"The Thom Yorke mic". Great on vocals and instruments like bass and kick drum.

From the EV website...

The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D™ design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

Variable-D™ for minimal proximity effect
True cardioid with no coloration at 180-degrees off-axis
Voice tailored frequency response
Studio condenser-like performance
Large diaphragm
Humbucking coil 
Bass roll-off switch

Reissue classic valve amp. Works like a dream. Comes with attenuator so you can crank it and get the crunch and gain but without blowing people's ear drums out!

Crate BT100 100 watt bass amp. It has a clean and a distortion channel. It has an octaver to get those pant poopingly low frequencies from your axe! It's quite light for its size, certainly you won't break your back moving it. It also has a headphone socket, aux in, 15 db pad and built in tuner. 25x15 inches.

Get that analogue warmth on your mixes/recordings by throwing them to tape through this classic 2 track  quarter inch machine. Then record them back into Pro Tools/Logic or any DAW, and you get the advantages of tape in a digital recording. Works like a dream. Take the machine away with you or (preferably) come to my studio and I'll do the transfers for you. You'll need your own tape. SM900 from studio spares is your best bet.

Make your guitar chucka chucka wah wah with this original cry baby pedal!

A Boss BCB 60 pedal board with power supply, daisy chain, and cables. Plus your choice of any of my pedals. They are... Dunlop Cry Baby Wah, Dunlop variable Tremolo/volume pedal (rare!), Durham Electronics Crazy Horse Fuzz, Line 6 Tap Tremolo, Foxrox Electronics Octron, MXR Carbon Copy Analog Delay, Boss Blues Driver, Boss Phase Shifter, Boss Distortion, Boss TU2 tuner.

A very versatile pedal. You tap in the rhythm you require for the tremolo effect. So easy to change the tempo mid-song. Check my other listings for more pedals/pedal board.

Essential guitar pedals for any gig! See my other listings for more pedals/pedal board.

An incredibly versatile pedal. Can be used as a traditional volume pedal for swells, but switch to trem mode and you can alter the tempo of your tremolo/vibrato effect with your foot, as you would a wah or volume pedal. It also has a modulation intensity control and a hard/smooth modulation switch. See my other listings for more pedals/pedal board.

A versatile octave pedal. It has BOTH octave up and down, which a lot of pedals do not! The Octron is an analog pedal - not to be confused with a digital octave pedal. You won't get that cheesy harmonizer sound with digital latency. Instead, it's an organic analog effect that responds to your playing style/technique. And it takes on a new life when you put it though other effects and crank it up. Octave up, down, clean with a little of each mixed...you can dial in just a hint of octave or you can make Octron your octave monster! See my other listings for more pedals/pedal board.

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation. It's just so much better than digital delay pedals which can suffer from latency and sound fake. See my other listings for more pedals/pedal board.

This is, I believe, the most adaptable distortion/fuzz pedal on the market. Definitely not a one trick pony! Though the inspiration for this pedal came from the legendary tone of Neil Young, it’s versatility is endless. The controls required to obtain that classic tone also allow you to get any other tone you may dream up. There are many copies of this pedal out there, but none come close to this. See my other listings for more guitar pedals/pedal board.

Acclaimed 88 Series Equalization in a USB-compatible Rack Unit

Part of the exclusive Neve 88 Series, the 8803 is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC.

The Red Eye 3D phantom is the new improved major revision of the popular Little Labs Redeye direct box / re-amp box. More people are re-amping now than ever before, and we at Little Labs know re-amping! We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.

For easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument / re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument / re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.

The heart of the original Red Eye was a Little Labs custom wound transformer. This transformer was chosen for its sonic character- istics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (1MÎ© or 10MÎ©) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye.

The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box. The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.

4xSM57s, 1xSM58, 1xSM48, 1xSennheiser e845 - Tell me whichever one/s you need and I'll do a custom quote for you. £12.50 each per day.

Sounds like a banjo, tuned like a guitar. If you want that banjo sound but do not have time to learn how to play a traditional banjo!

Plays well, low action, solid instrument for gigging/recording.

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more. iD22 is more than just a two in, six out interface. iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via the ASP 800 eight-channel mic pre (also pictured). It's an extra £25/day or £75/week for the ASP800. I can do it on a custom quote for you.

A classic tube mic preamp & LA-2A-style compressor in a single unit. The LA-610 combines a hand-built in the USA, all-tube, vintage mic preamp design with authentic Teletronix T4 opto-compression circuitry.

This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.

The LA-610 is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.

The LA-610 T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or "T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 legendary preamp and compression circuits.

The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.

The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.
More details at http://www.avalondesign.com/vt747sp.html

The MixDream is a cascadable, 16-in-2 analog summing device. Any DAW or digital console can be expanded with active analog summing, channel and main bus and inserts and processing.

The MixDream discrete class A technology is based on a 60-volt rail (+/- 30V). This ensures extremely high slew rates, low noise level of -97dBu (A-weighted, all channels active) and a dynamic range of over 125dB. Thus the MixDream outperforms the technical level of the best analog consoles.

More info here... https://spl.audio/studio/mixdream/?lang=en 

The Behringer Ultralink MS8000 8-channel microphone splitter sends your mic signal to multiple locations, such as mixing consoles, stage monitors, and broadcast trucks. This, for example, would allow you to connect to front of house and your in-ear monitors simultaneously. Eight inputs and 16 outputs provide you with plenty of flexibility, while a Lift/Ground switch and linkable channels make the Ultralink MS8000 an indispensable tool for stage and studio. 

Behringer Ultralink MS8000 Features:
8-in/16-out microphone splitter
Direct and Link outputs let you send pre- and post-transformer signals
Lift/Ground switch eliminates hum and other ground loop noises
Input Link function doubles your outputs
Passes phantom power from your console or mic pre to Direct Outputs

More info here... https://www.sweetwater.com/store/detail/MS8000--behringer-ultralink-ms8000



Cable driven cajon pedal with superior weight and feel that produces an authentic palm sound.

 Instantly turns a cajon into a kick drum
  Super slick and quiet cable system
  Adjustable spring tension caters to all playing styles
  Specially designed mount plate seats most standard size cajons
  3-Foot long cable allows player to adjust comfortably to their desired playing position
  Patent Pending Beater

Several items of percussion, including cajon, shakers, bells, tambourine, bongos. Just tell me what you need.

One 6 metre and one 15 metre XLR loom. 8 way, male to female.

Lots of XLR cables. Tell me how many you need! £15 per day for up to 10.

I also have a couple of 8 way looms listed.

This is a flight case for a Allen & Heath QU16 desk. Or put whatever you want in it.

Flightcase designed specifically for the Qu-16
Qu-16 can be used in the base of the case (lift-off lid style)
4x Strong butterfly catches with loops for padlock holds the lid in place (padlock not supplied)
Lid removes fully via butterfly catches
1x Recessed handle fitted on the side
4x Large rubber feet bolted to base
Ball corners
Fully foam lined
Internal dimensions 441mm (L) x 497mm (D) x 186mm (H)
External 527mm(L) x 557mm(W) x 281mm(H)
Approx weight 9.5Kg

The carry bag can hold around 6 mic stands. If you need more than this tell me and I'll do a custom quote.

Great on vocals and instruments. 

From the Neumann website... 

We developed the TLM 102 as an universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kilohertz which is crucial for human voices. The recordings get a silky elegance which is typical for large diaphragm microphones; the voice gets a noble presence in the overall mix. Suddenly, there’s a natural, organic separation between your vocal and your acoustic guitar, for example. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants: It has an integrated pop shield.

High Volume? No Problem at All.
The TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. Our “baby” reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of 10 cm) with great clarity: open, detailed, with powerful bass and refined treble.

TLM: Clear Sound, Powerful Bass
Our TLM series works with a transformerless output stage. This means: a clean and direct sound, very “close” to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

d:dicate™ 4091 Omnidirectional Microphone, Loud SPL, P48
With 144 dB SPL handling, this microphone can meet just about any challenge including miking an electric guitar amp.

It is also an excellent microphone for use with percussion instruments as well as wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning.

The rugged and compact design features a 5.4 mm (.21 in) diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).
 
A bit about omnis
An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Two C414s - a XLS and a LTD. Perfect for drum overheads or a host of other recording applications.

The C414 multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use.  Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.

The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays.

Suspension mount included.

The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low cut options make it adaptable to a wide range of applications.

More info at https://en-de.neumann.com/u-87-ai

Please note, in order to get an exceptional recording you also need an exceptional microphone pre-amp. I also have exceptional pre-amps available, for very reasonable prices, including Neve and API. See my other listings!

The sE2200 is the award-winning cardioid condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications.

Made famous through use with world-class vocal artists like Amy Winehouse, it revives the spirit of classic studio microphones, and still remains a standard in mic lockers around the world.

Tonebar included. Sounds great through a valve amp... which you can also rent from me! See my other listings.

4 channel recorder. Two mic/line inputs, plus built in stereo mics.  Comes with case, power adaptor, screw on handle, wind shield, and can lend a tripod if needed. 

This light weight digital recorder has a hard drive built in. It appears like a traditional mixer for ease of use. Can record up to 8 sources simultaneously at 44.1k 16 bit. You can also use it as a mixing desk at the same time. It’s cool if you need a simple solution for gigging/rehearsing/ recording, and don’t want to set up a computer/interface.

Excellent analog desk for live purposes. For those who prefer an analog setup.

16 channels, 6 aux sends, inserts and direct outs on every channel, inc master. 2 stereo send/returns. Built in fx, reverbs/delays etc.

Comes in flight case.

Tools for recording vocals with. All you need now is a mic! Check my other listings for that.

One of the greatest mic pres ever made. Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

Extremely characterful high end compressor. Housed in the API lunchbox for portability. Available with or without the neve pre amp also pictured (see my other listings). You can add your own 500 series modules when renting if you have any. Comes with power supply. 

One of the greatest mic pres ever made. And a top end characterful compressor. Perfect for recording vocals or anything you wish! Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, drums, piano...  Two here for stereo purposes. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

PLEASE NOTE: This listing is for ONE of the Neve pre amps in the picture. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. This API 512 is perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. Bundles available. I also have mics!

Extremely characterful high end compressor. Housed in the Radial cube for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply. Cables included on request. See my other listings for different combos and bundles of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!


Specifically designed for enhancing the chest resonances, to get richer, deeper and warmer vocals. Can also be used on bass guitar, and on drums. Housed in the Radial cube, which comes with a power supply. Cables included on request.  See my other listings for pre amps, and different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

The Series 80B 500 Series EQ incorporates a classic four band equaliser which is identical to that employed in the Trident Series 80 console. It consists of frequency switchable high and low pass shelving sections, coupled with two swept low and high mid range bands and a switchable 50Hz, 12dB per octave filter. Both swept midranges have been carefully chosen for maximum effect on music programme and a good degree of overlap is provided.

Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments or vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus a character compressor, the Chandler, to tame your transients, and the Trident EQ to shape your sound. Housed in the portable Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. Here are 2 of them...The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for DI'ing instruments. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments, particularly good for bass guitar, or for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect, or enhances the sound of bass guitar.  Plus a Trident EQ to help shape your overall sound. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Bundle for instruments and vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for Di'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals/instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is a classic for vocals, and also comes with a Hi-z input for DI'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request.   See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Recording bundle for vocals and instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 and the Neve 1073 are widely regarded as the best pre amps in the world. Plus a Trident EQ to sculpt and shape your sound. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Powerful and portable studio recording gear. Housed and powered in the Api lunchbox. Included are two Neve 1073lb pre amps, a Api 512 pre amp, a Chandler little devil compressor, a Trident 80b equaliser and a Little Labs VOG bass resonance tool. Everything you need for a professional recording project, especially useful for live location recording. For detailed descriptions of each unit, and to rent single units or other combinations, see my other listings.

Fuse distinctive analog percussion with samples. Bring in the power of sequencing and performance controls. The Analog Rytm MKII is a one stop solution beat machine. See it in action here https://m.youtube.com/watch?v=QPYNPgN95S4

 Neve 1073 pre amp, plus a api 550b eq and a api 527 compressor, housed in a radial cube which has its own power supply.

 A Neve 1073 pre amp and a Api 550b eq houses in a radial cube with its own power source. Top spec gear for better recordings.

Tascam DR-70D Compact, professional-grade audio recorder designed to be used in combination with a DSLR camera Uses an SD/SDHC/SDXC card as recording medium (up to 128 GB) High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps NE5532 operational amplifiers for even higher audio performance (also used on DA-3000) In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible Four channels can be mixed down to a stereo signal Recording levels can be adjusted independently for inputs 1-4 Dual recording function allows two files to be recorded simultaneously at different levels Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format) Broadcast Wave Format (BWF) supported as WAV recording format Two built-in omnidirectional microphones Four XLR/TRS combo inputs can provide phantom power (+24V/+48V) +24 dBu maximum input level (20 dB headroom) Additional unbalanced input for channels 1 and 2 (stereo mini jack) supports mics that require plug-in power, allowing the input of video mics and other high-output mics Switchable low-cut filter conveniently reduces low-frequency noise (40 Hz, 80 Hz, 120 Hz) Switchable limiter to prevent clipping High-quality audio can be output to a DSLR camera for recording Camera input enables convenient monitoring of audio from a DSLR camera Selectable mid-side decoding for use with MS microphone setups Slate tone functions (automatic/manual) to simplify synchronization of video files when editing External power or 4 x AA batteries

One of the greatest mic pres ever made. This listing is for just the pre amp WITHOUT the lunchbox. Check the other listings if you want the full package.

Smaller more portable power rack for 500 series modules. See my other listings for 500 series gear to house in the cube.

Very helpful lender and mic in great condition 👌🏼

Rode K2 Tube Microphone + shock mount + power supply + cables + case.
With infinitely variable pattern
Frequency range 20 Hz to 20 kHz
Impedance 200 Ohm
Sensitivity: -36 dB re 1 V / Pa (16mV @ 94 dB SPL) +/- 2 dB
Incl. elastic mount SM2 in a case

Stereo Microphone for The Hot Shoe Camera Mount
Inherent noise: 12 dBA
Peak SPL: 143 dB
Sensitivity: 25 mV
Full metal casing made of cast aluminium
High RF shielding
Two selected 1/2" real condenser capsules in XY arrangement
Body noise decoupling of the capsules via miniature lyres by Rycote
Electronic push buttons with status LEDs
Switchable high-pass filter: 75 Hz - 150 Hz
Switchable level adjustment: 10 dB +/- 20 dB
Switchable presence lifting: 5 KHz / +6 dB
Operation switch with on/off delay and control LED
TRS mini jack socket plus 2 balanced mini-XLR jacks - also usable simultaneously
Battery compartment for 9 V block
Running time with high quality battery >30 hours
Operate via XLR connectors also with 48 V phantom power
3/8" thread in the hot shoe adapter for tripod or tilt mounting
Dimensions: 102 x 118 x 100 mm
Weight (without battery): 300 g
Includes basket windscreen, fur windscreen and spiral cable (TRS mini jack)

Includes XLR to XLR-mini for external recorder
3.5mm jack for DSLR
1 x 9v battery
Pop and wind filters as in photos
All in original box

Rode NTG3 True Condenser Microphone

Superior broadcast sound quality
High Sensitivity
Super-cardioid polar pattern
Designed to withstand adverse environmental conditions
50% less self-noise than the majority of shotgun microphones
Extremely low handling noise
High level of immunity to radio frequency interference

Includes
Rode NTG3 RF-Bias Shotgun Microphone (Silver)
Rode ZP2 Padded Zip Pouch (large)
Rode Aluminium Storage Cylinder
Rode WSNTG3 Pop Filter
Rode WS7 Deluxe Windshield for NTG-3 (deadcat)

Specially optimised for rough use in live reporting and broadcasting environments, the refined steel Sennheiser MD-42 Omni-directional microphone is a high-quality reporter's microphone. The design ensures that wind and handling noise problems are avoided, and it has an omni-directional pick-up pattern. The Sennheiser MD-42 microphone comes in a black,

Comica CVM-WM100 Plus 2TX+1RX Dual Lavalier Microphone System For DSLR Camera

 AKG D112 dynamic microphone, perfect for kick drum/floor Tom or bass cab

Beautiful matched pair of ribbon mics, with boxes, adapters. Mint condition, sound fabulous 

- Broadcasting recording presentation and interview microphone.                                                  - Multi-layer mesh basket for wind protection

Really good quality directional microphone I've been using for interviews and events for the last year, it works great. You can either connect it to your DSLR camera or any audio recorder with a 3.5mm mini-jack input. 

It includes:
- Rode VideoMic GO ON directional mic
- No battery required (powered by camera plug-in power - min 2.5v)
- Integrated rycote lyre shock mounting
- 3.5mm mini-jack output (20cm cable included, extendable to 35cm)
- 3m extension cable available if you need it.

I also have a Zoom H2n recorder available for rent if you need it, it's the one I normally use with this mic on interviews, etc.

///

Pick up is from London, N8 0HY or N4 3JU (Finsbury Park Station). 

I'm quite flexible with pick up/drop off times. Let me know if you have any questions :)

Professional super-cardioid, dynamic instrument microphone - ideal for guitar amps & percussion

Perfect working & cosmetic order - As new, kept boxed or in a case when not being used 

MANUFACTURER'S DESCRIPTION

Versatile enough to handle drums, percussion, and guitar amplifiers. Switchable presence filter to tailor its sonic characteristics to different requirements.

A more direct sound – more directly from the amp.

The e 906 captures the guitar sound just as you want it to be: from clean to distorted, from gentle to aggressive. It provides a high-resolution, natural sound without unwanted coloration. The transient response of the e 906 convinces in every style: it even transmits riffs with an extremely hard punch directly and straightforward. 
The microphone features a switchable presence filter with three sound characteristic options: one to boost the presence range, one for "normal" presence and one to attenuate the presence range. Thanks to its flat shape, it can be positioned in front of the amp hanging from its cable – completely without a stand. Not to mention its distinctly rugged design.

Key Features
Dynamic microphone

Extraordinarily lively, full sound Extremely fast transient response

Switchable presence filter with three choices of sound characteristic boosted presence range, normal, attenuated presence range)

Perfect shape for the pick-up of guitar amps

Shock-mounted capsule

Hum compensating coil

Rugged metal housing

These are very compact, small diaphragm condenser microphones

This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of colouration. The linear off axis performance is beneficial with large sound sources and for stereo recording, preserving sound character at an angle.
The CM4 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true all round microphone!

Ribbon Microphone
—Very warm, natural sound
—Figure 8 characteristic
—2” Aluminium ribbon (strength: 2 µm)
—Frequency range: 30 - 18.000 Hz
—Sensitivity: -60 dB /1mV/PA (0dB = 1V/PA at 1 kHz)
—Maximum SPL: 148 dB
—XLR cable attached to the microphone

Matched pair of these lovely Ribbon Microphones

—Very warm, natural sound
—Figure 8 characteristic
—2” Aluminium ribbon (strength: 2 µm)
—Frequency range: 30 - 18.000 Hz
—Sensitivity: -60 dB /1mV/PA (0dB = 1V/PA at 1 kHz)
—Maximum SPL: 148 dB
—XLR cable attached to the microphone

Large-Diaphragm Dynamic Microphone
Directional characteristic: Cardioid
Bass roll-off switch
Variable-D design
Frequency range: 45 / 18,000 Hz
Dimensions (diameter x length): 49 x 54 x 217 mm
Weight 1474 g
Incl. clamp and storage box
3 Year manufacturer's warranty
Remark: Ideal for vocalists, bass drums, wind instruments, and speeches

Rode VideoMic Pro with shockmount

Broadcast quality condenser microphone. Integrated shock mounting. Super-cardioid pickup pattern. 3.5mm Stereo mini-jack output.

The Rode Videomic Pro is a shotgun style condenser microphone which is designed to be used with camcorders, DSLR cameras and portable audio recorders to capture hi-fidelity audio. With an impressive low self-noise and integrated shock mount the Videomic Pro produces excellent results when capturing voice overs, interviews and live performances indoors or outdoors.

BOYA BY-M1 is an Omni directional lavalier microphone, designed for Smartphones, DSLR, Camcorders, Audio recorders PC etc
With Omni pickup pattern, for full 360° coverage, it gives you the possibility to capture anything in your sight
The integrated 6-meter (20") cable with 3.5mm 4-pole gold plug is just a second thing to be connected to your smartphones and most of your cameras.

High quality directional microphone. The microphone is compatible with any DSLR camera that has a microphone input and provides power (plug-in power) through this same port.

No battery required (powered by camera plug-in power - min 2.5v)

3.5mm mini-jack output (20cm cable included, extendable to 35cm)



Great microphone with high quality sound. 

Includes dead cat if needed

Pick in Stoke Newington. Delivery available within Hackney for a fee.

Sennheiser ME66 microphone with Rode pistol grip shock mount included. Microphone can use 1 aa battery for power or use phantom power so extremely flexible set up. All in full working condition.

See my other adverts if you want to build a complete recording set.

Audio package including:
-Sennheiser MKE 600 Microphone with shockmount and foam windshield.
-Wooden camera A-Box 
-2x short XLR cables

The Sennheiser MKE 600 condenser shotgun microphone is designed to brave the most demanding filming situations. It has a high directional sensitivity, which makes it pick up sound from the direction in which the microphone is pointing and effectively attenuate sounds from the side and back. Therefore sound sources that are further away will also be picked up as if the sound source is nearby the microphone.
________________________________________________________________
 USE THIS REFERRAL LINK AND GET £25 FREE CREDIT: 
                                fatlama.com/r/l-79326bb0
________________________________________________________________

Very clear Mic, check the specs: http://www.rode.com/microphones/ntg-1

This item is Mint. 
Included with it is wind shield, deadcat, rubber holder, and shock mount. No mic stand available. 

I also have a Tascam Linear PCM recorder, which goes together perfectly with this mic for doing field recordings or adding as a component in video camera set-up.

Shure SM7B Microphone. Great for pretty much recording anything live or in the studio. 

XLR cable and mic stand available upon request at no extra charge. 

5-pound delivery and collection are available. Please message me so I can make an offer. 

Available with Cloudlifter upon request. Please message me so I can make an offer. 

Sennheiser MKE600 Shotgun Microphone Professional
- Super-cardioid/lobar
- XLR Cable


Sony ECM-674 shotgun mic. It's great for field and film recording. 

Superb Sound Quality
The ECM-674 offers an excellent sensitivity of -36 dB (0 dB=1 V/Pa.) and low inherent-noise level of less than 17 dB SPL. This allows the microphone to be used for clear voice pick-up even in noisy environments
Two-way Powering
A two-way powering capability allows the ECM-674 to be driven by microphone power or batteries, making it suitable for both camcorder mounting and many other sound-gathering applications. Internal: AA-size battery operation. External: DC (40 to 52 V) operation
Built-in Battery Liquid Leakage Protection Circuit
In general, old batteries can leak and damage the equipment they are used in. The ECM-674 prevents this by continually detecting the output voltage of the battery and shutting off the power supplied to the electric circuit whenever the voltage drops beneath a certain threshold.
Features
Flat-and-wide Frequency Response
The ECM-674 microphone has a flat-and-wide frequency response (40 Hz to 20 kHz) and provides sound reproduction that is extremely smooth and natural
Compact and Lightweight Design
The ECM-674 has been designed as a highly directional compact and lightweight shotgun microphone. It measures only 268 mm (10 5/8 inches) in length and weighs just 185 g (6.5 oz), maintaining good balance even when mounted on compact camcorders.
Built-in Low Cut Filter
The built-in two-position (M, V) low-cut switch provides users with a simple method of reducing the effects of undesired ambient noise.

For Hire: The RØDE Stereo VideoMic

Now videographers can use true 'studio' stereo recording techniques in the field with ease. The X/Y configuration enables the StereoVideoMic to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise. Fitted with a shoe mount, the StereoVideoMic has the same low noise circuit design as the best selling VideoMic. The StereoVideoMic offers 9V battery operation, an LED battery status indicator, high pass filter switch, and a -10dB pad switch which allows for the mic to be used on most cameras with perfect level control. You can also use the StereoVideoMic as a remote mic on a stand, or a Rode boom pole (optional), which truly makes this versatile product well suited for all video applications including Electronic News Gathering (ENG), Weddings, Sports Events & Interviews. In the box: Rode Stereo VideoMic and Deadkitten (artificial fur wind shield).

Whether it’s broadcast, podcast or recording, voices need to be handled with care. When purified and polished, every detail has more impact. That’s why the SM7B was built, to capture smooth, warm vocals that connect the speaker to the listener.

The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications. Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.
In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.
Included in rental:
- Rode windshield to minimise light wind noise and plosives during recording, 
- DeadCat' furry: recommended for outdoor applications.

Longer cable (5m) available for additional £3 per day

1x Rode VideoMic Pro R Directional Shotgun Microphone

The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.


First time renting? Follow this link for £20 off the order: fatllama.com/r/darc-3612c

Rode VideoMicro Compact On Camera Microphone

Compact size and lightweight - only 80mm (3') long and 42gm (1.5oz)
No battery required to operate

Give me a shout if you have any questions! 
Darcy

First time renting? Follow this link for £20 off the order: fatllama.com/r/darc-3612c

I personally use the Video Mic Pro on both my Sony and Canon kits. 

At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.


Your rental includes:
- 1x Rode Video Mic Pro+
- 1x RodeMicrophone battery
- 1x Rode Deadcat VMP Windshield
- 1x 3.5mm jack cable
- 1x Storage case

:) 

Give me a shout if you have any questions. 
Darcy

To sign up and get £20 off your first rental, make sure you sign up using this referral link : https://fatllama.com/r/maja-3f70b . The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot. The mic is new, I use it on Sundays n Mondays, but can rent it out on any other day. 



Rode Stereo VideoMic X Microphone w/ 3.5mm Jack available for hire from London, E3. 

Possible to meet elsewhere depending on time and location. Just let me know. All equipment will be cleaned thoroughly with anti bacterial cleaner to avoid cross contamination. Face covering will be worn during a socially distanced exchange. Other gear also available to hire...please see below.

£20 off your first order. Just click on the following link and sign up for a new account. https://fatllama.com/r/chri-eba33

Included:
1 x Rode Stereo VideoMic X Microphone
1 x Rode 3.5mm Cable

Available for additional hire:

Camera:
1 x Sony A7SIII w/Sigma MC-11 or Metabones IV E-EF adapter, Wooden Camera DSLR half cafe/rigging and Rode Microphone
2 x Sony TOUGH 128gb v90 SD cards
3 x Spare batteries

Lenses:
1 x Sigma Art 50mm f1.4 EF
1 x Sigma Art 24-35mm f2.0 EF
1 x Sigma Art 85mm f1.4 EF

Grip:
1 x DJI Ronin S w/Switch Grip dual handle
1 x DJI Ronin S follow focus kit
1 x Manfrotto MT055 XPRO 3 tripod w/fluid head or ball head
1 x Manfrotto XPRO Video 4 section Monopod w/fluid head or ball head

Monitoring:
1 x Atomos Shinobi SDI w/ Nato cage, 2 batteries, charger and HDMI or SDI cable

Audio:
1 x Rode Video Mic Pro
1 x Zoom H5 w/SD card

Lighting:
1 x Aputure 120d kit (consists of 2x 120d's packed into Tenba rolling air case)
1 x Aputure Fresnel 2x
1 x Aputure Lantern Light Box
1 x Aputure Light Dome Mini II
1 x Aputure Light Dome Mini

Drone:
1 x DJI Mavic Air Flymore bundle

Anything else you might need, please drop me a message as I may be able to ge

This is one of the best microphones to record the subject whilst keeping the microphone hidden away off-screen when outside. I've used it for up to 3 meters away and works really well still.

The windshield is great for recording outside and comes with the rental.

NOTE: this requires P48 / phantom power. I can send a custom quote based on your needs for phantom power ie inside, outside or longer recording sessions etc.

Rode NTG4+ Condenser Shotgun Microphone plus a 6m cable; 2 x 3m cables; a 0.5 cable.

Can meet in Stratford, Liverpool Street, Highbury and Islington, London Bridge, and many other areas.

Canon C300 camera, lenses, tripod, shoulder rig, boom pole, lapel microphone available in my other listings.

 Audix i5 microphone. Special Micro for Snare DrumThe Audix I-5 is a dynamic microphone for stage and studio instrument micing. It is particularly suitable for loud instruments such as Snare or electric guitar etc and due to its absolutely professional processing is particularly suitable for events. The I-5 is designed with a cardioid polar pattern that allows the microphone to be transmitted to the stage without crosstalk from other instruments or sounds. With a smooth, even frequency response of 50 Hz - 16 kHz and the sound pressure processing of more than 140 dB, the I-5 is an all purpose microphone suitable for all musical styles.

A versatile microphone for digital cameras and camcorders alike. Just like its predecessors, there is an Output Selector for -10dB/ 0/ +10dB to fine tune your level. However with the MK200 you have the added help of a Peak Signal Indicator to warn you of too high a sound level for the chosen setting. As another improvement there are Dual Shock Mounts - one between the housing and mic components as before and also an additional mount between the housing and the mounting shoe. This virtually eliminates transmitted vibrations from motors such as zoom mechanisms and user handling. For particularly challenging conditions there is a Low Cut filter for removal of any rumbling noise. With Hotshoe mount plus 1/4” thread and 3.5mm audio plug. 

EV RE20 dynamic microphone

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EV RE20 dynamic microphone

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