Rode Boom Pole Pro (3m)

This is a precision balanced professional boom pole for location recording, machined from high grade, lightweight aluminium. The Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33") to 3m (10’). 

Used: Very Good Condition (1 of 2 identical units) 

TP-300BB TELEPROMPTER plus
Datavideo WR-100 Wired Remote
Datavideo WR-400 Wireless Remote

A prompter Kit for iPad and Android Tablets running Datavideo's free DV Prompter software

The Datavideo Prompter Kit TP-300 can be used in either a theatre setting, or a video studio. Prepared scripts or cue sheets can be easily copied and pasted into the DV prompter app software (available for iOS and Android devices) and scrolled at a set automatic rate or controlled by a user with the wired or wireless remotes (included) for a more natural result. A number of clear fonts, colours and text sizes are available making reading comfortable from a variety of distances.

Condition: used/good 

Note: iPad & tripod not included (1 of 2 identical units for rent)

This is a precision balanced professional boom pole for location recording, machined from high grade, lightweight aluminium. The Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33") to 3m (10’).

Condition: Used ver good ( 1 of 2 identical units) 

The SP-82/302S V-Mount battery kit consists of a SC-302S dual sequential charger and 4 x 88Wh V-lock S-8082S batteries.

The Swit SC-302S Charger is a portable two channel sequential charger which can automatically recognise the type of battery being charged (Ni-Mh and Lithium-Ion).

The Swit S-8082S Batteries are 88Wh V-Lock with a D-Tap power outlet for use with accessory items such as the Swit S-2000 LED Light.

The battery features a 4-Level LED indicator to give you a view of the remaining power in the battery.

The Li-ion contents of S-8082S comply with the IATA safe air transportation regulations. It is not restricted to be taken to airplane or shipped as air cargo.

Condition: Used but like new 

Charger:
 The S-3010S consists of an AC-DC power module and a DC cable to connect with the pins of V-mount batteries. The single channel charger offers DC 14-16.8V, 1.8A charging output.  The S-3010S has an LED charging indicator to display the real time capacity by different colors when charging.

Batteries:

S-8082S is the V-mount rechargeable Li-ion battery pack for professional video cameras.

Condition: Used as new 

The E-Image Tripod Dolly is designed for use with all E-Image tripod legs that feature dual spiked feet. It supports up to 132 pounds and is ideal for moving tripods along a flat surface for quick re-positioning between shots. It is not recommended for use as a dolly for dolly shots. Instead, it is designed to help you move heavy tripods from one camera position to the next.

This tripod dolly features 4"-diameter, non-marring rubber wheels with individual brakes, and a 37" working base diameter. Once removed from your tripod legs, it folds for storage or transport. 

1 of 2 units for rent.  

Condition: Used very good 

The E-Image Tripod Dolly is designed for use with all E-Image tripod legs that feature dual spiked feet. It supports up to 132 pounds and is ideal for moving tripods along a flat surface for quick re-positioning between shots. It is not recommended for use as a dolly for dolly shots. Instead, it is designed to help you move heavy tripods from one camera position to the next.

This tripod dolly features 4"-diameter, non-marring rubber wheels with individual brakes, and a 37" working base diameter. Once removed from your tripod legs, it folds for storage or transport.

1 of 2 units for rent

Condition: used very good 

Two GoPro Hero 4 cameras with assorted accessories including head, chest and car mounts, GoPro dual-battery charger and two spare batteries.

Condition: used very good 

Two C-1500SV extra Round 31.5” Bi-Colour Soft Edge Light with V mount plate adopt the new Edge Light Tech into the LED light. Instead of the forward-facing LEDs like in the conversion panel light, this series light are with LEDs mounted on the frame of the light, with beam bounced from the inside diffusion material to give out a extremely soft, even light with no uncomfortable feeling to subject’s eye. Your subject can even see directly to the light during the shooting.

C-1500RSV is characteristic with the extra big luminous surface, the size reach to 31.5”(80cm) with the adjustable stand mount to adjust the light angle when be necessary.

The colour of the light is from 5600K to 3200K and illuminance change from 100% to 10%.

The back big LCD display screen shows the colour temperature, light intensity and the DMX address. The light have choices of 3-pin and 5-pin DMX socket for market choices.

It is AC powered with external AC power adapter or the optional battery power by the V-mount battery plate on the back of the light.

2 x Light Head
2 x Adjustable Stand Mount
4 x v-Mount Battery Plate
2 x AC Power Adapter and Cable
2 x DMX Cable

Condition: used as new 

This kit includes 2x LED576ASVLK Bi-Colour LED Light Panels

The LED576ASVLK is a very portable single Bi-Colour LED light panel kit. The panel features 576 LED’s of which 288 are 3200k and 288 are 5600k. A rotary dial at the rear of the panel allows 100k Step adjustment of the colour temperature between these Kelvin settings and anywhere in between. The rear panel also has a rotary dial for flicker free luminance dimming from 100% to 10% in 1% steps. The panel is fitted with a V-Lock connector for powering directly with V-Lock batteries and has a 12v 4 pin XLR Connection for use with the supplied AC Adapter.

The LED576ASVLK Panel is supplied with Barn Doors, Diffuser , 100-240v AC Adapter for powering the panel from mains, Heavy Duty adjustable U Bracket, Heavy Duty Air Cushioned Stand and carry case.

Condition: used very good

The LED508AK is a very portable 5600K LED light panel comprising of a LED508AK LED Panel, 2 x NPF Style batteries, a Dual Channel Simultaneous Charger, 100/240v AC Adapter, panel to stand mount and carry case for all items together with heavy duty air cushioned stand and carry case. The panel can be powered by the supplied Sony NPF style Batteries or via mains with the supplied AC Adapter. The 508 panel features 508 5600K High Brightness LED’s. A Rotary dial at the rear of the panel allow flicker free adjustment of the brightness level from 100% to 10%. The rear panel also features a battery power level check meter with 4 green 25% capacity indicators.

The running time of the LED508AK with the supplied Sony NPF style batteries at full brightness is approximately 2.5 hours

Condition: used very good

Hedler DX15  lamp unit produces continuous daylight. The DX15 has no fan and is perfect for sound recordings. With metal-halogen 150W lamp it produces flicker-free light with fault-recognition for the lamp.

Designed for professional use. The lamp produces a continuous light output that equates to a 600W standard tungsten halogen lamp. The unit produces a cool light beam, important for product shots and pleasing for people in front of your camera.

DFX15 comes with: clear safety glass, metal halogen lamp 150W, U-Bracket with Quick-Lock light stand attachment 5/8 inch, built-in electronic ballast and Hedler Quick-Fit Adapter for Hedler reflectors.

Kit Includes:

2 x DX15 150W HMI Heads
2 x 4-Way Barndoor Sets
2x Stands
1 x Carrying Case
2 x Hedler Maxisoft 70x70cm Folding Softbox

Condition: Used as new 

Fast, flexible and professional: these characteristics make the EW 100 G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.

INCLUDES:

•	1x EK 100 G3 Diversity Receiver 
•	1x SK 100 G3 Bodypack Transmitter 
•	1x ME 2 clip-on Microphone (omni-directional)
•	1x SKP 100 G3 Plug-on Transmitter
•	1x CL 1 Jack Cable 
•	1x CL 100 XLR Cable
•	1x CA 2 Camera Adapter
•	1x RODE NTG2 Microphone
•	1x RODE Windsock
•	1x RODE Windshield
•	1x RODE Microphone Stand Mount

Condition: used very good 

Fast, flexible and professional: these characteristics make the ew 100 G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.

INCLUDES:

•	1x EK 100 G3 Diversity Receiver 
•	1x SK 100 G3 Bodypack Transmitter 
•	1x ME 2 clip-on Microphone (omni-directional)
•	1x CL 1 Jack Cable 
•	1x CL 100 XLR Cable
•	1x CA 2 Camera Adapter

Condition: Used very good 

Fast, flexible and professional: these characteristics make the ew 100 G3 the perfect fit for every ambitious reporting team seeking both portability and great sound quality. The nearly invisible clip-on omni-directional microphone transmits its signal via a bodypack transmitter with mute function and a portable, battery-powered adaptive-diversity receiver. The receiver and transmitter are lightweight and easy to operate, yet rugged and packed with features.

INCLUDES:

•	1x EK 100 G3 Diversity Receiver 
•	1x SK 100 G3 Bodypack Transmitter 
•	1x ME 2 clip-on Microphone (omni-directional)
•	1x CL 1 Jack Cable 
•	1x CL 100 XLR Cable
•	1x CA 2 Camera Adapter

Condition: used very good 

The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The 'DeadCat' furry is recommended for outdoor applications.

1 x Rode NTG2 Multi-Powered Shotgun Microphone
1 x Rode WSVM Pop Filter/Wind Shield
1 x Rode WS6 Deluxe Windshield

Condition: Used very good 

Video Assist 4K features a 7” high resolution screen, two high speed recorders for non-stop Ultra HD recording, XLR mic inputs, a built in speaker and more! The larger screen is 1920 x 1200, so you can see a full 16:9 image without the status bar covering the picture. Video Assist 4K features the latest high speed UHS-II SD card recorders and can record 1080 HD as well as Ultra HD up to 2160p30 on low cost, readily available SD cards! You also get two extremely low noise professional analog mini XLR connections so you can bypass low quality DSLR audio and connect professional microphones directly.  The 7” Video Assist 4K records HD and Ultra HD up to 2160p30. You get incredible looking, broadcast quality 10-bit, 4:2:2 ProRes or DNxHD files that work with all major editing software so you can start editing without having to convert them! Recording can be automatically triggered from SDI and HDMI so you can stay focussed on getting the shot, without having to worry about operating additional gear. The 7” Video Assist 4K also has two recorders so when one card is full, it automatically continues recording onto the next.

Condition: New 

System is powered from a five channel central mixer & amplifier which powers the two included 25W speakers.

A portable system powered directly from the mains.

A built-in media player that can load computer audio files using SD cards and USB memory.

Audio devices, both professional and off the shelf, can connect to this system using either XLR or twin phono (RCA).

Two ¼ inch (6.35mm) sockets for connecting all your performance equipment directly to the system.

Top hat mounts included so satellite speakers can be positioned in different positions within the room.

Includes rugged carry case to store the entire system for easy storage or transportation.

Condition: Used very good

The Ultimate Portable Audio System for Video Production

The DR-701D is TASCAM's flagship recorder for single-shooter video production. A timecode generator is included for location reference, which can be jam synced from a SMPTE generator, camera, or smart slate. The HDMI in and out allows a DSLR camera to start recording on both devices, and video clock prevents drift between sound and picture.

Four mic inputs can be individually recorded and mixed to a stereo track, for a total of six-track recording. For additional tracks, multiple units can be cascaded together. The lightweight yet rigid chassis is forged from a magnesium alloy. Tripod mounts on the top and bottom of the unit allow the unit to mount under a camera, attach to a follow-focus cage, or used stand-alone.

Designed for the needs of professional filmmakers, television producers, advertisers, and documentarians, the DR-701D packs high quality multitrack recording into a package compact enough for use with any camera.

6-track recording (4 tracks + L-R stereo mix)
Using the built-in mixer, 4 tracks and their stereo mix (6 tracks total) can be simultaneously recorded. In addition to pan and level adjustments, the mixer includes a delay function to compensate for distances between mics. A mid-side decoding function is also built-in for use with MS stereo mics.

Condition: New 

Collapsible three panel aluminium framework, creating a useful self-supporting wraparound structure. The fabric cover clips to the framework and is Chromakey Green. The Panoramic background is ideal for shooting larger groups on location, perfect for weddings, prom nights and event photography. The background folds down neatly into its own case and fits easily into a car.

Condition: Used 

The iFootage Carbon Fiber Shark Slider S1 is a modular slider measuring 31" end-to-end and featuring a 25" sliding length. It supports up to 15 lb loads and offers smooth movement thanks to long-lasting silent bearings imported from Japan, synchronous belts, and a flywheel that adds inertia.

The carbon fiber tubes provide for better corrosion resistance than aluminum and also allow the Shark Slider to save on weight. Additional iFootage carbon fiber extension tubes are also available for purchase and can give you a maximum sliding range of 70" when attached to the existing ones. This provides the option for growth for whenever your production needs to expand.

The flywheel adds a damping effect to your slides, ensuring smooth acceleration/deceleration as opposed to jerky starts and stops. The flywheel achieves this through its centrifugal force while the slider belt is connected to it.

All the components of the Shark Slider S1 can be detached from one another without any tools and packed separately. Most times this capability will be of no use to you but sometimes it might prove a lifesaver of a convenience. Among these components are the end pieces of the slider, which have adjustable feet that spread out in triangular form. This type of positioning adds extra stability to the slider. The mounting plate at the bottom of the sliding carriage is also designed with stability in mind. It's screwed into the carriage at four corners to minimize vibration when the slider is mounted on a tripod.

Condition: New unused 

With a maximum height of over five feet and a minimum height of just over two feet, this set of 2-Stage Aluminum Tripod Legs with 75mm Bowl from E-Image provides a stable platform for your 75mm fluid head and features a two-stage / three-section design. Aluminum legs incorporate E-Image's Mono-Lock design that allows you to adjust the leg height using the one locking lever at the top of the each legs.

The legs support up to 88 pounds of head, camera, and accessories, while extending to over five feet in height, with a minimum height of just over two feet. The aluminum alloy construction provides you with a balance of strength and durability and is a lower cost option to carbon fiber legs. The legs feature a removable, adjustable, mid-level spreader that allows you to set up the legs on uneven surfaces. The legs also incorporate spiked feet for increased grip on soft surfaces, and the included spike covers allow you to use the legs on hard/slippery surfaces. An integrated leg wrap/safety extends from the bottom of one leg and wraps around the legs when closed, keeping the legs together during transport or storage.  The GH06 tripod head is the ideal partner for payload ranges of up to 6kg, making it suitable for most modern handheld camcorders. The stepped fluid head gives you a range of 0-3 in both the pan and tilt axis, providing a real fluid motion. The head is fitted with 6 levels of counterbalance to allow for a variety of payloads and the integrated level bubble ensures your horizons are even.

Condition: Used very good

The maximum payload of this tripod system is 4kg (9lbs). This tripod has a max height of 142cm and a minimum height of 24cm. It's compact, fold down size is 72cm and it has a net weight of only 3.6 Kg. The GH03+760AT is an ideal entry-level tripod system for home video shootings and for digital single-lens reflex camera users.

The E-Image GH03 Fluid Head with 75mm Ball supports cameras and accessories weighing up to 11 pounds. The GH03 head features an Easy Lock Baseplate system that combines the balance adjustment of a sliding baseplate with the ease of a quick release system. It provides a fixed counterbalance settings that helps the fluid head support loads up to 11 pounds and won't force you to fight the head when working with lightweight camera systems.

The variable tilt drag allows you to adjust the fluid head to suit your shooting style or the needs of the shot. The head features a built in 1/4"-20 accessory socket for available monitor support arms or other accessory items and independent pan and tilt locks. The head incorporates a bubble level, panhandle rosettes on the left and right side of the head (only one panhandle is included), and a 1/4"-20 threaded accessory socket for use with optional accessories.

Condition: Used very good

The Miller DS25 pan head tripod is ideal for usage by advanced studio photographers. It includes fluid head technology for smooth transitioning through angle changes. This Miller tripod supports both still and video cameras. In addition, optimal balancing is achieved with the integration of a multi-step fluid drag system and two-position counterbalance system. It is constructed of aluminum for durability, which also creates a lightweight structure. Each leg on the Miller DS25 pan head tripod consists of two sections. Furthermore, a weight of 15.4 lbs promotes easy transport from location to location. 

Quick release permits this Miller tripod to be broken down quickly and promotes quick equipment changes, and it can handle a maximum load weight of 25 lbs. The maximum height extension possible for this Miller tripod is 61 inches, with the minimum extension being 34.2 inches. Without the extension column in use, the maximum height extension is 57 inches, and the folded height is 39.8 inches.

Condition: Used 

RODE Boom Pole - 3m

INCLUDED IN KIT:
1x RODE Boom Pole

- - -

KINOKIT is an all round video & photo equipment supplier. Please ensure that you contact us with your preferred dates before booking. Don't hesitate to get in touch with more details about the items or any questions about collections. Happy booking!

RØDE 3-metre boompole with SM4 suspension shock mount, 5 metre XLR male to XLR female microphone cable and 3 velcro straps. Also includes Evolution XPC OFC Professional Microphone XLR Female to 1/4inch (TRS) male phono cable (5m Length), terminated with nickel finish Neutrik connectors. 

The RØDE boompole is a precision balanced professional boom pole for location recording, machined from high grade, lightweight aluminium - it weighs only 940g. The boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33") to 3m (10')

The SM4 suspension shock mount (weight: 124g) gives you the ability to isolate the microphone from external physical factors that may cause unwanted rumble and vibrations in the microphone. The SM4 attaches to any 3/8" or 5/8" threaded microphone stand.

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AVAILABLE SEPARATELY (if needed):

- TASCAM HD-P2 Portable High-Definition Stereo Audio Recorder
- RØDE NTG2 - lightweight condenser shotgun microphone with deadcat

Rode boom pole extends up to 3 metres. I have NTG2 mic and pistol grip for hire also

Rode Telescopic Boom Pole 3m long Extends from 1 - 3 metres

Hi all, I have a single of Stam Audio SA76 up for rental. Perfect clones of the original Urei 1176 blue stripe revision. Great for drums, bass and vocals as well as just adding a nice mid-foward warm analogue tone to anything that's fed through it. Xlr connectors on the back, UK voltage. Message for any details!

Hi all, I have my SA4000 up for rental. It's a great clone of the legendary SSL bus compressor. Great on drums, the master bus, bass and most other things. Any questions just ask! Tim

Hi all, I have the amazing Clariphonic parallel EQ for sale. Great for adding final glossy sheens to your mixes. It can dramatically change the tonal shift of the source without ever sounding too harsh. Stereo with XLR and TRS connections on the back. Cheers, Tim

Hi all! Torpedo Reload for rental. Great for studio and live use for cranking valve amps and reducing the volume coming out of cabs. 

Hi all, I have a pair of Stam Audio SA76's up for rental. Perfect clones of the original Urei 1176 blue stripe revision. Great for drums, bass and vocals as well as just adding a nice mid-foward warm analogue tone to anything that's fed through it. Xlr connectors on the back, UK voltage. Message for any details!

Line Audio CM3 in ORTF arrangement + MixPre 3 + Sennheiser HD26 in Orca bag. Perfect for ambience collection.





Professional DI Box to convert unbalanced audio signals (jack input) to a balanced XLR output. 

The rooster 2 dual valve microphone preamp with EQ and valve saturation. XLR connectors (microphones not included in rental, but can be rented separately)

Active stereo Direct InjectIon box by Behringer. 

Inputs: XLR and 6.3mm jack
Link: 6.3mm jack
Output: XLR
Output with ground lift
Pad: -20/ 40 dB
Galvanic isolation

Apple Thunderbolt 3 (USB-C) to Thunderbolt 2 Adapter

--------------


The Thunderbolt 3 (USB-C) to Thunderbolt 2 Adapter lets you connect Thunderbolt and Thunderbolt 2 devices — such as external hard drives and Thunderbolt docks — to any of the Thunderbolt 3 (USB-C) ports on your MacBook Pro.

As a bidirectional adapter, it can also connect new Thunderbolt 3 devices to a Mac with a Thunderbolt or Thunderbolt 2 port and macOS Sierra or later.

In addition, it can be used to connect Thunderbolt-enabled displays — such as the Apple Thunderbolt Display and LG Thunderbolt 2 displays — to any of the Thunderbolt 3 (USB-C) ports on your MacBook Pro. However, using this adapter with an Apple Thunderbolt Display requires a power source, because the display does not provide power through the adapter.

Note: This adapter does not support DisplayPort displays like the Apple LED Cinema Display or third-party DisplayPort and Mini DisplayPort displays. For more information, visit the Apple Support page for the Thunderbolt 3 (USB-C) to Thunderbolt 2 Adapter.

I will rip any Hi8 tape to a digital file for you at the highest quality using professional broadcast equipment and software.  The cost is £5 per tape so please request the amount of days according to the amount of tapes required.  Please note that quality will vary depending on the condition of the tape.

I will rip any VHS tape to a digital file for you at the highest quality using professional broadcast equipment.

The cost is £5 per tape so please request the amount of days according to the amount of tapes required.

Please note that quality will vary depending on the condition of the VHS tape.

The Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source.

The Rode Boompole extends from 0.84m (33") to 3m (10')

Eventide Eclipse FX processor and Harmoniser.

The HVR-MRC1K turns your older (tape) camera into a tapeless recording kit, offering you speed and convenience (transferring a DV tape vs a CF card, plus a backup if you choose dual recording mode). I have used it with Canon XH-A1 and Sony HVR-Z1, and it works just perfect. It should work with any camera that has a firewire port.
The recorder captures the HDV, DVCAM, or DV stream output from the camcorder to a standard CompactFlash solid-state memory card, and it can simultaneously record to tape - if you want a back up. It is extremely compact and lightweight and can be attached to the accessory shoe of the camcorder.
Reliable, easy to use, and CF media is rugged in every way HDV tapes are weak.
I only used it with Windows and I heard it won't mount on a Mac, unless using FCP with plug in.
Two 16-GB CF cards are included in the rental, each will record about 70 minutes of footage. Also included is a standard battery (NP-F570, lasts around 2 hours) and a charger.

Record quality audio straight into camera with the SONY XLR-K2M. Comes with quality shotgun microphone and 2 x XLR ports. Attaches to the camera via hot shoe. Works for Sony A7, A7s, A7si, A7sii, A7siii, A7i, A7ii, A7iii, and RX series.

"The Sony XLR-K2M XLR Adapter Kit with Microphone allows you to connect professional-quality microphones, mixing consoles, and sound studios to cameras equipped with a Multi-Interface Shoe, including Sony's a7 series, RX series, and select camcorders. A built-in mic holder lets you mount the included ECM-XM1 shotgun microphone. Also included in this kit is a fuzzy wind screen and a zippered carrying case. It features a 2-channel XLR adapter box with independent controls that provide recording level adjustment, attenuation, and wind noise reduction. Mic/Line input switching for each channel is also provided to simplify post-shooting editing. Wind Screen for Microphone Included"

New to Fatlama? Use my link and get £20 OFF!
https://fatllama.com/r/aras-d570a

The Red Eye 3D phantom is the new improved major revision of the popular Little Labs Redeye direct box / re-amp box. More people are re-amping now than ever before, and we at Little Labs know re-amping! We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.

For easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument / re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument / re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.

The heart of the original Red Eye was a Little Labs custom wound transformer. This transformer was chosen for its sonic character- istics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (1MÎ© or 10MÎ©) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye.

The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box. The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.

Acclaimed 88 Series Equalization in a USB-compatible Rack Unit

Part of the exclusive Neve 88 Series, the 8803 is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC.

- Extends from 80cm to 2.9m in 4 sections made by Konig and Meyer.
- 3/8 screw thread mount.
- includes a swivel microphone holder to screw on or use your own if you prefer a suspension mount. To tighten the screw use a 5p piece. It will accept a ME66 capsule.
- Clamp release collars, which are easy to use.
- Internal XLR to XLR cable which extends to the entire length. When fully extended there is 1.6m of XLR free at the base and 40cm on the end.
- With shoulder bag to contain and carry everything.

Please return this item in the same condition it is issued to you.

Smaller more portable power rack for 500 series modules. See my other listings for 500 series gear to house in the cube.

One of the greatest mic pres ever made. This listing is for just the pre amp WITHOUT the lunchbox. Check the other listings if you want the full package.

Zoom H5 recorder with wireless mic .  Contact me if you want to hire just the recorder . Will drop off anywhere in London for Weekly Hire . 

 Maonocaster is the perfect portable console to record podcasts on the go, as well as live streaming. It supports two people live streaming and stream up to four platforms with an 8hrs battery life 

The API 2500 Stereo Bus Compressor allows adjustment of sonic qualities to alter the punch and tone of the stereo mix. One of the 2500's notable qualities is its use of API's patented THRUST circuit for a chest-hitting, punchy bottom end.

54F50 Compressor / Limiter - API 500 series format
The 54F50 is a Class A, compressor and limiter module which occupies three slots in a 500 series rack. Fully populated with Carnhill transformers to achieve its distinctive classic sound. This high-end hand-built British module provides an affordable solution for the modern cost conscious studio.



· Classic 4 stage (Class A) amplifier, 4 transformer design
· All discrete component (no surface mount devices)
· Entirely hand assembled and tested in the England to exacting quality standards.
· Line Input: Carnhill transformer balanced (Mu-metal screened Classic VTB9046), 10k Input Impedance
· Interstage: Carnhill Mu-metal screened Classic VTB9045 and VTB9046
· Line Output: Carnhill transformer balanced (Classic full size output transformer)
· Compressor: (Class A) amplifier design
o Ratio 1.5:1, 2:1, 3:1, 4:1 & 6:1
o Dual attack speeds (Fast = 5mS, Slow = 25mS) *
o Make-up gain 0dB to 20dB in 2dB steps
o Recovery (release) 400mS, 800mS, 1.6S & Auto
o Threshold –20dBu to +10dBu
· Limiter: (Class A) amplifier design
o Dual attack speeds (Fast = 100uS, Slow = 5mS) *
o Recovery (release) 100mS, 200mS, 800mS & Auto
o Threshold +4dBu to +12dBu (in 1dB steps)
· Stereo link via either the backplane edge connector, an XLR or both
· Illuminated meter selectable for input, output or gain reduction metering.
· Power off signal bypass
· Entirely stainless steel chassis.
· Total current consumption 150mA (per unit)
· Also available supplied as a pair in a box containing a “mono/stereo” switch

* These are the default factory settings however the;
Compressor “Fast” may be internally jumper selected to 0.5mS
Compressor “Slow” may be internally jumper selected to 50mS
Limiter “Fast” may be internally jumper selected to 1mS
Limiter “Slow” may be internally jumper selected to 25mS

Rode Rodecaster Pro, as seen online. 

Everything you need to make a fully professional podcast in one, easy-to-use package. 

Mobile Studio services also available for hire, includes FULL kit & set up (see Images). Please message prior to booking to check availability and for further info. 

Amazing piece of studio equipment. Using it for vocals and guitar/bass with excellent results. Combines both the classic retro warmth of UA tube design and the transient bite of solid-state.

Extendable audio boom pole. Length is 65cm closed and 250cm fully extended. Various mounts available for different mics, just ask. 

Cloud Lifter CL-1. The perfect companion for SM7B to ad clean gain for quieter vocals. 

Available as a deal with SM7B. Please message me so I can make an offer.

5-pound delivery/collection available in and around North London. 

Powerful and portable studio recording gear. Housed and powered in the Api lunchbox. Included are two Neve 1073lb pre amps, a Api 512 pre amp, a Chandler little devil compressor, a Trident 80b equaliser and a Little Labs VOG bass resonance tool. Everything you need for a professional recording project, especially useful for live location recording. For detailed descriptions of each unit, and to rent single units or other combinations, see my other listings.

Special bundle for vocals. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Plus the 'Voice Of God' unit from Little Labs, which enhances the bass resonance of vocals to great effect. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

PLEASE NOTE: This listing is for ONE of the Neve pre amps in the picture. To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, or anything else you wish. Great tone and warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

To get an exceptional recording, you need an exceptional pre-amp to plug your microphone into. The Neve 1073 is widely regarded as the best pre amp in the world. Perfect for recording vocals, guitar, drums, piano...  Two here for stereo purposes. Plus a character compressor, the Chandler. Great to get vintage sounding vocal warmth. Housed in the Radial cube, which comes with a power supply. Cables included at request.  

See my other listings for 2/3 pre amps, or different combos of 500 series gear in the cube, or in a larger API lunchbox. I also have mics!

The SKP300 simply plugs into your microphone and begins broadcasting a wireless signal to a suitable receiver. 

One of the greatest mic pres ever made. And a top end characterful compressor. Perfect for recording vocals or anything you wish! Housed in the API lunchbox for portability. You can add your own 500 series modules when renting if you have any. Comes with power supply.

Rode Boom Pole Pro (3m)

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Item lent by David

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Rode Boom Pole Pro (3m)

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