 3x Carl Zeiss Contax T* cine-vised MMJ lens set. 
18mm F4
25mm F2.8
50mm F1.4

Vintage stills lenses will full frame coverage cine-modded for cinema and video use - All adapted to Canon EF EOS mounts  


￼Made during the 70s and 80s, the same time as the legendary “SuperSpeed” 35mm cinema lenses (Taxi Driver, The Shinning) these Carl Zeiss Contax T* lenses share the same T* coatings probably some of the same glass and much of the same look and properties... But guess what? ￼ 
￼• THEY COVER FULL FRAME 8K!
• THEY’RE VERY COMPACT (FOR GIMBAL WORK)
• DIGITAL SENSORS LOVE THEM!
• LATITUDE EXPANDING-LOW CON LOOK, SATURATED COLOURS, STUNNING RESOLUTION & SHARPNESS 
￼
... and they adapt very well for cinema use and EF mounts.
Each lens was cherry picked, each one a great copy of second generation MMJ Contax T* lenses, with further improved optical designs (25mm & 28mm), and coatings (flare blue/purple) and apertures.  All lenses are fitted with 80mm fronts, 77mm filter threads, focus gears and precision LEITAX EF mounts. 


In perfect working order. There the usual wear and scuff you would expect from a well use workhorse.   Very clean load and not so heavy as older Cabs

MARSHALL Vintage 1974 Slant 4X12 1960a speaker cabinet with original Celestion Greenbacks.

Comes with a cable if needed.  
Shes very beat up and has a tear in the fabric, but doesn't affect sound in any way.  

Coupled with an old valve head, (like my 1973 Marshall JMP Superbass) this cabinet just has a phenomenal tone and quality from Greenback speakers and vintage wood.  Beautiful. There is a difference 

I have another JCM 900 4 x 12 available see my other listings. Very slightly cleaner/brighter sound maybe. 

Solid combo amplifier that’s nice and small and very loud if you need the volume and easy to drive even at low volume because if the separate Master Volume and Volume controls.  Very nice tone from this vintage Solid State amplifier.   Has two channels, spring reverb, will come with along with a high quality guitar cable 

The Kessler Pocket Jib Pro with Libec T-103B  strong heavy-duty tripod legs designed specifically for medium size cranes & Jibs. This is a robust, reliable, lightweight, and yet very functional and easy to use Jib/mini crane with a surprisingly high weight capacity.                                         

Also if you wish you can upgrade the Jib with the Kessler K-Pod legs which will work with dolly wheels and/or dolly trucks which let you put the whole jib on tracks). Dolly tracks are listed separately so get in contact if you have any questions. 


The Pocket Jib PRO has been designed for a wide range of weight capacities when larger cameras and rigs are being used. With its heavy duty arms, the PJ PRO can handle up 23kg (50 lbs) in any length configuration. Extending from 4ft to almost 8ft and placing the camera up to 11 feet high, fully extend. 

The dedicated Libec ‘T-102B’ heavy duty tripod legs are rated for 90kg with the Kessler ‘Swivel Head’.  You have a choice of fluid heads to suit your camera package: the Vinten Protouch Pro6 HDV fluid head for lighter camera builds or a 12kg caopacity E-Image 7083H Fluid head or Sachtler Video 20 head for heavy camera set ups, are supplied.      

- The Pocket Jib weighs 10kg on its own 
- Collapsed length roughly 4 foot.    
- The Libec T102B legs weigh 6kg 

Get in contact if you need any assistance. (Cameras not included, and pictured for demonstration only) 

The the Kessler Pocket Jib Pro is a robust, reliable, lightweight, yet very functional and easy to use Jib/mini crane with surprisingly high weight capacity. Extending from 4ft to 8ft it’s rated for payloads up to 23KG wether retracted or fully extended. Now also comes with a super solid base in the form of the, Kessler K-Pod tripod an exceptionally light but solid aluminium tripod base to build the system on (optionally with wheels) and including additional Sachtler legs, Kessler Swivel head, weights, and a Vinten Protouch Pro6 HDV fluid head with counter balance for the lighter camera builds and an E-IMAGE 7983H or Sachtler Video 20 head for heavy camera set ups.                                         

This package also comes with the Trost M100 Slider which is perfectly compatible with all fluid heads, a unique rock solid low profile offset carriage, and the Slider mounting quickly onto tripod legs via 100mm ball adapter “tie downs”. It is especially useful mounted directly onto the Pocket jib (as pictured) for a supper sold platform or for easy positioning of slanted slider shots - this makes the Pocket Jib into a dual function production machine!!
                                                                                                                   - The Pocket Jib weighs 9.5Kg on its own
- Collapsed length roughly 4 foot.                                                             - Trost M100 Slider weighs 8.16Kg                              

Get in contact if you have any question or need any further assistance.

Excellent tripod based on Manfrotto Video head design but improved in every way buy Vinten. A very professional tool perfect for the lighter breeds of digital cinema cameras, broadcast video and ENG cameras as well as rigged out Dslr’s and mirrorless cameras. Comes with bag and Manfrotto Adapter for smaller standard plates.                 • Maximum payload 6 kg (13.2 lb).
• 3 step (plus zero) spring counterbalance system for positive camera control.
• Top-loading ‘Side Load’ quick-release slide plate, with 1/4 in. and 3/8 in. camera screws and locating pin, accommodates all cameras.
• Illuminated levelling bubble for convenient low-light set up.
• Cam-operated tripod clamping system requires low effort with a 90° turn from on to off, providing the user with a positive indication that the tripod is securely locked.
• Extensive tripod height range and unrivalled torsional stiffness.                Manual: http://www.vinten.com/en/system/files/file/downloads/V4018_4980_EN.pdf

Excellent tripod based on Manfrotto Video head design but improved in every way buy Vinten. A very professional tool perfect for the lighter breeds of digital cinema cameras, broadcast video and ENG cameras as well as rigged out Dslr’s and mirrorless cameras. Also with this kit is the E-Image Hi-Hat low boy for those extra low shots you always want. Very useful!! Comes with bag and Manfrotto Adapter for smaller standard plates.                 • Maximum payload 6 kg (13.2 lb).
• 3 step (plus zero) spring counterbalance system for positive camera control.
• Top-loading ‘Side Load’ quick-release slide plate, with 1/4 in. and 3/8 in. camera screws and locating pin, accommodates all cameras.
• Illuminated levelling bubble for convenient low-light set up.
• Cam-operated tripod clamping system requires low effort with a 90° turn from on to off, providing the user with a positive indication that the tripod is securely locked.
• Extensive tripod height range and unrivalled torsional stiffness.                Manual: http://www.vinten.com/en/system/files/file/downloads/V4018_4980_EN.pdf

The original and best semi-pro Super8 film camera . All you need is the film carriages.                                        Nizo 561 Macro
Year: 1976-80
Lens: Variogon 1,8 / 7 - 56 mm
Macro focusing
Split Image Focusing
Auto / Manual Zoom with 2 Speeds
Frame rates: 18, 24, 54 (56) + single frame
Shutter degree: Var.
Manual / Auto Exposure
Backlight Control
Time exposure
Flash contact
Fades
Lap dissolve
Remote control socket
Cable release socket
Interval timer
1000Hz pulse sync for external sound recorder
No sound
6 X AA batteries + 2 x 1.35V PX13/PX625 for light meter

You can use this system for creating that old, nostalgic retro home move feeling or just for making lo-fi analog video effects, this kit is what you need.   Combine with a projector for stunning analog feedback effects!!!                     

Including the CVD-TR2200E camera which is fully manually overridable and controllable, has 3X CCDs and at one time was the top of the line pro-summer Hi-8 Camera. It records to Hi-8 Video tapes (provided).  Also included is the “Formac Studio” digitiser box (which works seamlessly with freely downloadable software and will digitise any analog video signal into DV PAL digital video clips, (and even lets you crudely adjust contrast and gamma wile importing ).  You will need at least a FireWire 800 or 400 interface on your computer to use the Formac Studio Box.  Also included are all needed accessories and three large-capacity Sony NP F970 batteries.    -                                                                               -                                                                        Hi-8 was the main rival of Super VHS and was generally considered superior and more robust in it's quality and colour retention. It was a popular format for the documentary before DV and HDV came along.  The camera has various fun analog video  FXs built in including a unique negative mode which allows one to create amazing trippy feedback loops with a projector. 

Link to Free download of "Vidi" Software Application:https://www.macupdate.com/app/mac/10808/vidi

A amazing and powerful device for moving gimbal shots and moving action filming!

It’s not a “hoverboard”, it’s a much more solid stable system from Segway. The Ninebot MiniPro lets you travel up to 18kph while having both hands free. You can use it to shoot super smooth subtilised video shoots specially with Gimbals,  and get around a location quick .  You steer like with bigger Segways with the stick, using you knees/legs.  She will ride on reasonable uneven terrain, like grass, but stay clear of anything that will puncture the wheels. She’s water resistant, and battery charge lasts forever.                  -                                              
It can be learnt quite quickly if first time however, there are rules to stick to, and one does need to be confident riding before using for videography purposes or going a top speeds.                                                       -
This is the advanced Ninebot MiniPro from Segway, with a brave on the arm to strengthen it for video work. 

It has a top speed of 18km/h and is 13 kg in weight. 
With a range of 18 miles (25km). Water resistant IP54 rated protection.

The Ninebot MiniPro will come fully charged (with the charger) and just download the app to configure it to match your riding style
                                                      

The perfect onset playback monitor solution, whether as a 17”-19” monitor for a director, or client, or a great AC monitor for critical focus and 4K HDR monitoring/playback for the DOP.  This kit comes as a full wireless system with the Cosmo 400 Hollyland transmitter/receiver  set , known to outperform a Teradek bolt 500 in both signal and reliability with slightly slimmed down features.

Whole kit includes : 
-Atomos Sumo19  monitor/recorder 19”
-Custom flight case system 
-￼installed 500GB Angelbird AV Pro SSD Drive (over 10hours of ProRes LT). 
-Hollyland Cosmo 400 Wireless Wireless transmitter/Receiver 
-dedicated Arri Junior roller Monitor stand 
-installed Matthews tilt bracket 
-Two V-mount Battery plate is installed (hot swappable) 
-SDI and HDMI cables provided
-Power supply
-power extension cable (on request)

￼
This package is set up as a Director/DOP/client play-back monitor, not as a media recorder. The drive cannot easily be remove.  However, please contact me for different configurations

If you need V-Mount batteries to power the Sumo (making it a portable self-contained monitor),  I can supply industry standard Bebeb 195wh High-load Batteries and fast dual chargers for additional £24 fee . Thanks for looking!

The Artem smoke  machine is an industry standard device for creating large amounts of no toxic smoke outdoors. This kicks out a lot of smoke! It’s not to be used indoors.

Exceptionally high smoke output, fitted with piezo ignition. Produces persistent non-toxic smoke. It is reliable and simple to operate. 

Important Note: 
Watch this video for instructions for operation and read the details below about consumable cost before booking: https://youtu.be/WjL2LpDHgHE

The butane gas canisters are cheep to buy (less than £6 each), easily available online or I advise buying from your local hardware/DIY store, camping equipment store, or Petrol Garage/Station.  
THIS IS THE IMPORTANT BIT: You need any brand of,  600ml Butane Propane Mix Gas  or "multitgas",  fitted with the standard  "EN 417 Threaded self-sealing safety valve".  Again, I do not supply the butane gas just the smoke canisters.  

The smoke canisters are £12.50 per can at cost price, so you pay for what you use.  I require you leave a cash deposits for the canisters you take and you’ll be refunded for any canisters you don’t use at the end of the rental.

If you have any questions get in contact. Thanks for looking.



PS.
For buying the correct and best butane Gas, look for the “Go System” 631ml stuff,  or any 600ml  “2350 Butane Propane Mix” gas with standard type “ EN 417 Threaded self-sealing” valve. (basically there's just a hole at the top of the canister) 

Maxock (Kayo Maxtar) 177Wh V-Mount battery Kit.
2x V-Lock Batteries and D-tap Charger

A very versatile variable, 1’x1’ Bi-colour 1024 LED, video & film light panel from CAME-TV.  

￼A simple potable design (battery or mains powered) theI light provides bright continuous lighting, yet allowing you to dial in your colour temperature anywhere between Tungsten and daylight. It’s fully dimmable without flickering and with a high CRI rating so no colour pollution either.  


Features:
Bi-Colour 3200K-5600K Variable 
Colour temperature
Built-in Dimmer  
1024 High CRI (95) LED panel
Low heat emissions
Energy Efficient
Bulbs have a 50,000-hour life expectancy
User-Friendly Controls
Features V-Mount Battery Plate
Metal construction
Barn Doors

This is a complete kit including a stand soft carry case which contains everything including light modifiers, one large circler multi-reflector, and power supply. I can include a power extension cable if requested.  The light can also use industry standard Sony V-Mount batteries for power, making it extremely portable and useful for outdoor filming, with no need for mains power. Batteries need to be hired from me separately or acquired somewhere else. One 175wh battery will power the light for up to 3-4hours. 

Fabulous easy to use, fast magnetic car mount clearly based on the Rig-wheels Cloud Mount and just and versatile. 

The magnetic mounts will astonish you with their strength when affixed to a steel surface. Since magnetic mounts are not temperature sensitive as suction cups are, when you mount this rig it will stay exactly where you place it. 

A perfect simple system for mounting any camera to a car.
 
https://youtu.be/G1GQwlVB_do

This is ideal for mounting a gimbal to a car where the isolator makes all the difference taking out most unwanted jerking movements from the vehicle that also stress the gimbal joints.
The includes Wire Rope Vibration Isolator also helps to reduce general vibration providing for smoother capture.

Designed with an approximate payload rating of 60kg (130 lbs) vertical and 20kg (44 lbs) horizontal, this setup has great gripping ability.

12 x large 8.7cm diameter strong magnets in a protective rubber casing.   

Comes with: 

-A mounting plate of your choice or light fluid heads. (Please specify your need)
-Extra cables for HoverBase - 2x light cables 4x heavy cables
-2x metal wire tie-downs for camera 
-4x Tie-down screws & washers 
-3x ratchet Tie-down straps/harnesses ( Ratchet Strap instructions here) : https://www.youtube.com/watch?v=NJ6t42ADGfM1
-12x high power Magnets with protective rubber sleeves 

The last two pictures showing Ronin MX, Linux GH5S and Sigma Art 18-35mm, are for demonstration purposes only (see other listings if your interested in this combo) 

Thanks for looking 

I’m think this is a 1960s Shure Unidyne III 545 Dynamic Microphone. The precursor to the SM57 and a fantastic sounding vocal and guitar/instrument microphone.  Warmer and fuller sounding and standing up very well to its modern day Shure SM57 counterpart specially on amplified rock guitars. 

Ozzy Osborne, Mick Jagger eat your heart out. Definitely has a vintage very pleasing quality on vocals also. 

I’m think this is a 1960s Shure Unidyne III 545 Dynamic Microphone. The precursor to the SM57 and a fantastic sounding vocal and guitar/instrument microphone.  Warmer and fuller sounding and standing up very well to its modern day Shure SM57 counterpart specially on amplified rock guitars. 

Ozzy Osborne, Mick Jagger eat your heart out. Definitely has a vintage very pleasing quality on vocals also. 

Comes with:  
Case 
Mic holder 
Stand 

The DV- Tec Extreme is a solid, strong and tool-less, universal shoulder rig system, and stabiliser support system with a flexible modular design and optional waist band support module for stabilising long shots and takes like event shooting. 

This is a full kit ready to go including: 
Shoot 35 Follow Focus v1. 
1x monitor magic arm
2x handle bar cold-shoe adapters 
1x Manfrotto 500/501 QR Adapter and plate.
Tools for fine adjustments 
Carry case.

The Shure Beta 57a is not only an excellent instrument mic it’s also a particularly good vocal microphone alternative to the 58 and beta 58a.  

This kit comes with one XLR cable and one XLR to jack cable, a case, a microphone stand and mic clip. 

Two classic high output Sennheiser directional microphones and one K6p Power module.  Perfectly suited to on camera applications or used as boom mics. 

Please note this kit includes separate mic modules which are changed out on the one power supply module.  So only one mic can be used at a time but you have vercetility to use a different mic for a different application all using the one mic system. 

The ME 66 is a Super Cardioid shotgun mic, with a higher output than the Rode NTG 1, 2 & 4 mics, using less of the camera internal pre-amps and giving a lower noise floor.  It’s ideally suited to outdoor and large interior spaces or as a boom mic where isolation of sound is needed.  The ME 64 is a highly directional Cardioid mic, same higher output and perfect for indoors in particular, because it picks up much less unwanted sound reflection from the room than the ME66 will.  Perfect on camera mic for its smaller profile.  This is a very versatile set that covers all bases.   Even included in this set are the Lapel mic modules that power of the K6p power module which are unique in that they are practically waterproof and operational in heavy rain. All these mic modules power off the K6 or K6p power module (included), alowing for both phantom power if your camera or recorder provides it or simple steady battery power using one AA battery. 

Included in Kit:
Case
K6p Power Module (Phantom or AA battery power)
2 x Softies (dead cats)
XLR to Mini Jack & 2 x XLR to XLRs
Mic holder with anti-vibration isolator and  cold shoe adapter & Mic stand Adapter.
2x plug in water proof lapel mics 

To practically unused, professional Sony HDD drives with usb3 and FireWire 800 cables and inputs. 

Rugged design,  for portability Run&gun and on set use. 

Just hook up to you laptop for a quick and easy data wrangler or DIT setup.

Thanks for looking

3 sets of Rodelink Wireless twin TX (transmitter) and RX (Receiver) units with the famed high quality Rode Lavalier (Lav) mics.  Each unit has a pocket/belt clip at the back. It’s a full kit with extra XLR cables and everything you need to plug and play.

Kit Includes:
- 3x Rodelink Transmitters (TX) 
- 3x Rodelink Recievers (RX)
- 3x Rode Lavalier Mic w/windshield
-3x mic lapel clips 
- 3x mini jack cables
- 3x Jack to XLR adapter adapters
- 6x cold shoe mounts 
- Optional Black Peli 1520 case if desired 

The perfect onset playback monitor solution, whether as a 17” substitute monitor for a director, a client, or a great AC monitor for critical focus or 4K HDR monitoring/playback  for the DOP. 

Whole kit includes : 
-Atomos Sumo19  monitor/recorder 19”
-Custom flight case system 
-installed 500GB Angelbird AV Pro SSD Drive (over 10hours of ProRes LT). 
-dedicated Arri Junior roller Monitor stand 
-installed Matthews tilt bracket 
-Two V-mount Battery plate is installed (hot swappable) 
-SDI and HDMI cables provided
-Power supply
-power extension cable (on request)

 This is the whole package and For an additional £24 it can also include 3x V-MOUNT industry standard Bebob V200 High-Load 196wh batteries BATTERIES for full wireless portability

This package is set up as a Director/DOP/client play-back monitor, not as a media recorder. The drive cannot easily be remove.  However, please contact me for different configurations

If you need V-Mount batteries to power the Sumo (making it a portable self-contained monitor),  I can supply industry standard Bebeb 195wh High-load Batteries and fast dual chargers for additional £24 fee . Thanks for looking!

The Rode NT3 is a well regarded 3/4” Cardoid Condenser Microphone with very versatile application, used to capture audio on drums, percussion, acoustic guitar, guitar amps, piano...The NT3 also works very well for voice reproduction when used as a handheld presentation microphone or indoor boom mic.

  The ability to power with either a 9v or 48 v phantom power makes this a flexible microphone for use in the field or in the studio ... slip the NT3 into a shoe mount on your video camera and go, or mount it on a boom pole over talent in the studio. 

Highlights
For Studio, Stage & Location Work
Cardioid Polar Pattern
True Condenser
3/4" Small-Diaphragm Capsule
Transformerless Output
Uses 9V Battery or +48V Phantom Power
Includes Wind Shield and Stand Mount
Padded Zip Pouch and long XLR cable 

The Industry Standard  AKG D m112 has become world renowned as one of the best kick drum and bass sensitive mics ever made.  Perfect for both the studio and the stage, the D112 has an impressive SPL handling of 160dB, with no chance of distorting. The diaphragm has a low resonance frequency to enable it to faithfully pick up the 100Hz and under frequency range, yet also has a subtle boost at 4kHz to add transient attack to ensure your sounds cut through the mix. Since its inception over 30 years ago, the D112’s design has remained unchanged thanks to its consistent reliability and ability to capture great sounds every time.

Full kit with mic, mini mic stand, microphone holder and XLR cable if required. 

Thanks for looking.

Legendary cardioid vocal microphone tailored to deliver warm and clear vocal reproduction. Includes a stand adapter, case, 1x XLR cable.  The Mic has a brightened mid-range and bass roll-off, a pneumatic shock mount system, and a built-in spherical wind and pop filter.

Aside from the usual music applications, the SM58  is also the perfect interview video mic for loud environment like festivals because if it’s isolation of  the voice in that it on picks up clearly what it’s close  to. 

Simple 7” Client field monitor for on set use coming with batteries and charger cables and optional stand.

Ideal for checking focus with Pixal to Pixal function and focus assist or checking exposure on set with False Colour and Zebras 


The MustHD M703S IPS 1280X800 resolution, quality 8bit panel excepting full 1920x1080 input from HDMI or SDI with loop through connectors. It’s a nice and sharp monitor with excellent adjustable contrast

4x Swit S-8172s V-Mount (160Wh) high-load batteries 

2x Swit S-8113s V-Mount High-Load ( 160Wh ) batteries 

All 14.4v batteries with very useful relatively high Amp D-tap power outputs. The 4x Swit S-8172s have 3Amp outs and on the 2x Swit S-8113s the D-tap outs provid an astonishing 10A for powering cameras, lights or other high power accessories.


Comes with 1x  Bebob Rouge VS2RL extra fast 5 Amp dual Charger. Light and extremely high quality reliable charger that charges two batteries at a time and all in a Pelican case for protection.

When it comes to a gimbals or on-camera monitors the SMALLHD 503U is one of the top-end brightest 5” daylight viewable field monitors out there.  Sure you could use a Atomos Shinobi or Ninja V or Blackmagic Video assist but (unless you need a recorder) why compromise.  The 503U is build like a tank, no dummy batteries or touch screen, just clever hardware control and the best onboard OS and cinema tools in the business. Very light weight without an onboard battery, power cables are provided.  An optional V-Mount plate is available upon request for a professional power solution giving you one 12v D-tap power output aswell ideal for an AC or Directors monitor setup 

Small HD’s flagship 5” Monitor works extraordinarily well outside, giving you an upper hand in most environments. You can’t imagine how bright this thing is. The image is sharp and contrasty, ideal for focus pulling and framing up outside. Its also extremely light and durable.  It uses a layer of Gorilla Glass over the monitor, sealing and protecting the screen, tough yet barely adds any weight to your rig!
 

SPECS:
5 Inch Ultra-Bright Full HD Field Monitor
2200+ Nits of Brightness
12v 2pin LEMO power in
1920 x 1080p IPS LCD Optically Bonded Gorilla Glass Screen
Pixel Density: 441 PPi
HDR Preview
SDI & HDMI Input & Output w/ cross conversion
SDI out doubles as 2nd SDI input
Dual View (via two inputs) for A/B Camera
Page Builder OS w/ Programmable Function buttons

ACCESSORIES INCLUDED

2x Lemo to D-Tap pawer cables (long flexible and short cables )￼
1x Arri 2-Pin to 2Pin Lemo Monitor power cable 1M
1x Tough Kramer short monitor arm
2x - Hdmi cables
2x SDI - SDI cables
1x Hdmi - Micro Hdmi (upon request) 
1x Compact Peli Case
( V-Mount Plate can be fitted for power) 


Full set of Samyang VDSLR UMC II Cine DS prime lenses.  

A Super speed set of Canon EF Mount FULL FRAME lenses:
Samyang 20mm T1.9 
Samyang 24mm T1.5 
Samyang 35mm T1.5 
Samyang 50mm T1.5 
Samyang 85mm T.1.5



These are extremely fast and sharp lenses

Further cine-modding has been done to these lenses to make them work more easily with Matte boxes, filter holders, Steadicam and gimbals. I’ve made them closer in length to each other by extending the 85mm and 50mm a little   (this also means the 50 and 85mm do not require hoods anymore, they’re build in) each lens is fitted with smooth 80mm outer diameter fronts with 77mm inner filter threads for screw in filters .   All lenses have focus and aperture rings in the same places.  

Each lens is in optically perfect condition; the lenses are immaculately maintain and cleaned before and after going out.  

-Please note this is a 5 x lens set, of the following focal lengths 20mm, 24mm, 35mm, 50mm, 85mm. 
-All Full Frame coverage 
-Canon EF Mount 
-Come in a compact custom Peli Case 

The Six lens set is made up of the following lenses:

Mir-20M     20mm F3.5 
Mir-10A       28mm F3.5
Mir-1             37mm F2.8
Zenitar-M   50mm F1.7
Helios-44-2 58mm F2
Jupiter-9     85mm F2 


￼(Metabones Speed Booster XL 0.64x or Ultra 0.71x are available upon request) 

Characteristics of these lenses include a desirable low contrast, soft round or swirly bokeh, lens flares, single coatings, high colour saturation, high micro contrast, softening of digital sensors.  Mechanically they have long focus throws, and extreme close focus capabilities.

It’s a hand selected set of 6 classics none permanently converted for cinema use and Canon EOS / EF Mount. These compact lenses are great for gimbal work or creating a vintage quality to your digital cinema.

Each lens has been selected for optical excellence, functionality, matching looks (colours and contrast) . Focus gears have been added along with EF adapters to original M42 screw mounts .  Each lens has 77mm filter thread and 80mm front diameters except the Mir-20M 20mm which has no filer thread and is approximately 91mm outer diameter.  Apertures are click-less auto pre-set style, on all lenses except the Mir-20M 20mm and Zenitar-M which have standard clicked apertures 

Most of the set is made up of the 3 most famous Mir lenses, the Mir-20m, Mir-10a & Mir-1 which are complimented buy the even more famous Helios 44-2 58mm and Jupiter-9 85mm (both are extremely sharp optically excellent examples). Joining these 5 lenses is one of the best kept secrets of the the Soviet Glass.  The super fast Zeniter-M 50mm f/1.7 which is based on the legendary Zeiss Ultron design.  The Zeniter is one of the fastest most impressive 50mm legacy lenses ever made arguably and produces stunningly colours and smooth Bokeh no distortion and matches perfectly with the others. 



The Soviet Holly Trinity of Legacy Russian sills lenses cine-modded for digital video and cinema use with Canon EF Mounts, focus gears and click-less apertures.  Three famous vintage lenses the Mir-1 the legendary Helios-44-2 and Jupiter 9! 

F2.8 37mm Mir-1 
F2 58mm Helios 44-2
F2 85mm Jupiter-9 

Each lens has been hand selected for optical excellence, functionality and matching look. None-permanent focus gears have been added along with EF adapters to these 3 M42 legacy Soviet Lenses.  Each lens has been given a 77mm filter threads and 80mm front diameters for use with matte boxes or screw in filters. The Apertures are click-less auto pre-set style on all 3 lenses

This set is made up of the three most famous Soviet legacy lenses. The award winning Mir-1 37mm, the notoriously good Helios 44-2 58mm and Jupiter-8 85mm (sharp optically excellent examples). 

Characteristics of these lenses include, low contrast, round or swirly bokeh, lens flair, single coatings, high saturation, micro contrast, softening of digital sensors, long focus throws, close focus.



Mir-20m 20mm f3.5 

A classic legacy Soviet lens based on the Fektogon design from Carl Zeiss Jena. Cine-modded with Canon EF Adapter and Focus gear. 

Excellent condition optically, Sharp wide open and full of character and colour saturation 

Red camera accessories: 2x 256GB Red mags and short 15mm Rods and also RedMag Card reader Cables 

2 sets of Rodelink Wireless Professional twin TX (transmitter) and RX (Receiver) units with the famous high quality Rode Lavalier (Lavalier) microphone.  Excellent alternative to the Sennheiser ew 100-ENG G3.  Each unit has a pocket/belt clip at the back. It’s a full kit with mini jack to XLR cables and everything you need to plug and play.

Kit Includes:
- 2x Rodelink Transmitters (TX) 
- 2x Rodelink Recievers (RX)
- 2x Rode Lavalier Mic w/windshield
- 2x mic lapel clips 
- 2x mini jack cables
- 2x Jack to XLR adapter adapters
- 4x cold shoe mounts 
- Optional Peli case if desired 

Indie Dolly Systems Universal spider Dolly  with approximately 6.5 meters (21.3ft) of track.  ( Curved track also available 13ft/3.9 meters or track for a 90 degree turn) 


The IDS Indie Dolly is one of the best portable dolly systems out there, one of the quickest and easiest to use, very effective, solid and reliable.   Its main advantage over most other systems  is its ability to have the operator ridding onboard using the seat attachment and with a “grip” crew member pushing and  controlling the dolly action.  

The IDS Indie-dolly has a weight capacity of up to 400lbs with a good evenly spread payload.  All you need is a tripod that would normally attach to it’s spreader with Claw feet.  (Please note, tripod and camera are not included and are pictured for demonstration purposes only.   If you do need a tripod please request one ) 

Happy shooting! 

From IDS we have here the 90 degree curved tracks for the IDS original universal “Indie Dolly System” (listed separately) this set provides you with portable and foldable 1” dual tracks giving you a total of  13 Feet or 3.96m meters of curved track enough for a full 90 degree turn if desired.  Combine these with the 6.5 meters of straight tracks that come with the Indie Dolly for over 10 meters in total track for your Dolly to travel. 


This is a 5 lens set of classic vintage super speedy Nikkor primes lenses. 
They are Cine-modded for Canon EF Mount and follow focus or matte box applications: these lenses are full frame coverage lenses. 

Set is made up of the following: 

Nikkor AI  28mm F/2 
Nikkor AI  35mm F/1.4
Nikkor-S.C  50mm F/1.4 
Nikkor-K  85mm F/1.8
Nikkor-P 105mm F/2.5 (Gauss design)

Fast vintage lenses all from the late 70s. These lenses represent the peek of Nikon’s mechanical and optical achievements at the time just between the shit from Non-AI into the AI era. 

The lenses have a very vintage yet cinematic look, they have the longest focus throws and very little focus breathing. Wide open specially these fast speed lenses have a unique glowing character (except the 105mm which is just beautifully sharp wide open). Stopped down a little and they all become very sharp specially in close focus distances. They generally exhibit solid but relatively low contrast, and warm colours and smooth out of focus rendering. Each lens has been selected for excellence and to be close in size, length and weight. They’re modded to have 80mm fronts and 77mm inner threads for filters and focus gears .  Each of these lenses have Fotodiox EF adapters, accept the 28mm f2, which has a permanent Leitax EF Mount,  and de-clicked aperture  The four remaining lenses have normal aperture clicks, because I’ve generally preferred to keep them that way. 


If you wish you can swap out the 50mm f/1.4 for the legendary “Long-Nose” Nikkor AI 50mm f/1.8, or the 28mm f/2 for the 28mm AIS f/2.8 (two of the most sharp, and optically perfect Nikkor lenses ever made)

This is a vary nice set of Vintage Nikon Nikkor AI and AI-S lenses. Each representing the peek in Nikon’s mechanical and optical performance in lenses.  Made during the mid to late 1970s, all seven lenses have been adapted with Ef mounts, matching 80mm fronts for Matte-Boxes, 77mm filter threads and finally adjustable focus gears in consistent positions on each lens.  

The set includes the: 
20mm AIS f/2.8
24mm AI f2.8
28mm AIS f2.8
35mm AI f/1.4
50nm AI f/1.8
85mm ‘K’ f/1.8
and 
105mm P.C f/2.5

Each one is a stunning lens and the best version in that focal length. They have matching coatings and looks. The 20mm AIS is know by those who own a good copy to an stunning 20mm 2.8 slight better(in close focus) & faster over the f3.5 version. The 24mm is CRC enhanced version a great lens, as is the 28mm one of the best lenses that Nikkor’s ever made. The 35mm is soft & glowing wide open but stunning from f2.8 where it’s sharper than the rest and full of character, the 50mm AI “Long Nose” is arguably the best performing  MF Nikkor 50mm period. The 85mm ‘K’ is a proto AI arguably the most cinematic nikkor 85mm. It which was discontinued and replace by the rather boring AIS 85mm F2, and massive f1.4 but the f/1.8 has tones of character and beautiful vintage rendering. The 105mm is just sharp as hell and again some of the best looking vintage glass ever made easily rivalling Leica and Zeiss for pure quality and performance.  



This Prime lens has been fitted with an extended 80mm front with a 77mm inner thread which makes it more compatible with a matte box, as well as effectively acting as a built in hood.  Good copy 

Samyang's 20mm T1.9 ED AS UMC is a wide-angle, manual focus cine lenses for cameras with full frame sensors. The flow of light is devised, based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. The bright T1.9 aperture secures a fast shutter speed, even under restricted lighting conditions, to offer best quality images. It will brighten up your everyday snapshots, but also it creates an outstanding out-of-focus look by highlighting the main object effectively. In between ultra-wide 16mm and wide-standard 24mm, a 20mm lens is a perfect fit to explore wide angles, not only for shooting indoor images such as concerts and interior photos but also for street scenes. The 0.2m minimum focusing distance adds to the versatility of the lens. Based on Samyang Optics’ exceptional optical technology, Ultra Multi Coating, two aspherical and three extra-low dispersion lenses have been included among 13 elements in 12 groups, to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image. The Samyang 20mm T1.9 ED AS UMC is specifically a cine lens, optimally designed for professional follow focus system, thanks to the quiet and smooth de-clicked focus and aperture gear rings. Also, the distance scale and T numbers are marked on both sides of the lens for convenience when filming

4x Swit S-8172s V-Mount / V-Lock (160Wh) high-load high capacity batteries 

All 14.4v batteries come with very useful 3 Amp D-tap power outputs for powering cameras or accessories.


Comes with 1x  Bebob Rouge VS2RL extra fast 5 Amp dual Charger.  A lightweight and extremely high quality reliable charger they charges two batteries simultaneously, and all in a Peli case

A great and even lighter alternative to the Bright Tangerine Misfit Atom.  The Wooden Camera ZIP BOX is a rubber lightweight Matte-Box solution largely designed to hold 4x4” or 4x 5.65” filters .  

IMPORTANT PLEASE NOTE:￼
This is the Single 4x4 filter version for lenses with an 80-85mm front diameter. 


Perfect for gimbal work and light handheld operating.  Easily secured onto the lens with a stainless steal clamp which is easily secured to you rig (& can add a safety cable).  The rubber construction has two functions, both protecting the filter and your lens wile keeping weight down to the absolute minimum.  It’s flexible, you just fit it around you glass filter just like putting a phone into protective case but easier. 

Personally, I like this system a lot working with gimbals, in fact so much so that I have the whole ZIP BOX DOUBLE set for holding two 4x5.65 filters (or 4x4 just as well) for all common cinema lens, front diameters, including 80-85, 90-95, 100-105 and 110-15mm. See my other listing or let me know is you need the DOUBLE version of the ZIP BOX


4 fast Vintage Nikon Nikkor AI and Pre-AI lenses. Each famous in the photography/photojournalism world and made during the mid 1970s the golden era of manual Nikkor lenses. All four lenses have been adapted with Ef mounts, matching 80mm fronts for Matte-Boxes and 77mm filter threads and finally adjustable/removable focus gears. 

Presenting the:
Nikkor 28mm AI f/2
Nikkor 35mm AI f/1.4
Nikkor 50mm S.C f/1.4
Nikkor 85mm ‘K’ f/1.8


LENS FEATURES & CHARACTER
 These lenses have a unique retro/vintage character wile holding their own against modern lenses.  They have been hand selected for cinema use and for there matching optical character and physical properties, size, weight, long focus throws averaging about 170 degrees. 

OPTICS:
 The 4 legacy Nikkor’s are bright, optimised for close range focus distances and low light performance wile also performing well at infinity. 
They have a very cinematic look in common, with smooth “Bokeh” and transitions into out of focus areas, warm colours with good saturation and strong yet relatively low contrast compared to modern lenses.  They all surprisingly have very minimal focus breathing. 

PERFORMANCE:
At f2 each lens is sharp and full of character retaining subtle softness and a warm glow, by f2.8 upwards performance is stellar and as sharp as you like. Wile the character of these Nikkor is very different, like Zeiss “SuperSpeeds” the three faster lenses when wider than f2 can produce a dreamy soft glowing effect, that can possibly be very desirable, specially when used in close range or low light conditions when light is coming into the lenses.  

Options: 
If you wish you can swap out the 50mm f/1.4 for the legendary “Long-Nose” Nikkor AI 50mm f/1.8, for a little less if the vintage character and coating (of the f1.4 Nikkor-S.C) in exchange for more resolving power, flare resistance and wide-open sharpness of the f1.8 (one of the sharpest and optically perfect Nikkor 50mm lenses ever made)


 Adicam customised Standard film cart - like a Magliner Trolley or Inovativ cart - it’s robust and portable with 4x upgraded 10” pneumatic wheels and “MAX” custom crossbar with additional accessory mount.  Ideal for moving your equipment. 

The cart packs down completely in seconds into a transportable wheel-able case.

Comes with:
1x Bag to carry 10” wheels separately. (they will fit inside the cart if without the additional accessories) 
1x attached multi-gang power supply.
1x super-clamp.
1x Accessory/stabiliser/steadicam mounting kit - Baby Pin System 
1x vest crossbar bracket.



 This is a little know about gem, the Nikkor AI 20mm f/3.5 Vintage wide angle lens.

The lens has been adapted for cinema and video use. It is adapted to be a EF Mount with a precision quality Fotodiox adapter.  The all my manual lens has a seamless focus gear and an 80mm diameter front hood with a 77mm filter thread added.

With a Super 35 sensor the lens hood can be extended for more follow focus clearance.  Note: has full frame coverage if you don’t extend the front too much causing  slight vignetting.

Comes with carry pouch 


 Ikan MD7 Ultra-bright 7” camera field monitor with BNC SDI & HDMI in and outs and HDMI to SDI cross conversion. 

Comes with quad charger with battery levels display,  4x  NP-F batteries, Sdi or HDMI cables, and magic arm. 

1100 Nit High Brightness LCD Panel
Auto Brightness Mode
Waveform, Vector scope, RGB Parade, VU Meter
Dual SDI Inputs
HDMI input to SDI output conversion

 3 Super fast Vintage Nikon Nikkor AI/Pre-AI lenses + the Nikkor ultra wide angle 20mm AI f3.5. with the  Metabones EF-MFT mount T Speed Booster Ultra 0.71x for use with Lumix GH5 GH4 and BMPCC4K etc. 

Each lens is famous in the photography world, made during the mid to late 1970s golden era of manual Nikkor lenses. All four lenses have been adapted to Ef mounts. Get crazy speeds,  improved sharpness and approximate Super35 field of view with the Speed Booster Ultra. 

Presenting the:
Nikkor 20mm AI f/3.5   (329g no caps)
Nikkor 35mm AI f/1.4.   (390g)
Nikkor 50mm S.C f/1.4 (419g)
Nikkor 85mm ‘K’ f/1.8.  (520g)

-Matching 80mm front diameters  ￼
-￼77mm filter threads 
-Adjustable/removable focus gears
- Brass EF EOS Mounts ￼

Let me know if you want me to remove the focus gears or Ef mounts in advance please. 

Please, only clean lenses with the provided Zeiss wet lens cleaning paper.  Don not use a cloth or your sleeve please. The coatings are old and soft so easily damaged.  Always close the lens box and take your time handling lenses! Thank you   

NIKON SUPER ZOOM 8 Vintage Super 8 Movie Camera with hood and Tiffen ND filters


Camera has onboard light meter, manual exposure and automatic zoom all work. The lens is good quality.  Runs on x4 AA batteries (not included!) and two light meter button batteries (included). This camera shoots at 12, 18, and 24 FPS, and also does single frame pictures which is used for stop motion. Purchase Super 8 Cartridges and your ready to shoot.   

 The Canon Auto Zoom 518 Super 8 camera  is a solid and reliable camera, it works well and is simple and intuitive to use unlike some super8 camera.  It produces nice clean sharp images. This camera understands cartridge notches to expose E64T properly.  Has a built in filter for tungsten light 


 Cinemilled Pro dove tail plate for DJI Ronin 1, and Counterweight System - including 7 x Cinemilled counterweights 

The Ronin Pro Dovetail is also compatible with the Giottos MH631/MH621 and Manfrotto 357/357PLV quick release plates.  This dovetail has been customised, so that it will mount both ways on the ronin mount and still engage the safety pin. This is useful when you need your counterweight at the front  (like when balancing a BMPCC 4K) 

Includes:

1 x Pro Dovetail plate
3 x 5.6oz Weights
4 x 11.5oz


CineMilled Pro dove tail plate for DJI Ronin M and MX with Counterweight System - including 7 x Cinemilled counterweights 

The Ronin M/MX Pro Dovetail comes with 3 small and 4 large weighs.  This dovetail has also been customised, so that it will mount both ways on the Ronin M or MX mount and still engage the safety pin. This is useful when you want to invert the Cage of the the Ronin MX for Camera-right-way-up, over-slug mode  or when mounting the Gimbal to a car, or drone or for when you need counterweight at the front instead of the back  (like when trying to balancing a BMPCC 4K) 

Includes:

1 x Ronin M/MX Pro Dovetail plate
3 x 5.6oz Weights
4 x 11.5oz


CineMilled Pro dove tail plate for Freefly Movi Pro with Counterweight System - including 7 x Cinemilled counterweights 

The Pro Dovetail comes with 3 small and 4 large weighs for counter balance and can be mounted on top or bellow they Pro dovetail Plate 

Includes:

1 x Pro Dovetail plate for Freefly MoVi Pro
3 x 5.6oz Weights
4 x 11.5oz


 Carl Zeiss ‘ZEBRA’ Flektogon 25mm f/4  wide-angle lens.

A classic legacy Zeiss Jena lens. This Fektogon design is the basis of the 20mm Fek and the basis of most of the stellar Soviet Mir lenses that followed. It has a very similar look and rendering to those soviet lenses because the Russians literally also took much of their glass and designs from the Zeiss Jena factories after the war, to make their early Mir and Helios Lenses 

Cine-modded with Canon EF Adapter and Focus gear. 

Excellent condition optically Sharp wide open, slow at f4 but it lets in a lot of light, high transmission, full of character and colour saturation.  Very long focus throw!

 This is the super rare original “Zebra” Flektogon 25mm with the ausJENA moniker 

 The Canon 5D Mark III DSLR. Still an exceptional camera for photography because of its large full frame 35mm sensor, low light sensitivity, superior colour science and ease of use.  Specially with Canon L glass and a plethora of vintage SLR lenses that can easily be adapted to EF Mount .  Also with Magic Lantern this is an even more feature rich capture device, specially for video in HD 1080p or Raw where it has a uniquely film-like “cinematic look”

Comes with:
Sandisk SD card containing optional Magic Lantern Upgrade.
4x CF Cards: 1x 16gb and 3x 32gb 
Strap & Cables
4x Batteries 2x original Canon, 2x Baxxitar   
1x Case Logic backpack camera bag
1x Manfrotto compatible shot base plate (501/577, 500AH/701)


￼

A Perfect copy of this glass. And it is a stunning optic full of vintage Nikkor flavour perfectly matching the Ai/AIS family of Lenses.  A much better choice for pure picture quality over the Canon EF 70-200mm f/2.8 L II USM, unless auto focus is important to you. 


This is a really a great lens for cinema and videography when used as a proper manual lens.  it’s practically par-focal and has a very long smooth focus throw, a good fast F2.8 aperture covering the whole 80-200mm range and it’s sharp as hell at every aperture.   

• Comes with adjustable removable focus and zoom gears attached.
• Adapted for Canon EF (EOS) Mount - Highest quality precision Leitax conversion. Like a native EF Mount FF cinema lens. 
• 80mm front for Matte-boxes with a 77mm filter thread
• versatile tripod collar ￼
• Comes with soft protective lens Cary bag


￼ Not only are the 80-200's optics stellar, it's mechanics and materials are much better than most of Nikon's even more expensive lenses today, most of which are merely plastic.

 Excellent sharp clean copy of the Jupiter-9 85mm f/2 vintage Soviet / Russian Prime Lens Cine-modded for Canon EF Mount 
• Full Frame coverage 
• 77mm filter thread ￼
• 80mm diameter front 
￼• Seamless  focus gear
￼• M42-Canon EOS EF adapted 
• Click-less preset aperture  

 Excellent sharp clean early copy of the cult  Zenitar-M 50mm f/1.7 vintage Soviet (Russian) Prime Lens -  Cine-modded for Canon EF Mount 

This lens is one of the best kept secrets of the legacy lens world.  Based on the famous pre-war Zeiss Ultron design this is a crazy sharp lens with the most smooth beautiful bokeh of any legacy lens.  It renders like a painting  
￼
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless  focus gear
• M42-Canon EOS EF adapted 
• Clicked standard aperture  

  Excellent sharp clean early copy of the cult  Helios-44-2 58mm f/2 vintage Soviet Prime Lens -  Cine-modded for Canon EOS EF Mount 

This lens is one of the best version of one of the best Russian made Legacy lenses and a redesign of the Zeiss Biotar.  This early 1971 version is Smooth to operate and sharp even wide open and known to be one of the best quality versions.  Famous for it swirly world of  beautiful bokeh this legacy lens also renders very vintage cool painting images and can flare nicely if you want it to
￼
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless  focus gear
• M42-Canon EOS EF adapted 
• Click-less Pre-set aperture  

Excellent sharp 1971 copy of the Grand Prix award wining, Mir-1 37mm f/2.8 Soviet Prime Lens. Cine-modded for Canon EF Mount

￼A Soviet/Russian redesign of the Zeiss Flektogon 35mm, this lens has incredible colours and a delicate vintage micro contrast, rendering to rival a Leica.  This is an optically excellent copy mechanically serviced and te-greased by a highly regarded professional lens technician, so the focus action is perfect.  A nice sharp little compact lens that will surprise you.

• Full Frame coverage 
• 77mm filter thread ￼
• 80mm diameter front 
￼• Seamless  focus gear
￼• M42-Canon EOS EF adapted 
• Click-less preset aperture  

Very sharp copy of the Mir-10A 28mm f/3.5 vintage Soviet prime lens - Cine-modded for Canon EOS EF mount, with gears and 80mm front diameter. 

Massively under valued wide angle lens, a result of the Russian’s improving on the famous Zeiss Flektogon design.  This is a sharp copy wide open and gets even better stopped down, it lets a lot of light in and it has the same famous 3D pop as other “Fleks”, rendering a cool, low con, micro contrast that matches its’ 37mm cousin and the other Soviet lenses perfectly. Don’t be swayed by the average 3.5 f-stop this is a very cinematic 28mm lens with a long focus throw. With a speed-booster it becomes an f2 or faster. 
￼
• Full Frame coverage 
• 77mm filter thread ￼
• 80mm diameter front 
￼• Seamless  focus gear
￼• M42-Canon EOS EF adapted 
• Click-less preset aperture  

 The Nikon ED AF Nikkor 180mm f/2.8 lens - with Nikon to Canon EF Mount adaptor. 

￼This lens is a stunning telephoto lens, one of the best 180mm ever.  The way it renders, the sharpness, micro contrast, the warm retro yet technically perfect look. It’s colours and contrast match with the Nikkor AI set I have listed separately.  Stanley Kubrick had one Cine-modded & customised to a cinema mount he was so impressed with this lens and it’s optics, say no more!

Metabones Speed Booster XL 0.64x Canon EF to Micro Four Thirds adapter giving you a whole 1 & 1/3 Stops of extra speed, is provided here with my pristine  cine-modded Canon EF adapted Russian/Soviet lens set!

The Six lens includes the: 

Mir-20M     20mm F3.5 
Mir-10A       28mm F3.5
Mir-1             37mm F2.8
Zenitar-M   50mm F1.7
Helios-44-2 58mm F2
Jupiter-9     85mm F2

Characteristics of these lenses include a desirable low contrast, soft round or swirly bokeh, lens flares, single coatings, high colour saturation, high micro contrast, softening of digital sensors.  Mechanically they have long focus throws, and extreme close focus capabilities.

￼It’s a hand selected set of 6 classics none permanently converted for cinema use.  These compact lenses are great for gimbal work or creating a vintage quality to your digital cinema. With the Speed Booster things get wild with each lenses becoming 1 &1/3 stops faster!!

Each lens has been selected for optical excellence, functionality, matching looks (colours and contrast) . Focus gears have been added along with EF adapters to original M42 screw mounts .  Each lens has 77mm filter thread and 80mm front diameters except the Mir-20M 20mm which has no filer thread and is approximately 91mm outer diameter.  Apertures are click-less auto pre-set style, on all lenses except the Mir-20M 20mm and Zenitar-M which have standard clicked apertures 

Set is made up of most famous Mir lenses, the Mir-20m, Mir-10a & Mir-1 which are complimented buy the even more famous Helios 44-2 58mm and Jupiter-9 85mm (both extremely sharp optically excellent examples). Joining these 5 lenses is one of the best kept secrets of the the Soviet Glass.  The super fast Zeniter-M 50mm f/1.7 which is based on the legendary Zeiss Ultron design.  The Zeniter is one of the fastest most impressive 50mm legacy lenses ever made arguably and produces stunningly colours and smooth Bokeh no distortion and matches perfectly with the others. 
￼

 Metabones Speed Booster XL 0.64x Canon EF to Micro Four Thirds adapter giving you a whole 1 & 1/3 Stops of extra speed, is provided here with a pristine set of cine-modded Canon EF adapted Russian/Soviet m42 lenses!

The 4 lens includes: 

Mir-1             37mm F2.8
Zenitar-M   50mm F1.7
Helios-44-2 58mm F2
Jupiter-9     85mm F2

Characteristics of these lenses are a desirable low contrast, soft rounded or swirly bokeh, lens flares, single coatings, high colour saturation, high micro contrast, softening of digital sensors.  Mechanically they have long focus throws, and extreme close focus capabilities.

￼It’s a hand selected set of classics converted for cinema use.  These compact lenses are great for gimbal work or creating a vintage quality to your digital cinema. With the Speed Booster things get wild, with each lenses becoming 1 &1/3 stops faster!!

Each lens has been selected for optical excellence, functionality, matching looks (colours and contrast) . 
￼
• Full Frame coverage ￼
• ￼Focus gears 
• EF adapters  
• 80mm front diameters
• 77mm filter threads
• click-less pre-set apertures,  (except the  Zenitar-M which has a standard clicked aperture)


 Metabones Speed Booster XL 0.64x Canon EF to Micro Four Thirds adapter giving you a whole 1 & 1/3 Stops of extra speed, is provided here with the Soviet Holly Trinity of Legacy Russian sills lenses.  Each cine-modded for digital video and cinema use with Canon EF Mounts, focus gears and click-less apertures.  Three famous vintage lenses the Mir-1 the legendary Helios-44-2 and Jupiter 9! 

F2.8 37mm Mir-1 
F2 58mm Helios 44-2
F2 85mm Jupiter-9 

Each lens has been hand selected for optical excellence, functionality and matching look. None-permanent focus gears have been added along with EF adapters to these 3 M42 legacy Soviet Lenses.  Each lens has been given a 77mm filter threads and 80mm front diameters for use with matte boxes or screw in filters. The Apertures are click-less auto pre-set style on all 3 lenses

This set is made up of the three most famous Soviet legacy lenses. The award winning Mir-1 37mm, the notoriously good Helios 44-2 58mm and Jupiter-8 85mm (sharp optically excellent examples). 

Characteristics of these lenses include, low contrast, round or swirly bokeh, lens flair, single coatings, high saturation, micro contrast, softening of digital sensors, long focus throws, close focus.



 Zoom H6 Handy recorder simple kit includes:
-Zoom H6
-1x balanced Stereo Mic Head
-32Gb Sandisk Extreme PLUS 90md/s data card 

Im Based in Stoke Newington area North East London close to both Dalston and Islington 
 
Any questions, feel free to get in touch!

Ideally message to arrange pick up and drop-off time BEFORE you make the booking.


 Zoom H6 Handy Portable Audio Recorder with 32GB Sandisk SD Card and Sennheiser EW 100 G3 Transmitter & receiver wireless system and ME2 Omni-Directional Lavalier clip-on microphone.  The perfect combo along with the balance stereo mic Head module on the H6

 Zoom H6 Handy recorder & Sennheiser EW100 G3 wireless lavalier mic Kit includes:
-Zoom H6
-1x balanced Stereo Mic Head
-32Gb Sandisk Extreme PLUS 90md/s data card 
-Sennheiser EW100 G3 Transmitter\Receiver
-Sennheiser ME2 Omni-Directional Lavalier clip-on microphone
-Cables 



Im Based in Stoke Newington area North East London close to both Dalston and Islington 
 
Any questions, feel free to get in touch!

Ideally message to arrange pick up and drop-off time before you make the booking. thanks 


Please, need to see some history of positive feedback for rental and Insurance is strongly advised (Llama does not cover borrowers remember). Thanks

 “Carbon Fibre”  light weight RED Dragon 6K Epic-M Cinema Camera.


Excellent dynamic range and film like quality from this Dragon 6k sensor well on par with the Alexa look. A great Gimbal/MōVI camera! 

Included: 
-1x Satchler Pro Tripod and Fluid head
-5x Bebob High power V-lock batteries  (3x200wh 2x98wh) 
-Bebob fast duel charger. 
-1 x EF or PL Mount (please specify, EF will be fitted if not specified)
-1x Low light optimised OLPF filter (installed)
-3x 128GB RED minimag SSD cards
-1x REDmag 1.8” Station Usb3 SSD Reader
-1 x DSMC Side Handle
-1x RED Top Handle
-1x Redmote 
-1x Red Bomb viewfinder
-1x 5” RED Pro 5.0 LCV Touch OLED Monitor
-2x Red LCV/EVF cables  (two lengths)
-1x Red DSMC Tactical Top Plate
-1x Red DSMC Tactical Bottom Plate 
-1x Wooden Camera “Quickback” + V-Mount plate
-Anton Bauer Red Battery power plate + 15mm rod mounts & express charger 
-1x Noga Arm
-1xArri MCS base plate & carriage 
-19mm & Various 15mm Rods  
-ARRI FF-4 Pro Follow Focus Unit 
-Arri MCS Handlebars
-Shape 15mm Shoulder Mount bracket 
-1x XLR to Mini Jack, scratch audio input, short adapter cable
-1x Mains power supply and long power cable 
-Original REDmag Station 1.8” Card Reader
-1x USB & E-Sata, FireWire 800 cables 
-power cables 
-Tools + more. 

Everything you need except the lenses.

The Dragon has a film like grain, delicate highlight roll off, 16 stops of latitude, high frame rates, true anamorphic. All this up to full 6k resolution with the Dragon sensor and efficient Redcode Raw compressions. Produces a stellar cinematic image as seen in Fincher’s “Gone Girl” 2014

Im Based in Stoke Newington, North East London close to both Dalston & Islington. 
 
Any questions, get in touch!
Please contact before booking for details or custom quote & enquiries.

Really nice, 5-piece set of cine-modded Asahi Super-Takumar & Super-Multi-Coated Takumar Lenses.  
Closely matched - selected for sharpness - These are full frame multi-coated lenses from the 60s and early 70s. Work great with a Speed-boosters. 

S-M-C Takumar 24mm f/3.5 
S-M-C Takumar 28mm f/3.5 
Super-Takumar  35mm f/3.5
S-M-C Takumar 55mm f/1.8
Super-Takumar  85mm f/1.9

This line of lenses feature a multi layer coatings which were unheard of at the time they were made and far superior to their single coated predecessors. They cine-mod very well and are compact mechanical masterpieces. 

Features:
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless focus gear
• M42-Canon EOS EF adapted 
• Clicked aperture in half-stop 

The lenses really produce a vintage, retro look, similar to Russian/Soviet lenses and Zeiss Jena primes but perhaps more so and yet with more controlled flares, than the single coated Russian lenses. 

Some DOPs in the know referred to these as the poor mans ‘Cooke’, comments on RedUser forum also say its a “vintage look similar to Super Baltars or Kowa Prominars”. They yield a distinctly retro cinematic character and have a painterly type of rendering with deep blacks and a smooth transition into out of focus areas. And the colours!!

￼also available:￼
Super-Takumar 35mm f/2
Super-Takumar 50mm f/1.4
S-M-C Takumar 105mm f/2.8
Super-Takumar 135mm f/3.5 (best 5 Element version) 



Increase maximum aperture by 1.3 stops
Increase felid of view
Now compatible with autofocus
Makes lens 0.64x wider.
Build-in electronics to control lens aperture.
The lens aperture is set by the controls on the camera body.
Powered by camera body. no external power source required. 

Great combination with old manual legacy lenses with vintage optical qualities but some times slightly slow apertures, particularly in the wide angles lens choices but they get a boost with the Metabones.  A f/3.5 lens becomes f/2.3 wide open.   An f/2.8 becomes f/1.8!! 

3x Rodlink Wireless TX/RX Mic Kit & Rode Lavalier lapel mics

3 sets of Rodelink Wireless twin TX (transmitter) and RX (Receiver) units with the famous high quality Rode Lavalier (Lav) mics.  Each unit has a pocket/belt clip at the back. It’s a full kit with mini jack to XLR cables and everything you need to plug and play.

Kit Includes:
-3x  Rodelink Transmitters (TX) 
-3x Rodelink Recievers (RX)
-3x Rode Lavalier Mic w/windshield
-3x mic lapel clips
-3x mini jack cables
-3x Jack to XLR adapter adapters
-6x cold shoe mounts 
-Compact small Peli case to carry all


Zoom H6 multi-track handy recorder + 1 Universal USB power bank & 3x Rodlink Wireless TX/RX Lavalier lapel mic Kits, and 1x Sure SM58 Dynamic Microphone with cables. 

Record up to 6 track simultaneously!!! Great kit for presenter/interviews, the Sure SM58 Dynamic mic goes straight into the recorder and still gives you a perfectly clear usable audio in even unpredictable noisy environments.  Up to three wireless Lavalier mics give you many options to mic people up and get great audio when recording a two or three way interview/discussions etc.  Finally, the Zoom has its own phase balanced stereo omni-directional mic module that capture great ambient room sound.  

The Rodelink Wireless kits have twin TX (transmitter) and RX (receiver) units each  with the famous high quality Rode Lavalier (Lav) mics.  Each unit has a pocket/belt clip at the back and can mount onto a rig or camera with a cold shoe adapter. 

Kit Includes:
-1x Zoom H6 Handy multi-track Recorder 
-1x universal 50000mAh USB power bank 
-1x Sure SM58 + XLR Cables
-3x  Rodelink Transmitters (TX) 
-3x Rodelink Recievers (RX)
-3x Rode Lavalier Mic w/windshield
-3x mic lapel clips
-3x mini jack cables
-3x Jack to XLR adapter adapters
-6x cold shoe mounts 
-A professional Pelican case to carry everything 


 

3x Super-Takumar vintage prime lenses cine-modded with Canon EF mounts - work great with speedboosters

Super-Multi-Coated Takumar 24mm f/3.5 
Super-Takumar  35mm f/3.5
Super-Takumar 55mm f/1.8

This line of lenses feature a multi layer coatings from the 60s-70s, they cine-mod very well and are compact mechanical masterpieces.  The focus on Takumar lenses turns in the Nikon direction opposite to most cinema lenses. 

Features:
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless focus gear
• M42-Canon EOS EF adapted 
• Clicked aperture in half-stop 

The lenses really produce a vintage, retro look, similar to Russian/Soviet lenses and Zeiss Jena primes but perhaps more so and yet with more controlled flares, than the single coated Russian lenses.  They yield a distinctly retro cinematic character and have a painterly type of rendering with deep blacks, saturated colours and a smooth transition into out of focus areas.

also available:￼￼
S-M-C Takumar 28mm f/3.5
Super-Takumar 35mm f/2
Super-Takumar 50mm f/1.4 (7 element) 
S-M-C Takumar 55mm f1.8￼
Super-Takumar 85mm f/1.9 (Version 2)
S-M-C Takumar 105mm f/2.8
Super-Takumar 135mm f/3.5 (best 5 Element version. beautiful!) 


8x Nikkor AI Primes, Vintage Lens Set - Canon EF Cine-modded
Each lens represents the peek in Nikon’s mechanical and optical performance in lenses.  Made during the mid to late 1970s, all lenses have been adapted with Ef mounts, matching 80mm fronts for Matte-Boxes, 77mm filter threads and finally seamless focus gears in consistent positions on each lens.  

The set includes the: 
20mm AI f/3.5
24mm AI f2.8
28mm AIS f2.8
35mm AI f/1.4
50nm AI f/1.8
85mm ‘K’ f/1.8
105mm P.C f/2.5
135mm AIS f/2.8

Each one is a stunning lens and the best version in that focal length. They have matching coatings and looks. The 20mm AI is know by some to be the better 20mm over the f2.8. The 24mm is CRC enhanced version a great lens, the 28mm is one of the best 28mm lenses that Nikkor’s ever made. The 35mm is quite soft wide open but stunning from f2.8 where it’s sharper than the rest and full of character, the 50mm AI “Long Nose” is arguably the best performing  MF Nikkor 50mm period. The 85mm ‘K’ is a proto AI and the best 85mm version was the f1.8 which was discontinued and replace by the rather boring AIS 85mm F2, but the f/1.8 has tones of character and beautiful rendering. The 105mm and 135mm and just sharp as hell and again some of the best vintage glass ever made and rivalling Leica and Zeiss for pure quality and performance.  



Metabones  Speed-booster XL 0.64x EF to MFT active adapter. 

￼8x Nikkor AI Primes - Vintage Lens Set Adapted for cinema to Canon EF mounts. 
Each lens represents the peek in Nikon’s mechanical and optical performance.  Made in the mid to late 1970s, all lenses have been adapted with Ef mounts, matching 80mm fronts for Matte-Boxe use, 77mm filter threads and finally adjustable focus gears in consistent positions on each lens.  

The set includes: 
20mm AI f/3.5
24mm AI f2.8
28mm AIS f2.8
35mm AI f/1.4
50nm AI f/1.8
85mm ‘K’ f/1.8
105mm P.C f/2.5
135mm AIS f/2.8

Each one is a stunning lens and the best version in their focal length. They have matching coatings and looks. The 20mm AI is know by some to be the better 20mm over the f2.8 by some. The 24mm is CRC enhanced version a great lens, the 28mm is one of the best 28mm lenses that Nikkor’s ever made. The 35mm is quite soft wide open but stunning from f2.8 where it’s sharper than the rest and full of character, the 50mm AI “Long Nose” is arguably the best performing  MF Nikkor 50mm period. The 85mm ‘K’ is a proto AI and the best 85mm version was the f1.8 which was discontinued and replace by the rather boring AIS 85mm F2, but the f/1.8 has tones of character and beautiful rendering. The 105mm and 135mm and just sharp as hell and again some of the best vintage glass ever made and rivalling Leica and Zeiss for pure quality and performance.  



NOTE- All lenses now have seem less gears not like the ones pictured!

Metabones  Speed-booster XL 0.64x EF to MFT active adapter. 

￼7x Nikkor AI Primes - Vintage Lens Set Adapted for cinema to Canon EF mounts. 
Each lens represents the peek in Nikon’s mechanical and optical performance.  Made in the mid to late 1970s, all lenses have been adapted with Ef mounts, matching 80mm fronts for Matte-Boxe use, 77mm filter threads and finally adjustable focus gears in consistent positions on each lens.  

The set includes: 
20mm AIS f/2.8
24mm AI f2.8
28mm AIS f2.8
35mm AI f/1.4
50nm AI f/1.8
85mm ‘K’ f/1.8
135mm AIS f/2.8

Each one is a stunning lens and the best version in their focal length. They have matching coatings and looks. The 20mm AIS f2.8 is know to be a stunning 20mm performer, it true or I have a great copy.  The 24mm is CRC enhanced version a great wide angle lens for cinema, the 28mm is one of the best 28mm lenses that Nikkor’s ever made. The 35mm has a soft wide open character but stunning stopped down, from f2.8 it’s sharper than the rest and still full of character, the 50mm AI “Long Nose” is arguably the best performing  MF Nikkor 50mm period. The 85mm ‘K’ is a proto AI and the best 85mm version was the f1.8 which was discontinued and replace by the rather boring AIS 85mm F2, but the f/1.8 has tones of character and beautiful rendering. The 135mm renders beautifully and is just sharp as hell and again some of the best vintage glass ever made rivalling Leica & Zeiss for pure quality and performance.  



 PD Movie Remote live 2-Channel Lens controll. 2x Motors & dual function thumb controller 

The Remote Live like the Remote Air is an extremely reliable, simple, dual channel, remote controller allowing you to zoom and focus at same time. (Or control aperture) 

Easy to setup and use. Perfect for one man band, run & gun setups.  
More reliable, simple to use than the Nucleus-M (it’s hard wired), more power in the motors over the DJI focus and Tilta Nano. Also no need to worry about charging batteries - power from D-tap.

Perfect for gimbals like, Movi Pro, & DJI Ronin or tripod, handheld, shoulder rigs setups. No need to move your hands, with the PDmovie, remote control Focus, Iris & Zoom, can be at your fingers tips. 

Power from D-tap output or from an AC barrel connector (cable provided with Sony NP-F battery adapter if requested)   

High Torque Motors have 3 strength settings  and no problem with old stiff vintage lenses.  
￼Auto and Manual calibration is also very easy.  Manual calibration helps for photography lenses which don’t  have hard stops, like Canon L glass. 

if you have any quires on how it works and setting up don't hesitate to get in touch.

 PD Movie Remote live Single-Channel Lens controll. 1 Motors & thumb controller 

The Remote Live like the Remote Air is an extremely reliable, simple, single channel, remote controller allowing you to focus easily from a handle mounted thumb wheel

Easy to setup and use. Perfect for one man band, run & gun setups.  
More reliable, simple to use than the Nucleus-M (it’s hard wired), more power in the motors over the DJI focus and Tilta Nano. Also no need to worry about charging batteries - power from D-tap.

Perfect for gimbals like, Movi Pro, & DJI ol Ronin or tripod, handheld, shoulder rigs setups. No need to move your hands, with the PDmovie, remote control be at your fingers tips. 

Power from any D-tap output or from an AC barrel connector (cable provided with Sony NP-F battery adapter if requested)   

High Torque Motors have 3 strength settings  and no problem with old stiff vintage lenses.  
￼Auto and Manual calibration is also very easy.  Manual calibration helps for photography lenses which don’t have hard stops, like Canon L glass. 

if you have any quires on how it works and setting up don't hesitate to get in touch.

Two classic high output professional Sennheiser directional microphones with K6p Power modules Both mics are perfectly suited to on camera applications or as boom mics and all accessories are included to use them either way. 

Please note this kit includes two stand alone mic capsules each with there own K6p power supply module. With the K6ps you have two excellent microphones that can either be phantom or battery (1x AA) powered. Also included are 2x plug-in lapel/lavalier field mics which also use the K6p modules. 

The ME66 is a Super Cardioid shotgun/rifle mic. It has a higher output than the Rode NTG 1, 2 & 4 mics, using less of your cameras internal pre-amps and giving a lower noise floor.   Great for outdoor dialogue and field recording and for large interior spaces. Ideal boom mic where isolation of sound is needed.  The ME64 is a highly directional Cardioid mic, same higher output and perfect for indoors in particular, because it picks up much less unwanted “room sound” reflection which the ME66 will pick up more of in interiors.  It’s a Perfect on camera mic for its smaller size.  This is a very versatile set - covers all bases.   Even included are the 2 powered Lapel microphone modules. The Sennhieser Lavalier ME mics plug in via the K6p power supplies and have a unique feature is that they are wet proof and will operate in heavy rain for example. 

Included in Kit:
Case
- 2x K6p Power Module (Phantom or AA battery power)
- 2 x Raycote Softies (dead cats)/“Blimps”
- 2x Short XLR to Mini jack leads  
- 2x Short XLR to XLR leads 
- 2x Long XLR to XLR leads 
- 2x anti-vibration isolator mounts with boom connections, cold shoe adapters, and Mic stand adapters.
- 2x plug in water proof lapel mics 
1x optional Rode Full Size boom poll
1x optional Rode lite Boom PollLine

If you wish to add a Sennheiser ew 100-ENG G3 Lavalier Wireless Professional Microphone kit time this set let me know and I’ll send you a quote. 

7x Super-Takumar/Super-Multi-Coated Takumar vintage prime lenses cine-modded with Canon EF mounts - work great with a speedbooster

-S-M-C Takumar 24mm f/3.5 
-S-M-C Takumar 28mm f/3.5
-Super-Takumar  35mm f/3.5
-Super-Takumar 50mm f/1.4 (Mk2 sharpest) 
-Super-Takumar 55mm f/1.8
-Super-Takumar 85mm f/1.9 (mkII best)
-S-M-C Takumar 105mm f/2.8￼


The “Super-Taks” feature multi layer coatings from the 60s-70s, they cine-mod very well and are compact mechanical masterpieces.  The focus turn on Takumar lenses is in the Nikon direction opposite to most cinema lenses. 

Features:
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless focus gear
• M42-Canon EOS EF adapted 
• Clicked aperture in half-stop 

The lenses really produce a vintage, retro look, similar to Russian/Soviet lenses and Zeiss Jena primes but perhaps more so and yet with more controlled flares, than the single coated Russian lenses.  They yield a distinctly retro cinematic character and have a painterly type of rendering with deep blacks, saturated colours and a smooth transition into out of focus areas.  

I’ve tried my best to match these lenses for colour and contrast.  I’ve chosen the best of the early Takumar lenses and a few select S-M-C lenses where the focal length benefits from the extra coatings. Both early Takumars and S-M-C Takumars have a cool look compared to the middle period Super-Taks which I’ve found can have a much warmer tone. 



also available:￼￼
Super-Takumar 35mm f/2
S-M-C Takumar 55mm f1.8
Super-Takumar 135mm f/3.5 (best 5 Element)

2x T5 HFI Stick-Lite: Ice Blue  (1030mm)
￼1x  T5 HFI Stick-Lite: Acid Yellow  (1030mm)
2x T8 HFI Stick-Lite: Purple (1735mm/6ft) 

The T5 & T8 HFI Stick-Lite/s made by British company Encapsulite, are slim tubular designs that can be both surface-mounted or suspended. The lights can be used internally,  plug straight into the mains and offers 360° light distribution through polycarbonate satin diffusers. The T5 & T8 HFI Stick-Lite is regularly used as a practical in-vision source light particularly for quick set dressing in music videos, TV, films and theatre as well as shop displays.  Provides a cheap simple single source lighting alternative to Astera Pixeltubes or a single tube Kino Flo, and useful when requiring a bit more lighting in a scene in confined spaces. 

For internal use only
For external use, contact me. 
Surface mounted or suspended
Uses T5 or T8 fluorescent lamps (colours can possibly be swapped for white light)
Can be used with coloured gels 
Suplied with black mounting, suspension brackets & 5 (figure of eight) power cables with UK Plugs


DJI Ronin-S Universal Mount
Use the Ronin-S Universal Mount to install the Ronin-S to a carrier with 1/4''-20 holes. With a Universal Mount, the Ronin-S can be mounted on a car mount, a jib, or a cable cam or Steadicam system. Use the cable included to connect one of the two independent DC-IN ports on the mount to any D-tap power source like on a V-Lock or Anton Bawer battery or a Dual TB50 Batter Mount to power the Ronin-S.
Other DJI approved cables can also be used to connect to corresponding devices to supply power to or communicate with the Ronin-S.

Key Features:
• Install the Ronin-S to a carrier with 1/4''-20 holes
• The Ronin-S can be mounted to cars, jibs or cable cam systems
• Input	13 - 17 V / 5 - 10A

 The VL-CA7 camera adaptor is a V-mount power out-put expander, giving you 4x D-tap outputs to power all accessories.  It’s been designed to suit the compact dimensions of modem digital cinema cameras like the Ursa Mini Pro, G2, Red and Sony FS7, F5 and Sony F55 camcorders.  It connects between the camera and battery; using the existing V-Lok mounts and provides 4 Power-Con (D-Tap) outputs. 

This adaptor also has the added benefit of a radio mic / accessory mounting bracket.

 The VL-CA8 adapts any V-mount to Anton Bauer.  It has been designed to suit the compact dimensions of digital cinema cameras like the Ursa Mini Pro, g2 And Red or the Sony FS7/F5/F55 camcorders with a native V-Mounts. It connects between the camera and battery using the the camera's existing V-Lok mount and has an Anton Bauer battery mount on the other side

This adaptor has the added benefit of 3x Power-Con (D-Tap) outputs and a radio mic / accessory mounting bracket.

 From RoninRigs, this is a mounting bracket for mounting DJI Ronin gimbals and MoVi Pro or M15 (with the addition of a universal adapter plate) onto any light Stand, like a C-stand. It can also be used to mount a gimbal onto  any Steadicam arm with  15-16mm mounting pin. 

The Ronin Rigs adapter system includes a cheese plate with various 1/4-20 and 3/4-20 screw mounting points useful for attaching additional accessories like a battery mount or monitor.

Get in contact regarding which Gimbal you are using so that I can provide you with the correct adapters 

- Heavy Duty magnetic Car Mount with Vibration isolator 
￼- DJI Ronin-S (full Standard Kit) 
- DJI Universal Mount for Ronin-S
- DJI GPS Module
- DJI Top Hotshoe Bracket 
- DJI focus motor rod mount 
- BMPCC 4K power cable for DJI Ronin-S 
- Canon LP-E6 power cable for DJI Ronin-S
- Various Multi Camera Control Cables (x4)
And more...

Fabulous easy to use, magnetic car mount clearly based on the Rig-wheels Cloud Mount and just and versatile.  And a remote head, the Ronin-S Standard kit with Universal Mount becomes the perfect remote controllable head.  A killer combination for remote vehicle motion shots . 

The magnetic mounts will astonish you with their strength when affixed to a steel surface. Since magnetic mounts are not temperature sensitive as suction cups are, when you mount this rig it will stay exactly where you place it. 

A perfect simple system for mounting any camera or gimbal to a car.
 
https://youtu.be/G1GQwlVB_do

When mounting a gimbal like the Ronin the isolator makes all the difference taking out unwanted jerking movements from the vehicle that also stress the gimbal joints.
The rig uses a Vibration Isolator using adjustable interchangeable gages of  wire rope, for smoother capture.

Designed with an approximate payload rating of 60kg (130 lbs) vertical and 20kg (44 lbs) horizontal. Has great gripping ability.

12 x large 8.7cm diameter strong magnets in a protective rubber casing.   

Comes with: 

-A mounting plate of your choice or light fluid heads. (Please specify your need)
-Extra cables for HoverBase - 2x light cables 4x heavy cables
-2x metal wire tie-downs for camera 
-4x Tie-down screws & washers 
-3x ratchet Tie-down straps/harnesses ( Ratchet Strap instructions here) : https://www.youtube.com/watch?v=NJ6t42ADGfM1
-12x high power Magnets with protective rubber sleeves 

Thanks for looking 




 The complete Standard Ronin package with some essential extras:
(Camera & lens pictures are not included and are shown for demonstration only)

You get:
- DJI Mounded Case
- Full Standard Ronin-S Package + extras:
• DJI Ronin-S Command Unit
• DJI Ronin-S Top Hotshoe Bracket
• Side Monitor Mount - NATO Rail/Plate
￼• Smallrig NATO Side handle w/cold shoes  
• DJI ￼Focus Motor Rod Mount
• DJI Multi Camera Control cables (including mini USB for Canon EOS) 

There are multiple 1/4-20 and 3/4-20 mounting holes on the side handle and side mounting plate, to attach a monitor, microphone or light, as well as cold shoes on the handle. 

Also upon request, the following additional cables or accessories can be added an no extra cost: 
• dual handlebars ￼￼(traditional 2 hand support)
• Ronin-S to BMPCC 4k/6K DC power lead
• Ronin-S to faux Canon LP-E6 DC power adapter 
• Ronin-S to 6pin Lemo DJI Follow Focus & power cable
•Ronin-S Offset Mounting Plate 4 BMPCC4K

￼The Ronin-S is really the result of 10 years of gimbal technology packed into a small light weight package and it shows.  A decided improvement in design and software over pervious generations (Movi, Zhiyun Crane), This gimbal packs all and features of its bigger Ronin brothers yet somehow exceeds them in usefulness. This is an extremely intuitive and versatile tool for filmmakers and can be easily configured for various shots or shooting styles.  The App and software is really well put together and at the push of a few buttons up insane motion and tracking possibilities.


Don’t hesitate to get in contact if you wish to consult me on configurations or if you have question regarding how you wish to use the system: I also have the DJI Universal Mount listed separately. This Universal Mount lets you attach the Ronin to Car rigs, Jibs & Cranes or a tripod and also you can power the Ronin from any D-Tap (Power-Con) source.  

Hawkwoods V-Lok/V-Mount power distribution box for V-Lock Batteries

With￼ a Super-Clamp bonded to the back, for easily fixing to a light stand, Jib, Cart or Car rig and providing mutable D-Tap power outs providing a solution to mobile power to several devices.  

4x Power-Con (D-Tap) outs 
1x flying 4Pin XLR cable (50w) female 

Perfect accessory for rigging to a C-Stand to power a 1stAC/focus puller setup or light.  Ideal for a car mount or jib when needing power a camera, gimbal, a accessories from v-mount batteries 

GH5 body with V-Log licence and internal image stabilisation also including Metabones T Speed-booster XL; giving you close to a full frame field of view and ￼￼extra 1 & 3rd stops of light for extra low light performance !

Comes with:
2x batteries 
1x battery charger  
2x 126gb fast Sandisk extreme pro SD cards 

Increase maximum aperture by 1.3 stops with 
Micro Four Thirds to Canon EF Mount Speedbooster - Now compatible with autofocus
Makes lens 0.64x wider.
Build-in electronics to control lens aperture.
The lens aperture is set by the controls on the camera body.
Powered by camera body. no external power source required. 

The GH5 is a great combination with gimbals like the Ronin S or Zyhiun Crane, because it’s it’s small rugged and light weight. Also a great handheld run-n-gun shooter due to in-camera image stabilisation.   I has high frame rates for slow motion and a great low light performance at high ISOs.  The GH5 is also excellent with old manual legacy lenses, almost any lens can be adapted to the MFT Mount on this mirrorless camera with the right adapter.

So, either... you’re filming car shots and suddenly you realise you need lighting... and a way to fix the lights around the car, out of frame, but how do you fix them?   Or... you simply want to mount your compact camera to the hood or side of the car for those cool driving shot... or a window for strange a perspective, you can do it all with this Suction Cup Car and lighting Mount & Magic-Arm Grip Kit! 

Also, a perfect add-on to the, Heavy-duty Magnetic Car Mount with Vibration Isolator (listed separately).  Provides everything you need to fix lights or microphones around your scene or rig monitors to seats if you are remotely controlling focus or camera movement. 

Grip Kit includes: 
2x Camtree Gripper Suction cups 
2x Joining Heavy duty Ball mounts 
2x￼ 16mm studs 
1x 16mm locking rode with ball head 
1x Manfrotto Super Clamp 
1x Manfrotto Super Arm & mounting bracket 
1x Magic Arm 
1x Magic Clamp 
￼

The Pixapro 100W LED MkII Cob light is an improved Godox - a powerful PORTABLE single point LED which can be battery powered by V-mount batteries like the Aperture LS c120d yet this actually kicks out more light.  The Pixapro LED 100w Mk II is a rebranded (upgraded) Godox SL100w but with the unique battery plate feature.

Comes with: 
- Bowens S-Mount 
-Aputure Barn Doors 
- 90cm Aputure Lightdome soft-box with 2 egg-crates 
- V-Lock/V-Mount power plate 
- 5m power cable
- Super Clamp and magic Arm
- Carry case, 1510 Pelican Case 
- Heavy Duty C-Stand 

￼Perfect as a strong light source or key light  for narrative or outdoor and night shooting, and for interviews.  Please request batteries if you need them 


When it comes to a gimbals or on-camera monitors in high sun, the SMALLHD 503U takes top spot for brightest 5” daylight viewable field monitors, there isn’t a better tool for the job.  

Small HD’s flagship 5” Monitor works extraordinarily well outside, giving you an upper hand in most environments. You can’t imagine how bright this thing is. The image is sharp and contrasty, ideal for focus pulling and framing up outside. Its also extremely light and durable.  It uses a layer of Gorilla Glass over the monitor, sealing and protecting the screen.
 
SPECS:
5 Inch Ultra-Bright Full HD Field Monitor
2200+ Nits of Brightness
12v 2pin LEMO power in
1920 x 1080p IPS LCD Optically Bonded Gorilla Glass Screen
Pixel Density: 441 PPi
HDR Preview
SDI & HDMI Input & Output w/ cross conversion
SDI out doubles as 2nd SDI input
Dual View (via two inputs) for A/B Camera
Page Builder OS w/ Programmable Function buttons

ACCESSORIES INCLUDED
- Anton Bauer V-Lock Plate with D-Tap out. 
- 2x Lemo to D-Tap pawer cables (long flexibility and short cables )
- 1x Tough Kramer short monitor arm
- 1x NATO rail to 1/4-20 Monitor Mount 
- 2x Hdmi cables (short & Long)
- 2x SDI cables
- 1x Hdmi - Micro Hdmi (upon request) 
- 1x Compact Peli Case


Note: battery pictured is for demonstration only and is not included.  The monitor comes fitted with a battery plate for V-Mount power ideal for a Focus Puller or Director’s Monitor configuration.  It can be powered externally from a D-Tap power source (cables included).  However if you would like The monitor lighter it can be supplied without the V-Lock plate at a lower price. See my other listings.


 The Trost M100 is a versatile 100cm (40”) slider, uniquely configurable, in a wide range of setups.

With a maximum payload of 254kg, the M100 can easily handle almost any camera setup you throw at it.  Equally at home being used with DSLR or Mirrorless cameras on a 75-100mm bowl head as it is with a RED or Alexa Mini mounted on an O’Connor. Assembled, calibrated and tested by hand.  Probably one of the most precise none motorized sliders out there.

An innovative offset carriage leaves room for Mitchell, 100mm ball, and 75mm ball tie-downs. This allows the slider to maintain an astonishingly low profile – less than 3″ (7.6cm) top to bottom. The result is a low center of gravity that is impossible with conventional slider designs. No more stacking risers on top of your slider.


Mounts on top of Mitchell tripod legs, or 100mm or 75mm bowl tripod with half-ball to 3/8″ adapter (included). Also mounts onto any flat base with male 3/8″ or 1/4″ screw, can be supported on c-stands via built-in c-stand wells.   Also mounts on top of another Trost™ carriage.  

The Metabones T Ultra 0.61x EF to Mft Speed-booster is the optical sweet-spot  for MFT adapters.  It should makes you lenses sharper as well as  faster and wider.  Optically better than the XL 0.64x Speed-Booster.

Increase maximum aperture by 1 stop
Increase field of view.
Compatible with autofocus
Makes lens 0.71x wider.
Build-in electronics to control lens aperture.
The lens aperture is set by the controls on the camera body.
Powered by camera body. no external power source required. 

Great combination with old manual legacy lenses with great optical qualities but some times have slightly slow apertures in the wide angles,  but they get a boost with the Metabones.  A f/3.5 lens becomes f/2.5 wide open.  An f/2.8 becomes a bright f/2

More than double your MōVI Pro gimbal run time with the Ignite Digi TB50 adpters!!!￼ 

Use TB50 98wh self regulating high load batteries from DJI, originally designed for the Inspire 2, Matrice 200 and Ronin 2. 

These plates are the Lemo versions, including an unregulated Lemo 2 pin output on both plates. This enables unregulated 20-25.5V power for high draw accessories, direct from each battery.
This combination will power any camera & accessory kit currently available.


Adapters slide and screw locks onto the MōVI Pro battery slots: no gimbal modification required.
Allows for unrestricted 360 roll mode because the batteries are mounted onto the gimbal & not the ring.
TB50s are smart batteries & self-discharge to protect the cells. (Compatible with TB55 also)
TB50s have built-in heaters that start warming the batteries when engaged to the plate. This feature optimises battery life & run times in cold conditions.
4 way and 8 way fast TB50 Battery Chargers are available from DJI for TB50 and TB55 batteries.

Sets of TB50 batteries are also available upon request. Contact me for a quote or see  separate listings 

4x Minty fresh & new DJI TB50 intelligent batteries for you Ronin or inspire, Matrice or MōVI Pro.


TB50s are high output 98wh high load batteries made originally for the DJI Inspire 2, Matrice 200 and Ronin 2.
Here we have 2x matching sets of two batteries. 4x TB50s in total. 

￼The TB50 is a smart battery & self-discharges to protect the cells.
TB50s have built-in heaters that start warming the batteries when engaged to the plate. This feature optimises battery life & run times in cold conditions.
The 4 way fast TB50 Battery Charger is  another benefit for the TB50 battery and is included with the set. 


Note:
*Using the “Ignite Digi TB50 battery adapters for the MōVI Pro” (also available separately) you can double your run time with two TB50s on your MōVI instead of the awful and week Freefly MoVi pro batteries 

2 Minty fresh & new DJI TB50 intelligent batteries for you Ronin or inspire, Matrice or MōVI Pro*

TB50s are high output 98wh high load batteries made originally for the DJI Inspire 2, Matrice 200 and Ronin 2.
Here we have 1 sets of two batteries. 

￼TB50’s are smart batteries & self-discharge to protect the cells.
TB50s have built-in heaters that start warming the batteries when engaged to the plate. This feature optimises battery life & run times in cold conditions.
The 4 way fast TB50 Battery Charger (listed separately)  is  another benefit for the TB50, they charge fast!! 


Note:
*Using the “Ignite Digi TB50 battery adapters for the MōVI Pro” (also available separately) you can double your run time with two TB50s on your MōVI and power any camera set up, instead of the awful and week Freefly MoVi pro batteries which can’t. 

6X Minty fresh & new DJI TB50 intelligent batteries for you Ronin or inspire, Matrice or MōVI pro. 


TB50s are high output 98wh high load batteries made originally for the DJI Inspire 2, Matrice 200 and Ronin 2.
Here we have 3x matching sets of two batteries. 6x TB50s in total. 

The TB50 is a smart battery & self-discharges to protect the cells.
TB50s have built-in heaters that start warming the batteries when engaged to the plate. This feature optimises battery life & run times in cold conditions.
The 4 way fast TB50 Battery Charger is  another benefit for the TB50 battery and is included with the set. 


Note:
*Using the “Ignite Digi TB50 battery adapters for the MōVI Pro” (also available separately) you can double your run time with two TB50s on your MōVI instead of the awful and week Freefly MoVi pro batteries 

The T8 HFI 36w Stick-Lite made by British company Encapsulite, is a slim tubular design with integrated HF-electronic ballast that can be both surface-mounted or suspended and used for a wide range of creative applications .  
￼The lights are for internal use,  plug straight into the mains, clip to walls, ceilings, suspend at any angle, or simply lean one in the corner, instant effect easy to use, very low power. 

7x Encapsulate Stick-light “Lilac” diffusion tubes, fitted with premium (American Daylight) 5600K 36W Osram Lumilux De Luxe T8 Fluorescent 1200mm Tubes with high (95) CRI output.

• T8 HFI Stick-Lite /Integral ECG/Florescent 
• LENGTH: 1435mm/5 foot) 
• ILLUMINATED LENGTH: 1170mm
• LUMENS: 2550
• CIRCUIT POWER: 33w
￼• LIGHT TEMPERATURE: daylight 5600K

Offers 360° light distribution through polycarbonate satin diffusers. The T8 HFI Stick-Lite is regularly used as a practical “in-vision” source light, particularly for quick set dressing in music videos, TV, film and theatre as well as shop displays.  Provides a cheap simple single source lighting alternative to Astera Pixeltubes or a single tube Kino Flo, also work great along with Astera’s  when requiring a bit more lighting in-scene or in confined spaces. 

For internal use only
For external use, contact me. 
Surface mounted or suspended
Uses T8 fluorescent lamps (coloured or tungsten lamps can be swapped In, replacing the white daylight tubes)
Can be used with coloured gels 
Suplied with mounting, suspension brackets & 7 long (figure-of-eight) 16A power cables - UK Plugs


 When it comes to a gimbals or on-camera monitors in high sun, the SMALLHD 503U takes top spot for brightest 5” daylight viewable field monitors, there isn’t a better tool for the job.  

Small HD’s flagship 5” Monitor works extraordinarily well outside, giving you an upper hand in most environments. You can’t imagine how bright this thing is. The image is sharp and contrasty, ideal for focus pulling and framing up outside. Its also extremely light and durable.  It uses a layer of Gorilla Glass over the monitor, sealing and protecting the screen.
 
SPECS:
5 Inch Ultra-Bright Full HD Field Monitor
2200+ Nits of Brightness
12v 2pin LEMO power in
1920 x 1080p IPS LCD Optically Bonded Gorilla Glass Screen
Pixel Density: 441 PPi
HDR Preview
SDI & HDMI Input & Output w/ cross conversion
SDI out doubles as 2nd SDI input
Dual View (via two inputs) for A/B Camera
Page Builder OS w/ Programmable Function buttons

ACCESSORIES INCLUDED:
- Anton Bauer V-Lock Plate 1x D-Tap out (installed). 
- 2x V-Lok batteris and dual charger.
- 2x Lemo to D-Tap pawer cables (long flexibility and short cables )
- 1x Tough Kramer short monitor arm
- 1x NATO rail to 1/4-20 Monitor Mount 
- 2x Hdmi cables (short & Long)
- 2x SDI cables
- 1x Hdmi - Micro Hdmi (upon request) 
- 1x Compact Peli Case


Note: The monitor comes fitted with a battery plate for V-Mount power ideal for a Focus Puller or Director’s Monitor configuration.  It can be powered externally from a D-Tap power source (cables included).  However if you would like The monitor lighter it can be supplied without the V-Lock plate at a lower price. See my other listings.


 Please, need to see some history of positive feedback for rental and Insurance is strongly advised (Llama does not cover borrowers remember). Thanks

 “Carbon Fibre”  light weight RED Dragon 6K Epic-M Cinema Camera FULL PACKAGE +

Canon 24-70mm f/2.8 L 
Canon 16-35mm f/2.8 L 

Excellent dynamic range and film like quality from this Dragon 6k sensor well on par with the Alexa look. A great Gimbal/MōVI camera! 

Included: 
-1x Satchler Pro Tripod and Fluid head
￼-5x Bebob High power V-lock batteries  (3x200wh 2x98wh) 
-Bebob fast duel charger. 
-1 x EF or PL Mount (please specify, EF will be fitted if not specified)
-1x Low light optimised OLPF filter (installed)
-3x 128GB RED minimag SSD cards
-1x REDmag 1.8” Station Usb3 SSD Reader
-1 x DSMC Side Handle
-1x RED Top Handle
-1x Redmote 
-1x Red Bomb viewfinder
-1x 5” RED Pro 5.0 LCV Touch OLED Monitor
-2x Red LCV/EVF cables  (two lengths)
-1x Red DSMC Tactical Top Plate
-1x Red DSMC Tactical Bottom Plate 
-1x Wooden Camera “Quickback” + V-Mount plate
-Anton Bauer Red Battery power plate + 15mm rod mounts & express charger 
-1x Noga Arm
-1xArri MCS base plate & carriage 
-19mm & Various 15mm Rods  
-ARRI FF-4 Pro Follow Focus Unit 
-Arri MCS Handlebars
-Shape 15mm Shoulder Mount bracket ￼
-1x XLR to Mini Jack, scratch audio input, short adapter cable
-1x Mains power supply and long power cable 
-Original REDmag Station 1.8” Card Reader
-1x USB & E-Sata, FireWire 800 cables 
-power cables 
-Tools + more. 

Everything you need except the lenses.

The Dragon has a film like grain, delicate highlight roll off, 16 stops of latitude, high frame rates, true anamorphic. All this up to full 6k resolution with the Dragon sensor and efficient Redcode Raw compressions. Produces a stellar cinematic image as seen in Fincher’s “Gone Girl” 2014

Im Based in Stoke Newington, North East London close to both Dalston & Islington. 
 
Any questions, get in touch!￼
Please contact before booking for details or custom quote & enquiries.

Great communication - stress free booking. Nice set of lenses with proper leitax mounts 🙌🏻

 A strong contender for 2nd best set on Fat Llama. 

These vintage primes are -￼ Fast - with all three stunning “Super Speeds” the 35, 50 & 85mm all at f/1.4!   Complete - with two stand out examples of the f/2.8 standard speeds.  
￼Made during the 70s and 80s, the same time as the legendary “SuperSpeed” 35mm cinema lenses (Taxi Driver, The Shinning) these Carl Zeiss Contax T* lenses share the same T* coatings probably some of the same glass and much of the same look and properties... But guess what? ￼ 
￼• THEY COVER FULL FRAME 8K!
• THEY’RE VERY COMPACT (FOR GIMBAL WORK)
• DIGITAL SENSORS LOVE THEM!
• LATITUDE EXPANDING-LOW CON LOOK, SATURATED COLOURS, STUNNING RESOLUTION & SHARPNESS 
￼
... and they adapt very well for cinema use and EF mounts.
Each lens was cherry picked, each one a great copy of second generation MMJ Contax T* lenses, with further improved optical designs (25mm & 28mm), and coatings (flare blue/purple) and apertures.  All lenses are fitted with 80mm fronts, 77mm filter threads, focus gears and precision LEITAX EF mounts. 

This supreme set contains 5 classic Zeiss prime lenses: 

25mm Distagon T* f/2.8 MMJ (397g)
28mm Distagon  T* f/2.8 MMJ (366g)
35mm Distagon T* f/1.4 MMJ (638g)
50mm Planar T* f/1.4 MMJ  (356g)
￼￼85mm Planar T* f/1.4 MMJ. (663g)


Note:
￼lenses come in a hard protective Peli Case

The apertures are not de-clicked 

 A strong contender for 2nd best set in London. 

These vintage primes are -￼ Fast - with all three stunning “Super Speeds” the 35, 50 & 85mm all at f/1.4!   Complete - with stand out examples of the standard speeds from 18mm-135mm.  
￼Made during the 70s and 80s, the same time as the legendary “SuperSpeed” 35mm cinema lenses (Taxi Driver, The Shinning) these Carl Zeiss Contax T* lenses share the same T* coatings probably some of the same glass and much of the same look and properties... But guess what? ￼ 
￼• THEY COVER FULL FRAME 8K!
• THEY’RE VERY COMPACT (FOR GIMBAL WORK)
• DIGITAL SENSORS LOVE THEM!
• LATITUDE EXPANDING-LOW CON LOOK, SATURATED COLOURS, STUNNING RESOLUTION & SHARPNESS 
￼
... and they adapt very well for cinema use and EF mounts.
Each lens was cherry picked, each one a great copy of second generation MMJ Contax T* lenses, with further improved optical designs (25, 28, & 135), and coatings (flare blue/purple) and apertures.  All lenses are fitted with 80mm fronts, 77mm filter threads, focus gears and precision LEITAX EF mounts. 

This supreme set contains 7 classic prime lenses: 
18mm Distagon  T* f/4 MMJ  (419g)
25mm Distagon T* f/2.8 MMJ  (397g)
28mm Distagon  T* f/2.8 MMJ  (366g)
35mm Distagon T* f/1.4 MMJ  (638g)
50mm Planar T* f/1.4 MMJ  (356g)
￼￼85mm Planar T* f/1.4 MMJ  (663g)
135mm Sonar T* f2.8 MMJ  (628g)


Note:
￼lenses come in a hard protective Peli Case
The apertures are not de-clicked except the 50mm. 



CARL ZEISS ZE PRIME LENS SET 
- CANON EF FIT 
- 21MM F/2.8
- 50MM F/1.4
- 85MM F/1.4

All lenses come with front and rear lens cap. 



This is a beautiful set of Zeiss Contax Primes

These were made during the same period as the super speeds so share a number of similar coating characteristics

This is the fastest set in London and has taken a number of months to build.  All lenses have gears, EF Leitax mounts and 80mm fronts (apart from the 21mm)

Lenses included:-

- 21mm f2.8
- 28mm f2 (hollywood)
- 35mm f1.4
- 50mm f1.4
- 85mm f1.4

Rokinon Cine lens SET - Canon EF Mount

- 24 mm T1.5
- 50 mm T1.5
- 85 mm T1.5

 Really nice, 9 lens set of cine-modded Asahi Super-Takumar & Super-Multi-Coated Takumar Lenses.  
Closely matched - selected for sharpness - These are stunning full frame multi-coated lenses from the 60s and early 70s. Work great with a Speed-boosters in particular. 

S-M-C Takumar 24mm f/3.5 
S-M-C Takumar 28mm f/3.5 
Super-Takumar 35mm f/3.5
Super-Takumar 35mm f/2.0  (MkI best) 
Super-Takumar 50mm f/1.4  (7 Element)
Super-Takumar 55mm f/1.8
Super-Takumar  85mm f/1.9  (MkII best)
￼S-M-C-Takumar 105mm f/2.8
Super-Takumar 135mm f/3.5  (5Element best)


This line of lenses feature a multi layer coatings which were unheard of at the time they were made, and far superior to their single coated predecessors. They cine-mod very well and are compact mechanical masterpieces. 

Features:
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless focus gears
• M42-Canon EOS EF adapted (backwards compatible) 
• Clicked aperture in half-stop 

The lenses really produce a vintage, retro look, similar to Russian/Soviet lenses and Zeiss Jena primes but perhaps more so and yet with more contrast and controlled flares, than the single coated Russian lenses. 

Some DOPs in the know referred to these as the poor mans ‘Cooke’, comments on REDUser forum also say its a “vintage look similar to Super Baltars or Kowa Prominars”. They yield a distinctly retro cinematic character and have a painterly type of rendering with deep blacks and a smooth transition into out of focus areas. And the Colours!!

I’ve tried my best to match these lenses for colour and contrast.  I’ve chosen the best of the early Takumar lenses and a few select S-M-C lenses where the focal length benefits from the extra coatings. Both early Takumars and S-M-C Takumars have a cool look compared to the middle period Super-Taks which I’ve found can have a much warmer tone

￼also available:￼
Super-Takumar 120mm f/2.8
S-M-C Takumar 58mm f/1.8


3 Supreme Fast “speed”  Asahi Super-Takumar vintage prime lenses.  These are 3 of the very best Super-Takumar lenses each,  with a deserved reputation, these lenses have tones of character.  They are Cine-modded with Canon EF mounts - work great with speedboosters.

Super-Takumar  35mm f/2.0  (MkI best)
Super-Takumar  50mm f/1.4  (7 Element)
Super-Takumar 85mm f/1.9  (MkII best)

This line of lenses feature a multi layer coatings from the 60s-70s, they cine-mod very well and are compact mechanical masterpieces.  The focus on Takumar lenses turns in the Nikon direction opposite to most cinema lenses. 

Features:
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless focus gear
• M42-Canon EOS EF adapted 
• Clicked aperture in half-stop 

The lenses really produce a vintage, retro look, similar to Russian/Soviet lenses and Zeiss Jena primes but perhaps more so and yet with more controlled flares, than the single coated Soviet lenses.  They yield a distinctly retro cinematic character and have a painterly type of rendering with deep blacks, saturated colours and a smooth transition into out of focus areas.

also available:￼￼
S-M-C Takumar 24mm f/3.5
Super-Takumar 35mm f/3.5
S-M-C Takumar 55mm f1.8￼
S-M-C Takumar 105mm f/2.8
And more... just ask 

Two of the all time Supreme “Fast” Asahi Super-Takumar vintage prime legacy lenses.  Take two of the very best Super-Takumar lenses with a deserved reputation, these lenses have tones of character.  They are Cine-modded with Canon EF mounts - work great with speedboosters.

Super-Takumar  35mm f/2.0  (MkI best)
￼&
￼Super-Takumar  50mm f/1.4  (7 element)

This line of lenses feature a multi layer coatings from the 60s-70s, they cine-mod very well and are compact mechanical masterpieces.  The focus on Takumar lenses turns in the Nikon direction opposite to most cinema lenses. 

Features:
• Full Frame coverage 
• 77mm filter thread 
• 80mm diameter front 
• Seamless focus gear
• M42-Canon EOS EF adapted 
• Clicked aperture in half-stop 

The lenses really produce a vintage, retro look, similar to Russian/Soviet lenses and Zeiss Jena primes but perhaps more so and yet with more controlled flares, than the single coated Soviet lenses.  They yield a distinctly retro cinematic character & a painterly type of rendering with deep blacks, saturated colours and a smooth transition into out of focus areas.

also available:￼￼
S-M-C Takumar 24mm f/3.5
S-M-C Takumar 28mm f/3.5￼￼
Super-Takumar 35mm f/3.5
S-M-C Takumar 55mm f1.8￼
Super-Takumar 85 f/1.9 (second revision)
S-M-C Takumar 105mm f/2.8
And more... just ask 

Exceptional vintage 645 medium format lenses that have become very popular for there sharpness,  look and  character!

5 lens set Includeds
Mamiya Sekor C. N 35mm F/2.8
Mamiya Sekor C. S 45mm F/2.8
Mamiya Sekor C. S 55mm F/2.8
Mamiya Sekor C  80mm F/2.8
Mamiya Sekor C. A 150mm F/2.8 (APO)
 + 1 bonus lens the incredibly beautiful Mamiya Sekor C 110mm f/2.8 (This lens is sharp! But it was  damaged, however still usable for video, yet stuck wide-open at f/2.8, and the  focus is achieved by rotating the front helicoid itself. 

Features: 
 • Full Frame & LF coverage 
 • 77mm filter thread 
 • 80mm diameter front  
 • Seamless focus gear
 • Mamiya 645 to EOS EF adapted  
 • Clicked aperture in full stops

The set comes with a high-quality custom made precision C7adpater EF to locking Mamiya Mount.  that will marry perfectly with any locking ￼EF mount like the Ursa Mini Pro, or Metabones￼ Cine Speedboosters & adaptors or Arri and Red Locking EF mounts etc.



 Complimenting the stunning looks of the fast T2.1 APO Hyperprime’s is already highly reputable Laowa Zero-Distortion 12mm Cine lens.

  This is a superior, sharp & neutral wide at T2.9 with plenty pop and a magic all of its own.  Unique for its ultra wide angle Full Frame, Visa Vision and 8k coverage as well as high resistance to chromatic aberration, and incredibly practically zero distortion? 

 • The flagship Hyperprime lenses are APO glass, highly corrected with zero to extremely low CA even in extreme conditions.
• Minimal to no breathing 
• Full 360 degree precision focus throw
• 100% spherical Cinema glass  from the ground-up
• T2.1 across the set 
• PL mounts that adapt natively to EF with a “locking”  Titanium EF adapter.
• Colour matched 
• “Full Frame”  Vista Vision 8K coverage, lenses optimised for digital sensors yet rendering a vintage look.
• Truly "Compact" Cine primes -Uniform size, weight & gear positions (perfect for stabilisers) 
• 95mm matte-box Standard front diameters , usable 82mm front filter threads!!

SET INCLUDES:
LAOWA Zero-D  Cine  12mm  T2.8 Lens
APO HyperPrime Cine 25mm T2.1 Lens
APO HyperPrime Cine 50mm T2.1 Lens
APO HyperPrime Cine 85mm T2.1 Lens


 APO Hyperprime’s can be chosen over the Zeiss CP.2 CP. 3 & Canon Cine primes for a less clinical rendering.  They are not rehoused still lenses but true spherical cinema glass that holds its  own beside Cooke S4i and Leica Cine glass. They have been compared favourably by DP John Bawley to Panavision Primos.  Much more organic & vintage feeling than Sigma Art Cine lenses. Much more compact than Tokina Cine Visa primes the APO Hyperprimes are a great choice when you need some personality.  

4x Cinema Prime Lenses come in Genuine waterproof Pelican cases.
Remember, these work seamlessly & interchangabley with PL or EF Mount except the Laowa which is EF mount only

Please see my separate listing for the APO lenses for full specifications￼

Soviet lens set including -

MIR- 11 (12mm,f2)
Beta 7 (20mm, f.2) 
Tair 41 M (50mm, f.2) 

Original Mount (Keiv 16U?), comes with MFT adaptor. 


An amazing looking set of prime lenses made in the 70's. Perfect alongside the BM ursa mini pro G2, to soften up the slightly digital look that it gives. EF mount. 

24mm 2.8 (declicked)
35mm 2.0 
50mm 1.4 (declicked)
85mm 2.0 
135mm 3.5


Set of 7 Nikon Ai-s Lenses fitted with EF hard mount. 

These lenses are all declicked for cinema use. 

Set includes: 

16mm F2.8 Ai-s
20mm F2.8 Ai-s
28mm F2 Ai-s
35mm F1.4 Ai-s
50mm F1.2 Ai-s
85mm F1.4 Ai-s
105mm F1.8 Ai-s 

All lenses are optically mint. 

This is a beautiful set for both video and photography use. Fantastic sharpness and contrast with exceptional rendering of out of focus areas. The set also matches very well colour wise from lens to lens, which is rare for vintage photo lens sets. 

Don't hesitate if you have any questions. Please check for availability before booking. 

Sony a7s Mark 2 Mirrorless Camera 

3 Beautiful Carl Zeiss Prime Lenses 
- 21mm f/2.8
- 50mm f/1.4
- 85mm f/1.4

5 x a7s batteries 
Battery charger

3 x 64GB memory cards
Lowepro Camera Backpack

ALL KIT IS IN PERFECT WORKING ORDER. 
PLEASE MESSAGE ME BEFORE BOOKING. 
THANK YOU!

Zeiss 70-200mm T2.8 cine prime lens in custom Peli Case 

Great looking cine lenses that are easy on the ol’ budget. EF mount

Set includes:
24mm f/1.4, 35mm f/1.4, 50mm f/1.4, 100mm f/2.8 (macro), 135mm f/2
Samyang Flight Case

Can also include Samyang 85mm f/1.4 lens in box - Same optics as rest of the set, without cine gear ring, de-clicked aperture etc

Samyang Cine Prime Lens Kit - EF Mount (20mm/35mm/50mm/85mm/100mm)

x 1 Samyang t1.9 20mm
x 1 Samyang t1.5 35mm
x 1 Samyang t1.5 50mm
x 1 Samyang t1.5 85mm
x 1 Samyang t3.1 100mm

Based in Stoke Newington, not far from Shoreditch area in East London.

I am a London-based TV Producer/Director looking to rent out my equipment while I'm not using it. The kit is all is prefect working condition. 

I'm very flexible with pick ups and drop offs between 6:00am-11.00pm, Monday to Sunday at my flat.

This is a stunning wide angle gem,of a lens, the Nikkor AIS 20mm f/2.8 Vintage wide angle lens.

The lens has been adapted for cinema and video use. It is adapted to be a native EF Mount with a precision quality Leitax mount.  Fantastic close focus capabilities. 

￼The all manual lens has a seamless focus gear and an 80mm diameter front/hood with a 77mm filter thread added.

With a Super 35 sensor the lens hood can be extended for more follow focus clearance.  Note: otherwise this has frame coverage!!  The Nikkor look compliments Sony, Red & Blackmagic sensors extremely well. 

Comes with carry pouch 


Samyang 85mm 1.5 EF Mount Cine Prime Lens
-comes with lens carrier pouch

Samyang 24mm 1.5 EF Mount Cine Prime Lens 
-comes with lens carrier pouch.

Set of 4 Samyang EF-Mount (Canon) Cinema Prime Lenses.

- 16mm (APS-C coverage)
- 35mm (FF Coverage)
- 50mm (FF Coverage)
- 85mm (FF Coverage)

See below for lens-specific details:

*16mm T2.2 Samyang *
- Canon EF-Mount 
- APS-C Coverage (Will vignette on a full-frame 
  sensor)
- Smooth (declicked) iris gear
- Focus and Iris gear teeth for follow focus

*35mm T1.5 Samyang*
- Canon EF-Mount 
- Full-frame Coverage
- Smooth (declicked) iris gear
- Focus and Iris gear teeth for follow focus

*50mm T1.5 Samyang*
- Canon EF-Mount 
- Full-frame Coverage
- Smooth (declicked) iris gear
- Focus and Iris gear teeth for follow focus

*85mm T1.5 Samyang*
- Canon EF-Mount 
- Full-frame Coverage
- Smooth (declicked) iris gear
- Focus and Iris gear teeth for follow focus

More detailed distance markings in Imperial added by hand on barrel as the standard Samyang distance markings are crap. 

Lenses come in 1560 Pelican Case with wheels. 

Select any Canon FD lens from the full set and get it at a single price £12 per lens.   I've got a full set available - 24, 28, 50, 85, 135 plus a 70-200 zoom. Adaptors are available for Sony E mount, Fuji and Micro Four thirds (GH5/S, BMPC4K ETC). 


 • The flagship Hyperprime lenses are APO glass, highly corrected with zero to extremely low CA even in extreme conditions.
• Minimal to no breathing 
• Full 360 degree precision focus throw
• 100% spherical Cinema glass  from the ground-up
• T2.1 across the set 
• ￼PL mount lenses that adapt to EF with “locking”  Titanium PL to EF adapter.
• Colour matched 
• “Full Frame”  Vista Vision 8K coverage, lenses optimised for digital sensors yet rendering a vintage look.
• Truly "Compact" Cine primes -Uniform size, weight & gear positions (perfect for stabilisers) 
• 95mm matte-box Standard front diameters , usable 82mm front filter threads!!

 The APO Hyperprime’s can be chosen over the Zeiss CP.2 CP. 3 & Canon Cine primes any day for the character in their rendering, the later two lack.  BUT, also they are not rehoused still lenses but true spherical cinema lenses that hold their own looks with Cooke S4i and Leica Cine glass. They have been compared favourably by DP John Bawley to Panavision Primos and they’re a lot less clinical than Sigma Art Cine lenses and other modern choices.  Perhaps most comparable to the new "Tokina Cine Visa primes' the APO Hyperprimes are a great choice when you need some personality & sharpness but with softer rendering & light fall-off like some vintage glass.  
Glass that many DOPs are choosing professionally to work with over more expensive options.  

APO HyperPrime Cine 25mm T2.1 Lens
APO HyperPrime Cine 50mm T2.1 Lens
APO HyperPrime Cine 85mm T2.1 Lens

￼￼3x Cinema Prime Lens set - comes with:
Genuine waterproof Pelican case.
Remember, these work seamlessly & interchangabley with PL Mount or EF Mount cameras. 

SPECS:
Focal Length:	25mm
Lens Mount:	ARRI PL
Format:	     Full Frame
Image Circle:	44.0 mm
Maximum T-Stop:	T2.1
Minimum T-Stop:	T22
Minimum Focus Distance from Image Plane:	12" / 31 cm
Gear MOD & Pitch:	Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Front Diameter:	95 mm
Filter Thread:	82 mm
Focus Scales:	Imperial
Focus Rotation:	300°
Length:	3.7" / 9.4 cm
Weight:	2.4 lb / 1.1 kg

Focal Length:	50mm
Lens Mount:	ARRI PL
Format:	     Full Frame
Image Circle:   44.0 mm
Maximum T-Stop:	T2.1
Minimum T-Stop:	T22
Minimum Focus Distance from Image Plane:	24" / 31 cm
Gear MOD & Pitch Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Front Diameter	95 mm
Filter Thread	82 mm
Focus Scales	Imperial
Focus Rotation	300°
Length	3.7" / 9.4 cm
Weight	2.4 lb / 1.1 kg


Focal Length:	85mm
Lens Mount:	ARRI PL
Format:	Full Frame
Image Circle:	44.0 mm
Maximum T-Stop:	T2.1
Minimum T-Stop:	T22
Minimum Focus Distance from Image Plane:	36" / 91.4 cm
Gear MOD & Pitch:   Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Front Diameter:	95 mm
Focus Rotation:	300°
Length:	3.7" / 9.4 cm
Weight:	2.4 lb / 1.1 kg

￼Add:  £15 for Titanium SLR Magic PL>EF adapter; allows you to use lenses with practically any EF-Mount camera)

Here is the astonishing Venus Optics Laowa Zero-D 12mm Cinema lens. 

 “Zero-D” for Zero distortion - Cinema robust housing with focus ( 270° throw) and iris gears. 

• Full frame coverage ￼
• Standard 100mm front hood (already compatible with many Matt boxes and filter holders)
•￼ Front Adapter for 114mm Matt Box’s 
￼• EF mount ideals for modern locking Full Frame cinema mounts & easily adapted to MFT mounts with Speed-boosters and focal reducers 
• Amazing punchy look & incredible optics
• Fast T/2.9 (F/2.8) aperture and sharp wide open

 
Unique in its class with very few lenses that compare.  It beats the Tokina 11-20mm lens for coverage which vignettes at 14mm even on a 6K Dragon and only usable at 16mm at 8K.  The Laowa gives you full 8K, and Alexa LF coverage unlike the ledgendy Cooke and Zeiss 12mm lenses designed only to cover (Super) 35mm. It has a Zeiss like neutral look with an inexplicable pop & character, rendering out of focus areas nicely. It has high resistance to chromatic aberrations and fringing.  Compliments very well our APO Hyperprime cinema lenses & Contax Standard/Super Speed Cine-modded still glass, filling out the ultra wide-angle end of the sets.

The new 12mm lens is currently the widest t/2.9 lens that can cover sensor up to both full frame & vista vision size (wider than full frame), making it one of the ideal wide angle option for both professional cinema cameras and mirrorless cameras.

• Focal Length:  12mm
• Max. Aperture: T/2.9 - 22
• Angle of View:  122°
• Format Compatibility: Full frame, VistaVision
• Lens Structure:  15 elements in 10 groups
• Aperture Blades:  7
• Min. Shooting Distance:  18cm
• Front Diameter:  102mm, works with 114mm adaptor ring & Matte box
• Filter Thread:  No filter (Matte box is required)
• Weight: 675g
• Mount. EF



￼ 

Set of canon cine prime lenses.  EF mount.  14mm, 24mm, 35mm, 50mm, 85mm and 135mm. 

50mm APO Hyperprime T/2.1 Cine PL Lens. 
Adapts very easily to EF Mount with dedicated PL to EF adapter (pictured but available separately.)

This spherical APO glass looks amazing, rending in a shape yet vintage way that is comparable to vintage Cooke lenses and Panavision Primo’s. 

85mm APO Hyperprime T/2.1 Cine PL Lens. 
Adapts very easily to EF Mount with dedicated PL to EF adapter (pictured but available separately.)

This spherical APO glass looks amazing, rending in a shape yet vintage way that is comparable to vintage Cooke lenses and Panavision Primo’s. 

 25mm APO Hyperprime T/2.1 Cine PL Lens. 
Adapts very easily to EF Mount with dedicated PL to EF adapter (pictured but available separately.)

This spherical APO glass looks amazing, rending in a shape yet vintage way that is comparable to vintage Cooke lenses and Panavision Primo’s. 

 SLR Magic Titanium PL to EF Adpter аllоwѕ uѕеrѕ tо mоunt РL lеnѕеѕ оn thеіr ЕF-Моunt Mirrorless, DЅLR оr Digital cinema Camera.

Key Features:
Easy to install & use
PL to EF-Mount Adapter
Solid, durable construction
￼
Please Note
The SLR Magic PL to EF adapter only works for sure, with the PL lenses shown below:

SLR Magic
SLR Magic ANAMORPHOT-CINE 35mm/50mm/70mm
SLR Magic APO-HyperPrime 25/32/50/85
Century Optics
Century Optics S2000 150-600mm - Canon
Century Optics 200 mm T 2 - Canon
Nikkor
Nikkor Micro 200 mm T 4
Nikkor 800 mm T 5.6
Nikkor 300 mm T 2
Nikkor 200 mm T 2
Cooke Optics
Cooke 18-100 mm T 3
Canon
Canon 800 mm T 5.6
Canon 400 mm T 2.8
Canon 300 mm T 2.8
Canon 20-35mm T4
Angenieux
Angenieux 20-120 mm
￼Angenieux 25-250mm T3.5 HR
Angenieux 7-81 mm T 2.4 HR
Angenieux 17-102 mm T 2.9
Angenieux 24-290 mm T 2.8
Angenieux Optimo 24-290 mm
Angenieux Optimo 28-70 mm
Angenieux Optimo 17-80 mm T 2.2
Angenieux Optimo 15-40 mm T 2.6

Angenieux Optimo 16-42mm
Angenieux Optimo 45-120mm
Angenieux Optimo 28-340mm
Angenieux Optimo 19.5-94mm
Focus Optics
Ruby 14-24mm T2.8
AllStar
Allstar 135mm T1.9
Allstar 80-200mm T3
Allstar 50mm T1.5
Allstar 18-35 T1.8

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x 1 Samyang Cine Prime - T3.1 (EF Mount)

Based in Stoke Newington, not far from Shoreditch area in East London.

I am a London-based TV Producer/Director looking to rent out my equipment while I'm not using it. The kit is all is prefect working condition and the camera was serviced just before its last use.  

I'm very flexible with pick ups and drop offs between 6:00am-11.00pm, Monday-Sunday at my flat.

Samyang Cine Prime 85mm T1.5 (EF Mount)

Based in Stoke Newington, not far from Shoreditch area in East London.

I am a London-based TV Producer/Director looking to rent out my equipment while I'm not using it. The kit is all is prefect working condition and the camera was serviced just before its last use.  

I'm very flexible with pick ups and drop offs between 6:00am-11.00pm, Monday-Sunday at my flat.

Samyang Cine Prime 50mm T1.5 (EF Mount)

Based in Stoke Newington, not far from Shoreditch area in East London.

I am a London-based TV Producer/Director looking to rent out my equipment while I'm not using it. The kit is all is prefect working condition and the camera was serviced just before its last use.  

I'm very flexible with pick ups and drop offs between 6:00am-11.00pm, Monday-Sunday at my flat.

Samyang Cine Prime 35mm T1.5 (EF Mount)

Based in Stoke Newington, not far from Shoreditch area in East London.

I am a London-based TV Producer/Director looking to rent out my equipment while I'm not using it. The kit is all is prefect working condition and the camera was serviced just before its last use.  

I'm very flexible with pick ups and drop offs between 6:00am-11.00pm, Monday-Sunday at my flat.

3 Carl Zeiss Contax T* cine-vised lens set. Vintage-Canon EF

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3 Carl Zeiss Contax T* cine-vised lens set. Vintage-Canon EF

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