A best selling metal distortion, the MT2 delivers effortlessly when it comes to hi-gain goodness. Metal Zone has a 3-band EQ on board (with sweepable mid frequency) for maximum control of that all-important metal scooped mid sound. Tap into a gnarly saturated tone free from muddiness.

Key Features
Incredible-sounding distortion pedal with unique dual-gain circuitry
Provides super-long sustain and heavy mids and lows like a stack of overdriven amps
Three-band EQ with semi-parametric Mid control offers a wide range of extreme distortion textures
A must-have pedal for any hard rock or metal guitarist

*COMES WITH BATTERIES

The Cube Street EX is an all purpose, on-the-go amp and/or PA system. Designed to work either on the ground or on a speaker stand (not included) and powered by batteries, the Cube Street EX has street performers and buskers at the heart of its design.

Specs: 

Innovative new Roland technology provides 50 watts of stereo power from eight AA-size batteries
Selectable output power modes to optimise battery life for different performing situations (Max: 50 W/5 hours; Normal: 25 W/10 hours; Eco: 10 W/20 hours*)
Portable, lightweight design (7.4 kg/16 lb. 5 oz.) with durable ABS injection-moulded cabinet
Powerful, full-range stereo sound with dual 8-inch woofers and 2-inch tweeters
Four independent channels for connecting a variety of mics, instruments, and audio devices
Two XLR mic inputs allow two vocalists to perform at once
COSM tones for electric guitar, including Clean, Crunch, and Lead; preamp for acoustic guitar provides clean, natural sound
Angled back for use as a stage monitor; mounting hole for use with optional ST-A95 Speaker Stand
Stereo Line Out jacks for connecting to an external sound system when used as a stage monitor
Stereo Link jacks to connect a second CUBE Street EX for broader sound coverage
Easy recording into your iPhone/iPad via i-CUBE LINK and free CUBE JAM app
Optional CB-CS2 Carrying Case made with water-repellent material
*Approximate battery life under continuous use with rechargeable AA Ni-MH batteries

Beautiful solid sounding guitar! Can't go wrong with a good old Fender Strat! 

Here are the specs: 

Body

Body Material: Alder
Body Finish: Gloss Polyester
Body Shape: Stratocaster
Neck

Neck Material: Maple
Neck Finish: Satin Urethane Finish on Back of Neck with Gloss Urethane Headstock Face
Neck Shape: Modern “C”
Scale Length: 25.5” (648mm)
Fingerboard Material: Pau Ferro
Fingerboard Radius: 9.5" (241 mm)
Number of Frets: 22
Fret Size: Medium Jumbo
Nut Material: Synthetic Bone
Nut Width: 1.650” (42mm)
Position Inlays: White Dots
Truss Rod: Standard
Truss Rod Nut: 3/16" Hex Adjustment
Truss Rod Wrench: 3/16" Hex (Allen)
Neck Mounting: 4-Bolt
Electronics

Bridge Pickup: New Player Series Single-Coil
Middle Pickup: New Player Series Single-Coil
Neck Pickup: New Player Series Single-Coil
Controls: Master Volume, Tone 1. (Neck/Middle Pickups), Tone 2. (Bridge Pickup)
Switching: 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
Configuration: SSS
Hardware

Bridge Mounting: 2-Point Modern
Bridge: 2-Point Synchronized Tremolo with Bent Steel Saddles
Tremolo Arm: Standard Tremolo Arm
Hardware Finish: Nickel/Chrome
Tuning Machines: Standard Cast/Sealed
Pickguard: 3-Ply Parchment
Control Knobs: Parchment Plastic
Neck Plate: 4-Bolt "F" Stamped


*PLEASE GET IN TOUCH IF YOU ALSO NEED STANDS AND CABLES. 

Essential mic.

*PLEASE GET IN TOUCH IF YOU ALSO NEED STANDS AND CABLES.

Great overhead/ambient mics! 

Specs: 

The AKG C 2000B is the "entry level" model for anyone looking for an affordable high quality recording microphone. Its almost ruler-flat response provides a crystal-clear, "up-front" sound. A switchable bass roll-off filter for eliminating proximity effect and a switchable 10dB pre-attenuation pad let you adjust the C 2000B's response to all recording or live miking situations. A built-in pop screen reduces unwanted noise that may be caused by plosive sounds if you use the microphone extremely close-in. Rugged construction, an elegantly styled die-cast metal housing, and silver-gray finish add to the professional level quality of the C 2000B.

Cardioid Polar Pattern

The C 2000B features a cardioid polar pattern providing minimal pickup around the off axis sections of the microphone. This is particularly useful for micing in highly ambient environments and minimizing feedback for use in live sound.

Switchable Preattenuation

Preattenuation Pad allows maximum SPL of 10dB for distortion free close micing. A suitable solution for micing instruments high in volume and transient response such as horns, drums etc.

Bass Cut Filter

The Bass Cut filter emphasizes the mid and high end frequencies, eliminating low end frequency noise and rumble from sources such as other instruments, air conditioners etc.

Rugged Design

The C 2000B features a rugged all-metal die-cast body providing efficient protection against Radio Frequency interference. In addition an internal wind screen minimizes wind and noise caused by plosive signal.

*IF YOU'D LIKE THE REMOTE PLEASE GET IN TOUCH 

An extremely powerful tool, get in touch for more details and some info on how to get the best out of the Kemper! 

Features
Expanded delay time, up to 6.4 seconds
Modulation Delay mode offers natural, chorus-type sounds
Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
Tap tempo controllable via external footswitch
Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
Up to 40 seconds of recording for sound on sound (Hold mode)
BOSS five-year warranty

The Boss DC-3 Digital Dimension Chorus brings spacey, organic choral sounds of the '80s in a through a four-knob control layout of E. Level, EQ, Rate, and Depth, all digital circuitry for more precise effects emulation, and a sampling rate of 50kHz. Departing from its predecessor, the DC-2, by incorporating digital as opposed to analog circuitry, this model's spatial angle in its effect is perfect for post-rock, grunge, or psych.

The Boss PS-6 Harmonist takes guitar harmony to the next level. With the ability to create up to three-part harmonies or four pitch shifts types, plus the ability to control the pitch via an expression pedal, the PS-6 Harmonist is all you'd ever want from a versatile pitch shifter.

Key Features
Four effect modes in one stompbox: Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend)
Easily create two- or three-voice harmonies with selectable key and voicing
High-quality pitch shifting
Three-voice Detune capability
Super Bend provides up to four octaves of extreme pitch bending
Control pitch via expression pedal (optional BOSS FV-500L/H or Roland EV-5)

The latest instalment of the Boss PH-3 Phase Shifter includes rise and fall for an "infinite" effect, tap tempo functionality and multi stage phasers. All the classic phasing tones you love are still packed in there too, from bubbling modulation to subtle chorusing.

Key Features
Compact pedal with versatile vintage and modern BOSS phasing
New "Rise" and "Fall" modes create unidirectional phasing
Includes classic multi-stage phasers with selectable stages
Realtime control of Rate, Filter, and Tempo via optional expression pedal
Tap tempo sync of phasing effects

Create "violin" effects on your guitar or bass using this rock-steady volume pedal from Boss. Designed specifically with a high impedance output to emulate the unbuffered output of a guitar. The FV50H is designed to be placed before other effects pedals in your pedal chain.

The FV-50H is a stereo volume pedal that can be used for electric guitar or bass. The high impedance FV-50H is designed to be connected before guitar effect units in the signal chain.

Specifications

Connectors: Input x 2, Output x 2, Tuner Out
Width: 86 mm, 3-7/16 inches
Depth: 200 mm, 7-7/8 inches
Height: 54 mm, 2-1/8 inches
Weight: 0.4 kg, 0 lbs. 15 oz

The DC Drive, with it’s killer Overdrive. A new, fresh, anodized pedal designed for a smaller pedal board footprint, with all the same great tones.Just like Carl, this pedal has a few tricks up its sleeve.  Besides the typical Level, Tone and Drive knobs which obviously control the volume of the signal, the tone and the amount of overdrive, Carl has smartly added a Regular/Fat switch….not so typical.  In Regular mode, the drive is crisp and clear, suitable for anything that calls for old-school drive….switch over to Fat and the drive gets thicker with a lot more gain, much more modern. The pedal can be powered by a regulated power supply like the Carl Martin ProPower V2

Featuring hand-selected BC183 silicon transistors (for higher gain), custom repro 68-69 knobs, and a vintage-style hammertone finish this pedal not only kills in looks but thanks to it's use of quality components the tone delivered is to die for.

As Eric says 'It's the classci tone used by Jimi Hendrix - its the pinnacle of psychedelic fuzz.'

Eric Johnson signature Fuzz Face
Designed in conjunction with Fuzz Face guru Jeorge Tripps
BC183 silicon transistors (for higher gain)
Custom repro 68-69 knobs
Vintage-style hammertone finish

The Disaster Transport is an analog voiced digital delay with 625ms delay time, all analog dry signal path, true bypass and added modulation. It was designed as an anti-modern delay for those who appreciate a nice tape echo with all its peculiarities. Its unique tone control doubles as a noise filter on longer delay settings and really helps the delay shine with a dirty signal. The mix control allows you to boost the effected signal to nearly 4x the original signal level and the modulation can go from subtle pitch shifting warble to ultra fast tremolo speeds while the LED visually shows the rate.

There are very few stompboxes that have fostered lore, worship and debate like the Klon Centaur. Some might argue that no other pedal is as hallowed. The Klon stands alone as an industry-shaping force that tore through players’ and builders’ notions of what a rich transparent overdrive can be. Since Bill Finnegan created the first Centaur in 1994, the hand-made unit has been the grail for amateur players and a must-have for many professional rockers. That sentiment has only grown since production stopped in 2009. The current used market price for an original Klon - between $1400 and $2000 - reflects this skewed supply and demand curve. So much has been written and filmed about the Klon and its kin that there’s no need to go on about what the Soul Food pedal is chasing.

A high precision tuning micro pedals, can be accurate to 1 points
Works with most Electric or Electro-acoustic instruments in cluding seven string guitar or five string bass.
Display Uses 108 high brightness LED's and is visible even in strong light/sun
Very small and compact design
True bypass switch

The Mooer Trelicopter is small but mighty optical tremolo with bias control! The bias controls what makes old vintage Fender amp tremolos so good with non symmetrical waveform! Control over speed and depth too allows you to tailor your sound whether you want subtle or overblown!

Building on the foundations of the legendary Dyna Comp pedal, the MXR M132 SuperComp helps you smooth out your signal without killing all the natural dynamics; in fact, you'll love how this pedal actually improves the dynamic response you get from hot humbucking pickups! The Supercomp includes attack, sensitivity, and output knobs, for easy on-the-fly tweaking. For any guitarist trying to replicate the tight, snappy clean tones and soaring lead tones of the classic 'Nashville' sound, the Super Comp is essential!

Everone buys pedals one after the other, but then sooner or later the question is: How do I power them? Batteries are always empty (and expensive, as well as they're not environmentally friendly) - and the power strip with 5 power supply units also doesn't look really sexy in the pedal case. For guitarists who love their many colourful stomps and always want to have them around, the Power Plant is just the right thing.

Eight (!) 9V outputs provide a total of 500 mA, plus a 12V AC and a 12V DC output for the most exotic of power consumers; with that you are prepared for all eventualities.

A whole bunch of adapter cables available in various sizes is included. Its the optimal solution for most pedal cases at an extremely affordable price!

With 8 x 9V DC (500 mA), 1 x 12V DC (500 mA) and 1 x 12V AC (500 mA) outputs
Incl. cable set (length of black cables about 50 cm, colored cables about 30 cm)
Dimensions: 16.5 x 8.5 x 5.0 cm

The Octavia is a fuzz which creates the octave doubling effect (one octave higher) made famous by Jimi Hendrix and Jeff Beck. The Voodoo Lab Proctavia is an exact replica of Tycobrahe Sound Company's Octavia, the model used by Stevie Ray Vaughan and considered the most desirable by vintage collectors.
The Proctavia includes the same transistors, germanium diodes and transformer coupled output stage as the original circuit to produce the outrageous distortion and high octave sound heard on classic recordings like "Are You Experienced" and "Wired".

"Voodoo Lab's Proctavia: it'll put a spell on you. Once the Proctavia is plugged in, it doesn't take long to realise that you're dealing with a quality pedal that oozes versatility from its two controls." - WHAT GUITAR Magazine

The BB Preamp offers a wide variety of sounds. It's capable of a 30dB+ clean boost with an adjustable +/-15dB two band active EQ which adds a wide range of harmonic content to your ideal sound. The BB also utilizes a pre-gain stage which allows the Pedal to go from a very pristine clean to a very smooth,compressed, overdriven sound.

True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.

The BOSS - SYB-3  Bass Synthesizer is a sick pedal that basically turns any active signal you feed it into a lo-fi-ish TB-303 or XOXbox. Feed it a guitar, drum machine, analog synth...

Included is only the pedal and a fresh 9 volt Battery, but I can possibly lend some cables and jack adapters too. 

**Something  to consider with this badboy is that it only outputs a MONO signal! This can be a bum-pain, on my normal setup for example i only get the sound from 1 side of the speakers. You'll have to get creative and find a way to run it through Stereo on an interface or PC. 

Other items: Allen & Heath XONE: 22 mixer / Synq Xtrem-1 Turntables / Rode NTG-1 Shotgun Mic/ and more...

Boss rc 20 in great condition, rarely removed from box. Comes with Boss AC adapter.

Vintage original Boss CE-2 chorus pedal.

Seen some action in its time but still working perfectly and sounding lush (Boss pedals are indestructable!)

  Even with the best-selling delays in compact-pedal history, BOSS continues to push the boundaries and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modelled Analogue Delay mode, external pedal control options, longer delay time, and more. • Expanded delay time, up to 6.4 seconds • Modulation Delay mode offers natural, chorus-type sounds • Analogue Delay mode models the classic warm BOSS DM-2 analogue delay sound • Tap tempo controllable via external footswitch • Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately) • Up to 40 seconds of recording for sound on sound (Hold mode) Expanded Delay Time Up to 6.4 seconds of delay time is available with the DD-7, a marked increase from its predecessor. In addition, Hold mode allows up to 40 seconds of input to be recorded for creating "sound-on-sound" performances. New Delay Modes The DD-7 is equipped with two innovative new delay modes. Modulation Delay provides chorus-flavoured sounds. Analogue Delay offers a modelled simulation of the classic BOSS DM-2, beloved for its characteristic warmth. External Control For hands-free control of the DD-7, an external footswitch and Expression pedal (sold separately) can be used. Tap tempo can be controlled from an external footswitch, while delay time, feedback, and effect level can be changed on the fly via Expression pedal. Stereo Output Create amazing effects with the DD-7's stereo output, such as spatial audio sweeps via true stereo panning. You can also use the stereo outputs to create separate dry and wet signal paths - handy for recording and live-performance control.

Here's the BOSS RC3 loop station. The best way to support your one-man-band! Includes the box and manual so you can get yourself going in no time. 

*Great for practicing your scales and solos*

A fully working unit. Never been played outside of home. Easiest effects pedal to work with and effects sound great.

Items included:
-BOSS ME-80 
-BOSS Power Supply
-Short Mono Cable
-Original Box 

The user manual and unit's PC drivers are NOT included.

Thank you.

The DD-7 is much more than just a pure Delay pedal: next to an interesting selection of effects such as Reverse or Modulation Echos, a Looper is also onboard with 40 seconds of recording time with overdubs.
The Expression pedal input allows, combined with the Boss FS-5U for example, tap-tempo functions to be controlled via a footswitch or realize continuous tempo control via the Roland EV-5 pedal. In addition, the Boss DD-7 can also be integrated quite easily into stereo setups this way.

A prized and sought after tube amp simulator, with many configurations to acheive your desired sound.

Used and loved for many years, still in great condition.

If this isn't quite what you're looking for, please feel free to check out my other listings!

Boss TU3 chromatic tuner, great piece of kit. 

-Internal memory with up to three hours of stereo recording time
-Twin Pedal multitrack looper with true stereo I/O
-Two synchronized stereo tracks with dedicated volume faders and t-rack-select buttons
-99 onboard memory phrases for storing loops
-Built-in effects for processing loops
-Mains Adapter included
-Great Working Order
-Collection from Camden Market

-Great condition
-Internal memory with up to three hours of stereo recording time
-Twin Pedal multitrack looper with true stereo I/O
-Two synchronized stereo tracks with dedicated volume faders and t-rack-select buttons
-99 onboard memory phrases for storing loops
-Built-in effects for processing loops
-Mains Adapter included
-Collection from Camden Market


Metal Distortion Pedal 

2 High Gain amp tone circuits (Tight and Loose modes)
Controls: Level, Low, High, Mid Frequencies , Mid Level, Gain.
True Bypass
Stomplock knob guards to prevent tampering or accidental knob adjustments on stage. 

Built with space in mind, the Boss RC-2 Loop Station is the compact little brother of the RC-20XL and the RC-50. Perfect for any genre where multiple layers and looping is required, the Boss RC-2 features up to 16 minutes of recording time and the capacity to store up to 11 separate phrases, all in a stomp box.

Essential guitar pedals for any gig! See my other listings for more pedals/pedal board.

A Boss BCB 60 pedal board with power supply, daisy chain, and cables. Plus your choice of any of my pedals. They are... Dunlop Cry Baby Wah, Dunlop variable Tremolo/volume pedal (rare!), Durham Electronics Crazy Horse Fuzz, Line 6 Tap Tremolo, Foxrox Electronics Octron, MXR Carbon Copy Analog Delay, Boss Blues Driver, Boss Phase Shifter, Boss Distortion, Boss TU2 tuner.

A Boss classic. Has a punchy, very dry and focussed sound to it. Great as solo boost or a rhythm drive sound when pushing a valve amp.
Gain, Volume and Tone controls.

Not much to say about this pedal. It's a classic. Good for grungy, heavily saturated tones.
Volume, Gain and Tone controls.

Behringer clone of the infamous Boss FZ2 pedal.
Volume and Gain controls as well as active (boost/cut) treble and bass controls.
3 modes:
Fuzz 1: Thick saturated fuzz with an octave up when played around the 12th fret. Perfect for stoner rock or doom metal (think Electric Wizard/Fu Manchu).
Fuzz 2: Like Fuzz 1 but with a big mid-scoop. More defined sound, much more suited for palm-muting and more intricate riffs.
Boost: Clean boost with active tone shaping (theres A LOT of boost on tap here!)

This pedal is fairly new, and in my experience the little rubber footpad on Behringer pedals tends to come off after a while. If this happens while it's on loan don't sweat it, but bring the rubber pad back if possible!

Not much to say about this one. Boss TU3 Chromatic Tuner. Great working tuning pedal, accurate, easy to use and durable. Has a regulated power out so you can power other pedals from it also.

A classical Boss FZ-3 modified. Still a great Fuzz pedal

This is a classical Boss DS-1 Modded for a different sound. It's still a distortion with a classical 80's-90's sound

Digital delay

Controls: Level, Feedback, Time, Mode
Effect on LED
Footswitch: Effect Bypass
Current consumption: 45 mA
Power supply via 9 V battery or 9 V DC power adapter (suitable power supply)
Dimensions (W x D x H): 73 x 129 x 59 mm
Weight: 420 g

This is widely considered to be the best octave pedal on the market. Fantastic tracking, polyphonic and capable of sounding like a synth or organ (due to multiple octaves and modes and attack/tuning controls). Also save presets for instant recall.

I also have the following pedals available; message for details -


(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon Timeline
Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky
Strymon BigSky

Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

*Power cable and battery NOT included*  
Can be collected from my work in:  
Covent Garden/Holborn WC2B 6XF  (09:30-18:00 Weekdays) 
OR
My flat SE17 (19:00 onwards Weekdays. Or anytime weekends) 
Also flexible to meet anywhere in Central London! :)

Expanded delay time, up to 6.4 seconds
Modulation Delay mode offers natural, chorus-type sounds
Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
Tap tempo controllable via external footswitch
Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
Up to 40 seconds of recording for sound on sound (Hold mode)

*Power cable and battery NOT included*

Can be collected from my work in:  
Covent Garden/Holborn WC2B 6XF (09:30-18:00 Weekdays) 
OR  
My flat SE17 (19:00 onwards Weekdays. Or anytime weekends) 
Also flexible to meet anywhere in Central London! :)

Combining song-based looping and organic rhythms in a compact package, the RC-10R brings fresh inspiration to live performances, songwriting sessions, and daily practice. This next-generation Loop Station is a real-time creation machine, enabling you to develop spontaneous music that moves and grooves with two unique song sections, intros/endings, and rhythm fills. Onboard controls and visual loop indicators provide easy, self-contained operation, while expanded control is possible with external switches and MIDI. A vast rhythm library is on hand to cover nearly any music genre, and you can even import your own rhythms to personalize the RC-10R for specific songs and styles.

In perfect condition!

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

In perfect working condition

The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.

In perfect working condition!

Best played LOUD. Famously warm sound. Classic blues tones, sounds like a tube amp.
Comes fully charged in it's box. Works perfectly.

Make it even louder with the DS-1 distortion pedal.
 
 Any questions just ask!

Great pedal, delivers a really smooth distortion. You can get everything from '60s fuzz to heavy metal out of it.
Works perfectly and comes will fully charged battery and box.
Other guitar pedals available - combines really nicely with the Blues Driver 2.

Any questions just ask!

TC Helcion VoiceLive Touch 2. Amazing for vocal loops, auto tune and advanced layering. Barely used. Available to rent and can meet for pickup.


It's a great FX processor, versatile and with multiple options.

No scratches, very well looked after and fully tested.

Original price around £250.

> Floor-based multi-effects processor with BOSS' most intuitive interface ever
> 30 Preset Patches including delay, modulation, reverb, compressor and more
> Killer COSM overdrive/distortion effects including "Square" synth sound
> Dedicated knobs for each effect section - no menus to navigate!
> Tone Modify function offers Preset EQ settings for quick tone editing
> 3 footswitches for switching effects on and off with a single stomp
> Onboard expression pedal pre-routed to 6 modulation options or volume
> Rugged metal case with clear panel layout

Rare 1989 Japanese version. Well sort after and will provide all the distortion you will ever need.

Classic no-frills chorus pedal. The first scale production compact chorus pedal, first introduced in 1979, and running strong through to 1991. You'd be hard-pressed to find any guitarist playing in the 80s, whatever their style, without one of these on their board.  

Loved by: Johnny Marr, Jimmy Page, Josh Klinghoffer, Andy Rourke, Andy Summers, and many, many more converts. 

In excellent condition, with only minor nicks to the outer body.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Dual Channel Overdrive Pedal
Great sound!

Other pedals also available. 

Hey folks, I’m renting out my loop pedal Boss RC-3.

BOSS MT-2 Metal Zone

Description

Location

Item lent by HILLROS

Other items from HILLROS

FAQs

BOSS MT-2 Metal Zone

Explore other options around London