One of the greatest mic pres ever made. This listing is for just the pre amp WITHOUT the lunchbox. Check the other listings if you want the full package.

Reissue classic valve amp. Works like a dream. Comes with attenuator so you can crank it and get the crunch and gain but without blowing people's ear drums out!

Crate BT100 100 watt bass amp. It has a clean and a distortion channel. It has an octaver to get those pant poopingly low frequencies from your axe! It's quite light for its size, certainly you won't break your back moving it. It also has a headphone socket, aux in, 15 db pad and built in tuner. 25x15 inches.

Get that analogue warmth on your mixes/recordings by throwing them to tape through this classic 2 track  quarter inch machine. Then record them back into Pro Tools/Logic or any DAW, and you get the advantages of tape in a digital recording. Works like a dream. Take the machine away with you or (preferably) come to my studio and I'll do the transfers for you. You'll need your own tape. SM900 from studio spares is your best bet.

Make your guitar chucka chucka wah wah with this original cry baby pedal!

A Boss BCB 60 pedal board with power supply, daisy chain, and cables. Plus your choice of any of my pedals. They are... Dunlop Cry Baby Wah, Dunlop variable Tremolo/volume pedal (rare!), Durham Electronics Crazy Horse Fuzz, Line 6 Tap Tremolo, Foxrox Electronics Octron, MXR Carbon Copy Analog Delay, Boss Blues Driver, Boss Phase Shifter, Boss Distortion, Boss TU2 tuner.

A very versatile pedal. You tap in the rhythm you require for the tremolo effect. So easy to change the tempo mid-song. Check my other listings for more pedals/pedal board.

Essential guitar pedals for any gig! See my other listings for more pedals/pedal board.

An incredibly versatile pedal. Can be used as a traditional volume pedal for swells, but switch to trem mode and you can alter the tempo of your tremolo/vibrato effect with your foot, as you would a wah or volume pedal. It also has a modulation intensity control and a hard/smooth modulation switch. See my other listings for more pedals/pedal board.

A versatile octave pedal. It has BOTH octave up and down, which a lot of pedals do not! The Octron is an analog pedal - not to be confused with a digital octave pedal. You won't get that cheesy harmonizer sound with digital latency. Instead, it's an organic analog effect that responds to your playing style/technique. And it takes on a new life when you put it though other effects and crank it up. Octave up, down, clean with a little of each mixed...you can dial in just a hint of octave or you can make Octron your octave monster! See my other listings for more pedals/pedal board.

The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation. It's just so much better than digital delay pedals which can suffer from latency and sound fake. See my other listings for more pedals/pedal board.

This is, I believe, the most adaptable distortion/fuzz pedal on the market. Definitely not a one trick pony! Though the inspiration for this pedal came from the legendary tone of Neil Young, it’s versatility is endless. The controls required to obtain that classic tone also allow you to get any other tone you may dream up. There are many copies of this pedal out there, but none come close to this. See my other listings for more guitar pedals/pedal board.

Acclaimed 88 Series Equalization in a USB-compatible Rack Unit

Part of the exclusive Neve 88 Series, the 8803 is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC.

The Red Eye 3D phantom is the new improved major revision of the popular Little Labs Redeye direct box / re-amp box. More people are re-amping now than ever before, and we at Little Labs know re-amping! We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.

For easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument / re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument / re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.

The heart of the original Red Eye was a Little Labs custom wound transformer. This transformer was chosen for its sonic character- istics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (1MÎ© or 10MÎ©) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye.

The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box. The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.

4xSM57s, 1xSM58, 1xSM48, 1xSennheiser e845 - Tell me whichever one/s you need and I'll do a custom quote for you. £12.50 each per day.

Sounds like a banjo, tuned like a guitar. If you want that banjo sound but do not have time to learn how to play a traditional banjo!

Plays well, low action, solid instrument for gigging/recording.

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more. iD22 is more than just a two in, six out interface. iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via the ASP 800 eight-channel mic pre (also pictured). It's an extra £25/day or £75/week for the ASP800. I can do it on a custom quote for you.

A classic tube mic preamp & LA-2A-style compressor in a single unit. The LA-610 combines a hand-built in the USA, all-tube, vintage mic preamp design with authentic Teletronix T4 opto-compression circuitry.

This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.

The LA-610 is based on the legendary console modules developed by Bill Putnam in the 60's. Noted for their musical character and warmth, innumerous classics by artists ranging from Frank Sinatra to Coldplay, Van Halen to Pet Sounds, have been recorded using the 610 preamp. The LA-610 will impart the same silky, vintage warmth of the original console’s mic amp design to your sources.

The LA-610 T4 tube compressor provides the same ultra-warm limiting that has made the Teletronix LA-2A the king of fat opto compression. The electro-optical detector, or "T4 cell,” is the heart and soul of the Teletronix LA-2A. Its photo resistors are the crucial circuit components, giving the compressor its signature warmth, making it a “go-to” for tracking vocals, bass, or acoustic guitars. Taken together, it’s impossible to get a bad sound out of the LA-610 legendary preamp and compression circuits.

The DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.

The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.
More details at http://www.avalondesign.com/vt747sp.html

The MixDream is a cascadable, 16-in-2 analog summing device. Any DAW or digital console can be expanded with active analog summing, channel and main bus and inserts and processing.

The MixDream discrete class A technology is based on a 60-volt rail (+/- 30V). This ensures extremely high slew rates, low noise level of -97dBu (A-weighted, all channels active) and a dynamic range of over 125dB. Thus the MixDream outperforms the technical level of the best analog consoles.

More info here... https://spl.audio/studio/mixdream/?lang=en 

The Behringer Ultralink MS8000 8-channel microphone splitter sends your mic signal to multiple locations, such as mixing consoles, stage monitors, and broadcast trucks. This, for example, would allow you to connect to front of house and your in-ear monitors simultaneously. Eight inputs and 16 outputs provide you with plenty of flexibility, while a Lift/Ground switch and linkable channels make the Ultralink MS8000 an indispensable tool for stage and studio. 

Behringer Ultralink MS8000 Features:
8-in/16-out microphone splitter
Direct and Link outputs let you send pre- and post-transformer signals
Lift/Ground switch eliminates hum and other ground loop noises
Input Link function doubles your outputs
Passes phantom power from your console or mic pre to Direct Outputs

More info here... https://www.sweetwater.com/store/detail/MS8000--behringer-ultralink-ms8000



Cable driven cajon pedal with superior weight and feel that produces an authentic palm sound.

 Instantly turns a cajon into a kick drum
  Super slick and quiet cable system
  Adjustable spring tension caters to all playing styles
  Specially designed mount plate seats most standard size cajons
  3-Foot long cable allows player to adjust comfortably to their desired playing position
  Patent Pending Beater

Several items of percussion, including cajon, shakers, bells, tambourine, bongos. Just tell me what you need.

One 6 metre and one 15 metre XLR loom. 8 way, male to female.

Lots of XLR cables. Tell me how many you need! £15 per day for up to 10.

I also have a couple of 8 way looms listed.

This is a flight case for a Allen & Heath QU16 desk. Or put whatever you want in it.

Flightcase designed specifically for the Qu-16
Qu-16 can be used in the base of the case (lift-off lid style)
4x Strong butterfly catches with loops for padlock holds the lid in place (padlock not supplied)
Lid removes fully via butterfly catches
1x Recessed handle fitted on the side
4x Large rubber feet bolted to base
Ball corners
Fully foam lined
Internal dimensions 441mm (L) x 497mm (D) x 186mm (H)
External 527mm(L) x 557mm(W) x 281mm(H)
Approx weight 9.5Kg

The carry bag can hold around 6 mic stands. If you need more than this tell me and I'll do a custom quote.

Great on vocals and instruments. 

From the Neumann website... 

We developed the TLM 102 as an universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kilohertz which is crucial for human voices. The recordings get a silky elegance which is typical for large diaphragm microphones; the voice gets a noble presence in the overall mix. Suddenly, there’s a natural, organic separation between your vocal and your acoustic guitar, for example. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants: It has an integrated pop shield.

High Volume? No Problem at All.
The TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. Our “baby” reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of 10 cm) with great clarity: open, detailed, with powerful bass and refined treble.

TLM: Clear Sound, Powerful Bass
Our TLM series works with a transformerless output stage. This means: a clean and direct sound, very “close” to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.

"The Thom Yorke mic". Great on vocals and instruments like bass and kick drum.

From the EV website...

The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D™ design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise.

Variable-D™ for minimal proximity effect
True cardioid with no coloration at 180-degrees off-axis
Voice tailored frequency response
Studio condenser-like performance
Large diaphragm
Humbucking coil 
Bass roll-off switch

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it's predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

d:dicate™ 4091 Omnidirectional Microphone, Loud SPL, P48
With 144 dB SPL handling, this microphone can meet just about any challenge including miking an electric guitar amp.

It is also an excellent microphone for use with percussion instruments as well as wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning.

The rugged and compact design features a 5.4 mm (.21 in) diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).
 
A bit about omnis
An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Two C414s - a XLS and a LTD. Perfect for drum overheads or a host of other recording applications.

The C414 multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use.  Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.

The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays.

Suspension mount included.

The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 Ai is the standard microphone for speech and vocals. Three polar patterns plus pad and low cut options make it adaptable to a wide range of applications.

More info at https://en-de.neumann.com/u-87-ai

Please note, in order to get an exceptional recording you also need an exceptional microphone pre-amp. I also have exceptional pre-amps available, for very reasonable prices, including Neve and API. See my other listings!

The sE2200 is the award-winning cardioid condenser microphone that put sE Electronics on the map many years ago with its smooth, polished sound for vocals, voiceovers, and numerous instrumental applications.

Made famous through use with world-class vocal artists like Amy Winehouse, it revives the spirit of classic studio microphones, and still remains a standard in mic lockers around the world.

Tonebar included. Sounds great through a valve amp... which you can also rent from me! See my other listings.

4 channel recorder. Two mic/line inputs, plus built in stereo mics.  Comes with case, power adaptor, screw on handle, wind shield, and can lend a tripod if needed. 

This light weight digital recorder has a hard drive built in. It appears like a traditional mixer for ease of use. Can record up to 8 sources simultaneously at 44.1k 16 bit. You can also use it as a mixing desk at the same time. It’s cool if you need a simple solution for gigging/rehearsing/ recording, and don’t want to set up a computer/interface.

Excellent analog desk for live purposes. For those who prefer an analog setup.

16 channels, 6 aux sends, inserts and direct outs on every channel, inc master. 2 stereo send/returns. Built in fx, reverbs/delays etc.

Comes in flight case.

Tools for recording vocals with. All you need now is a mic! Check my other listings for that.

One of the greatest mic pres ever made. Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

Extremely characterful high end compressor. Housed in the API lunchbox for portability. Available with or without the neve pre amp also pictured (see my other listings). You can add your own 500 series modules when renting if you have any. Comes with power supply. 

One of the greatest mic pres ever made. And a top end characterful compressor. Perfect for recording vocals or anything you wish! Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, drums, piano...  Two here for stereo purposes. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

PLEASE NOTE: This listing is for ONE of the Neve pre amps in the picture. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. This API 512 is perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. Bundles available. I also have mics!

Extremely characterful high end compressor. Housed in the Radial cube for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply. Cables included on request. See my other listings for different combos and bundles of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!


Specifically designed for enhancing the chest resonances, to get richer, deeper and warmer vocals. Can also be used on bass guitar, and on drums. Housed in the Radial cube, which comes with a power supply. Cables included on request.  See my other listings for pre amps, and different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

The Series 80B 500 Series EQ incorporates a classic four band equaliser which is identical to that employed in the Trident Series 80 console. It consists of frequency switchable high and low pass shelving sections, coupled with two swept low and high mid range bands and a switchable 50Hz, 12dB per octave filter. Both swept midranges have been carefully chosen for maximum effect on music programme and a good degree of overlap is provided.

Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments or vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus a character compressor, the Chandler, to tame your transients, and the Trident EQ to shape your sound. Housed in the portable Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. Here are 2 of them...The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for DI'ing instruments. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for recording instruments, particularly good for bass guitar, or for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is widely regarded as one of the best pre amps in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect, or enhances the sound of bass guitar.  Plus a Trident EQ to help shape your overall sound. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Bundle for instruments and vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. The API 512 is a classic with a Hi-z input for Di'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Housed in the Radial cube, which comes with a power supply. Cables included at request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Special bundle for vocals/instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 is a classic for vocals, and also comes with a Hi-z input for DI'ing instruments. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals or bass guitar to great effect. Plus a character compressor, the Chandler to tame your transients. Housed in the Radial cube, which comes with a power supply. Cables included at request.   See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Recording bundle for vocals and instruments. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The API 512 and the Neve 1073 are widely regarded as the best pre amps in the world. Plus a Trident EQ to sculpt and shape your sound. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included on request. See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

Powerful and portable studio recording gear. Housed and powered in the Api lunchbox. Included are two Neve 1073lb pre amps, a Api 512 pre amp, a Chandler little devil compressor, a Trident 80b equaliser and a Little Labs VOG bass resonance tool. Everything you need for a professional recording project, especially useful for live location recording. For detailed descriptions of each unit, and to rent single units or other combinations, see my other listings.

Fuse distinctive analog percussion with samples. Bring in the power of sequencing and performance controls. The Analog Rytm MKII is a one stop solution beat machine. See it in action here https://m.youtube.com/watch?v=QPYNPgN95S4

 Neve 1073 pre amp, plus a api 550b eq and a api 527 compressor, housed in a radial cube which has its own power supply.

 A Neve 1073 pre amp and a Api 550b eq houses in a radial cube with its own power source. Top spec gear for better recordings.

Tascam DR-70D Compact, professional-grade audio recorder designed to be used in combination with a DSLR camera Uses an SD/SDHC/SDXC card as recording medium (up to 128 GB) High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps NE5532 operational amplifiers for even higher audio performance (also used on DA-3000) In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible Four channels can be mixed down to a stereo signal Recording levels can be adjusted independently for inputs 1-4 Dual recording function allows two files to be recorded simultaneously at different levels Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format) Broadcast Wave Format (BWF) supported as WAV recording format Two built-in omnidirectional microphones Four XLR/TRS combo inputs can provide phantom power (+24V/+48V) +24 dBu maximum input level (20 dB headroom) Additional unbalanced input for channels 1 and 2 (stereo mini jack) supports mics that require plug-in power, allowing the input of video mics and other high-output mics Switchable low-cut filter conveniently reduces low-frequency noise (40 Hz, 80 Hz, 120 Hz) Switchable limiter to prevent clipping High-quality audio can be output to a DSLR camera for recording Camera input enables convenient monitoring of audio from a DSLR camera Selectable mid-side decoding for use with MS microphone setups Slate tone functions (automatic/manual) to simplify synchronization of video files when editing External power or 4 x AA batteries

Smaller more portable power rack for 500 series modules. See my other listings for 500 series gear to house in the cube.

Eventide Eclipse FX processor and Harmoniser.

Convert Music Tape to Digital on Your Computer



Included in rental:
- 3-8 ft boom pole
- Microphone shockmount

This is a telescopic Neewer boom pole which extends from 3 to 8 feet with a twist-and-lock system. It is made out of alluminium and is very lightweight. The bottom and mid section of the pole is made of rubber for comfortable gripping and there are 3 velcro straps attached to it to hold cables down.

The shockmount is 19-25mm in diameter and holds most shotgun microphones fairly securely.

Both pieces of equipment are very new and fully functioning.

Location is North London, a short bus ride from Tottenham Hale tube station.

The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception.

I only deliver unit + power adaptor. 

Compact Digital Recorder Ideal For Filming, Presentations & More
48kHz/24-Bit Superior Audio Quality
Dual Recording Function For The Best Take
Low-Cut Filter & Built-In Limiter
Complete With Mic Clip & Windscreen

TASCAM's DR-60D MKii is a high-quality, compact audio recorder designed to be used in combination with a DSLR camera. Perfect for on-set filmmakers and videographers. 

Complete with USB cable, user manual and 8GB SD card.

Neve 4081 Quad Pre Amp incl. power supply

4 channel pre amp for incredibly detailed, classic 'Neve Sound' tracking.

Flight case included

The EQP-WA is a re-creation of the most renowned tube equalizer in studio history, the ‘Pultec EQP-1A’. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This full discrete tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that’s just as remarkable as the unit.



Rental Includes:
1 x Micro Boom Pole Microphone Mic Holder 3 Section Boompole

Features:
- Three section boom pole
- Precision balanced anodized aluminum construction
- Intuitive lock/release system
- Ergonomic grip handle
- Compatible Products: Stereo Video Mic, Stereo, Video MicPro, Video Mic, Video Mic
- Pro, Blimp, PG1, PG2, SM3
- SM4

Specifications:
- Material: Anodized Aluminium
- 3 Sections
- Minimum Length: 19.7inch (50cm)
- Maximum Length: 67.5 inch (172cm)
- Maximum Diameter: 1.3 in (33mm)
- Weight: 448g

Amazing piece of studio equipment. Using it for vocals and guitar/bass with excellent results. Combines both the classic retro warmth of UA tube design and the transient bite of solid-state.

 A 2 channel DI Box used for optimum signal transfer from a musical instrument with a high impedance, unbalanced output, to a mixer or amplifier with a low impedance, balanced input. Due to a balanced connection to the mixer or amplifier, interferences are largely avoided. Hum loops are also prevented, as the ground connection between instrument and mixer can be separated by the groundlift switch. Input and output are DC separated. Ideal for stage or live applications, where the unit can be directly connected to the output of the instrument amplifier to pick up its characteristic sounds.
2 channels
3-fold attenuation switch (0/-20/-40dB) per channel
1 groundlift switch per channel
Feed-through outputs
Robust metal case
Frequency Range: 15-30,000Hz
Inputs: 50kR
Outputs: 600R, XLR50kR, jack
Transmission Ratio: 10:1
Input Connections:
2x 6.3mm jack, unbalanced
2x 6.3mm jack, unbalanced
Output Connections: 2xXLR, balanced

Digital multitrack recorder with CD. 8 analog inputs. Up to 16 multichannel DAW.

The best DI money can buy. Built like a tank. With ground, phase and pad switches. Completely passive so no power required 

6.35mm (1/4") Stereo Jack Plug to 3 Pin XLR Plug Lead. 



Hercules Microphone Stand, comes with standard Dynamic Mount or Sprung Attachment for Condensor Mics

For £25 Credit Sign-up via this link: fatlama.com/r/will-244d7

Rode Telescopic Boom Pole 3m long Extends from 1 - 3 metres

Great real spring reverb!
Good for guitar or used in effects loop for vocals. 
These are extremely rare to find in the Uk.
Power supply included.
25/day

Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), equivalent noise level A-weighted 10 dB, CCIR-weighted 21 dB, max. SPL 125 dB at 1 kHz (THD = 1 %), dimensions Ø 22.5 x 221 mm, weight 65 g.

he RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Pistol Grip
Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Lightweight and precision balanced, the anodized aluminum pole features intuitive twist locks for smooth extension.
Three-section boompole
Precision balanced anodized aluminum construction
Intuitive lock/release system
Ergonomic grip handle

Fat Llama first timers, please feel free to use my discount code for £25 credit! Link - https://fatllama.com/r/jess-60ed4

Kit Includes: 
 
- Recorder
- Charger Cable 
- Headphones

All my kit is maintained and kept with love. Any questions please don't hesitate to get in touch. x

Klark Teknik DN 100 DI-Box, active 
Active DI box 
mono 

Audient Mico 2-channel preamp for hire.

This is a great preamp in very good condition. The signal path is as quiet as the day I bought it, and operates very smoothly and always reliably!

It is capable to pretty high gain, and is great for ribbon mics and old dynamics for that reason. The variphase feature is great for snare top & bottom, twin mic guitar cab micing etc.

It has very respectable A/D conversion, and outputs over Toslink, S/PDIF, and AES/EBU as well as analogue line level outputs. It can therefor be integrated into all manner of digital or analogue recording environments.

Has PSU included with rental.

Please enquire for availability.

Located in North London

This has a few nice effects, great for all round live vocal processing. I use to to get The Knife / Fever Ray type effects.

Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more
Create the total of 3-part harmonies and layers
Realtime pitch-correction tools
Special FX, including Distortion, Radio and Strobe
Phrase Looper with 38 seconds (mono) of recording time
Phantom power for condenser microphones
Runs on six AA-batteries or AC adaptor (PSA)
Easy operation, road-tough BOSS construction


28 Lexicon® studio-standard reverbs, delays, and modulation effects
Comprehensive collection of over 1200 finely crafted factory presets, including recognizable classics from Lexicon’s immense library of sounds
Lexicon’s flexible Room algorithm used to generate a vast array of room-related effects for music and film production
Multi-voice pitch shift to enhance vocals
Full system configuration and control with HiQnet™ System Architect™
44.1 to 96 kHz sample rate, 32-bit floating point processing
Two channels balanced analog I/O (XLR and 1/4")
Two channels XLR digital AES/EBU I/O
Ethernet connectivity and full MIDI control
External BNC Word Clock
Foot controller inputs make it easy to change presets and adjust parameters during live performances
High-resolution OLED display is easy to read in all light conditions

Zoom H5 recorder with wireless mic .  Contact me if you want to hire just the recorder . Will drop off anywhere in London for Weekly Hire . 

The API 2500 Stereo Bus Compressor allows adjustment of sonic qualities to alter the punch and tone of the stereo mix. One of the 2500's notable qualities is its use of API's patented THRUST circuit for a chest-hitting, punchy bottom end.

54F50 Compressor / Limiter - API 500 series format
The 54F50 is a Class A, compressor and limiter module which occupies three slots in a 500 series rack. Fully populated with Carnhill transformers to achieve its distinctive classic sound. This high-end hand-built British module provides an affordable solution for the modern cost conscious studio.



· Classic 4 stage (Class A) amplifier, 4 transformer design
· All discrete component (no surface mount devices)
· Entirely hand assembled and tested in the England to exacting quality standards.
· Line Input: Carnhill transformer balanced (Mu-metal screened Classic VTB9046), 10k Input Impedance
· Interstage: Carnhill Mu-metal screened Classic VTB9045 and VTB9046
· Line Output: Carnhill transformer balanced (Classic full size output transformer)
· Compressor: (Class A) amplifier design
o Ratio 1.5:1, 2:1, 3:1, 4:1 & 6:1
o Dual attack speeds (Fast = 5mS, Slow = 25mS) *
o Make-up gain 0dB to 20dB in 2dB steps
o Recovery (release) 400mS, 800mS, 1.6S & Auto
o Threshold –20dBu to +10dBu
· Limiter: (Class A) amplifier design
o Dual attack speeds (Fast = 100uS, Slow = 5mS) *
o Recovery (release) 100mS, 200mS, 800mS & Auto
o Threshold +4dBu to +12dBu (in 1dB steps)
· Stereo link via either the backplane edge connector, an XLR or both
· Illuminated meter selectable for input, output or gain reduction metering.
· Power off signal bypass
· Entirely stainless steel chassis.
· Total current consumption 150mA (per unit)
· Also available supplied as a pair in a box containing a “mono/stereo” switch

* These are the default factory settings however the;
Compressor “Fast” may be internally jumper selected to 0.5mS
Compressor “Slow” may be internally jumper selected to 50mS
Limiter “Fast” may be internally jumper selected to 1mS
Limiter “Slow” may be internally jumper selected to 25mS

Blackmagic Design ATEM Mini Pro kit includes:

1x Blackmagic Design ATEM Mini Pro
1x VILTROX 7-inch 4K monitor  ( ac power supply included )
1x Manfrotto PIXI Mini Tripod
1x 1 metre HDMI cable 

Neve 1073lb microphone pre amp

Description

Location

Item lent by Steve

Other items from Steve

FAQs

Neve 1073lb microphone pre amp

Explore other options around Enfield