The ART P48 48-point balanced patchbay is the best solution for organizing cables while optimizing connectivity in any studio or live PA rack. Designed for maximum convenience, each pair of TRS 1/4-inch balanced I/O can be configured for normal or half-normal operation.
The fully shielded steel 19-inch 1U rackmount chassis has reversible rack ears for maximum flexibility. The P48 is covered by ART&#39;s comprehensive 3-year warranty.

    Connectors: 1/4-inch TRS Balanced Phone Jacks
    CMRR: Better than -90 dB (-95 dB typical)
    Channel to channel isolation: Better than -80 dB (-95 db typical)
    Enclosure: Steel 1U high, 19-inch rack mount
    Dimensions (HWD - in): 1.75 x 19 x 3.5
    Dimensions (HWD – mm): 44 x 483 x 89
    Weight: 4.5 lbs. (2.0 kg)


Double-Brace, Single-Tier &#34;X&#34; Leg depth: 20&#34; - 50.8 cm Tier depth: 13.75&#34; - 34.9 cm Folded height: 38.75&#34; - 98.5 cm Weight capacity: 180 lb - 81 kg Weight: 10.6 lb - 4.8kg Brace tube size: 30 mm x 15 mm Tier tube size: 30 mm


Doorway is a linear video key generator and compositor, also known as a soft keyer.  A typical video key is generated using a comparator circuit, where the ouput is a binary state: on or off.  Doorway instead achieves key generation via high gain amplification and clipping of the input source.  The edge of the resulting key is therefore composed of a variable percentage of the input signal, centered around the threshold point.
 
 
 
 
 


Brst is a voltage controlled burst generator and trigger delay. Upon receipt of a gate signal, Brst will output a stream of triggers. Knobs and CV inputs give the user control over speed and the number of repetitions. Whether you&#39;re generating bouncing balls, crafting IDM drum beats, or humanizing a clock signal, Brst will prove an indispensable addition to your rack.
Voltage controlled burst generatorCV over number of pulses and rate of outputInitial trigger can be included or omitted from outputWide burst range all the way up to 32 repeats
26 mA +12V7 mA -12V0 mA 5V47 mm deep


This is a listing for a B Stock item which has been fully tested by the Manufacturer and comes with full warranty - casing has cosmetic scratches and the equipment is in full working order.

LAVALIER MICROPHONE FOR SMARTPHONES

Rode smartLav Plus Lapel Microphone for iPhone, iPad and most other smart devices is a broadcast-grade wearable microphone designed for use in a wide range of film, television and broadcast scenarios, or wherever broadcast quality audio is required in a discreet, portable format without the complication and expense of additional wireless equipment. All at a very reasonable budget.
With the smartLav+ the user simply mounts the microphone on the talent, connects it to a smartphone or tablet headset jack and records via the RØDE Rec app for iOS, or any other audio app of their choice. The smartLav+ can also be used with a DSLR camera.
By employing a professional quality omni-directional condenser capsule the smartLav+ picks up sound equally from all around the microphone, allowing for versatility when mounting and ensuring a high degree of user-friendly operation.
A foam pop shield is supplied to minimise wind noise and vocal plosives (hard ‘b’, ‘t’ and ‘p’ sounds), as well as a durable mounting clip with in-built cable management. Its Kevlar® reinforced cable ensures that you never stretch or snap your microphone under normal usage conditions.
The smartLav+ is compatible with any audio app that accepts input from the headset connection, however it has been designed to pair perfectly with RØDE’s RØDE Rec app for Apple iOS devices. RØDE Rec turns the user’s iOS device into a fully-featured field recorder, with a wide range of equalisation presets to suit various recording situations, in addition to professional editing functions and the ability to publish to SoundCloud and Dropbox direct from the app.

Features
Specifications:




Mutable Instruments Shelves Eurorack EQ Module
Shelves brings to Eurorack modular systems something we are all very familiar with: the 4-band parametric EQ typically found in console channel strips. But this time, there’s CV control! The first band is a low-pass shelving filter, the fourth band a high-pass shelving filter, and band #2 and #3 have full-blown parametric controls with bandwidth (Q) adjustment. All analog.
Shelves will provide a subtler spectral shaping &amp; coloring than standard multimode filters. It is particularly useful in the feedback loop of effects or more generally in feedback patches in which the slightest tonal change has drastic consequences. Or as a novel way of shaping sounds obtained by west-coast techniques. Or as a formant-ish filter. Or to emulate the body of instruments in the context of physical modelling patches…
Unlike console EQs, each band is not restricted to a narrow range of frequencies: it can be swept across the entire audio range, from 20 Hz to 20kHz – with unexpected phase cancellations or reinforcements when corrections compete in the same frequency range. All parameters have direct CV control. Global frequency and cut/boost CV inputs allow simultaneous CV control of all channels.
I/O
Controls
Expansion - The parametric sections are realized with state-variable filters, whose high-pass, band-pass, and low-pass outputs are available on a header on the back of the module or through an expander.
Technical characteristics


Evolved from the oscillator mixing section of Mutable Instruments’ desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods – some of them emulating classic analog circuits, some of them purely digital – are provided by the module.
With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.
Since many classic cross-modulation effects work best when the carrier is a simple waveform – for example, a sine wave for ring-modulation or a buzzing waveform for vocoding – Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input – freeing up one oscillator in your system for other duties!


VCAs are the cornerstones of modular patches: shaping the amplitude or timbre of a tone with an envelope, animating a mixture of several oscillators, controlling the amount of filter modulation with a random source or a touch controller, applying an envelope on the linear FM signal hitting an oscillator… are all possible uses of these super versatile building blocks. That’s why you never have enough of them. What about four more?
Veils provides four VCAs with an adjustable response curve. Veils’ outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.


 Yarns is a MIDI interface providing up to 4 channels of CV/Gate conversion, and providing some of the MIDI message processing features of Mutable Instruments’ MIDIpal, including arpeggiator, euclidean sequencer, and a SH-101 inspired step sequencer.
Yarns provides 4 CV outputs and 4 Gate/trigger outputs, which can be assigned to up to 4 voices. In single voice mode, note, velocity, modulation and aftertouch (or other CC) CV are produced, along with a gate, a trigger, and a clock/reset output. In two voices mode, two channel of note, modulation or aftertouch CV are produced, along with two gates, and clock/reset outputs. Finally, in four voices mode, four pairs of CV/Gate outputs are provided.
The 2 and 4-voice modes are available both in a “polyphonic” and “multitimbral” flavour. The former receives chords from one single MIDI channel and dispatches them to the voices; while the later provides independent monophonic parts – which can be addressed to different MIDI channels, keyboard ranges, or even velocity levels. Various note priority modes (low, high, last) and polyphonic allocation schemes (voice-stealing, random, cyclic) allows you to fine-tune the CV/Gate conversion to your playing style. Each voice has a built-in digital LFO to interpret modulation wheel messages as a vibrato; can respond to pitch-bend messages; or can be smoothed with a glide/portamento control – no need for a dedicated module and patches to get the right response from a MIDI keyboard!
Other unique features include support for microtunings (either through standard MIDI messages or from a selection of historical tunings or indian ragas), just intonation, and an audio output mode which can transform one, two, or four of the CV outputs into simple digital oscillators.



    The ART ProMIX is a compact 3-channel microphone mixer designed as an easy, cost effective solution for mixers and preamps with minimal microphone inputs. The ProMIX features 3 microphone inputs with 3-pin XLR female connectors. The mixer is capable of supplying up to 18V phantom power to condenser microphones. A single balanced, XLR male mic-level output is provided. A 1/4&#34; headphone output doubles as an alternate line level output. Low frequency cut off eliminates hun and rumble and level adjustment controls are located on each channel.



    The Pro-VLA is a tube driven Vactrol-based Compressor / Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations.
     

    By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro-VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical studio and live sound applications.


The Dual RDB from ART is a dual re-amping direct box that is an ideal solution for any application where stereo or dual line level signals from recording interfaces, computers, mixers, iPods, consumer audio or video machines need to be connected to XLR microphone or 1/4&#34; instrument level inputs. The interface functions transparently with any high quality audio source.
Re-amping interface for multiple sourcesStereo / Dual Direct BoxPad circuitry for mic / instrument inputs2x XLR (balanced) / 1/4 &#34;TRS line inputsTransformer-balanced XLR output (microphone level)Transformer-balanced 6.3 mm jack output (instrument)Frequency response: 20 Hz - 20 kHzMute function


The ART MacroMIX is an ultra compact 4 channel utility audio mixer designed as a solution between line-level audio devices and recorders, powered monitors etc. The MacroMIX features 4 input channels with individual level control. Channels 1 and 2 feature dual mono RCA inputs, channel 3 features dual mono and a single 1/4&#34; input and channel 4 features a single 1/4&#34; input. Dual mono RCA line outputs are provided, and a 1/4&#34; mono headphone out also doubles as a secondary line level output when necessary. The MacroMix is powered with a 12V DC power supply (included).    
Four input channels Ch. 1 and 2 have dual L/R RCA inputs Ch. 3 offers a choice of one 1/4&#34; or dual L/R RCA inputs Ch 4 has a 1/4&#34; unbalanced input Four Level controls, one for each channel Dual L/R RCA Output connectors 1/4&#34; Line Out/Mono Headphone output jack Active preamplification and mixing circuitry Input Impedance: 10K ohms unbalanced (all inputs) Ch. 1/2/3 and 4 Input Gains: 32dB/26dB/26dB and 26dB S/N Ratio: &gt; 9 0 d B THD :&lt; 0 . 0 0 8 % IMD (SMPTE): &lt; 0 . 0 0 8 % Power: 12V DC (Adapter included) Dimensions: 5.625 x 3.75 x 1.75 inches (143mm x 92mm x 45mm) Weight: 2 lbs (0.91kg)


The ART MyMonitor is a personal monitor mixer designed to suit the individual level needs of performers. The mixer features an XLR microphone input and Thru output. A monitor input features a stereo 1/4&#34; phone input and excepts a line level input from external mixers, recorders etc. The mixer is designed to allow talent to set their own microphone levels without effecting the level on output. Although microphone and line level signal are fed into the mixer, only the microphone signal is sent via the Mic Thru output. The mixer is powered with a 12V DC power supply or single 9 Volt battery. Dual headphone outputs accommodates 2 headphones.
Maximum Input Level +6 dBu (mic), +12 dBu (instrument),+32 dBu (line), &gt;+32 dBu (stereo monitor)Input Impedance 4.5k Ohms (mic), 1m Ohm (instrument),100k Ohms (stereo monitor, line)Maximum Output Level +12dBu (headphones)Maximum Gain 47dB (mic), 41dB(instrument), 21dB(stereo monitor, line)Output Impedance 47 Ohms (each headphone output)Input Connections XLR balanced microphone, 1/4-inch stereo monitor,1/4-inch mono instrument/line inputOutput Connections XLR balanced microphone, 1/4-inch and 1/8-inch headphones, 1/4-inch mono instrument/line thruSignal To Noise Ratio &gt; 96dBPower 12VDC @ 150mA (Adaptor Included) or 9VDC BatteryDimensions 1.85&#34;H x 4.6&#34;W x 4.1&#34;D (47mm x 117mm x 104mm)Weight 1.10 lbs (0.50kg)


“Hum” in an audio system is often caused by loop effects which act like antennas. These loops can easily pick up a 60 Hz (or higher harmonics) hum transmitted by electrical wiring. Typically, these loops are connected via grounds, more commonly called “ground loops”. The safest way to eliminate unwanted noise is with the CleanBOX II. Some examples of Ground Loops:
Applications:
The power ground of a synthesizer, connected to the signal ground of the synth, into a mixer’s ground, then into a mixer’s power ground
The signal ground of a send effect (reverb, delay) into a mixer, and the connecting power grounds of the mixer and the unit.
The power ground of a guitar amplifier, connected to a signal processor which has a second guitar amplifier on the other channel, and then the second guitar amp’s power ground.
The CleanBOX II easily removes ground loops without any signal degradation.
Key Features:
The power ground of a synthesizer, connected to the signal ground of the synth, into a mixer’s ground, then into a mixer’s power ground.
The signal ground of a send effect (reverb, delay) into a mixer, and the connecting power grounds of the mixer and the unit.
The power ground of a guitar amplifier, connected to a signal processor which has a second guitar amplifier on the other channel, and then the second guitar amp’s power ground.
The CleanBOX II easily removes ground loops without any signal degradation.
Dimensions: 114 x 73 x 38 mmWeight: 0.4 kg



    The ProSplit provides one direct output and one transformer isolated output from a single microphone. Applications include sending the direct output to the main or Front-of-House mixer, with the second isolated output being sent to a monitor or recording mixer. The direct output passes phantom power from the main mixer to the microphone for use with condenser microphones.

    ART Prosplit

     

    1 channel Microphone splitter,

     

    1x Mic Input XLR,

     

    1x direct output XLR + 1x transformer isolated output with ground-lift switch,

     

    the direct output passes phantom power from the main mixer to the microphone,

     

    PAD Switch for Input Channel


The ART MConnect USB MIDI Cable provides an easy way to directly connect any MIDI device, including musical instruments, controllers and sound modules, to your computer&#39;s USB port for convenient use with audio workstation software for music production, recording or sequencing without any extra equipment. The MConnect supports up to sixteen channels in and out. Indicators simplify troubleshooting incoming and outgoing MIDI data. No special drivers are required, just &#34;plug and play&#34; with your Windows PC or Mac.
Simply plug the MIDI In or Out connector (whichever is appropriate) into your device and the USB connector into your computer. That&#39;s all there is to it. The first time you connect your MConnect to your computer, all the necessary drivers will be automatically installed and the cable will then be ready to use. The MConnect may be used with any software that supports USB MIDI devices.
USB interface for any MIDI deviceSeparate MIDI In and Out cablesMolded cable ends indicate cable functionLED indicators for power and MIDI In and OutPlug and play with Windows and Mac OSThree year warranty
Connectors DIN5/180° (2), USB &#34;A&#34;Number of MIDI Channels 16 in, 16 outLength 6.5 ft (2m)Weight 0.3 lbs (0.14 kg)


Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.  
One section of the CLEANBoxPro converts two channels of consumer-level unbalanced input signals into two channels of pro line-level balanced output signals. It has two RCA jack inputs and a stereo mini-phone jack input connected in parallel. The balanced output feeds two XLR male jacks.
 The other section of the CLEANBoxPro converts two channels of line-level balanced input signals into two channels of consumer unbalanced output signals. It has two XLR female input jacks. The unbalanced output feeds two RCA jacks and a stereo mini-phone jack connected in parallel.
 Each section has stereo level controls to optimize signal levels. An LED indicator lights when power is applied.
 The CLEANBoxPro can be an invaluable tool in application areas including (but not limited to!): home or professional recording studios, live sound, PA, permanent installs, DJ, AV, consumer HiFi, podcasting and broadcasting. The CLEANBoxPro can be used with: mixers, audio processors, laptop computers, computer sound cards, CD/DVD players, video gaming machines, MP3 player/recorders, powered monitors and digital audio workstations.
To convert two unbalanced channels into two symmetrical channels and vice versaNoise and low-distortion circuitXLR connectors for balanced inputs and outputsRCA connectors and stereo mini jacks for unbalanced inputs and outputsLevel control for balanced and unbalanced outputsIlluminated on/off switchRobust aluminum housing


Another seriously useful little utility box from ART. The Coolswitch lets you connect a common source to two different channels. It also lets you connect two sources to one channel when configured in the opposite direction.
The coolswitch may not be the most exciting bit of Default you ever buy but it might end up being one of the most useful. There are plenty of applications for this little gizmo but one of the most popular might be using it as an amp switch for a guitar so, you can run two amps for a bigger or more varied sound. You might also end up using the coolswitch if you&#39;re running short of inputs on your desk and you need to double up or, indeed, if you wanted to run two guitars into the one amp for whatever reason. With the usual rugged ART construction, two 1/4&#34; inputs, two 1/4&#34; outputs and handy LEDs on the top of the box to indicate what routing is in effect the coolswitch really does all you could possibly expect from a switching box.
 Switches common source signal between 2 amps or amp channels Switches 2 source signals into the same amplifier LEDs indicate whether A - B - or Y routing is in effect


The Phantom I is not a masked vigilante but is, in fact, a useful box from ART for providing phantom power where there is none. Phantom power is required by most condenser microphones and is usually supplied by your desk or audio interface. However, in situations where this is not possible the Phantom I comes in extremely handy. The Phantom I supplies phantom power within+/- 2V of 48V and so, powers most microphones although, it&#39;s always worth checking with the manufacturer first!

    • Output Phantom Power:48V DC +/- 2V 
    • Input Connector:XLR female 
    • Output connector:XLR male 
    • Output Noise:-115 dBV 
    • Frequency Response:10Hz - 25kHz 
    • Current Drain:14mA 
    • Power:18V AC (Adapter included) 
    • Dimensions:5.25 x 2.75 x 1.75 inches 
    (130mm x 74mm x 45mm) 
    • Weight:1.3 lbs. (315g)


The HeadAmp4 offers 1/8th-inch as well as 1/4-inch inputs and outputs as well as lower noise - lower distortion and more output in a new custom extruded stackable metal case. Ideal for virtually any home or project studio - the ARTcessories HeadAmp4 easily adds additional headphone outputs to any mixer - computer audio interface - workstation - iPod - media player or laptop without creating any additional load on the existing headphone source. Individual level controls for the four headphone outs - 1/4-inch and now 1/8th-inch connections allow the HeadAmp4 to connect to virtually any source - and drive any headphone configuration including studio phones - in-ear monitors or custom ear pieces or any combination of the above.
Volume control for every channel4x Stereo headphone outputs: 6.3 mm stereo- and 3.5 mm stereo-mini-jackLine-input 6.3 mm stereo- and 3.5 mm stereo mini-jackWith external power supply



    The Art PS 4x4 Pro Dual LED Metered Power Disitribution System is durably constructed, reliable power conditioners for use in many applications. Wherever power management system is required, the 4x4 PRO SERIES provide the surge protection you need to keep your rack safe from unwanted disruption.
     

    The Art P-S 4x4 Pro Dual LED Metered Power Disitribution System has an additional internal discrete module called APFTM (Advanced Power Filtering) which filters out digital and dimmer hash as well as any high frequency noise that is above the audio range. Some off-the-shelf add-on modules saturate and lose their filtering effectiveness as the load increases, but by using a high power discrete design we were able to create a filter that stays effective over the full operating range.

    
    The Art PS 4x4 Pro is designed with a power capacity of 1800 Watts, surge/spike protection, APF with EMI &amp; RFI filtering, front-mounted unswitched power outlet and an adjustable rear-mounted gooseneck light source for bright illumination behind the rack. The spacing and alignment of the rear outlets to accommodate various size power plugs and AC adapters. 
    
    Features

    The Art P-S 4x4 Pro Dual LED Metered Power Disitribution System main features include:

    * APF - Advanced Power Filtering
    * Pull Out Light Pipes with AutoOff and Dimmer
    * Easy to read LED Input Voltage and Current Metering
    * Power Capacity of 1800 Watts
    * Surge &amp; Spike Protection
    * EMI &amp; RFI Filtering
    * One Front-mounted Unswitched Power Outlet
    * Rear Mounted Gooseneck Light Source



    The Tube MP Studio V3 single channel mic pre features ART&#39;s new V3 (Variable Valve Voicing) Technology -- found only in ART microphone preamplification systems.

    V3 provides an optimized reference points to begin the recording process. The V3 presets were created and fine-tuned by some of the industry&#39;s top studio and live-sound engineers - along with our veteran engineering department. V3 allows you to select between a multitude of preamp settings designed for guitars (electric and acoustic) - keyboards - bass guitars - drums - vocals and more. V3 gives you incredible presets for every instrument you record - so all your recordings will sound professional. Need to tweak the presets? Go right ahead -- hone your perfect tone! That&#39;s the power of V3.

    V3 also incorporates ART&#39;s OPL (Output Protection Limiter) - which precisely and accurately controls and maintains the output peak signal. The OPL circuitry is crucial in protecting the next link in a signal chain - such as a hard-disk recording system or a sound card.

    While it&#39;s primary application is to be used with a microphone - the Tube MP Studio V3 can also function as a direct box - impedance matching - amplifying and improving the sound of any instrument plugged into it. The design of the Tube MP Studio V3 allows it to add warmth and fatness to a signal while maintaining low-noise.

    The Tube MP Studio V3 features all the tone and functionality of its predecessor - the world&#39;s number one Tube Mic Pre - the Tube MP. Phase Reverse - +48v phantom power - clip LED and a +20dB switch are all included - as well as an analog VU meter for visual tracking of the signal.

    Whether you&#39;re working with a computer - hard-disk - or digital multitrack recorder - the Tube MP Studio V3&#39;s design delivers professional recording studio results at a fraction of the cost of comparable Default.

    The Tube MP Studio V3 offers superior performance and sound quality to the &#34;on-board&#34; preamps found in today&#39;s low-cost mixers and multi-trackers. Professional quality sound combined with professional features - a hand-selected 12AX7a Tube - Phantom Power and Phase Reverse - are what make the Tube MP Studio V3 an outstanding microphone preamp.

    The Tube MP Studio V3 can be used in a wide variety of applications including recording - project and home studios - where it&#39;s Variable Valve Voicing really shines. It also functions as a direct box - with impedance matching and preamplification for line-level sources.

    Tube MP Studio V3 Features:

    Provides Superior Preamplification for: Microphones - Instruments and Line Level Sources
    V3 - Variable Valve Voicing
    OPL - Output Protection Limiting
    Hand Selected 12AX7a Provides 70dB of Gain Smooth - Warm and Fat Sound Quality
    Variable Input and Output Gain Controls
    Excellent as a Tube DI
    XLR and 1/4&#34; Inputs and Outputs +48 volts
    +48 Volts of Phantom Power
    Phase Reversal Switch
    Superior Sonic Performance to On-Board Preamps
    TEC-Award Nominated Design
    Portable - All Steel Construction
    1 Year Warranty


The Doepfer A-100LC9 Case 9 HE PSU3 is Doepfer&#39;s high-quality low-cost case featuring 9U of space, suitable for three rows of Eurorack modules. The A-100LC9 comes complete with one of Doepfer&#39;s A-100PSU3 power supplies, providing you with an efficient and economic power and mounting solution for your modular system. The A-100LC9 is crafted from raw wood with no lacquer, enabling you to add your own personal touch with the medium of your choice. This high-quality case from Doepfer&#39;s Germany-based factory is the perfect solution for keeping your modules safe, powered, and mounted in your desired configuration.
Dimensions:Interior: 3 Rows Of 84HP x 3U (Three Bus Boards)Usable Depth For A-100 Modules: Approximately 80mm in the power supply area (bottom right), approximately 110mm in the remaining area (measured from the inner side of the front panel up to the end of the PCB of the module)Exterior: Approximately 445mm (W) x 420mm (H) x 160mm (D)Quantity Of Bus Boards: 3Weight (Without Modules): Approximately 5.2kgFinish: Raw Wood
PSU: Doepfer A-100PSU3
Maximum Output Current:+12V: 2000mA-12V: 1200mA+5V: 2000mA (Max. 4000mA when 2A fuse is replaced with 4A)Input: 100V to 240V AC (Wide Range Mains Input)Maximum Bus Board Connections: 4 (Provided that the total currents are not exceeded)Dimensions: 200mm (L) x 80mm (W) x 40mm (H)Configuration: Assembled &amp; Tested


Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module.The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. The module generates a distorted audio signal if the level control is set to about 50% (i.e. center position) or more with A-100 standard signals like VCOs.
Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module.The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system. The module generates a distorted audio signal if the level control is set to about 50% (i.e. center position) or more with A-100 standard signals like VCOs.
12dB multimode filter
Inputs: Audio In, CV1 In without attenuator, CV2 In with Polarizer Outputs: Bandpass Out, Low/Highpass Mix-Out Controls: Audio Attenuator, CV2 Polarizer, Frequency, Resonance, LP/HP Mix
Inputs: Audio In, CV1 In without attenuator, CV2 In with Polarizer Outputs: Bandpass Out, Low/Highpass Mix-Out Controls: Audio Attenuator, CV2 Polarizer, Frequency, Resonance, LP/HP Mix
The function and operation of this module is very similar to the Wasp filter module A-124. But the sound of both filters is very different ! We will publish no separate user&#39;s manual for the A-106-5 but a combined manual for both A-106-5 and A-124. The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer)
The function and operation of this module is very similar to the Wasp filter module A-124. But the sound of both filters is very different ! We will publish no separate user&#39;s manual for the A-106-5 but a combined manual for both A-106-5 and A-124. The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer)
Width: 8HP / 40.3 mm  Depth: 55 mm (measured from the rear side of the front panel) Current: +30mA (+12V) / -20mA (-12V)
Width: 8HP / 40.3 mm 
 Depth: 55 mm (measured from the rear side of the front panel) 
Current: 
+30mA (+12V) / -20mA (-12V)


Module A-119 (External Input / Envelope Follower) is designed to allow external audio signals to be integrated into the System A-100. It comprises a pre-amp, envelope follower, and comparator.
The pre-amp has two inputs: an unbalanced input for line level signals, with a gain factor of from 0 to 20, and a balanced input with a gain factor of from 0 to 500, for insertion of low level signals, for instance from a microphone or electric guitar.
The Envelope Follower reads the signal level of the input, and puts out a proportional voltage as an envelope at its own output.
The comparator generates a gate signal whenever the input goes above an adjustable trigger threshold.
Three LEDs help you keep track of overload, the envelope, and the gate signal.
 
 
30 mA +12V30 mA -12V0 mA 5V45 mm deep
30 mA +12V30 mA -12V0 mA 5V45 mm deep



Module A-132-3 is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages. The input has no attenuator available but is capable to process up to 16Vss signals (i.e. -8V...+8V) without distortion.
30 mA +12V30 mA -12V0 mA 5V50 mm deep


A-132-8 is an octal VCA and primarily planned for polyphonic applications. The module contains four VCA pairs. The amplification range for each VCA is 0 ... 1. 0V CV corresponds to amplification 0 (full suppression), +10V CV to amplification 1. Each pair includes two daisy-chained VCAs. One VCA has a linear control scale, for the second VCA linear or exponential control scale can be chosen by means of jumpers. We decided to provide two VCAs for each voice because usually one VCA is required for loudness envelope and a second one for velocity (or other functions like individual voltage-controlled loudness of each voice, amplitude modulation and so on). All VCAs are DC coupled and can be used in special applications also for the processing of control voltages.These controls and in/outputs are available:
Default Gain 1 (GL)Default Gain 2 (GX)CV Inputs for the four VCAs #1CV Inputs for the four VCAs #2four Audio Inputsfour Audio OutputsAudio Sum Output
The module features two Default Gain controls (GL, GX), that enable the opening of the first four VCAs (L) and/or second four VCAs (X). For this the controls GL and GX generate two internal control voltages 0...+10V which are connected to the switching contacts of the sockets 1L...4L (control GL) and 1X...4X (control GX). As long as no patch cable is inserted into the socket in question the internal default control voltage (GL or GX) is used to control the corresponding VCA. This is necessary when the VCA in question is not in use (i.e. no external CV available). Otherwise the VCA would close and there would be no output signal even if the other VCA in the chain is open. The controls GL and GX are also useful for testing polyphonic patches (e.g. for tuning the VCOs).As soon as a patch cable is inserted into a CV input socket the corresponding internal default control voltage (CL or CX knob) is no longer used to control the VCA in question. Rather the external CV patched to the CV input socket does now control the level of the VCA in question.
Width: 8 HP / 40.3 mmDepth: 45 mmCurrent: +40mA (+12V) / -40mA (-12V)


Module A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there&#39;s a master attenuator, so that the mixer can be used at the end of the audio chain - ie. it can be used to interface directly with an external mixer, amplifier, etc.
The module can be supplied in two versions:
A-138 a: potentiometers with linear response, so especially suitable for control voltage mixing.
A-138 b: potentiometers with logarithmic response, so especially suitable for audio signal mixing.
10 mA +12V10 mA -12V0 mA 5V35 mm deep


Module A-140 is an envelope generator, and, since it puts out control voltages, counts as one of the modulation devices in a modular system. As soon as the gate input receives sufficient voltage, the ADSR generates a variable voltage, changing in time, called an envelope. This varying voltage is output in normal (positive) and inverted form, and can be used, eg., for voltage controlled modulation of a VCO, VCF, or VCA, or for processing other modules&#39; inputs and outputs.
The shape of the envelope is governed by four parameters: Attack, Decay, Sustain and Release.
The envelope is started (triggered) by a gate signal either from the INT.GATE voltage on the system bus, or, if a signal is put into it, from the gate input socket.
The envelope can also be re-triggered, ie. start from scratch again, each time a trigger signal is sensed at the Retrig. input socket, when the gate is still open.
Module A-140 has available a three-position toggle switch to select one of three time ranges. The envelope duration ranges from about 50us (microseconds) up to several minutes.
In combination with the Comparator module A-167 a free-running &#34;ADSR-LFO&#34; can be realized.
 
 
20 mA +12V20 mA -12V0 mA 5V50 mm deep




Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies. Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave.


The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.


A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).


The LFO signal can also be synchronised, via the reset input.
 
 
30 mA +12V20 mA -12V0 mA 5V55 mm deep


The A148 has two identical sample &amp; hold modules, designed to produce “staircase” voltages.
The signal present at the sample input is sampled at a rate set by the trigger input, and held at that voltage at the S&amp;H output. The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns, an LFO produces rising and falling staircase patterns. Two LED’s for each S&amp;H indicate the voltage positive or negative) of the sampled signal.
Each half fo the A-148 can operate as a S&amp;H (sample&amp;hold) or T&amp;H (track&amp;hold), this can be selected by a jumper. In T&amp;H mode the output signal follows the input signal while the trigger input is &#34;high&#34;. As soon as the trigger input turns to &#34;low&#34; the last voltage is stored. The factory setting is S&amp;H for the upper part and T&amp;H for the lower part. In addition the complete A-100 voltage range -12...+12V can be processed (no longer limited to -8...+8V as for the origianl version).


It includes trigger and reset inputs, four in / outputs, and a common out / input. Each time a pulse is received at the trigger input socket, the common out / input is connected to the next in / output. After the fourth in / output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out / input immediately back to the first in / output (see Fig. 1). Voltages in the range -12V...+12V at the O/I resp. I/O sockets can be processed by the module.
Four LEDs indicate the active in / output (ie. the on that is connected to the out / input at any particular time).
With an additional switch the number of steps can be set to 2, 3 or 4. Moreover the revised module allows to process voltages in the full A-100 voltage range (i.e. -12V...+12V).
20 mA +12V10 mA -12V0 mA 5V35 mm deep


Module A-156 is a Dual Control Voltage Quantizer.
A quantizer converts a continous control voltage in the range 0...+10V into a stepped output voltage in the same voltage range (i.e. only certain voltages occur).
Normally 1/12 V steps are used to obtain semitone steps.
Quantizer 2 of the A-156 allows more sophisticated quantizing modes like major scale (i.e. only voltages corresponding to the major scale), minor scale, major chord, minor chord, fundamental+fifth and addition of seventh or sixth when chords are selected.
Only those voltages appear at the CV output which comply with the selection rule (e.g. minor chord with seventh).
The mode setting of quantizer 2 is done with 3 switches (1-0-1 type with middle position).
From the factory quantizer 1 is working in the semitone mode.
But there is a jumper on the pc board that can be changed so that even quantizer 1 uses the same scale as quantizer 2.  
On top of that the A-156 is provided with a common transpose CV input having an additive effect on both quantizers. This input is quantized in semitone steps. A typical application is the transposition of a sequence generated by the A-155 by a second control voltage (e.g. coming from the MIDI-CV interface A-190).


The signal applied to the input socket appears as a buffered signal at the three output sockets. Each output has it&#39;s own buffer, i.e. the three output sockets are not simply connected to each other. The lower output of the upper unit is normalled in the factory to the input of the lower unit. That way the module works as a single 1-in-6 buffered multiple provided that no signal is applied to the input of the lower unit.
20 mA +12V20 mA -12V0 mA 5V20 mm deep


Module A-185-2 is a precision control voltage adder/buffer. Precision means that the amplification of the inputs without attenuators is exactly 1.00 and is suitable to add control voltages for the pitch control of VCOs (e.g. from keyboard + sequencer 1 + sequencer 2). Summing resistors matched to 0.1% are used to obtain an accuracy of 0.1% for the added voltages.
The module is equipped with four CV inputs: one with attenuator and three without attenuator. Each input is normalled to +1 V (i.e. if no plug is inserted the input contributes 1 V to the sum appearing at the output).
The input with attenuator can be used for common modulations (e.g. from an LFO, ADSR, Theremin, Pitch-Bender) for all VCOs connected to the output. The Lev.1 control is used to adjust the depth of the modulation, the first switch selects the polarity of the modulation. If no signal is connected to the first socket the attenuator works as a (fine) tuning knob because a voltage in the range 0...+1V (right position of the switch) or 0...-1V (left position of the switch) is added to the CV output.
The inputs without attenuators are planned to add control voltages coming out of keyboards, sequencers, Midi-to-CV interfaces, ribbon controllers or other CV sources that follow the 1V/oct standard. For example the CV of a keyboard can be used to transpose the CV coming from a sequencer, or the CV of a slow sequencer can be used to transpose the CV from a fast sequencer.
Each input is equipped with a three-position switch that determines if the corresponding voltage is added (right position), subtracted (left position) or if the input has no effect (center position). If no plug is inserted the corresponding switch works as an octave switch for the lower three sections as the default 1 V are added or subtracted to the output voltage according to the switch position. The first switch can be used to add a variable voltage to the sum output. The variable voltage is adjusted with the Lev.1 control and the knob works then as kind of a (fine) tuning control.
The module is equipped with 4 outputs: three non-invertíng and one inverting ouput. An internal jumper can be used to connect the non-inverted or inverted output to the CV line of the A-100 bus. That way the module can used to control several VCOs that are connected to the same bus board as the A-185-2 (same functionality as A-185-1).
Remark for A-185-2 users: There is a pin header with three pins (labelled JP5) near the bus cable connector. If no jumper is installed there is no connection between the outputs of the A-185-2 and the CV line of the A-100 bus. In the lower position the normal CV output of the A-185-2 is connected to the CV line of the A-100 bus. In the upper position the inverted CV output of the A-185-2 is connected to the CV line of the A-100 bus.
Width: 6 TE / 6 HP / 30.0 mmDepth: 50 mm (measured from the rear side of the front panel)Current: +10mA (+12V) / -10mA (-12V)


4 Voices of Quantization with 10 Octave rangeKeyboard Mode (using Buttons as triggers)User definable Scales: any scale is possible.Simple Intuitive menu with settings such as:User definable NOTES Intervals for Chord generationQuantization types: Above, Below, IgnoreDefinable Gate Out LengthOctave Offsets
Menu Reaction Time can be adjusted and saved.Assignable CV Input for Menu Functions5 Different Scale Temperaments including Bohlen-PierceMicrotonal options for more than 12 notes per OctaveTranspose through CV inputCompatible with both Moog and Buchla StandardsIndependent Voice Fine TunningTuning Reset to 1V/OctaveTuning settings safely stored in non-volatile memory.11 User Presets for easy recall of favorite scales and settings.
150 mA +12V50 mA -12V52 mm deep
150 mA +12V50 mA -12V52 mm deep


Use a pair of ADDAC213As to send &amp; receive 8 CV or audio signals between different points in your case, between your different cases, or between your case and a friend&#39;s case! The ADDAC213s are always sold as a pair of 2 modules and an included ribbon cable (50cm or 100cm ribbon cable, or custom sizes available upon request). If you want to depict the Left / Right versions of the module in your case, just use the flip option on MG and have the module turn 180 degrees. Ships as a pair!
Module does not draw current24 mm deep


Up to 2 pairs of ADDAC213B can be connected to a ADDAC213A module, essentially adding 8 or 16 more channels for a total of up to 24 channels of connectivity. You can add them in normal position or at 180 degrees. Ships as pair.
Module does not draw current24 mm deep


This is our VC Rotator, a stepped routing module for audio, CVs, gates and triggers! A typical VC switch can only switch one source to multiple destinations, or multiple sources to one destination. On our VC Rotator there is no such limitation! The same number of inputs and outputs exist, so instead of 4:1 or 1:4, this module always swaps 4 inputs to 4 outputs. It can also be divided into 2 sections of 2:2.
All four inputs get routed to the four outputs based on the CV and Clock controls. This is indicated in the following four (4) states:1. An input is routed to the output with the same number - 1:1, 2:2, 3:3, 4:42. An input is routed to the output with the number offset by 1 - 1:2, 2:3, 3:4, 4:13. An input is routed to the output with the number offset by 2 - 1:3, 2:4, 3:1, 4:24. An input is routed to the output with the number offset by 3 - 1:4, 2:1, 3:2, 4:3
The Direction parameter determines if the Clock input moves the rotation forward or backwards, while the Reset input resets the clock to the first step.
Features:
4 Inputs4 OutputsDirection Switch4 Monitor LEDsCV Rotate with AttenuverterClock InputReset Input
50 mA +12V50 mA -12V0 mA 5V


With the ADDAC304 Manual Gate you&#39;ll be getting 8 manual gates (0 +5v) in a nifty package - a perfect way to perform on and control your modular system. The ADDAC304 comes with an interesting twist: 4 out of the 8 available gates can act as momentary switches, outputting the signals in their respective inputs when each gate’s button is pressed.
CV inputs: ± 10vGate outputs: 0 +5v


The ADDAC305 Manual Latches is a combination of 8 manual latching switches in a small and elegant module: each button toggles between Gate high / Gate low when pressed, outputting a 5V gate signal. Additionally 4 of the 8 available latches, sport inputs and can act as manual latching switches, allowing the incoming signal to pass to the output when the button is toggled.
CV inputs: ± 10vGate outputs: 0 +5v
10 mA +12V0 mA -12V0 mA 5V25 mm deep


ADDAC306 is a 5 channel multi-directional CV generator.
You can think of it as a &#34;sweet spot&#34; controller, or a hands-on way of transiting from one state to another.
Each of the five channels has MINIMUM, SPAN and DIRECTION controls, a common CV IN and a common TRANSITION CONTROLLER slider.
MINIMUM sets the minimum channel voltage.
SPAN sets the voltage range of the channel.It essentially sets the maximum voltage that can be output from the channel, relative to what the current channel MINIMUM is. For a given SPAN value, if the MINIMUM voltage is changed then the maximum voltage output from that channel will also change respectively.
DIRECTION sets whether the voltage transition for each channel goes from MINIMUM to maximum, or maximum to MINIMUM.
The TRANSITION CONTROLLER slider controls the transition from the minimum value (A) to the maximum value (B) or vice versa, according to the settings of each independent channel.Moving this slider generates 5 different voltages with 5 different ranges and directions. The transition can also be operated from a CV source at the CV IN, in which case the slider position acts as an attenuator for the incoming voltage.
The maximum range of each channel can be set to either 5 or 10 volts, by 5 jumpers in the back of the module. Only positive voltages are generated at the output.
VC Transition makes for an awesome state transition controller. Plug its outputs to various CV controller parameters of your audio effects modules. Set the slider to position A, and set the minimum values for each channel. Then move the slider to position B and set the SPAN settings for each channel. Use the TRANSITION CONTROLLER slider to morph from state A to state B and backwards. Flip the DIRECTION switches to change the direction of the transition for each channel. Use the CV IN to automate the transition using LFOs, ADSRs or sequencers.
Using the CV IN you can use two ADDAC306 modules to expand your control options to 9 voltage outputs under one common slider control.
Use the VC Transitions to multiply the polyphony of a single CV sequencer by passing its outputs through the ADDAC207.
Plug the output of your ADSR envelope to the CV IN and set the channels differently to get 5 different ADSRs from one common source.
This module was developed based on an initial idea by Konstantine Fioretos.
50 mA +12V50 mA -12V0 mA 5V40 mm deep


Inspired and officially licensed from Teia&#39;s Stochastic Function Generator which was introduced in 2013 but is no longer available. We used the concept of the early version but completely rebuilt and reprogrammed it&#39;s mcu to a fully featured 4 voice 2 stage envelope and slew generator.
This new module + expansion is our take on a different envelope/slew generator. It&#39;s a fully featured Quad Analogue Core Envelope Generator and Slew Processor with digital control which also incorporates built in random generators to control the Rise and Fall times. Covering the full range from short sharp notes to long slow sweeps of up to 6 minutes. Together with the random generators it excels when used for drone soundscapes. Used as a Slew Processor the random generators act as dynamic modulation sources affecting the rise and fall slew speed. Fully featured outputs act as encouragement to self-patching creating interdependent envelopes acting in sync.
200 mA +12V150 mA -12V0 mA 5V


This expansion allows extra I/O to the ADDAC506:Four trigger inputs for the random engineFour CV random outputs from the random engine
10 mA +12V10 mA -12V0 mA 5V


With its 8 fixed frequencies, this very special filterbank has two additional features that you won&#39;t find anywhere else. Each of the 8 band volumes can be controlled through a linear high performance VCA, which adds great dynamics and new abilities to the art of filtering. Additionally this module also doubles as an envelope follower, with a dedicated CV output per band.
It features numerous output options: you can select between individual bands, the full processed sound, a wet/dry signal and even choose between odd or even frequencies.
Plus you can add up to two different signals, which are mixed internally by the ADDAC601 inputs.
250 mA +12V150 mA -12V55 mm deep


UDG Ultimate Flight Case Multi Format Turntable Silver not only transport your complete set up easily &amp; securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black/ silver colored combination.Fits: Pioneer PLX-1000, Pioneer PLX-500 Audio Technica LP120XUSB, Technics SL-1200MK7 or similar size turntables
Color: Black/SilverWeight: 7,80 kg / 17.16 lbsOuter Dimensions (W x H x D): 51.1 x 42.6 x 23 cm | 20.1 x 16.7 x 9.1 inchInner Dimensions (W x H x D): 45.1 x 38.6 x 7.8 cm | 17.7 x 15.2 x 3.1 inchMaterial: Heavy duty construction of 9 mm thick plywoodProtection: Extra-wide silver solid aluminum profilesSecure stacking due to stackable ball cornersSturdy constructionFull padded interior keeps controller well-protectedHigh density diamond embossed EVA foam protective paddingExtras: Laminated in a black finish with a honeycomb/hexagonal &#34;Stage Grip&#34; pattern
Fits:
Technics SL-1200MK7, SL-1200GR, SL-1200GAE, SL-1210GRPioneer PLX-1000Denon DJ VL12 PrimeReloop RP-8000MK2, RP-7000MK2, RP-4000MK2, RP-2000MK2, RP-1000MK2Stanton ST-150, STR8.150, T.52, T.55 USB, T.62, T.92 USBVestax PDX-3000Numark TTXAudio Technica LP120-USB, LP1240-USB, LP120XUSB, LP1240-USBXP, LP140XP, LP3, LP5, LP7, LPW40WNAmerican Audio Power Drive 2.2Mixars LTA, STAor similar size turntablesAnd accessories


UDG Ultimate Flight Case Multi Format CDJ/MIXER II Silver not only transports your complete set up easily &amp; securely, but also facilitates devices to be setup within minutes. With these premium features incoporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black/ silver colored combination.Fits: Reloop Elite, Denon DJ SC5000 Prime, X1800 Prime, Pioneer CDJ-2000 NXS2, DJM-900NXS2, XDJ-1000 MK2, or similar size media players or mixers.
Color: Black/SilverWeight: 7,90 kg / 17.38 lbsOuter Dimensions (W x H x D): 51.9 x 37.7 x 22.9 cm | 20.4 x 14.8 x 9 inchInner Dimensions (W x H x D): 39.6 x 33.5 x 7.8 cm | 15.5 x 13.2 x 3.1 inchMaterial: Heavy duty construction of 9 mm thick plywoodProtection: Improved powder coated and anodized hardwareHigh density diamond embossed EVA foam &amp; carpeted protective paddingDual anchor rivets with included washerExtra-wide black solid aluminum profilesSecure stacking due to stackable ball cornersExtras: Convenient 80 mm space at rear for connections &amp; PSU storageCable access hole with removable UDG emblem coverRemovable front &amp; rear access panel
Fits:
Pioneer CDJ-2000 NXS2, CDJ-2000 NXS, CDJ-900 NXS, CDJ-1000/MK3, CDJ-850/800, XDJ-1000MK2Pioneer DJM-900NXS2, DJM-900SRT, DJM-850/750, DJM-S9, XDJ-1000 MK2,Pioneer XDJ-1000 MK2, DJS-1000, DVJ-1000NI Kontrol Z2Denon DJ SC5000, SC5000M, S3700, SC3900, SC2900, X1800 Prime, X1700, X1600, X1100Numark M6 SUB, V7, X7Reloop Elite, KUT, RMX-90 DVS, RMX-80, RMX-60, RMP1 MK2Rane MP-2015, Sixty-Four, Sixty-Two, Sixty-Eight, Sixty Four, Sixty One, Sixty Two/Two Z, TTM 56S, TTM 57 MKII, TTM 57SLAllen &amp; Heath Xone 96, Xone PX5, Xone 43C, Xone DB4, Xone DB2, Xone 92, Xone 62, Xone 42Mixars QuattroTechnics SH-EX1200Gemini MDJ-1000, CDJ-700Behringer DDM4000MODEL1Vestax TR-1or similar size cd players and mixers


Technics-style adaptor for 7&#34;s with a dink
Technics-style adaptor for 7&#34;s with a dink


Power up to 5 Korg Volcas from one 9V power adaptor! Requires 9v PSU
Power up to 5 Korg Volcas from one 9V power adaptor! Requires 9v PSU


This is a listing for a B Stock item which has been fully tested by the Manufacturer and comes with full warranty - the box has been opened and the packaging may be a little worn but the equipment is in full working order.
Adigo - to drive - from Latin ad &#34;toward&#34; and ago &#34;make&#34;
Metric - measure - from Latin metricus &#34;of measure&#34;
&#34;Drive Measure&#34;
Size: 8HP EurorackDepth: 1 InchPower: 2x8 EurorackDraw +12V: 10mADraw -12: 10mADraw +5v: 10mA


The LxD, Low Strike Duo, is a dual-response, two channel, direct-coupled, Low Pass Gate, which utilizes vactrols in order to provide simultaneous control over the Amplitude and Frequency Spectrum of an INput Signal. It is, in essence, a VCFA (Voltage Controlled Filter Amplifier). Unlike the Optomix, the LxD offers two different filter responses.
CH. 1 offers a 12db/Octave response that is mildly-resonant, while CH. 2 offers a 6bd/Octave that is non-resonant. The OUTput of CH. 1 is normalled to the INput of CH. 2. This normalization puts the two channels in series, which is similar to the VCF into VCA arrangement made popular by many monosynths of the 1970s.
 Classic VCF-&gt;VCA arrangement in small 4hp module
STRIKE INput allows use of Gate signal to trigger Low Pass Gate circuit, &#34;plucking&#34; or &#34;striking&#34; the vactrol
Low noise, low distortion, smooth, natural-sounding circuit
Direct coupled, process audio or control signals
Utilizes 2 vactrolsPairs well with STO &amp; MATHS

Width: 4hpMax Depth: 36mmPower:20mA@ +12V20mA @ -12V


Your USB device is plugged into the USB MIDI Host mkII instead of into a computer. It provides MIDI In &amp; Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN). MIDI data received at the MIDI In socket will be sent to the USB device. MIDI data received from the USB device will be sent to the MIDI Out socket. The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries. 
Attractively finished in brushed aluminium with black screen printDimensions: 110mm x 55mm x 32mmPower: 90mA, 2.1mm plug (centre positive) –1 Amp available for attached USB deviceDimensions: 110 x 55 x 32 mmWeight: 100g (excluding power supply)MIDI: 1x IN, 1x OUT – both 5 pin DINPower Supply: 5V DC (regulated) – use only the supplied adaptor(never use an unregulated supply as unregulated supplies typically give ahigher output than shown).This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.



Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 5 MIDI THRU sockets. These can then be connected to the MIDI INs of sound modules or other devices which require MIDI signals sent to them.
High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adaptor (wall wart) so you can fit and forget.  1 MIDI In &amp; 5 MIDI Thrus Works for ALL MIDI messages including Clock, SysEx, MTC etc. Includes schmitt trigger logic for signal quality restoration Less than one microsecond latency DC power input jack 2.1mm (centre +ve) Power/Data indicator light
Housed in a metal box so it can withstand the knocksAttractively finished in brushed aluminium with black screen print
9V switch mode power supply included. Products bought directly from Kenton are supplied with the appropriate power supply for the delivery address. Four types are available, UK / EU / USA / Australia.Power: 9V at 50mA regulated or unregulatedDimensions: 100mm x 50mm x 35mmWeight: 600g including power supplyMIDI: 1 x In, 5 x ThruPower Supply: 9V switch mode power supply included with the product. Products bought directly from Kenton are supplied with the appropriate power supply for the delivery address. Four types are available, UK / EU / USA / Australia


Isonoe Feet were designed to dampen the Technics SL1200 deck, but it works on anything with a 6mm threaded foot. Each isolator has a 6mm thread, making the system compatible as a retrofit with many industry-standard turntables and CD players. The Isonoe Isolation Feet are equally effective at blocking the ingress of vibration from the mechanical assemblies of both turntables and CD players; the more isolation from vibration afforded to the optical tracking mechanism within a CD player, the less work needs to be performed by the error-correction software, preserving detail and spatial integrity.
The Isonoe Isolation System is machined in the UK at a specialist engineering facility on multi-axis CNC equipment typically costing upwards of a quarter of a million pounds per machine.
6mm ThreadDampens vibrations caused by mechanics of unit and feedbackSuitable for Turntables and CD players


The 8340A offers enhanced power, pin-point accuracy and advanced Smart Active Monitoring with a 6.5” woofer as well as Genelec’s most efficient Class-D amplification. This two-way, Class D bi-amplified monitor represents a finely balanced combination of acoustic expertise and SAM innovation.
Capable of supporting extremely high sound pressure levels of up to 110dB, the 8340A features a reflex port design for low-frequency enhancement, plus the colour-free accuracy of the Minimum Diffraction Enclosure, as well as on- and off-axis precision thanks to the Directivity Control Waveguide.
Genelec Loudspeaker Manager 2.0 software allows for fine adjustment of up to 30 individual Smart monitors and Smart subwoofers, whilst AutoCal compensates for detrimental room influences to perfectly calibrate your set-up for your listening environment.
6.5&#34; Woofer, 3/4&#34; tweeterAmplifier power: 2x 150 Watt (Class-D)Frequency response: 45 - 20,000 Hz (+/- 1.5 dB)Frequency range: 38 - 22,000 Hz (- 6 dB)Maximum sound pressure level: 110 dB PeakDSP Filter for room adjustment, 16x fully parametric and 4x shelvingDip switch for manual room adjustmentConnections: 1 XLR-In analogue, 1 XLR-In AES/EBU, 1 XLR-Out AES/EBU, 2 RJ 45 GLM networkInternal switching power supply 100-240 VWeight: 8.5 kgDimensions (H x W x D): 350 x 237 x 223 mmIncludes Iso-Pods


ERM MIDIclock Plus Sequencer Clock Generator is a simple yet great tool. It is a small box with only one task: generating a unbelievably clean and jitter-free MIDI clock signal for synchronising sequencers DAWs etc. Operation is super easy due to two buttons and an encoder.
MIDICLOCK+ creates a clean and tight MIDI-Clock and for allows for reliable starting, stopping and re-synchronising a number of sequencers or a DAW with flexible tempo.
The unit is operated by a few controls: the start/pause button starts and stops all connected machines that understand the MIDI commands &#34;start&#34;, &#34;stop&#34; and &#34;continue&#34;. The reset/re-start button causes the unit to reset/re-sync the MIDI song position of all connected units to the beginning of the next full bar and to re-send a &#34;MIDI start&#34; command. This makes possible to re-synchronise slaved units during playback without a break.
The tempo is being set with the encoder and the valus is shown in the display as number of BPMs. Two modes for setting the tempo are availablethat are distinguished by the display´s brightness and the &#34;M&#34;-LED: normal mode (LED off): each change of tempo has to be confried by pressing the encoder in order to prevent unwanted changes. That is useful if you want to use the unit as a steady clock generator. In live mode (LED on) every tempos change will be directly implemented. A double-click on the encoder brings you back into normal mode.
Power is supplied by USB or a USB-wall wart power supply.
New features of version Midiclock+: DIP switches on the back determine for each output if a MIDI Clock or a DIN Sync24 signal is emitted. The Sync24 implements Start, Stop and - unlike a lot of other devices - Pause and Continue.
Special feature in DIN Sync24 mode: press the encoder while powreing up and choose between a DIN Sync signal with 24ppq or an alternative Eurorack-compatible analog clock with 8ppq (32ths) and a positive reset pulse. The analog clock can be converted with the optionally available &#34;modular whip&#34; to Minijack. This setting is non-permanent!
One Type-B USB connector. Two MIDI/DinSync outputs.


ANY CLOCK INPUT:The multiclock can be it’s own master or synced to external MIDI, DIN sync or Analogue master clocks. Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock, which allows for rock solid sync signals.
CUSTOM OUTPUTS:The multiclock has four outputs. Each channel can be set to either emit MIDI, DIN sync or analogue clock. Analogue clock signals are configurable in polarity and start/reset behavior and individual clock dividers are available.
SHIFT &amp; SHUFFLE:To compensate for any time lag of your connected gear, you can shift each of the four output channels individually and in realtime back and forth relative to the master clock. If you then have found the sweet spot, you can add a bit of shuffle.
MIDI ROUTER:To become the central connection hub of your setup, a powerful MIDI Router is available. It allows you to route and merge other MIDI data from four USB MIDI ports and the onboard MIDI In with the accurate clock signals.
±1 Sample Jitter with Audio Sync at 48kHz±300ms Shift Range±100ms Initial Offset30-300 BPM Tempo Range1 x 24ppq Audio Sync Input1 x MIDI / DIN Input4 x MIDI / DIN / Modular Output1 x 0-5V Analog LFO Output4 x USB MIDI Output1 x USB MIDI InputRealtime Shift and ShuffleIndividual Start &amp; StopConfigurable Clock DividersIntegrated Master ClockFlexible MIDI Router &amp; RemoteVST, AU &amp; AAX Plugin9-12V DC, any PolarityLxWxH, with Knobs: 220mm x 117mm x 55mmUnit Weight: 770gRugged Steel Housing


Module A-146 (LFO 2) is a Low Frequency Oscillator, which produces periodic control voltages over a wide range of frequencies.
The LFO can be used as a modulation source for a series of modules (for instance pulse width and/or frequency modulation of a VCO, modulation of a VCF cut-off frequency, amplitude modulation with a VCA).
Three outputs are available, with different waveforms: sawtooth / triangle; square wave, and positive-voltage square wave.
The waveform is continuously adjustable from rising sawtooth, through triangle to falling sawtooth. The same control affects the pulse width of the square wave.
A three-way switch can select one of three frequency ranges, spanning from one cycle every few minutes, at the lowest, up to audio frequency at the highest.
Specifications:


Module A-124 SE is a special 12dB multimode filter using the &#34;strange&#34; filter circuit of the &#34;EDP Wasp&#34; (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company &#34;Electronic Dream Plant&#34;). This design &#34;abuses&#34; digital inverters as analog operational amplifiers leading to distortions and other &#34;dirty&#34; effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self oscillation in contrast to most of the other filters of the A-100 system.
Inputs


Outputs


Controls




A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity. It’s all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.
Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines. Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware. Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.
ANALOGUE. REMASTERED:Xone:96 draws on our rich heritage to create our most advanced analogue mixer yet, engineered from the ground up to deliver the legendary Xone analogue sound in the most flexible, powerful format.
Xone:92 users will feel instantly at home with the Xone:96’s layout. All four main stereo input channels feature the latest incarnation of our industry standard Xone 4-band EQ, the choice of countless international DJ artists.
Stereo Return channels A and B are fully-featured, and incorporate an all-new 3-band parametric EQ design, giving you even more control over how you style your sound.
DUAL 32-BIT 24 CHANNEL SOUNDCARD:Unlock a world of creative possibilities. Xone:96 features two independent USB connections, each with 6 stereo inputs and outputs giving you a myriad of routing options.
State-of-the-art 96kHz/32-bit processing ensures the highest audio quality is passed between your laptops and the analogue engine.
Additionally the Xone:96 soundcard supports DVS control of Native Instruments’ TRAKTOR SCRATCH PRO 2 DJ software right out of the box.
DUAL XONE VCF FILTERS WITH CRUNCH:Nothing comes close to the sound and power of the Xone VCF filter. In Xone:96 we’ve refined this classic design, preserving its unmistakable sonic signature while taking its performance to the next level.
Alongside the classic HPF, BPF, LPF, resonance control and frequency sweep layout, there’s CRUNCH, a controlled harmonic distortion that sits pre-filter in the circuit to give you a powerful new effect.
Xone:96 lets you route all six main channels to either filter.
TUNED FOR THE CLUB:Underlining the professional club credentials of Xone:96 features two independent headphone CUE systems. Combined with the dual soundcard, these allow for back-to-back performances and smooth set transitions.
Dedicated booth outputs with 3-band booth EQ let you tune the monitor system perfectly.
And artists using complex, hybrid, multi-channel software will benefit from the simplicity of using a single USB to connect their computer to Xone:96.
TOTAL CONNECTIVITY:Xone:96’s rear panel is fully-loaded with I/O.
Alongside all the analogue connections you’d expect to find, DJs will welcome the addition of 2 stereo sends, 4 stereo returns and a dedicated master insert.
Send 1 is switchable from Line to Hi-Z level, making it ideal for incorporating instrument level effects, like classic guitar pedals.
X-Link allows you to hook up Xone:K series controllers to the Xone:96 for hands-on control over your software, saving USB ports on your laptop.
MIDI I/O is catered for via the 5-pin connection on the rear panel, and via both USBs.
PREMIUM FADERS:Built to last, Xone:96 features custom-designed 60mm linear VCA channel faders. Perfectly balanced, they offer smooth performance and precise control.
In the crossfader position, Xone:96 comes equipped with the industry-favourite Innofader Mini, complete with fader cut adjustment for our sharpest cut ever.
Type: AnalogueChannels: 6 + 2
EQ:Channel 1-4, 4-Band EQChannel A-B, 3-Band Parametric EQ
USB Soundcards Dual 24 Channel (12 in / 12 out):Hi-Speed USB2.0 / Mac Class Compliant32bit / 96kHzMIDI over USB
Line Inputs:
4 x RCA (CH 1-4)4 x 1/4″ TRS (CH A-D) Mono/Stereo
Phono Inputs 4 x RCA (CH 1-4)LN/PH Switch for DVSUSB Inputs 6 x USB (CH 1-4 + CH A – CH B)Mic Input 2 x XLRMaster Output 1 x XLR (Balanced)Master 2 Output 1 x 1/4″ TRS (Balanced)Booth Output 1 x 1/4″ TRS (Balanced)Record Output 1 x RCA (Un-balanced)Master Insert 1 x 1/4″ TRSMIDI Out 1 x 5-Pin DINSend/Return I/O2 x 1/4″ TRS Send4 x 1/4″ TRS Return1 x LN/Hi-Z Switch (SND1/RTNA)
Filter:2 x VCF FilterHPF / BPF / LPFAdjustable Frequency &amp; ResonanceAssignable CH 1-4 + CH A-B
CRUNCH (Controlled Harmonic Signal Distortion)X-Link 1 x RJ45
Headphones:2 x 1/4″2 x 3.5mmSplit Cue Monitoring
Channel Faders 60mm VCA / ReplaceableChanel Meters 9 Segment LEDChannel Fader Curve 3 TypesX-Fader InnoFADER / 45mm VCA / ReplaceableX-Fader Curve 3 TypesEarth Ground Terminals x 2Headroom 20dBAC Mains100 to 240VAC 50/60HzConsumption 45W maxMains Adaptor 3 pin IEC socketHeight 109mm / 4.3″Width 336mm / 13.25″Depth 410mm / 16.2″Weight 7kg / 15.4 lbs.


This is a listing for a B Stock item which has been fully tested by the Manufacturer and comes with full warranty - the box has been opened and the packaging may be a little worn but the equipment is in full working order.



ALL IN ONE PORTABLE SYNTH &amp; SEQUENCER
ALL IN ONE PORTABLE SYNTH &amp; SEQUENCER


OP-1 is the all-in-one portable synthesizer, sampler and controller. With additional features like a built-in FM radio and an assignable G-force sensor for motion controlled effects, there is quite nothing like it.
OP-1 is the all-in-one portable synthesizer, sampler and controller. With additional features like a built-in FM radio and an assignable G-force sensor for motion controlled effects, there is quite nothing like it.


Its modular architecture enables endless sound possibilities without making the workflow complicated or distracting. 
Its modular architecture enables endless sound possibilities without making the workflow complicated or distracting. 


The compact design and real physical interface makes it inspiring to create music, no matter who you are or how experienced you are.
The compact design and real physical interface makes it inspiring to create music, no matter who you are or how experienced you are.


With ten synthesizer engines, eight high quality effects and multiple routable LFO’s, you&#39;ll never hit the wall when it comes to creativity or finding the right sound for the job. Add the unique built-in sequencers on top of that and you&#39;ll understand why so many highly regarded producers and artists hold this little machine so dear.
With ten synthesizer engines, eight high quality effects and multiple routable LFO’s, you&#39;ll never hit the wall when it comes to creativity or finding the right sound for the job. Add the unique built-in sequencers on top of that and you&#39;ll understand why so many highly regarded producers and artists hold this little machine so dear.


In controller mode, OP-1 turns in to a full blown MIDI controller, with access to transport (play/stop, rec, rewind and forward), a two octave keyboard with four endless encoders as well as a sound module that can be controlled from virtually any external software.
In controller mode, OP-1 turns in to a full blown MIDI controller, with access to transport (play/stop, rec, rewind and forward), a two octave keyboard with four endless encoders as well as a sound module that can be controlled from virtually any external software.


Record anything you create with the 4-track tape feature. Match the tape speed to the sequencer tempo for some really nice overdubbing. Change tapespeed while recording, or record backwards in realtime. Switch to the 4 channel mixer and add some punch with the built in EQ and compressor.
Record anything you create with the 4-track tape feature. Match the tape speed to the sequencer tempo for some really nice overdubbing. Change tapespeed while recording, or record backwards in realtime. Switch to the 4 channel mixer and add some punch with the built in EQ and compressor.


Finally, create a live mix in album mode on a virtual vinyl.
Finally, create a live mix in album mode on a virtual vinyl.


Use OP-1 to synchronize your pocket operators or connect it to any other gear using MIDI over USB. When you connect OP-1 to a computer using the included USB cable, the OP-1 shows up as a MIDI controller or a storage device. If storage device is selected, just drag and drop audio files between your computer and the OP-1. All 4 tape tracks are available as well as the drum and synthesizer samples. Everything ready for you to tweak or add to your DAW. No additional software or drivers required. just plug and play.
Use OP-1 to synchronize your pocket operators or connect it to any other gear using MIDI over USB. When you connect OP-1 to a computer using the included USB cable, the OP-1 shows up as a MIDI controller or a storage device. If storage device is selected, just drag and drop audio files between your computer and the OP-1. All 4 tape tracks are available as well as the drum and synthesizer samples. Everything ready for you to tweak or add to your DAW. No additional software or drivers required. just plug and play.


Features
Features

10 unique synthesizer engines
Instant sampler - two built in samplers
Record on the built in 4-track tape feature
Add effects and texture to your sounds with the 4 channel mixer
Six unique sequencers
Built-in mic, 3.5mm line in and FM radio
MIDI controller mode
Instant tape editing

Specifications:


CPU:
400 MHz Processor Core
(800 MMACSS performance)
64 MB Low-Power SDRAM (12ns)
512 MB Nand Flash storage
24-bit 96kHz ADC/DAC
Li-Ion 1800 mAh
16 hours active Battery Life
2 Years stand-by time
Charge via USB port
USB 2.0 high speed (OTG)
3.5 mm Line Input, Output
Built-in microphone
High output mini speaker 8 Ohm 1 Watt
3-axis accelerometer (G-force) sensor
Worldwide FM band support (64-108 MHz)
Amoled display running in 60 fps
320 x 160 pixel resolution
Color Depth: 16.7 M
Contrast: 10000:1 (good for outdoor use!)
Viewing Angle: 170°
Life Time: 30,000 hrs
Low profile keyboard module
Scissor-switch ultra low profile design
Expected lifespan of 10 million keystrokes per key
Industrial Grade Incremental Encoders
Rotational life: Up to 1,000,000 revolutions
Excellent indexing feel (remains consistent over life)
Zinc diecast and fiber enforced high performance plastic
Used in Avionics Operating temperature range: -40 to +85°C2.8
Advanced CNC:d one-piece Aluminum design.
2 X M6 Mounting holes for accessories.
2 X Cuts for strap accessory.
Light grey powder coated body and EDM textured keyboard
282 x 102 x 13.5 mm



DESTRUCTIVE TRANSMISSION LINE RADIO EFFECT MODULE
DESTRUCTIVE TRANSMISSION LINE RADIO EFFECT MODULE


Simulates the process of modulating and demodulating a signal for radio transmission
Simulates the process of modulating and demodulating a signal for radio transmission
Effect or complex oscillator (non v/oct)
Effect or complex oscillator (non v/oct)
Voltage controlled aliasing, distortion, and frequency modulation effects
Voltage controlled aliasing, distortion, and frequency modulation effects
Two wide ranging voltage controlled square wave oscillators with individual outputs
Two wide ranging voltage controlled square wave oscillators with individual outputs


Features
Features

CARRIER oscillator converts input into high frequency pulse train
DEMODULATOR oscillator inside control loop brings sound back to audio range
CV applies external voltage control to oscillators or uses input signal as audio rate FM
Internal oscillators can be replaced with external modulation sources
TYPE selects demodulation loop type (changes timbre and response)
ERROR output with threshold control
TONE control for filtering out the harshest of frequencies
All analog design

Specifications:
Specifications:

40 mA +12V
30 mA -12V
0 mA 5V



1.2M REPLACEMENT HEADPHONE CABLE FOR SENNHEISER HD25
1.2M REPLACEMENT HEADPHONE CABLE FOR SENNHEISER HD25


The Oyaide HPC Sennheiser HD-25 Cable is designed for one of the most popular sets of monitoring headphones in the world. Constructed to be a specialized upgrade cable, the Oyaide HPC cable for the HD-25s enhances the sound quality, appearance, and durability of your headphones. Made from exceptionally strong polypropylene to ensure long-life, the HPC cable features 18k gold plated contact pins with an angled audio plug for enhanced usability and portability. Using high purity PCOCC-A for the cable core/conductor, the Oyaide HPC cable delivers astounding signal flow and audio reproduction, with a strong Pb free PVC outer sheath and PFA insulation for excellent signal consistency. This cable is ideal for anyone looking to upgrade their Sennheiser HD-25s.
The Oyaide HPC Sennheiser HD-25 Cable is designed for one of the most popular sets of monitoring headphones in the world. Constructed to be a specialized upgrade cable, the Oyaide HPC cable for the HD-25s enhances the sound quality, appearance, and durability of your headphones. Made from exceptionally strong polypropylene to ensure long-life, the HPC cable features 18k gold plated contact pins with an angled audio plug for enhanced usability and portability. Using high purity PCOCC-A for the cable core/conductor, the Oyaide HPC cable delivers astounding signal flow and audio reproduction, with a strong Pb free PVC outer sheath and PFA insulation for excellent signal consistency. This cable is ideal for anyone looking to upgrade their Sennheiser HD-25s.


Specifications:
Specifications:

Cable : HPC-26TV2 (Red)
Center conductor : 102 SSC (AWG 26)
Insulation material : fluororesin (PFA)
Shield : 102 SSC spiral
Exterior sheath : Pb free PVC
Modular plug (headphone side) : brass scraping gold plating
3.5mm stereo mini plug : brass gold plated



1.2M REPLACEMENT HEADPHONE CABLE FOR SENNHEISER HD25
1.2M REPLACEMENT HEADPHONE CABLE FOR SENNHEISER HD25


The Oyaide HPC Sennheiser HD-25 Cable is designed for one of the most popular sets of monitoring headphones in the world. Constructed to be a specialized upgrade cable, the Oyaide HPC cable for the HD-25s enhances the sound quality, appearance, and durability of your headphones. Made from exceptionally strong polypropylene to ensure long-life, the HPC cable features 18k gold plated contact pins with an angled audio plug for enhanced usability and portability. Using high purity PCOCC-A for the cable core/conductor, the Oyaide HPC cable delivers astounding signal flow and audio reproduction, with a strong Pb free PVC outer sheath and PFA insulation for excellent signal consistency. This cable is ideal for anyone looking to upgrade their Sennheiser HD-25s.
The Oyaide HPC Sennheiser HD-25 Cable is designed for one of the most popular sets of monitoring headphones in the world. Constructed to be a specialized upgrade cable, the Oyaide HPC cable for the HD-25s enhances the sound quality, appearance, and durability of your headphones. Made from exceptionally strong polypropylene to ensure long-life, the HPC cable features 18k gold plated contact pins with an angled audio plug for enhanced usability and portability. Using high purity PCOCC-A for the cable core/conductor, the Oyaide HPC cable delivers astounding signal flow and audio reproduction, with a strong Pb free PVC outer sheath and PFA insulation for excellent signal consistency. This cable is ideal for anyone looking to upgrade their Sennheiser HD-25s.


Specifications:
Specifications:

Cable : HPC-26TV2 (Black)
Center conductor : 102 SSC (AWG 26)
Insulation material : fluororesin (PFA)
Shield : 102 SSC spiral
Exterior sheath : Pb free PVC
Modular plug (headphone side) : brass scraping gold plating
3.5mm stereo mini plug : brass gold plated



BUFFERED QUAD ATTENUATOR
BUFFERED QUAD ATTENUATOR


Sinc Defero is a buffered quad attenuator with LED indication.
Sinc Defero is a buffered quad attenuator with LED indication.


Yep, it’s an attenuator. With a fancy name! And LEDs!
Yep, it’s an attenuator. With a fancy name! And LEDs!


Specifications:
Specifications:

70 mA +12V
30 mA -12V
0 mA 5V
21mm



4HP ATTENUVERTING CV MIXER
Roti Pola is a four channel attenuverting CV mixer and offset with visual feedback in a small package. With nothing patched to channel 1, a 5v offset is applied to the mix, useful for controlling other parameters or modifying CV signals.

Specifications:
Specifications:
58 mA +12V
40 mA -12V
0 mA 5V
21mm








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FOUR PART RHYTHM GENERATOR / MODIFIER
FOUR PART RHYTHM GENERATOR / MODIFIER


Integra Funkitus is an 8HP rhythm generator. It takes up to four input rhythms and combines and modifes them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.
Integra Funkitus is an 8HP rhythm generator. It takes up to four input rhythms and combines and modifes them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.


Specifications:
Specifications:
50 mA +12V
11 mA -12V
0 mA 5V
Width: 8HP
Depth: 21mm



COMPLEX CV GENERATOR WITH STEP, LFO &amp; RANDOM MODES
COMPLEX CV GENERATOR WITH STEP, LFO &amp; RANDOM MODES


Clep Diaz is a handy and small step CV and LFO generator.  In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further.  CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output.  Unipolar and bipolar outputs allow maximal control.
Clep Diaz is a handy and small step CV and LFO generator.  In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further.  CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output.  Unipolar and bipolar outputs allow maximal control.


Specifications:
Specifications:
44 mA +12V
10 mA -12V
0 mA 5V
Width: 4HP
Depth: 20mm


EURORACK UNITY GAIN MIXER
EURORACK UNITY GAIN MIXER


The 2hp Unity Mixer is a little powerhouse of unity gain mixing capability. 2 sets of 3 inputs (1 out per set) offers up your basic configuration, then hit the SWITCH button to allow for 6 total inputs (1 out). Unity Mixer also supports CV so the SWITCH button makes this module a great option for rerouting combinations of signals on the fly and is perfect for live performance!
The 2hp Unity Mixer is a little powerhouse of unity gain mixing capability. 2 sets of 3 inputs (1 out per set) offers up your basic configuration, then hit the SWITCH button to allow for 6 total inputs (1 out). Unity Mixer also supports CV so the SWITCH button makes this module a great option for rerouting combinations of signals on the fly and is perfect for live performance!


Features
Features

2 sets of 3-to-1
SWITCH button for 6-to-1
Audio and CV signal support

Specifications:
Specifications:

20 mA +12V
0 mA -12V
0 mA 5V
Width: 2HP
Depth: 15mm



ANALOGUE WAVESHAPING OSCILLATOR MODULE
ANALOGUE WAVESHAPING OSCILLATOR MODULE


The Richter Anti-Oscillator is an analog triangle-core oscillator with unique voltage-controllable waveshaping capabilities.
The Richter Anti-Oscillator is an analog triangle-core oscillator with unique voltage-controllable waveshaping capabilities.


At first blush, the Anti-Oscillator appears as a standard voltage controlled oscillator, with volt per octave input, linear and exponential FM inputs (with attenuators), fine and coarse frequency controls, and dedicated triangle output. But then, there is the “MAYHEM” output!
At first blush, the Anti-Oscillator appears as a standard voltage controlled oscillator, with volt per octave input, linear and exponential FM inputs (with attenuators), fine and coarse frequency controls, and dedicated triangle output. But then, there is the “MAYHEM” output!


Mayhem starts as a square wave and morphs into twisted, animated waveforms as the “Init Wave” control travels clockwise or is modulated. Not a standard waveshaper or wavefolder, Mayhem produces multiple, altogether new waveshapes in series as it is modulated. Sometimes creating an almost PWM “fat” sound, and other times creating very organic, metallic sounds as the Anti-Oscillator is modulated. The timbres generated by the Mayhem output are often eccentric and very rich in harmonics, perfect for a filter to “bite” into.
Mayhem starts as a square wave and morphs into twisted, animated waveforms as the “Init Wave” control travels clockwise or is modulated. Not a standard waveshaper or wavefolder, Mayhem produces multiple, altogether new waveshapes in series as it is modulated. Sometimes creating an almost PWM “fat” sound, and other times creating very organic, metallic sounds as the Anti-Oscillator is modulated. The timbres generated by the Mayhem output are often eccentric and very rich in harmonics, perfect for a filter to “bite” into.


The waveshaper CV attenuator (Wave Env) is normalled to feed the triangle output in when no input is connected. The exponential and linear CV inputs are normalled to feed the Mayhem output into their respective CV input when no CV input is connected. When using the triangle output and with no CV input connected to the exponential input, for example, you can turn the the Exp control clockwise to progress through new wave shapes, starting with a triangle instead of a square for a smoother waveshaped output.
The waveshaper CV attenuator (Wave Env) is normalled to feed the triangle output in when no input is connected. The exponential and linear CV inputs are normalled to feed the Mayhem output into their respective CV input when no CV input is connected. When using the triangle output and with no CV input connected to the exponential input, for example, you can turn the the Exp control clockwise to progress through new wave shapes, starting with a triangle instead of a square for a smoother waveshaped output.


The Anti-Oscillator is know for its great FM response and capability to achieve fat and clangorous sounds. It pairs perfectly with the Wiard Oscillator for modulation, and the Borg and Boogie filters to shape and tame the Mayhem output!
The Anti-Oscillator is know for its great FM response and capability to achieve fat and clangorous sounds. It pairs perfectly with the Wiard Oscillator for modulation, and the Borg and Boogie filters to shape and tame the Mayhem output!


Specifications:
Specifications:


DIGITAL ELECTRONIC DRUM MODELLING SYNTH

The term &#34;digital&#34; typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analog modeling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums. 
The term &#34;digital&#34; typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analog modeling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums. 


The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you&#39;ve assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).
The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you&#39;ve assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).


Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness. 
Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness. 


You can customize the resulting trigger waveform by applying bit reduction to produce roughness, adjusting the wave folder depth to add complex overtones, and using overdrive to adjust the distortion. In this way, you can generate distinctive sounds from this sound engine that&#39;s structured rather differently from a typical drum machine. 
You can customize the resulting trigger waveform by applying bit reduction to produce roughness, adjusting the wave folder depth to add complex overtones, and using overdrive to adjust the distortion. In this way, you can generate distinctive sounds from this sound engine that&#39;s structured rather differently from a typical drum machine. 


Once you&#39;ve specified the sound, you can adjust the balance of the parts by modifying the timing at which steps are heard, the pan, the gain before mixing, and the effect sends.
Once you&#39;ve specified the sound, you can adjust the balance of the parts by modifying the timing at which steps are heard, the pan, the gain before mixing, and the effect sends.


The effect section features a waveguide resonator that&#39;s based on physical modeling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: &#34;tube&#34; which adds the resonance of a cylindrical object such as a drum body or a long pipe, or &#34;strings&#34; which adds the metallic resonance of a string. The three knobs located in the center of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behavior. You can take advantage of these knobs not only for sound design but also in your live performances.
The effect section features a waveguide resonator that&#39;s based on physical modeling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: &#34;tube&#34; which adds the resonance of a cylindrical object such as a drum body or a long pipe, or &#34;strings&#34; which adds the metallic resonance of a string. The three knobs located in the center of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behavior. You can take advantage of these knobs not only for sound design but also in your live performances.


Features
Features


Specifications:

Keyboard: Multi touch trigger pads / Step keys
Synthesizer
Type: Digital synthesis
Maximum Polyphony: 6
Structure: 6 parts (For each part, 2 oscillators, pitch modulator, and amp EG), waveguide resonator effect.
Kits: 16 (Settings for 6 parts + Settings for waveguide resonator) Kit No.1 – No.10 are factory preset.
Program: 16 (Sequence pattern, Motion sequence, Kit No.) Program No.1 – No. 10 are factory preset.
Sequencer
Number of parts: 6
Number of steps: 16 (pattern chain is available)
Number of recording patterns: 16
Connectors
Audio Output: Headphones jack (3.5mm stereo mini jack)
Sync: Sync In jack (3.5mm monaural mini jack, Maximum input level: 20V) , Sync Out jack (3.5mm monaural mini jack, Maximum Output level: 5V)
MIDI: MIDI IN
Power
Battery Life: Approximately 10 hours (using alkaline batteries)
Power supply: AA alkaline battery × 6, AA nickel-metal hydride battery × 6, or KA-350 AC adapter (sold separately)
Others
Included Items: AA alkaline battery × 6 (for verifying operation), Sync cable
Dimensions: 193 × 115 × 39 mm
Weight: 370 g (Excluding batteries)



SWITCHABLE BUFFERED MULTIPLE
SWITCHABLE BUFFERED MULTIPLE


The 2hp Performance Buffered Mult features 2 sets of 3 outputs as well as a SWITCH for disconnecting the 2nd input to make a total of 6 outputs. It’s the perfect mult solution for live performance!
The 2hp Performance Buffered Mult features 2 sets of 3 outputs as well as a SWITCH for disconnecting the 2nd input to make a total of 6 outputs. It’s the perfect mult solution for live performance!


Features
Features

2 sets of 1×3
SWITCH button for 1×6
Audio and CV signal support

Specifications:
Specifications:

20 mA +12V
20 mA -12V
0 mA 5V
Width: 2HP
Depth: 
15mm




STANDALONE MUSIC PRODUCTION AND PERFORMANCE SYSTEM

Redefine your expectations. Force blurs—no, eliminates!—the lines between contemporary music production solutions and next-generation DJ performance technology, setting the precedent for a new industry standard. Fusing clip-launching, step sequencing, sampling, synth engines and tactile touch screen control into a standalone, performance-driven device, Force combines must-have modern functionality with an ultra-intuitive workflow that harnesses your creativity for maximum expressive capability.

Features
Standalone – no computer required
8x8 clip launch matrix with RGB LEDs
7&#34; full color capacitive multitouch display
Mic / instrument / line inputs, 4 outputs
MIDI In / Out / Thru
4 configurable CV/Gate outputs
Remix, mash-Up, DJ and produce with 6 Track types for complete audio / MIDI / CV sequencing and performance capability
Performance Modes including 16-Pad Drums, Notes, Smart Scales, Chords &amp; Progressions
MPC Sample Editing
Automatic BPM detection, real-time time-stretching and pitch-shifting
8 touch-sensitive knobs with graphical OLED displays
4 powerful, fully-editable synth engines
16GB of on-board storage (over 10 gigs of sound content included)
Full-Size SD card Slot &amp; 2 USB 3.0 slots for thumb drives or MIDI controllers
User-expandable 2.5&#34; SATA drive connector (SSD or HDD)
Specifications:

Pads:
(64) velocity- and pressure-sensitive pads, RGB-backlit
Knobs:
(8) 360° touch-sensitive Knobs
(1) 360° encoder for display navigation and selection via push
(5) 270° knobs for gain, mix &amp; level adjustment
Buttons:
(56) dedicated function buttons; red-, amber-, or green-backlit
Display:
6.9” / 176 mm (diagonal)
5.9” x 3.7” / 150 x 93 mm (width x height)
Full-color LED-backlit display with touch interface
Connections:
(2) XLR+1/4” (6.35 mm) TRS inputs (Input 1/2)
(4) 1/4” (6.35 mm) TRS outputs (2 stereo pairs)
(1) 1/4” (6.35 mm) stereo headphone output
(1) 1/8&#34; (3.5 mm) MIDI input
(1) 1/8&#34; (3.5 mm) MIDI output
(1) 1/8&#34; (3.5 mm) MIDI thru port
(4) 1/8” (3.5 mm) CV/Gate outputs
(1) Ethernet link port
(2) USB Type-A ports
(1) USB Type-B port
(1) SD card slot
(1) power adapter input
Power:
via power adapter: 19 V, 3.42 A, center-positive, included
Dimensions:
350 x 389 x 72.5 mm
Weight:
3.87 kg



DUAL ANALOG SAMPLE AND HOLD
S+H is an analog sample and hold with two independent channels. Great for generating random voltages from white noise, arpeggios from sawtooth waves, and downsampling audio signals.

Features
Features
Analog sample and hold
2 independent channels
Clocks fast enough to downsample audio signals
Wide input range of +/-12V
Skiff friendly
Specifications:
Specifications:
5 mA +12V
5 mA -12V
0 mA 5V
Width: 2HP
Depth: 42mm


VOLTAGE OFFSET GENERATOR
VOLTAGE OFFSET GENERATOR


The 2hp DC is a voltage offset generator. It creates three channels of offset voltages, each with a different output range. Great for manually controlling CV inputs through a known range or summing together with CV signals to act as a bias. With the addition of a multiple, you can control several modules at once with a single knob. Take control with DC.
The 2hp DC is a voltage offset generator. It creates three channels of offset voltages, each with a different output range. Great for manually controlling CV inputs through a known range or summing together with CV signals to act as a bias. With the addition of a multiple, you can control several modules at once with a single knob. Take control with DC.


Features
Features

Voltage offset generator
Three channels and voltage ranges
Manually control CV inputs
Outputs: 0V to 5V, -5V to +5V, and 0V to +10V

Specifications:
Specifications:

Width: 2HP



5V UK PSU FOR 5-WAY ROLAND BOUTIQUE SPLITTER
5V UK PSU FOR 5-WAY ROLAND BOUTIQUE SPLITTER


5v UK PSU for 5-way Roland Boutique Splitter. 5V DC voltage output. 2000mA (or 2A) maximum current output. Each Boutique draws only the current it needs from the max current available.. Worldwide voltage input AC100-240V, 50/60Hz
5v UK PSU for 5-way Roland Boutique Splitter. 5V DC voltage output. 2000mA (or 2A) maximum current output. Each Boutique draws only the current it needs from the max current available.. Worldwide voltage input AC100-240V, 50/60Hz


Specifications:
Specifications:




Seaboard RISE 25 is a multi-award-winning, next-generation MIDI controller that gives you unlimited control of sound. A soft, continuous, touch-responsive surface replaces the keys of a traditional keyboard. With expression at your fingertips, a new way of making music is on the RISE.Connectivity/ Ports: Continuous pedal input (1/4 inch jack).USB-B port (MIDI out and power).USB-A port (for charging peripherals).

Key features: 

- Seamless hardware-software integration
- Beautifully crafted using premium materials.OS X 10.8+ / Windows 7+ / iOS.Intel Dual Core i5 2.5GHz or faster - recommended.
- Sleek, intuitive design accessible to music makers of all technical levels
- Completely wireless with MIDI over Bluetooth
- Bundled with Equator, the world's first purpose built, multidimensional software synthesiser



Switcheasy Colors silicon case for Galaxy SIII Lilac

Key Features: 

 - Fashion Forward Design 
-  Practical Protection 
-  Stylish Functionality



Ethernet RJ45 Belkin patch cable Cat5E 2m Blue (CNP5LS0AED2M)

Key Features: 

 - RJ45 CAT-5e Fastcat Snagless UTP PatchRJ45 CAT-5e Fastcat Snagless UTP Patch Cable 2m blue



NOTE: Images for illustrative purposes only. Phone NOT included.

Key Features: 

 - Thin, form fitting designLightweightProtects against minor scratches

Rocketfish RF-A2PSCE Silicone Case for iPhone 3G/3GS





Hi,

Selling this turntable - it’s in almost perfect cosmetic condition and works perfectly but am selling due to impending move.

Needle could do with an update soon. 

Get in touch for more details.

Thank you 

ART P48 Balanced 1/4" TRS Jack Patchbay

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Item lent by Dan

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ART P48 Balanced 1/4&#34; TRS Jack Patchbay

Description

Location

Item lent by Dan

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ART P48 Balanced 1/4&#34; TRS Jack Patchbay

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ART P48 Balanced 1/4" TRS Jack Patchbay

ART P48 Balanced 1/4" TRS Jack Patchbay