt bass amp. It has a clean and a distortion channel. It has an octaver to get those pant poopingly low frequencies from your axe! It's quite light for its size, certainly you won't break your back moving it. It also has a headphone socket, aux in, 15 db pad and built in tuner. 25x15 inches.

Get that analogue warmth on your mixes/recordings by throwing them to tape through this classic 2 track  quarter inch machine. Then record them back into Pro Tools/Logic or any DAW, and you get the advantages of tape in a digital recording. Works like a dream. Take the machine away with you or (preferably) come to my studio and I'll do the transfers for you. You'll need your own tape. SM900 from studio spares is your best bet.

Make your guitar chucka chucka wah wah with this original cry baby pedal!

A Boss BCB 60 pedal board with power supply, daisy chain, and cables. Plus your choice of any of my pedals. They are... Dunlop Cry Baby Wah, Dunlop variable Tremolo/volume pedal (rare!), Durham Electronics Crazy Horse Fuzz, Line 6 Tap Tremolo, Foxrox Electronics Octron, MXR Carbon Copy Analog Delay, Boss Blues Driver, Boss Phase Shifter, Boss Distortion, Boss TU2 tuner.

A very versatile pedal. You tap in the rhythm you require for the tremolo effect. So easy to change the tempo mid-song. Check my other listings for more pedals/pedal board.

Essential guitar pedals for any gig! See my other listings for more pedals/pedal board.

An incredibly versatile pedal. Can be used as a traditional volume pedal for swells, but switch to trem mode and you can alter the tempo of your tremolo/vibrato effect with your foot, as you would a wah or volume pedal. It also has a modulation intensity control and a hard/smooth modulation switch. See my other listings for more pedals/pedal board.

A versatile octave pedal. It has BOTH octave up and down, which a lot of pedals do not! The Octron is an analog pedal - not to be confused with a digital octave pedal. You won't get that cheesy harmonizer sound with digital latency. Instead, it's an organic analog effect that responds to your playing style/technique. And it takes on a new life when you put it though other effects and crank it up. Octave up, down, clean with a little of each mixed...you can dial in just a hint of octave or you can make Octron your octave monster! See my other listings for more pedals/pedal board.

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation. It's just so much better than digital delay pedals which can suffer from latency and sound fake. See my other listings for more pedals/pedal board.

This is, I believe, the most adaptable distortion/fuzz pedal on the market. Definitely not a one trick pony! Though the inspiration for this pedal came from the legendary tone of Neil Young, it’s versatility is endless. The controls required to obtain that classic tone also allow you to get any other tone you may dream up. There are many copies of this pedal out there, but none come close to this. See my other listings for more guitar pedals/pedal board.

Acclaimed 88 Series Equalization in a USB-compatible Rack Unit

Part of the exclusive Neve 88 Series, the 8803 is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC.

The Red Eye 3D phantom is the new improved major revision of the popular Little Labs Redeye direct box / re-amp box. More people are re-amping now than ever before, and we at Little Labs know re-amping! We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.

For easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument / re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument / re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.

The heart of the original Red Eye was a Little Labs custom wound transformer. This transformer was chosen for its sonic character- istics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (1MÎ© or 10MÎ©) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye.

The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box. The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.

Sounds like a banjo, tuned like a guitar. If you want that banjo sound but do not have time to learn how to play a traditional banjo!

Plays well, low action, solid instrument for gigging/recording.

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more. iD22 is more than just a two in, six out interface. iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via the ASP 800 eight-channel mic pre (also pictured). It's an extra £25/day or £75/week for the ASP800. I can do it on a custom quote for you.

A classic tube mic preamp & LA-2A-style compressor in a single unit. The LA-610 combines a hand-built in the USA, all-tube, vintage mic preamp design with authentic Teletronix T4 opto-compression circuitry.

This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.

The LA-610 is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.

The LA-610 T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or "T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 legendary preamp and compression circuits.

The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.

The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.
More details at http://www.avalondesign.com/vt747sp.html

The MixDream is a cascadable, 16-in-2 analog summing device. Any DAW or digital console can be expanded with active analog summing, channel and main bus and inserts and processing.

The MixDream discrete class A technology is based on a 60-volt rail (+/- 30V). This ensures extremely high slew rates, low noise level of -97dBu (A-weighted, all channels active) and a dynamic range of over 125dB. Thus the MixDream outperforms the technical level of the best analog consoles.

More info here... https://spl.audio/studio/mixdream/?lang=en 

The Behringer Ultralink MS8000 8-channel microphone splitter sends your mic signal to multiple locations, such as mixing consoles, stage monitors, and broadcast trucks. This, for example, would allow you to connect to front of house and your in-ear monitors simultaneously. Eight inputs and 16 outputs provide you with plenty of flexibility, while a Lift/Ground switch and linkable channels make the Ultralink MS8000 an indispensable tool for stage and studio. 

Behringer Ultralink MS8000 Features:
8-in/16-out microphone splitter
Direct and Link outputs let you send pre- and post-transformer signals
Lift/Ground switch eliminates hum and other ground loop noises
Input Link function doubles your outputs
Passes phantom power from your console or mic pre to Direct Outputs

More info here... https://www.sweetwater.com/store/detail/MS8000--behringer-ultralink-ms8000



Cable driven cajon pedal with superior weight and feel that produces an authentic palm sound.

 Instantly turns a cajon into a kick drum
  Super slick and quiet cable system
  Adjustable spring tension caters to all playing styles
  Specially designed mount plate seats most standard size cajons
  3-Foot long cable allows player to adjust comfortably to their desired playing position
  Patent Pending Beater

Several items of percussion, including cajon, shakers, bells, tambourine, bongos. Just tell me what you need.

One 6 metre and one 15 metre XLR loom. 8 way, male to female.

Lots of XLR cables. Tell me how many you need! £15 per day for up to 10.

I also have a couple of 8 way looms listed.

This is a flight case for a Allen & Heath QU16 desk. Or put whatever you want in it.

Flightcase designed specifically for the Qu-16
Qu-16 can be used in the base of the case (lift-off lid style)
4x Strong butterfly catches with loops for padlock holds the lid in place (padlock not supplied)
Lid removes fully via butterfly catches
1x Recessed handle fitted on the side
4x Large rubber feet bolted to base
Ball corners
Fully foam lined
Internal dimensions 441mm (L) x 497mm (D) x 186mm (H)
External 527mm(L) x 557mm(W) x 281mm(H)
Approx weight 9.5Kg

The carry bag can hold around 6 mic stands. If you need more than this tell me and I'll do a custom quote.

Great on vocals and instruments. 

From the Neumann website... 

We developed the TLM 102 as an universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kilohertz which is crucial for human voices. The recordings get a silky elegance which is typical for large diaphragm microphones; the voice gets a noble presence in the overall mix. Suddenly, there’s a natural, organic separation between your vocal and your acoustic guitar, for example. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants: It has an integrated pop shield.

High Volume? No Problem at All.
The TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. Our “baby” reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of 10 cm) with great clarity: open, detailed, with powerful bass and refined treble.

TLM: Clear Sound, Powerful Bass
Our TLM series works with a transformerless output stage. This means: a clean and direct sound, very “close” to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.

"The Thom Yorke mic". Great on vocals and instruments like bass and kick drum.

From the EV website...

The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D™ design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

Variable-D™ for minimal proximity effect
True cardioid with no coloration at 180-degrees off-axis
Voice tailored frequency response
Studio condenser-like performance
Large diaphragm
Humbucking coil 
Bass roll-off switch

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

d:dicate™ 4091 Omnidirectional Microphone, Loud SPL, P48
With 144 dB SPL handling, this microphone can meet just about any challenge including miking an electric guitar amp.

It is also an excellent microphone for use with percussion instruments as well as wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning.

The rugged and compact design features a 5.4 mm (.21 in) diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).
 
A bit about omnis
An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Two C414s - a XLS and a LTD. Perfect for drum overheads or a host of other recording applications.

The C414 multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use.  Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.

The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays.

Suspension mount included.

The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low cut options make it adaptable to a wide range of applications.

More info at https://en-de.neumann.com/u-87-ai

Please note, in order to get an exceptional recording you also need an exceptional microphone pre-amp. I also have exceptional pre-amps available, for very reasonable prices, including Neve and API. See my other listings!

The sE2200 is the award-winning cardioid condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications.

Made famous through use with world-class vocal artists like Amy Winehouse, it revives the spirit of classic studio microphones, and still remains a standard in mic lockers around the world.

Tonebar included. Sounds great through a valve amp... which you can also rent from me! See my other listings.

4 channel recorder. Two mic/line inputs, plus built in stereo mics.  Comes with case, power adaptor, screw on handle, wind shield, and can lend a tripod if needed. 

This light weight digital recorder has a hard drive built in. It appears like a traditional mixer for ease of use. Can record up to 8 sources simultaneously at 44.1k 16 bit. You can also use it as a mixing desk at the same time. It’s cool if you need a simple solution for gigging/rehearsing/ recording, and don’t want to set up a computer/interface.

Excellent analog desk for live purposes. For those who prefer an analog setup.

16 channels, 6 aux sends, inserts and direct outs on every channel, inc master. 2 stereo send/returns. Built in fx, reverbs/delays etc.

Comes in flight case.

Tools for recording vocals with. All you need now is a mic! Check my other listings for that.

One of the greatest mic pres ever made. Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

Extremely characterful high end compressor. Housed in the API lunchbox for portability. Available with or without the neve pre amp also pictured (see my other listings). You can add your own 500 series modules when renting if you have any. Comes with power supply. 

One of the greatest mic pres ever made. And a top end characterful compressor. Perfect for recording vocals or anything you wish! Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, drums, piano...  Two here for stereo purposes. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

PLEASE NOTE: This listing is for ONE of the Neve pre amps in the picture. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. This API 512 is perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. Bundles available. I also have mics!

Extremely characterful high end compressor. Housed in the Radial cube for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply. Cables included on request. See my other listings for different combos and bundles of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!


Specifically designed for enhancing the chest resonances, to get richer, deeper and warmer vocals. Can also be used on bass guitar, and on drums. Housed in the Radial cube, which comes with a power supply. Cables included on request.  See my other listings for pre amps, and different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

The Series 80B 500 Series EQ incorporates a classic four band equaliser which is identical to that employed in the Trident Series 80 console. It consists of frequency switchable high and low pass shelving sections, coupled with two swept low and high mid range bands and a switchable 50Hz, 12dB per octave filter. Both swept midranges have been carefully chosen for maximum effect on music programme and a good degree of overlap is provided.

Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments or vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus a character compressor, the Chandler, to tame your transients, and the Trident EQ to shape your sound. Housed in the portable Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. Here are 2 of them...The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for DI'ing instruments. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments, particularly good for bass guitar, or for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect, or enhances the sound of bass guitar.  Plus a Trident EQ to help shape your overall sound. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Bundle for instruments and vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for Di'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals/instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is a classic for vocals, and also comes with a Hi-z input for DI'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request.   See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Recording bundle for vocals and instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 and the Neve 1073 are widely regarded as the best pre amps in the world. Plus a Trident EQ to sculpt and shape your sound. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Powerful and portable studio recording gear. Housed and powered in the Api lunchbox. Included are two Neve 1073lb pre amps, a Api 512 pre amp, a Chandler little devil compressor, a Trident 80b equaliser and a Little Labs VOG bass resonance tool. Everything you need for a professional recording project, especially useful for live location recording. For detailed descriptions of each unit, and to rent single units or other combinations, see my other listings.

Fuse distinctive analog percussion with samples. Bring in the power of sequencing and performance controls. The Analog Rytm MKII is a one stop solution beat machine. See it in action here https://m.youtube.com/watch?v=QPYNPgN95S4

 Neve 1073 pre amp, plus a api 550b eq and a api 527 compressor, housed in a radial cube which has its own power supply.

 A Neve 1073 pre amp and a Api 550b eq houses in a radial cube with its own power source. Top spec gear for better recordings.

Tascam DR-70D Compact, professional-grade audio recorder designed to be used in combination with a DSLR camera Uses an SD/SDHC/SDXC card as recording medium (up to 128 GB) High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps NE5532 operational amplifiers for even higher audio performance (also used on DA-3000) In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible Four channels can be mixed down to a stereo signal Recording levels can be adjusted independently for inputs 1-4 Dual recording function allows two files to be recorded simultaneously at different levels Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format) Broadcast Wave Format (BWF) supported as WAV recording format Two built-in omnidirectional microphones Four XLR/TRS combo inputs can provide phantom power (+24V/+48V) +24 dBu maximum input level (20 dB headroom) Additional unbalanced input for channels 1 and 2 (stereo mini jack) supports mics that require plug-in power, allowing the input of video mics and other high-output mics Switchable low-cut filter conveniently reduces low-frequency noise (40 Hz, 80 Hz, 120 Hz) Switchable limiter to prevent clipping High-quality audio can be output to a DSLR camera for recording Camera input enables convenient monitoring of audio from a DSLR camera Selectable mid-side decoding for use with MS microphone setups Slate tone functions (automatic/manual) to simplify synchronization of video files when editing External power or 4 x AA batteries

One of the greatest mic pres ever made. This listing is for just the pre amp WITHOUT the lunchbox. Check the other listings if you want the full package.

Smaller more portable power rack for 500 series modules. See my other listings for 500 series gear to house in the cube.

This package contains:-
-sE Electronics V7 Supercardioid Dynamic Microphone
-sE Electronics Microphone Clip
-sE Electronics Carrying Pouch

Collection only from SE6 (Catford, London). No delivery.

The sE Electronics V7 is a rugged dynamic supercardioid microphone, a fantastic choice for vocals when rejection is important. This is my go-to microphone when recording vocals alongside other instruments, both live and in the studio. I find myself preferring the sE V7 over a Shure SM58 on most singers. When rejection/isolation is not a priority, I usually opt for the sE Electronics V3 which is the cardioid version of this microphone, which provides a slightly more open sound. I also have this listed for rental if you are interested.

The DMC7 dynamic element in the sE V7 has been custom-developed for a crisp, tight sound that perfectly captures vocals in the most natural way you've ever heard on stage - and its sophisticated supercardioid capsule design helps isolate the voice from other instruments, ensuring vast amounts of gain before feedback.

Proven Neodymium magnets, tight production tolerances & high-end workmanship ensure excellent sensitivity, superior sound quality and superb consistency.

The V7's brand new, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other mics in its class.

Specifications-
-Polar Pattern: Supercardioid
-Sensitivity: 2.0 mV/Pa (-54 dB)
-Connector:	XLR

If you would like more information or advice before renting, please don't hesitate to get in touch.

This package contains:-
-sE Electronics V3 Cardioid Dynamic Microphone
-sE Electronics Microphone Clip
-sE Electronics Carrying Pouch

Collection only from SE6 (Catford, London). No delivery.

The sE Electronics V3 is a rugged dynamic cardioid microphone, fit for absolutely any voice or instrument. I personally use this microphone most often on guitar amps and vocals, both live and in the studio (when tracking with other instruments in the room). I find myself preferring the sE V3 over a Shure SM58 on most singers. When even more rejection/isolation is required, I love to use the sE Electronics V7 which is the supercardioid version of this microphone. I also have this listed for rental if you are interested.

The dynamic element in the sE V3 has been custom-developed for a smooth, natural sound on any voice or instrument - and its cardioid capsule design helps efficiently isolate your voice from other on-stage sounds, ensuring plenty of gain before feedback.

Proven Neodymium magnets, tight production tolerances & high-end workmanship ensure excellent sensitivity, superior sound quality and superb consistency.

The V3's brand new, patented shockmount efficiently decouples the capsule from mechanical vibration, providing exceptionally low handling noise as compared to other mics in its class.

Specifications-
-Polar Pattern: Cardioid
-Sensitivity: 2.5 mV/Pa (-52 dB)
-Connector:	XLR

If you would like more information or advice before renting, please don't hesitate to get in touch.

Behringer Ultravoice XM8500 Dynamic Microphone

A dynamic handheld Microphone Behringer, the Ultravoice XM8500 is built to last. With a huge frequency response of 50Hz to 15kHZ, the XM8500 which capture every detail of your vocals or instrument.

Onboard the mic features a cardioid pickup pattern, capturing only the sound from the singer or an instrument, while rejecting off-axis sound.

If you're looking for a microphone that is built to survive the rigours of everyday gigs and touring, the Ultravoice XM8500 could be perfect for you.

XLR connection at the bottom

2 for hire if required. Industry standard large diaphragm dynamic mic. great for percussion congas. Horns.brass.  bass. cabs.. for live isolation.  etc.. collection from N17. Or delivery to north London £5-10 depending on postcode. 

Great dynamic microphone which works excellently with vocals, please see some technical specs: 


Dynamic vocal microphone; varimotion technology; spring steel wire mesh cap; ergonomic triangle shape; elastic dual-circuit suspension. The D3700 M provides revolutionary versatility for a new way of performing. The ergonomically optimized triangular shape of Tripower Series bodies is easy to grip and keeps the microphones from rolling away on an inclined surface.  XLR connector module with gold plated contacts for use with a standard microphone cable. 

Shure SM58 mic.

Great for recording voice and instruments.

Comes with mic clip and pouch.

Can provide XLR cable if needed.

Miniature cardiod condenser mic.

Suitable for drum recording and live mic.

Comes with mic clip and pouch.

Can provide an XLR cable if needed.

Shure SM57 mic

Comes with mic Clip

Can provide XLR cable free of charge if needed.

Pair of wired microphones 

Shure Sm58 of SM57

- Shure SM58 handheld microphone with case and pop-shield
- Konig and Meyer Lightweight Microphone Stand and microphone clip
- 10m XLR cable




The VideoMic R is a short shotgun microphone with Rycote shockmount, designed for use with camcorders and personal audio recorders<br/><br/>The VideoMic R is a short shotgun microphone with Rycote shockmount, designed for use with camcorders and personal audio recorders. Featuring a built-in shock mounting system, standard shoe mount and also includes a 3/8 inch thread adapter so it can be mounted on a boom pole or stand.<br/><br/>The super cardioid polar pattern is highly directional, focusing on the subject in front of the camera, and minimising any surrounding sounds. The mic is powered by a 9v battery and includes a windshield.

Matched pair of Sennheiser MD421 microphones. Great on toms, percussion, bass and guitar cabs, and even vocals sometimes! 


The package include 2 x SM58 Microphone with 1 x microphone stand.

Top of the range share sm58  wired  microphone  
pair with a high quality turbosound iq12  speaker 

super high quality equipment   

delivery and set up available

High quality microphone, 
wired 
come in stand and XLR cable 

This bundle consist of 2 X Shure SM58 Microphone

This bundle consist of 4 X Shure SM58 Microphones

A full kit of microphones and DI's perfect for any live band set up. Kit includes:

Microphones:
5x Shure SM58 (1 with switch)
3x Shure SM57
1x Shure Beta 52
4x AKG CK93
1x Sennheiser e901
3x Sennheiser e904
1x Sennheiser 906

DI Boxes:
1x Radial Duplex Stereo 
1x Radial Pro D2 Stereo
2x Radial J48 
1x Radial JDI

XM8500 Ultravoice Dynamic Microphone. Excellent for both live and studio applications.

Stand adapter and carry case included. Can also include 3.5mm Mini Jack to Female XLR Cable if needed.

If you've ever heard someone sing or speak into a live microphone, there's an excellent chance it was an SM58. Rock stars. Pop idols. Comedians. Presidents. Popes. Immortal words have passed through its iconic grille for generations. And with engineering and durability that set the world standard, it's sure to keep turning up at legendary performances.

Take away the stress and have your desired equipment delivered, setup and dismantled. As standard all products have been priced based on collection from our warehouse in Barnet EN5 and available across London, Hertfordshire, Watford and more so just get in touch with your requirements for delivery and collection.

Shure SM57 Dynamic Instrument Microphone  
A snare crack. A power chord. A wailing sax. The potent notes that blast from your instrument connect to the crowd on a visceral level. And the sound needs a mic that can handle its strength. For every acoustic condition, the SM57 delivers the power of your playing to every fan in the house

 Delivery & Collection 

Take away the stress and have your desired equipment delivered, setup and dismantled. As standard all products have been priced based on collection from our warehouse in Barnet EN5 so just get in touch with your requirements for delivery and collection.

 NTG-1 Rode Xlr mic with long xlr cable and stand and 3.5mm adapter

The Rode NT1-A Recording Pack is the perfect introduction to home vocal recording, including everything you need to get started. The Rode NT1-A large diaphragm cardioid condenser microphone has won numerous awards for its exceptional quality and low noise.

 The Shure SM58 is a unidirectional (cardioid) dynamic vocal microphone for professional vocal use in sound reinforcement and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath “pop” noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard.

The MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities.

Suitable for voice, guitar, wind instruments and drums
Very tough
Polar pattern: Cardioid
5-Stage switch Bass
Good feedback rejection
Transparent sound reproduction
Frequency response: 30-17000 Hz
Free field, no circuit sensitivity (1kHz): 2 mV / Pa (- 3 dB)
Nominal impedance: 200 Ohm
Min load impedance:. 200 Ohm
Dimensions: 215 x 46 x 49 mm
Weight: approx 385 g
Incl. microphone clamp for 3/8" thread

 High quality dynamic microphone with all metal ergonomic construction. Features: on/off slide switch, supplied with an ABS case with XLR TO 6.3mm mono jack lead, frequency response 50hz - 15kHz, Connection XLRM 

*PLEASE GET IN TOUCH IF YOU ALSO NEED STANDS AND CABLES. 

Essential mic.

XLR leads (only 1 per rental). Good condition, properly wrapped and kept.

- XLR leads are already included in my microphone kit (check my other listing)

The iconic vocal mic, the SM58 is the industry standard for all vocal work, live or recorded.

I have for hire a single, new SM58 with a 7m XLR cable thrown in for good measure.

Mic stand available too if needed.


That's all there is to say on this simple but essential audio kit, but if you were looking for a PA to use it with- I can offer that too! In fact my PA package includes this mic for free…. Have a look at my profile to get all my listings in lighting and sound.


Microphone stand, reliable good for open mics or any live situation. 

Can provide the piece the holds the mic if needed. 

Small microphone stand, good for micing a snare or a bass drum. 

Can also include the piece that holds the microphone if needed. 

The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. Outstanding performance, reliability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers worldwide.

Yoga DM-868 50s Elvis Style Chrome Retro Microphone - (Vintage Mic Silver/Chrome Finish) 

+Black stand ask if needed which will be £9.00 more 

Element-dynamic, neodymium magnet structure
Frequency response- 60 Hz-16,000Hz
Polar Pattern- 250 ohms (balanced)
Sensitivity- 78dB
Microphone Connector - 3 pin, XLR-type
Polarity- Pin 2 positive,referenced to pin 3 with positive pressure diaphragm.
Material- Die cast zinc housing
Dimensions- Length 178.5mm, diameter 70.7mm, shank 50mm.
Weight- 0.7kgs
Accessories included- Stand adapter / carrying case

Collect from trendy East London's Hackney Downs Studios.

Address:
Indra Studios
17 Amhurst Terrace
Hackney Downs Studios
E8 2BT

 The most used microphone in the industry. The legendary Shure vocal mic is tuned to accentuate the warmth and clarity of lead and back-up vocals. It's consistently the first choice of performers around the globe. The Shure SM-58 is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. Mic Clip, carry case and XLR cable included.

Dynamic microphones selection

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Dynamic microphones selection

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