The DAC-70 SD/HD/3G-SDI Up/Down/Cross Converter from Datavideo converts between SD, HD, and 3G formats. It supports 10-bit video processing and accepts VGA, HDMI, and SD/HD-3G-SDI video input signals and automatically converts them to the selected output format. The DAC-70 supports resolutions up to 1080p60 and up to 8 channels of embedded SDI or HDMI audio. An analog L/R audio input is also provided. Thanks to a built-in mini-USB port, the converter is firmware upgradeable for support of future video formats. A 12V / 1A power supply and cord comes included.

- Low SDI jitter with long cable lengths
- Compatible with optional RMK-2, for holding multiple converters and distribution amplifiers in a 2RU space
- Compatible with the MB-4 battery adapter
- Compatible with MB-5 strap adapter

Comes as licence key.
Price includes VAT
With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative. 
Best of all, with EDIUS Pro 9, there are no subscription fees — you buy it, you keep it — with a permanent license with free updates throughout the life of EDIUS Pro 9.x.  Need workgroup editing? The ability to edit growing files? Maybe a Dolby Plus/Professional license? Then have a look at EDIUS Workgroup 9. Superior 4K workflow, including support for Blackmagic Design/AJA hardware (preview only) and EDL or AAF import/export with Grass Valley HQX with DaVinci Resolve. 
Edit media files with different resolutions — from 24x24 to 4Kx2K. Real-time conversion of frame rates on the same timeline delivers more efficient editing into the hands of editors. Fast, flexible user interface, including unlimited video, audio, title and graphics tracks.
Support for the latest file formats — Sony XAVC (Intra/Long GOP)/XAVC S, Panasonic AVC-Ultra/AVC-Intra 422, AVC-Intra LT/LT 2K and Canon XF-AVC (import only), Sony RAW, Canon Cinema RAW/Cinema RAW Light, RED RAW, ProRes (Import only), DNxHD/HR (option), still image RAW

This is an upgrade version for anyone with any Edius version from 2-7 and Edius Neo

Please note - You need the licence key for your current version.

Comes as licence key.
Important information: Once you have registered the software / used the Activation code we cannot accept any returns or refunds.

With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative.

 

Best of all, with EDIUS Pro 9, there are no subscription fees — you buy it, you keep it — with a permanent license with free updates throughout the life of EDIUS Pro 9.x.

 Need workgroup editing? The ability to edit growing files? Maybe a Dolby Plus/Professional license? Then have a look at EDIUS Workgroup 9.

Superior 4K workflow, including support for Blackmagic Design/AJA hardware (preview only) and EDL or AAF import/export with Grass Valley HQX with DaVinci Resolve

Edit media files with different resolutions — from 24x24 to 4Kx2K

Real-time conversion of frame rates on the same timeline delivers more efficient editing into the hands of editors

Fast, flexible user interface, including unlimited video, audio, title and graphics tracks

This is an upgrade version for anyone with Edius PRO 8 or Edius Workgroup 8  

Please note you need you licence code for Pro 8

Comes as licence key.
Important information: Once you have registered the software / used the Activation code we cannot accept any returns or refunds.

With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative.

 

Best of all, with EDIUS Pro 9, there are no subscription fees — you buy it, you keep it — with a permanent license with free updates throughout the life of EDIUS Pro 9.x.

 Need workgroup editing? The ability to edit growing files? Maybe a Dolby Plus/Professional license? Then have a look at EDIUS Workgroup 9.

Superior 4K workflow, including support for Blackmagic Design/AJA hardware (preview only) and EDL or AAF import/export with Grass Valley HQX with DaVinci Resolve

Edit media files with different resolutions — from 24x24 to 4Kx2K

Real-time conversion of frame rates on the same timeline delivers more efficient editing into the hands of editors

Fast, flexible user interface, including unlimited video, audio, title and graphics tracks


Saramonic SR-PMIC1 Super-Cardioid Unidirectional Condenser
 Microphone with Integrated Shockmount, Low-Cut Filter &amp; Battery-Free
 Operation for DSLR Cameras &amp; Camcorders




Specifications



Microphone Type:

Mono Condenser


Polar Pattern:

Super-Cardioid


Frequency Range:

80 Hz - 12 kHz


Sensitivity:

-32dB +/- 1dB


Signal to Noise Ratio:

70dB SPL


Output:

3.5mm TRS


Dimensions &amp; Weight:

6.3 x 2.3 x 1.6" (16.2 x 5.9 x 4.1cm).Œæ1.9 oz (55g)





Camera NOT included.


Features



Super-cardioid polar pattern




Integrated shock mount system




High pass filter (150 Hz)Œæ




High frequency boost (+6dB)




Three position level control (-10dB, 0dB, +20dB)




Headphone monitor output




1/8 audio output jack to camera



LED power on/low battery indicator



Wind shield included



Lightweight all-mental construction




Increases Audio Sensitivity &amp; Clarity






The&nbsp;
Saramonic HU9 Digital UHF Wireless Handheld Microphone with Integrated TX Transmitter
&nbsp;provides stable, interference free audio in portable, compact and low cost package. This system is a perfect fit for DSLR videography, field recording and interviews, broadcast TV, electronic news gathering (ENG), - or anyone who needs mobile, dependable audio broadcasting and recording.&nbsp;
The HU9 system includes the TX transmitter integrated hand-held wireless UHF microphone. Receiving unit sold separately.&nbsp;
Hand-held Microphone
&nbsp;
The Saramonic HU9 is a handheld, wireless microphone transmitter that features a compact, metallic body, an easy-to-read LCD display, a RF power switch and a PLL synthesizer. This broadcast-quality microphone will capture rich, crystal-clear sound. It has a built-in antenna, a muting function and power lock function. The channel of the HU9 is synced up with the receiver via an infrared connection.




The OM5 is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio. Used on stage, in studios and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion. The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.

First produced in 1995, the Audix OM5 dynamic vocal microphone has become highly regarded by artists and engineers for its ability to produce quality sound at very high sound pressure levels without distortion or feedback. The Audix OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored for clarity and presence making it easier for the vocals to be heard both in the mains and monitors.

By employing Audix's VLM (very low mass) capsule technology, the Audix OM5 has exceptional transient response. An extremely tight and uniformly controlled hypercardioid pattern helps to isolate the vocals from the rest of the instruments on stage. The Audix OM5 is comfortable to hold, durable, and manufactured with extremely tight tolerances. The result is an unparalleled consistency in sound and performance at a very competitive price.


 
 
 
 For live, remote broadcasting, studio and tv talkback


 Rugged field serviceable construction


 Transducers offer tailored frequency response


 Improved speech intelligibility


 Excellent isolation from ambient noise


 Noise-cancelling microphone


 

 

 
 
 The DT 108 is used throughout the world for news gathering, film, TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups. Rugged construction ensures reliability for many years of use. All models are available in grey or black.

Highly sensitive headphone and microphone transducers

Legendary, classic design

Excellent ambient noise attenuation

Capable of handling very high SPL

Rugged, easy serviceable construction as all parts are replaceable

Single-sided, detachable cable

Closed headphone

Circumaural ear pads

Excellent comfort for long-term wearing


Product Accessories

K 109.40 - 1.5 m:&nbsp;Connecting cable

K 109.00 - 1.5 m: Connecting cable

K 109.00 - 3 m: Connecting cable

WK 109.00: Coiled connecting cable

K 109.48 - 3 m: Connecting cable

K 109.38 - 1.5 m: Connecting cable

K 109.28 - 1.5 m: Connecting cable

K 109.26 - 1.5 m: Connecting cable





 



 
 Main Features


 
 
 For live, remote broadcasting, studio and tv talkback


 Rugged field serviceable construction


 Transducers offer tailored frequency response


 Improved speech intelligibility


 Excellent isolation from ambient noise


 Noise-cancelling microphone


 

 

 
 
 The DT 108 is used throughout the world for news gathering, film, TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups. Rugged construction ensures reliability for many years of use. All models are available in grey or black.


 Product Features


 
 Highly sensitive headphone and microphone transducers


 Legendary, classic design


 Excellent ambient noise attenuation


 Capable of handling very high SPL


 Rugged, easy serviceable construction as all parts are replaceable


 Single-sided, detachable cable


 Closed headphone


 Circumaural ear pads


 Excellent comfort for long-term wearing


 

 Product Accessories


 
 K 109.40 - 1.5 m: Connecting cable


 K 109.00 - 1.5 m: Connecting cable


 K 109.00 - 3 m: Connecting cable


 WK 109.00: Coiled connecting cable


 K 109.48 - 3 m: Connecting cable


 K 109.38 - 1.5 m: Connecting cable


 K 109.28 - 1.5 m: Connecting cable


 K 109.26 - 1.5 m: Connecting cable


 

 

 


Adapts industry standard balanced XLR male plugs to 3.5mm balanced plugs (female). Highest quality professional grade connectors.
includes free Bolt On 19mm Rod for attaching to any 1/4-20 threaded hole
rod hole is natively 19mm
optional item 15mm Adapter Bushing adapts A-Box to 15mm rods



Adapts industry standard balanced XLR male plugs to mini-XLR balanced plugs (female). Highest quality professional grade connectors. Comes with free Bolt On 19mm Rod for attaching to any 1/4-20 threaded hole.

For live, remote broadcasting, studio &amp; TV talkback

Rugged field serviceable construction

Improved speech intelligibility

Excellent isolation from ambient noise

Noise-cancelling microphone

Unterminated



The DT 109 is used throughout the world for news gathering, film, TV production and live events. The headphones are exceptionally comfortable with a soft headband and ear pads. A high level of ambient noise attenuation is achieved with the closed design of the ear cups. Rugged construction ensures reliability for many years of use. All models are available in grey or black.

Highly sensitive headphone and microphone transducers

Legendary, classic design

Excellent ambient noise attenuation

Capable of handling very high SPL

Rugged, easy serviceable construction as all parts are replaceable

Single-sided, detachable cable

Closed headphone

Circumaural ear pads

Excellent comfort for long-term wearing

Single-Ear version: DT 108






The SK 100 G3 raises the body-pack standard even higher packing many useful features into this 158g transmitter. The SK 100 G3 has an easy-to-read graphic display, infrared sync, charging contacts, cable emulation, RF mute, an intuitive menu and for the truest sound the AF frequency has been expanded to 25-18,000 Hz.

SK 100 G3 Key Features:

Sturdy metal housing

42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception

Enhanced frequency bank system with up to 12 compatible frequencies

Pilot tone squelch for eliminating RF interference when transmitter is turned off

Enhanced AF frequency range

Increased range for audio sensitivity

Wireless synchronization of transmitters via infrared interface from receiver

User friendly menu operation with more control options

Illuminated graphic display

Auto-Lock function avoids accidental changing of settings

HDX compander for crystal-clear sound

Transmitter features battery indication in 4 steps, also shown on receiver display

Programmable Mute Function

Contacts for recharging BA 2015 accupack directly in the transmitter

Wide range of accessories adapts the system to any requirement






The audiophile HD 650 is the ultimate in open, dynamic headphone design. Developed from the award-winning HD 600, the HD 650s feature improved materials for even better sound reproduction. They captivate the listener with their expressiveness and emotion while maintaining absolute precision and lifelike reproduction. Enjoy sound in perfection.


Systems with narrow tolerances (± 1 dB), hand-picked in pairs

Highly optimised magnet systems for minimum harmonic and intermodulation distortion

High-quality titanium/silver finish

A specially developed damping element, made from fine acoustic metal mesh, ensures a precise damping over the entire diaphragm surface, highly constant in all climates.

Specially modulated connecting cable (detachable) made from highly conductive OFC copper, Kevlar-reinforced, with very low handling noise, i.e. low structure-borne sound sensitivity

Extremely lightweight aluminium voice coils ensure excellent transient response

Gold plated ¼” jack plug with adaptor lead to 3.5 mm jack plug

2-year warranty






Open, circumaural dynamic stereo headphones

Outstanding soundstage with a warm and balanced audio reproduction

Specially-tuned, highly efficient drivers capable of delivering high sound pressure levels

Ultra comfortable and luxurious velour earpads, silicone-treated headband for minimal headband resonance

Very low THD achieved by top-notch and extremely stable internal damping element

Highly optimised ventilated magnet system minimises air turbulence and harmonic, intermodulation distortion


Bring excitement to the next stage of intensity with the new HD 700. Incorporating Sennheiser’s signature sound expertise, these open, circumaural dynamic stereo headphones promises outstanding soundstage with a warm and balanced audio reproduction. Paired with specially-tuned, highly efficient drivers capable of delivering high sound pressure levels, immense audio enjoyment is available at your fingertips.

Equaling the audio performance are the finest parts expressly selected for production – highly aesthetic dual-material yoke, angled acoustic baffle, detachable symmetrical silver-plated oxygen-free four-wire copper cable – for an optimal sound experience. In addition, exceedingly optimized ventilated magnet system minimizes air turbulence and harmonic, intermodulation distortion while a very low THD is achieved by the superior, extremely stable internal damping element.

The open-back ear cup design is not only revolutionary but also, to facilitate transparent sound. Extraordinary wearing comfort is ensured, with their ultra comfortable and luxurious earpads, together with its silicone-treated headband resulting in minimal headband resonance. All in all, the HD 700 invites the user to bask in true musical enjoyment.



Fits all 700 Series field monitors
4-sided glare protection
No tools, velcro or tape required
Small footprint when stored
Installed Dimensions: 5 x 3 x 7 inches
Stored Dimensions: 5 x 1 x 1 inches



7" articulating arm
Most versatile mounting option for SmallHD's Field Monitors
Can connect directly to a camera's hot shoe or female 1/4-20 thread mount on a rails system
Single knob tightens all 3 articulating joints on the arm at once for maximum mobility and efficiency
Ships with a hot-shoe adapter



4-sided glare protection
No tools, velcro or tape required
Fits 702 OLED field monitor
Small footprint when stored
Installed Dimensions: 5 x 3 x 7 inches
Stored Dimensions: 5 x 1 x 1 inches
Weight (Packaged): 6oz / 170.10g



Port Protector for 700 Series Monitors
Prevent accidental damage to you SDI ports and keep your HDMI cable secure
Quickly and safely secure your BNC and/or HDMI cables to your 700 Series monitor



Port Protector for 500 Series Monitors
Prevent accidental damage to you SDI ports and keep your HDMI cable secure
Quickly and safely secure your BNC and/or HDMI cables to your 500 Series monitor



Versatile - The RKM-150 can be positioned upside-down or rightside-up

Easy Cable Pass-Thru - A standard outlet receptacle cutout is used for easy cable pass-thru. The RKM-150 can be bolted directly to the outlet box itself, without the need for extra fabrication work.

The RKM-150 - is made of steel for durability and endurance (weight: 4lbs)




Lumens™ TapShare™ TS20 wireless presentation system integrates advanced 802.11ac with 5G Wi-Fi to provide a smooth wireless collaborative presentation experience. The TapShare™ is easy to install since there are no required cables, drivers and software.
It has a built-in multiple interface including HDMI, MiniDisplay port, USB and Ethernet; furthermore, compatible with all HDMI sources and displays. Additionally, it supports ‘’Split Screen Display” with up to four screens so that team members can share ideas simultaneously. Lumens TapShare™ can be used in classrooms, meeting rooms, auditoriums, etc.
Wireless Presentation System
Easy to install without additional software or driver
Easy to use with one click and share on time
Supports wired connection for various environments
Supports four split screens simultaneously
Multiple interface: HDMI / Display port / USB / IP
Easy to share iOS devices with one single cable
Fully compatible with mobile devices and laptops

EASY TO INSTALL
The TapShare™ is plug &amp; play and doesn’t need additional software or a driver.
EASY TO USE
With one single button and Wi-Fi support, you just tap the button to start presenting immediately. Especially for the iOS devices, simply plug one cable to share your ideas instantly.
SUPPORTS FOUR SPLIT SCREENS
The TapShare™ allows four input sources from a laptop or mobile devices and supports ‘’Split Screen Display” so that team members can share ideas simultaneously.
SUPPORTS FOUR SPLIT SCREENS
The TapShare™ allows four input sources from a laptop or mobile devices and supports ‘’Split Screen Display” so that team members can share ideas simultaneously.
SUPPORTS REVERSE CONTROL
The laptop screen can be displayed synchronously with any annotation on the touch screen so that the presenter can present smoothly and efficiently.
EASY MANAGEMENT
With an advanced host control system, the host can easily manage the display and content from different sources.
HIGH SECURITY
With the need for high security, the TapShare™ supports not only a wired connection but also with an encrypted technology for wireless transmission.
FULLY COMPATIBLE
TapShare™ allows any input devices with HDMI and display port such as a PC, laptop, tablet or smartphone. It’s compatible with 4K resolution devices.


C-Stand Mount with Table Stand Kit
Quickly go from a C-stand to a table or cart
Adapts to secure mounting solutions utilizing the built-in VESA mounting holes
Table Stand is designed to be mounted to a C-Stand with no interference



The S-4000R is a component of the S-4000 Digital Snake
 System. It allows for zipperless remote control of preamp levels for an
 S-4000S-3208 or any other system source configuration up to 40 channels. It can
 also switch Phantom Power and Pad settings for individual channels. The remote
 controller can store 9 presets including all of the channel gain and other
 settings. This allows for fast changes from act to act in a festival and an
 easy way to return to defaults in an installation.

&nbsp;
The S-4000R is typically used at the Front of House console
 position but can also be used at the Stage position. When a system has two
 remotes, only one can be active at any time. If the Stage remote is in use, then
 the FOH unit will be automatically put in a Lock mode. If the FOH operator
 would like to use the remote, the Lock button is pressed to unlock the remote
 for use at the FOH position.


&nbsp;
The S-4000R is very easy to use. A channel is selected using
 the channel Dial and then the Gain, Phantom Power and Pad settings can be
 changed. There is a high res LED Level Meter for the selected channel. There
 also are indicators showing signal present for each channel. If any channel is
 clipped, a clip light is shown for that channel and the master Clip button is
 lit. Pressing the Clip button clears the clip level LEDs. Odd/Even channels can
 be linked for fast changes to stereo sources.


&nbsp;
The S-4000R connects using the provided RS-232c cable. It
 can be used on top of a console, or rack mounted using the included rack mount
 kit.


&nbsp;
The S-4000R offers a very easy way to control
 the gain structure and channel settings for an S-4000 Modular Digital Snake, an
 essential feature of any digital snake system



Operates on standard 10/100Mb Ethernet networks

Unicast and multicast support

Supports RTP/RTSP (Unicast/Multicast), RTMP, UDP (Unicast/Multicast), HLS and MPEG-TS

Supports decode from YouTube Live, Ustream and most major CDNs

Channel list download from DVS-100P/DVS-200

EPG and volume control via IR remote

Feature-rich WebUI for configuration and control

Supports Full HD video

Supports HDMI and Composite video outputs

Supports simultaneous digital embedded and analogue audio outputs




Plays Blu-Ray, DVD, CD and files from SD/USB media

RS-232C and IP control capability

Power-on Play button eliminates extra steps, and provides simplified, ultra-fast startup

Panel lock and IR remote lock functions prevent unwanted or accidental operation

Improved, easy-to-read OLED display

Transport controls located conveniently on the front panel




The Denon Professional DN-500BDMKII Blu-ray disc and media player is a compact, high performance unit that handles all popular optical video and audio CD playback formats for unrivaled capability from a single disc playback device. For even more versatility, front-loading SD and USB ports deliver access to video, audio and picture files such as AVI, MOV, MP4, MP3, WAV, FLAC, GIF, JPEG, PNG, and more.

The DN-500BDMKII offers a tremendous amount of performance and flexibility in a space-saving single rack unit (1RU) chassis. It provides the wide range of connection and control capabilities that are essential to the professional user, making it ideal for use in corporate A/V, education, theaters, house of worship, and more. These include RS-232C and IP controllability and XLR balanced audio outputs. The DN-500BD also has discrete 7.1 channel analog outputs for simple connection to powered speakers or signal management devices.

The Denon Professional DN-500BDMKII will play virtually every Blu-ray, DVD, and audio CD format, making it easy to utilize multiple disc formats within a system. Supported formats include BD25, BD50, BD-RE, DVD, DVD+R, DVD+RW, DVD-R, DVD-RW and Audio CD (CD-R, CD-RW), DTS Music Disc, and HDCD. Using the built-in LAN port, users may optionally access additional content via BD Live.

In addition to its extremely high performance and wide range of format playback capabilities, the DN-500BDMKII anticipates your requirements and operational patterns by providing features that maximize the unit’s ease of use.

The Denon Professional DN-500BDMKII combines no-compromise performance, wide-ranging connection and control capability, and compatibility with virtually every disc and digital file format there is—all in a compact single rack space unit. Its unique combination of performance, versatility and compact size is ideally suited to the professional user.





Heavy and Stable Construction

High Purity Power Supply and Chassis Construction

High Sound Quality Circuitry

CD Mode for Greater Sound Purity

Compatible with XLR Terminals and Balanced Transmission

4K Upscaling for Even Higher Video Quality


A Blu-ray Disc™ player that offers the superior benefits of AV entertainment associated with the AVENTA
GE name. In addition to the expected high level of video quality, it features high performance audio devices and functions such as 32-bit audio DACs and CD Mode. Teaming it with an AVENTAGE AV receiver will provide truly outstanding performance.


8 inputs / 8 outputs

Indicates "on-air" status

Contact Closure&nbsp;&nbsp;&nbsp;&nbsp;25 pin D-type connector providing 8 opto isolated inputs and 8 relay contact closure outputs

InputsOptical isolators triggered by connection to ground. Max 5V at 14mA.

OutputsMechanical relay contact closure to ground. Max 30V at 1A.

Ethernet10/100 BaseT with loop through for connecting to other ethernet enabled equipment

Computer Interface1 x USB 2.0 high speed interface for configuration and firmware updates


GPI and Tally Interface connects to an ATEM switcher and provides 8 contact closure Tally outputs.&nbsp;
Tallies will be displayed when connected to an ATEM switcher to indicate their "on-air" status and you can even connect multiple interfaces together to increase the number of tally outputs.





Remote Control Panel for HDR-10

Control up to 4 HDR-10 replay units at the same time through USB

One button replay short cut keys with variable mark in values

T-Bar adjusts replay speeds from 0% (stopped motion) to 400% (4 x normal playback speed)

Jog wheel allows frame by frame movement in replay mode when paused or speed is at 0%

Shuttle wheel can FFWD as well as REW during replay

Replaces the Shuttle Xpress Controller


Adding instant replay to any sports production has never been this easy. The cost-effective workflow of Datavideo’s HDR-10 highlight replay unit combined with the all new RMC-400 controller makes it possible for any school to add an instant replay feature for higher quality productions.

The RMC-400 can control up to four HDR-10 highlight replay units, allowing you to have instant replay with slow motion and up to four different camera angles. Easily press one button to mark your in point to create a highlight clip, then press one button to replay. You can use the T-bar to control the speed for a true professional hardware operation. Since you can connect multiple HDR-10s to the RMC-400, you can start off with 1-2 cameras and expand to 4 cameras for bigger productions.



Operates on standard 10/100Mb Ethernet networks

Unicast and multicast support

Supports RTP/RTSP (Unicast/Multicast), RTMP, UDP (Unicast/Multicast), HLS and MPEG-TS

Supports decode from YouTube Live, Ustream and most major CDNs

Channel list download from DVS-100P/DVS-200

EPG and volume control via IR remote

Feature-rich WebUI for configuration and control

Supports Full HD video

Supports SDI and Composite video output

Supports simultaneous digital embedded and analogue audio outpu
t




Broadcast quality HD / SD H.264 network streaming

H.264 / AVC video CODEC, up to High Profile Level 4.0

Input source: NVS-25 can accept SDI / HDMI / CVBS source input

Supports de-interlace video streaming for progressive output

Front panel control for recording and streaming

Audio inputs: select embedded or external audio source&nbsp;

Network feature: DHCP Client, RTSP over TCP/UDP/HTTP with MPEG TS. RTMP, HLS protocols (unicast only)

Stream live to Facebook

Flexible video scaler presets for streaming out

Supports 3 types of GOP structure: IBBP, IPPP and IBP

Web UI for system configuration and FW upgrade

Attach USB storage device (Up to 1TB storage device)


The Datavideo NVP-20 is a fully automated remote control H264 video player. The NVP-20 can use any USB storage device as its media source; Video files can then be added to the media player by physically copying them to the USB device or can be transferred over the network using FTP.&nbsp;
Using the feature rich web interface the user can create and load playlists as well as remotely controlling video playback. With the addition of a USB keyboard and mouse the NVP-20s on screen display means the unit can be used completely standalone without IP control.
Video playback can also be controlled via GPI and the Contour shuttle express jog wheel.




Live Production Switcher Software


Connect any type of wired camera: HD-SDI, HDMI, NDI, USB


Add live picture-in picture or media sources


Apply in the mix or as a downstream overlay


Built-in chroma key on any source


Multi-network Bonding


Built-in RTMP Server


Audio Mixer with Groups


Live Ad Insertion


Tally Light Integration


Real-Time Format Conversion


External Multi-view


Dropbox Integration


SMPTE Transitions


NDI Protocol Support


Windows 7+ | Mac Compatible


FRAME-ACCURATE LIVE SWITCHING AND COMPOSITING, UP TO 4KBROADCAST QUALITY VIDEO OUTPUT
HDMI


SDI


NDI




STUDIO 5 ALSO INCLUDES

Vimeo Integration


Log into Studio with your Vimeo account, and enable cloud simulcasting with Vimeo Premium


Hardware Acceleration


Use Studio on consumer-grade computers including the MacBook Pro with hardware acceleration


Simple Mode


A new user experience mode designed for beginners or users with a simplified workflow


POWERFUL, LAYERED BROADCAST GRAPHICS
Add layers of text, images and video


Move, distort, crop and edit layers


Adjust colour, add borders and shadows


Use a web page as a browser source in your live stream


CONNECT MULTIPLE LOCAL OR EXTERNAL DATA SOURCES
Twitter


Microsoft Excel Spreadsheets


RSS Feeds


Google Spreadsheets


Timers and Countdowns


CSV Files


Youtube


Facebook


LIVE INTERVIEWS USING ONLY A BROWSERAdding a remote Live Interview
MIX MULTIPLE MEVO CAMERASFRAME-ACCURATE MEDIA PLAYBACKScrub your video to find the ideal moment, trim your clip with in/out points, and set clips to autoplay with your transitions.
H.264


AAC


MP3


MP4


REMOTE CONTROL VIA A BROWSER UISTREAM AND RECORD IN 4KVIRTUAL CAMERA CROP FROM 4KPTZ CAMERA CONTROLMULTIPLE, SIMULTANEOUS ISO RECORDINGSEdit clips and air highlighted replays to your viewers without stopping the recording.Record up to four simultaneous videos in broadcast quality MJPEG to an AVI or MP4 file.
MP4 recording


AVI


Motion JPEG


HARDWARE ACCELERATION

Transform your computer into a professional live production control room with Livestream Studio. Input multiple feeds, add graphics, master audio and stream in one robust, easy-to-use package.

Graphics, media, transitions and everything you need from a world-class production switcher.

Invite anyone to join your live broadcast using a compatible browser and their webcam. Send participants a link generated from Studio and instantly see their live video over low latency WebRTC.

Bring multiple&nbsp;Mevos&nbsp;into Studio as remote cameras over Wi-Fi or Ethernet. Edit with virtual multi-camera using the Mevo mobile app and see the result in your Studio multi-view.

Import any popular media format, loop clips, make playlists, add recordings as clips in the list, and export clips as .mp4 files for easy sharing.

Control Studio from any Chrome browser on the internet, with Studio 'WebControl,' even on Android and Chromebook. Delegate graphics and stream management tasks to other team members in remote locations while you focus on cutting the show.

End to end 4K multi-bitrate streaming with Livestream and YouTube.

Create virtual cameras from any single camera input. Ideal for 4K inputs when streaming in 1080p or 720p. Eased camera moves, cuts, and presets supported.

Easily control Pan Tilt Zoom (PTZ) cameras that support VISCA or NDI PTZ protocols, all from within Studio.

Record your program in broadcast quality with, or without, overlays.

Recordings ready for: Adobe PremiereFinal Cut Pro

Use Studio on your laptop! Studio requires significantly less processing powerfor computers with NVIDIA graphics cards that support NVENC, and/orQuickSync-enabled Intel processors.



Dedicated control surface for KMU-100

Provides easy and intuitive control of the KMU-100

Easily pan, tilt and zoom to create the user defined windows on the 4K signal

Switch between live and preview inputs

LCD display showing setup menu options

Three Multiviewer modes (Preview, A to B Motion and Quad)

Robust, rugged metal housing

Dimensions: 310 x 129.98 x 170mm

Weight: 1.5 Kg


The RMC-185 is a cost effective physical controller designed specifically for control of the KMU series 4K Multi-Camera Processor.

The RMC-185 interfaces with the KMU-100 via an RS-422 interface. This dedicated controller allows operators to make smooth zoom and pan/tilt motions by using the joystick.

4 presets are available that hold scale, position, motion path and speed of all 4 individual 3Gb/s outputs, per channel. Buttons allow start/stop/reset of motion in a predefined speed of every individual output.



This smartly styled PTZ (pan/tilt/zoom) camera is ideal for a wide range of security, video conferencing, distance learning and remote monitoring applications.
The ¼-type EXview HAD CCD sensor ensures crisp Standard Definition picture quality, even in dim ambient lighting conditions.
The stepper motor enables smooth pan/tilt/zoom operation. 28x optical zoom range allows frame-filling close-ups, while image stabilisation reduces the effect of shaky images caused by wind or vibration.
Equally suitable for standard or ceiling mounting, the camera is available in a choice of black (EVI-D90P) or white (EVI-D90P/W) finishes.
Crisp, clear SD images
The ¼-type EXview HAD CCD sensor captures crisp Standard Definition images. Shutter speed, gain and white balance are adjustable for excellent performance under virtually any lighting conditions.
Powerful 28x optical zoom
The 28x optical zoom range is complemented by 12x digital zoom for frame-filling close-ups of small objects, with every detail seen clearly. A choice of manual, AF or infinity focus modes gives full installation flexibility in any monitoring situation.
Fast PTZ operation
The stepper motor assures smooth, rapid movement to the target position over a wide pan/tilt angle range.
Image stabiliser
Outdoor mounting (requires optional dome housing) can often cause shaky, blurred images from wind, vibration and other environmental factors. Image stabilisation distinguishes unwanted camera movement from motion in the scene itself for smooth, clear, more natural pictures.
6 presets
Pan/tilt/zoom settings plus focus, AE and white balance mode can be stored as six position presets for instant recall.
Standard or ceiling mounting
Installation flexibility is increased by a choice of standard or ceiling mounting options. The camera’s E-Flip function automatically detects mounting orientation so output images are always the right side up.
Control remotely
Camera settings and PTZ can be controlled from a remote PC via RS-232C/RS-422 (VISCA) protocols.
Supplied IR remote
Easily control pan/tilt/zoom settings using the supplied infrared remote commander.
Stylish design
The camera’s smart, sleek design fits unobtrusively into a wide range of security and monitoring environments.

High Definition USB PTZ Camera

Equipped with a 1/2.8 inch image sensor

USB 3.0 and HDMI video output interface

USB 3.0 Plug &amp; Play and compatible with Windows, Linux, MAC OSX, Chrome OS

Full HD 1080p signal output format with a high frame rate of 60 fps

12x optical zoom is applicable for a medium size conference room

Horizontal viewing angle: 72°

Wide range Pan/Tilt/Zoom actions:

Pan angle from -100° to +100°; tilting angle from -30° to +30°

Up to 128 user-defined preset modes to allow for ease of use in all environments




16 input x 8 output configuration
Compact, floor-based or rack-mountable design
High resolution 24 bit / 96 kHz audio quality
Remote controllable preamps using an S-4000R or free RCS software
REAC low latency digital audio transmission system
Easy and affordable splits and recording options

Compact, Portable Digital Snake System
The S-1608 and S-0816 Digital Snake are compact versions of the popular S-4000 Digital Snake System. Easy to use and quick to install, the S-1608 Digital Snake System is a small format audio snake solution that offers the highest quality audio signal available in a portable snake system. The S-1608 Digital Snake system is ideal for bands, corporate A/V events, seminars, rental and staging houses, Houses of Worship and broadcasters that need the best possible sound quality from their audio without the high frequency losses and bulk of an analog snake.REAC Technology
The REAC (Roland Ethernet Audio Communication) protocol is an industry proven, low latency, high quality 24 bit/ 96 kHz audio transport protocol used by the S-1608 and S-0816. The REAC protocol allows the Digital Snake’s signal to be “split” to as many positions as required such as monitor, broadcast and recording splits using the S-4000D or any standard gigabit Ethernet switch.High Resolution Sound Quality
By placing high quality mic-pres on stage, the sound is amplified and converted at the closest point to the sound source, providing the best possible quality audio. The mic preamps can be controlled using the S-4000R or the free PC/Mac RCS software. By using Cat5e cable instead of large multi-core copper cable, the S-1608 Digital Snake system is immune to the “hums and buzzes” caused by electrical noise and ground issues and the high frequency losses inherent in analog snakes.Easy Expansion for the S-4000 Digital Snake System
The S-1608 Digital Snake System can be used to easily expand the channel count of an S-4000 32 x 8 Digital Snake System to 48 x 16. Mix and match S-4000 and S-1608 Digital Snake Systems for customizable rental and installation systems.Create Multiple Stage Configurations
Use multiple S-1608 Digital Snake Systems to create flexible stage configurations such as Left, Right and Center snake positions. Simply run Cat5e cables to the Front of House console for easy cable management on stage.Split the S-1608 Digital Snake Easily for Monitoring, Broadcasting, or Recoding Applications
With the S-1608 Digital Snake system, the source audio can be digitally split using the S-4000-SP or any standard Ethernet switch. These loss-less digital splits can be routed over CAT5 cable to a monitoring console or a broadcast truck for recording.


Take control with Sony's newest robotic pan/tilt/zoom color video camera - the new EVI-D70 - the successor to the industry leading EVI-D30. The EVI-D70 combines a high quality 1/4 type EXview HAD™ CCD color camera with the flexibility of a remote pan/tilt/zoom operation, all in a compact easy-to-use package. Compared to its predecessor, this superior EVI-D70 camera incorporates a wider pan/tilt range with an 18x optical zoom lens and a faster pan/tilt mechanism, making them ideal for distance learning, video conferencing, houses of worship, courtrooms, hospitals and nursing homes, events and concert halls, and just about any other remote shooting application. And best of all, it's ceiling mountable - a first for Sony's popular EVI cameras!

Control Assist remote camera accessory that allows quick and easy remote camera control

Users can control the camera by simply tapping the appropriate point on their tablet screen

The system can be controlled via joystick, which can be used to make even the smallest adjustments to the camera’s position

The ‘tap’ technique means that operators can keep up with the action in near to real time, with no delays as a result of slow camera movement

IP image transmission allows the user to roam with the tablet, seeing areas that may be out of the camera’s view

Simple operations means that there is no need for specialist camera support

Can be used in conjunction with VidiGo Live studio automation system




Single channel highlight replay recorder

Internal 4GB Buffer to capture and review the event

3G / HD-SDI input, output and loop through with embedded audio&nbsp;(see Instruction Manual for compatible resolutions)

GPI interface allows other devices such as switcher to trigger the playback

Recording file formats: MOV

Support NTFS format without 2GB/4GB file limitation

LISN (Local Interconnect Synchronous Network) connection between main unit, remote controller and other devices


* Hard Drive not included

The HDR-10 is a pocket-sized video recorder designed to capture and replay video clips. It will be especially useful to provide instant highlights in sports broadcasting.&nbsp;
HDR-10 allows the user to store selected highlights onto a removable media that is compatible with 2.5" SSD.&nbsp;
User control of the unit is via a USB or compatible jog shuttle.




The BC-80 Block Camera is a small HD camera with an infra-red remote control.
It can be used for HD high quality shooting within a limited space and supports resolutions up to 1080p60.
The BC-80 provides 30x optical zoom and the image output interfaces are SDI and HDMI.
The BC-80 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active.

 HD Resolution: 1/2.8" High Definition 2.0 M Pixels progressive CMOS sensor
 High definition formats supported: 1080/ 59.94p, 1080/ 50p, 1080/ 59.94i, 1080/ 29.97p, 1080/ 25p, 1080/ 50i, 720/ 59.94p, 720/50p
Digital Noise Reduction Function (DNR) to reduce the noise and enable sharper image under low light conditions.
 Video Output: SDI + HDMI synchronously.
Tally LED Design (RS-422/ DVIP Operation)
Supports SONY VISCA Protocol
Supports DVIP Control Protocol



HDBaseT PTZ Camera

1/2.8 inch CMOS sensor. Up to Full HD with 60fps.

20x Optical Zoom, 10x Digital Zoom

Advanced noise reduction

Audio Input Interface

H.264/H.265 video compression for streaming

Multiple Network Protocol: support RTSP, RTMP protocols and support, easy to link streaming media server

Compatible with HS-1500T and HS-1600T HDBaseT Portable Video Studios, and remote controllable by RMC-300C and RMC-180 PTZ Camera Controller


The PTC-140T is a cost-effective HDBaseT PTZ camera featuring PoE, a built-in streaming encoder, and 20x optical zoom. All signals, power and control data travel through a single CAT6 (“network cable”) and can reach a distance up to 100 meters. The PTC-140T's on-board streaming encoder can encode up to 2 simultaneous streams to any cloud service, including Datavideo’s own DVS-200. The PTC-140T is compatible with HDBaseT portable studios such as the HS-1500T and HS-1600T and controllers like the RMC-300 and RMC-180.




21.5-inch LCD Panel, 1920×1080 resolution

Key Features:

2K/3G/HD/SD-SDI( x2 ), HDMI monitoring

Y/Pb/Pr, VGA, CVBS monitoring

2-ch Embedded audio meters with alert

Select any 2 audio channels to output

Peaking focus assist (red/blue switch)

AFD, Timecode, H/V delay

TSL UMD and text TALLY display

Safety Marker 4:3/13:9/14:9/15:9/1.85:1/2.35:1

False Colour, R/G/B/Mono, Zebra stripes, Internal Color Bar

V-mount / Gold mount battery plate optional

USB firmware upgrade


The S-1223H adopts a 21.5 -inch IPS (In-Plane Switching) LCD panel, Full HD 1920×1080 resolution and LED backlight, 1000:1 contrast for accurate color reproduction. The viewing angle is Horizontal: 178° / Vertical: 178°.Multi-format Input/OutputThe&nbsp;S-1223H supports:

2K/3G/HD/SD-SDI input×2

2K/3G/HD/SD-SDI loop ×2

HDMI input ×1

HDMI loop×1

YUV input ×1

VGA input ×1

CVBS input ×1

CVBS loop ×1

RS485 UMD input×1

RS485 UMD output×1

RS232C UMD input ×1

RS485 GPI input ×1

L/R analog audio input×1


Digital Audio De-embed - 2-ch Audio meters display+ Audio Alarm under SDI/HDMIThe S-1223H supports 2-ch audio meters under SDI and HDMI input. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB. The ch-1 and ch-2 de-embedded audio can be output via 3.5mm headphone socket and speaker.&nbsp;If the audio value is too low or no embedded audio, it will display “MUTE” or “UNLOCKED” in the audio bar.UMD and Text-Tally Display - TSL 3.1/4.0 ProtocolThe S-1223H supports UMD and Text-Tally display of TSL 3.1/4.0 protocol, with 1-126 TSL address selection, and Max 8 letters displayed. The UMD inputs via RS485 or RS232C port and outputs via RS485 port.Peaking, R/G/B Mono, Zebra, False colour

Timecode, H/V delay, AFD, Scale MarkersUSB Firmware UpgradeThe S-1223H provides a standard USB port for firmware upgrade. Users can download the latest firmware file to a USB stick, and directly insert into S-1223H monitor to upgrade, without PC connection.Multiple Power Sources - AC adaptor / V-mount / Gold mountThe S-1223H provides a 4-pin XLR socket of DC 11-17V power input, and V-mount or Gold mount plate for outdoor using.3-Colour TALLY Light - RS485 input signalThere are three colours for the Tally light: Red, Green and Yellow. Users can define the pins of RS485 port to control the TALLY lights.





Four RJ-45 connections allow remote setup of up to four JVC cameras.

RJ-45 cabling allows the unit to be placed up to 300m away from the camera(s).

Support LANC &amp; multicore control interface.

Control of Record and Record review functions.

Control of Camera User memory functions.

Control of Shutter / Focus / Zoom functions.

Control of Iris adjustment.

Control of AWB function.

Control of White Balance A, B and Preset functions.

Control of Camera Gain adjustment.

RGB / R &amp; B gain and Master Pedestal controls.


The Datavideo MCU-200J is designed to control and configure up to four JVC cameras. It can control record and playback functions, user memory functions, shutter speed, iris, white balance, black level, and gain adjustments of the cameras.

Using the included four AD-1 adapters, the MCU-200J can connect up to four JVC cameras via individual RJ-45 connection.

Designed to be able to mount in a 19” rack, the MCU-200J is a great tool to have for outdoor productions where lighting exposure can be varied. The MCU-200J allows constant adjustment of image exposure and color balance of up to four cameras depending on the condition of the environment.

*Supported JVC Camcorder Models:&nbsp;(dated January 4th, 2017. Models with an asterisk (*) are supported since firmware version 1.8)

GY-HM750

GY-HM890U

GY-HM850U

GY-HM650U

GY-HM600U

GY-LS300CHU




MCU-200 is a rack-mounted multiple camera controller to control Panasonic camcorders*

Provides major camcorder control functions and operations such as recording, gain, black/white balance, pedestals, shutter and iris

Designed to control four camcorders from up to a 1000 metre distance over&nbsp;Ethernet cables

Includes camera adapter boxes

Affordable cable solution for the complete setup

Dimensions: 440mm(W) x 49mm(H) x 140mm (D)

Provides detail camcorder settings by CV output via adapter box

MCU-100P&nbsp;handheld version available


The Datavideo MCU-200P Controller can be used to remotely set up, from a gallery or OB Van, Panasonic P2 cameras such as the AG-HPX255, AG-HPX371, AG-HPX301 or AG-HPX600.

The MCU-200P can be connected with up to four Panasonic cameras allowing settings from one camera to be aligned with the other cameras quickly.


Supported Panasonic cameras:

- AG-HPX255

- AG-HPX300

- AG-HPX301

- AG-HPX302

- AG-HPX304

- AG-HPX370

- AG-HPX370P

- AG-HPX371

- AG-HPX372

- AG-HPX500

- AG-HPX502

- AG-HPX600

- AG-HPX600P

- AJ-HDX900

- AJ-HPX2700

- AJ-HPX2700G

- AJ-HPX3000

- AJ-HPX2000*

- AG-HPX380

- AG-HPX3100

- AJ-PX800G

- AJ-PX500

- AG-HPX39


* Models with an asterisk (*) are supported since firmware version 1.8 (dated January 4th, 2017)



Dual colour option for different kinds of environments

With professional noise reduction technology a clear image is delivered

Supports Wide Dynamic Range (WDR) to provide a vivid image even under backlighting

Full HD 1080p with 60 fps

Supports manual white balance function for a complex lighting environment

240 times variable zoom ratio (20x optical zoom with 12x digital zoom)

3G-SDI, DVI-I synchronous image output

Maximum horizontal/vertical speed of rotation: 300° / sec

Wide Pan/Tilt/Zoom mechanism:

Horizontal viewing angle: -170° to +170°

Tilting angle up to 90°, and down to -30°

Compatible with major videoconferencing and lecture capture codec

Available in Black or White


Image Quality

Equipped with a professional 1/2.8 inch image sensor with Full HD 1080p output resolution providing high color reproduction, high definition, and a crystal-clear image.

Advanced Image Processing

The advanced AF/AE/AWB algorithm and circuit design ensures a pristine image during the pan, tilt, zoom &amp; capture function.

Wide Range Pan/Tilt/ Zoom Action

The high efficient DC motor, servo control a wide shooting area (pan angle: from -170° to +170° ; tilt angle from -30° to +90°), as well as quiet, fast, and precise positioning movements.

Multiple Signal Formats

VC-A51S is able to switch video output formats to Full HD for compatibility in various display devices.

3G-SDI Interface

Supports 3G-SDI standard interface for transmitting uncompressed digital video signal without any delay, and the transmission distance is up to 150 meters.

128 Preset Positions

Up to 128 preset settings for pan, tilt, zoom, focus, exposure and white balance modes make videoconferencing effective and efficient.

RS-232/422 Remote Control

Camera settings and PTZ control functions to be performed remotely at any location and at high communication speeds via the RS-232/422 interface.

Image Flip

Built-in image flip and mirror function allows various installations on a desktop orwall mount depending on the users preference.



The BC-200 Block Camera is a 4K (3840 x 2160, QFHD) 30P camera with an infrared remote control.
It's perfect for use in video and web studios, venues, conference rooms and theatres providing 12x optical zoom and two HDMI video output interfaces.

The BC-200 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active.

Lens: 1/2.3” type Exmor R CMOS

12x optical zoom, f = 3.9 mm (wide) to 46.8 mm (tele), F1.8 to F2.0

4K formats supported:（3,840 x 2,160，QFHD） 2160p / 29.97,2160p / 25

High definition formats supported: 94/50/29.97/25, 1080i59.94/50/29.97/25

Video Output: 2 HDMI synchronously.

Tally LED Design (RS-422/ DVIP Operation)

Supports SONY VISCA Protocol

Supports DVIP and RS-422 Control

Rugged metal housing for use in the roughest conditions






Features functions and cost-performance that are ideally matched to the select P2 camcorders

In addition to providing remote control of the AG-BS300 Base Station, the AG-EC4G can be connected directly to a camera-recorder*4 for control use.

The maximum length of the remote control cable is 164' (50 meters).

The AG-EC4G is both compact and light at 1.4 lbs (630 g).

Control functions: Gain Up/Down, Output Cam/Bar Selection (linked to Auto Knee), White Balance A/B/Preset Selection, AWB/ABB Execution, Shutter SS/Fix/Off Selection and Speed Setting, Iris Auto/Manual Selection and Adjustment, Master Pedestal, Painting, Camera Menu Operation, Recorder Operation (Rec/Play/FF/Rew/Rec Check), User Buttons (3), Character On/Off)

32' (10 meters) remote cable is bundled.


*4: Supported camera-recorders only.

The AG-EC4G is part of a Camera Studio System.The AG-EC4G extension control unit provides remote control of the base station and can also be attached directly the camera for control use.&nbsp;It comes standard with a 10M remote control cable, but the unit can operate from distances up to 50M with longer cables.&nbsp;Control functions include gain up/down, output camera/bar selection (linked to auto knee), white balance A/B/Preset selection, AWB/ABB execution, shutter SS/Fix/Off selection and speed setting, iris auto/manual selection and adjustment, master pedestal, painting, camera menu operation, recorder operation (Rec/Play/FF/Rew/Rec check) and three programmable user buttons.&nbsp;Users can save camera settings onto SD cards for later use or to load into another camera.&nbsp;Supported Camera RecordersP2 HD:



AG-HPX255

AG-HPX371

AG-HPX500 series

AJ-HPX3700

AJ-HPX2700

AJ-HPX3100

AJ-HPX2100




DT-G series monitors support up to 4K60p HDMI, downsample to FHD display, and support 3G-SDI (SMPTE 425M) including Level A&amp;B; 2K-SDI (2048x1080p) can also down sample to FHD display. Full-Front USB Colormetrie Sensor support, with build in Auto-Calibration support

Full HD LCD panel 17.3” 1920×1080 pixel with LED back-lighting.
Supports 4K-HDMI and 3G-SDI
10-bit processing Video Processing
Special ZERO Latency Mode for critical Audio/Video applications
3DLUT auto colour calibration
Webserver IP remote control
Safety area selection: 80%, 85%, 90%, 93%, 95%
Scale marker: 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
Built-in waveform monitor, with Line-Selector (for HDSDI sources)
Built-in vector scope and histogram monitor (for HDSDI sources)
16-ch audio level meters with alert and output selection
Native scan, over scan and normal scan selection
SDI Timecode (LTC, VITC1&amp;2) display
H/V delay, freeze frame display mode
Frame/Field view selection
Selectable gamma preset 1.8, 2.2, 2.4 and 2.6.
Built-in De-log LUTs
User 3DLUT upload
R/G/B/Mono, False color, Zebra stripes display
Focus assist display mode
USB Firmware update options
V-mount battery plate for field application
GPI control via RS485 port connection
3 User setting data storage
6 User definable function keys
On-screen TALLY display (Soft-and Hardware Tally)
TSL UMD and User editable video title
AFD (Active Format Description) info display



DT-G series monitors support up to 4K60p HDMI, downsample to FHD display, and support 3G-SDI (SMPTE 425M) including Level A&amp;B; 2K-SDI (2048x1080p) can also down sample to FHD display. Full-Front USB Colormetrie Sensor support, with build in Auto-Calibration support

Full HD LCD panel 21,5” 1920×1080 pixel with LED back-lighting.
Supports 4K-HDMI and 3G-HDSDI
Special ZERO Latency Mode for critical Audio/Video applications
10-bit processing Video Processing
3DLUT auto colour calibration
Built-in De-log LUTs
User 3DLUT upload
Webserver IP remote control
Selectable gamma preset 1.8, 2.2, 2.4 and 2.6.
Safety area selection: 80%, 85%, 90%, 93%, 95%
Scale marker: 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
Native scan, over scan and normal scan selection
H/V delay, freeze frame display mode
AFD (Active Format Description) info display
Frame/Field view selection
SDI Timecode (LTC, VITC1&amp;2) display
R/G/B/Mono, False color, Zebra stripes display
Built-in waveform monitor, with Line-Selector (for HDSDI sources)
Built-in vector scope and histogram monitor (for HDSDI sources)
16-ch audio level meters with alert and output selection
Focus assist display mode
USB Firmware update options
V-mount battery plate for field application
GPI control via RS485 port connection
3 User setting data storage
6 User definable function keys
On-screen TALLY display (Soft-and Hardware Tally)
TSL UMD and User editable video title



Full HD 1080p signal output format with a high frame rate of 60 fps

Supports NDI technology for NDI-based video production

20x optical zoom

Supports live broadcasting (MJPEG, H.264 support SVC)

Support Power Over Ethernet (POE)

Ethernet low latency ( &lt; 120 ms)

Ethernet, HDMI, and 3G-SDI synchronous image outputs

Maximum horizontal/vertical speed of rotation:120 degrees/second

Audio Input Support AAC encoding with 44.1/48 K sampling frequency

Senson: 1/2.8” 2MP CMOS

Video Output (HD) Interface1080p 60 / 59.94 / 50 fps1080i 60 / 59.94 / 50 fps1080p 30 / 29.97 / 25 fps720p 60 / 59.94 / 50 fps

Optical Zoom: 20x

Shutter Speed: 1/1 ~ 1/10,000 sec

Focual Length: f = 4.7 ~ 94 mm

Aperture: F1.6 ~ F3.5

Weight: 2 kg (4.4 lbs)

Dimensions (WxDxH): 174 x 185.5 x 186.2 mm / 6.85" x 7.3" x 7.3"


Image Quality

The VC-A50PN is equipped with a professional 1/2.8 inch image sensor with Full HD 1080p output resolution. The sensor provides high color reproduction, high-definition signals, and crystal-clear image quality.

Ethernet Interface

The VC-A50PN supports MJPEG and H.264 / SVC video compression format that can reduce the bandwidth for transmitting video. This technology can decrease hard disk space when recording.

Easy Installation

Powered by PoE+ (Power over Ethernet) allowing a cost-effective and simple installation.

Supports NDI Technology

The VC-A50PN can connect directly to a NDI® network, utilizing NDI-based video production workflows without additional configuration, reducing cost and set-up time.

Wide Range Pan/Tilt/ Zoom Action

The VC-A50PN has a wide shooting area (pan angle from -170° to +170° ; tilt angle from -30° to +90°), as well as quiet, fast, and precise positioning movements.

Audio Input Support

The VC-A50PN has a stereo audio input with AAC encoding transmission through the Internet, SDI and HDMI extending the distance of an audio device. This enhances sound quality while reducing installation cost.

Multiple Signal Interface Formats

The VC-A50PN is able to switch video output formats to Full HD for compatibility in various display devices.

Ethernet Low-Latency

The VC-A50PN supports low-latency and the fast response time is less than 120 ms that allows unnoticeable delays between a live image and its output on the screen.



Dual color option for different kinds of settings

With professional noise reduction technology a clear image is delivered

Supports Wide Dynamic Range (WDR) to provide a vivid image even under backlighting

Full HD 1080p with 60 frames per second

360 times variable zoom ratio (30x optical zoom with 12x digital zoom)

Supports manual white balance function for a complex lighting environment

3G-SDI, DVI, Component&nbsp;and&nbsp;Composite&nbsp;Video output synchronously

Maximum horizontal/ vertical speed of rotation: 300°/ sec

Wide Pan/ Tilt/ Zoom mechanism:

Horizontal viewing angle: -170° to +170°

Tilting angle up to 90°, and down to -30°

Compatible with major video conferencing and lecture capture codec

Sensor: 1/2.8” 2 MP CMOS

Video Output (NTSC / PAL)1080p 60/ 59.94/ 50/ 30/ 29.97 fps&nbsp;1080i 50 / 60 fps&nbsp;720p 60 / 59.94 / 50 fps&nbsp;720p 30 / 25 fps

Optical Zoom: 30x

Shutter Speed: 1/1 ~ 1/10,000 sec

Focal Length: f = 4.3mm ~ 129mm

Aperture: F1.6 ~ F4.7

Weight: 2.0 kg (4.4 lbs)

Dimension: (WxDxH)Black: 174x186x182.7 mm (6.9" x 7.3" x 7.2")White: 174x186x185.7 mm (6.9" x 7.3" x 7.3")


Image Quality

Equipped with a professional 1/2.8 inch image sensor with Full HD 1080p output resolution providing high color reproduction, high definition and a crystal-clear image.

Advanced Image Processing

The advanced AF/AE/AWB algorithm and circuit design ensures a pristine image during the pan, tilt, zoom &amp; capture function.

Professional Zoom Lens

The VC-A60S has a 30x optical zoom lens with 12x digital zoom, making the zoom ratio 360 times larger. At maximum magnification, the view provides excellent image detail, shape and color without any distortions.

Wide Range Pan/Tilt/Zoom Action

The high efficient DC motor, servo control allows a wide shooting area (pan angle: from -170° to +170° ; tilt angle from -30° to +90°), as well as quiet, fast, and precise positioning movements.

Multiple Signal Formats

VC-A60S is able to switch video output formats from NTSC/PAL, SD, to Full HD for compatibility in various display devices.

3G-SDI Interface

Supports 3G-SDI standard interface for transmitting uncompressed digital video signal without any delay, and the transmission distance is up to 150 meters.

128 Preset Positions

Up to 128 preset settings for pan, tilt, zoom, focus, exposure and white balance modes make video conferencing effective and efficient.

RS-232/422 Remote Control

Camera settings and PTZ control functions to be performed remotely at any location and at high communication speeds via the RS-232/422 interface.



Integrated full HD camera

For indoor use

30x optical zoom lens

Support for PoE+ (Power over Ethernet Plus)

Outstanding operability and installation flexibility

Supports 1080/59.94p, 29.97p, 59.94i, 29,97PsF,1080/50p, 25p, 50i, 25PsF, 720/59.94p, and 50p videoformats

Available in Black or White


AW-SFU01G optional software - Now installed as standard

Includes the following features:

HD-IP video output function that enables IP transmission of full-HD video output and multi-streaming output

USB Video Class and USB Audio Class that enable video and audio output via USB

The microSD card recording function that enables recording on a microSD card (sold separately) inserted into the unit as well as, via an IP network, controlling the recording-start/stop externally and downloading the recorded files


Existing users, see Firmware Tab for update

Full HD camera with integrated pan-tilt for lectures, weddings and a wide variety of applications.
The AW-HE40 series of integrated full HD cameras performs in a wide variety of onsite shooting applications that require high-quality video, such as conferences, lecture capture and other events, thanks to its high-performance zoom, wide angle of view and outstanding color reproducibility.
The AW-HE40 series also offers the flexibility of not requiring any specific installation location thanks to IP transmission and support for PoE+ (Power over Ethernet Plus), which allows power to be supplied via a LAN cable.






1080p FULL HD images up to 30 ips
Newly developed 2.4 Megapixel MOS sensor
Multiple H.264 and JPEG streams combined with Panasonic 'UniPhier' technology
Face Detection Technology ensures clear face images
MEGA Super Dynamic technology delivers clear images and 128x wider dynamic range
True day/night capability, SDXC memory



Lightweight and slim Full HD (1920 x 1080) LMD-A Series monitor with an excellent cost-performance ratio
The LMD-A170 17-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, Wall mount and yoke-mount holes, and an optional protection kit (BKM-PL17). In addition, the latest camera-linkage functions, such as camera and lens metadata display and a Picture and Picture function, provide the convenience of working efficiency both in the field and in the post process.Version 2.0 of the LMD-A170 expands and enhances the monitor’s ability to support 4K production, shopping channels, field and graphics applications.

Stylish lightweight and slim body with industry’s widest viewing angle
Robust and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries.

4K production features
The LMD-A170 V2.0 fulfils the demand for an affordable HD monitor in a 4K system. The unit supports the ITU-R BT.2020 colour space and accepts one of Quad-link 2SI 3G-SDI signals. To fully utilise its wide colour gamut, the monitor offers DCI-P3 and S-GAMUT/S-GAMUT3/S-GAMUT3.cine settings, with proper EOTFs such as 2.6 gamma, S-Log3(SDR) and S-Log2(SDR).

Shopping channels feature
Shopping channels require a unique screen layout to instantly differentiate between a product and its commercial data. The monitor allows you to set two flexible area markers anywhere on the screen.

Enhanced field application features
The monitor is ideal for field applications, with sync-free side-by-side, false colour and audio muting functions. You can monitor two pictures without synchronisation. False colour allows you to check the exposure level of a camera at a glance from a distance. Audio muting helps you start to shooting quickly.

Graphics applications features
The monitor accepts a computer signal though HDMI. To fully utilise its wide colour gamut, the monitor also offers Adobe RGB and sRGB settings in colour space, and D50 preset in colour temperature.

Latest camera-linkage functions
Includes camera and lens metadata display* and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring.*Lens metadata is supported by F65, PMW-F55, PMW-F5, PXW-FS7M2 and PXW-FS7 as well as equipment capable of SMPTE RDD18.

User presets and password protection
Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected.

2K format display and Dual-Link HD-SDI mode
This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available.

Multiple monitors firmware upgrade utility
Save you time to upgrade simultaneously your monitors through your network.



4K PTZ Camera

1/2.3" High Definition 8.93 M Pixels progressive CMOS sensor

12x optical zoom (f = 3.9 mm to 46.8 mm)

Formats supported:
4K (3,840 x 2,160, UHD): 2160p/29.97, 2160p/25

HD: 1080p/59.94,1080p/50, 1080i/59.94, 1080i/50, 720p/59.94, 720p/50



Digital Noise Reduction Function (DNR) to reduce the noise and enable clearer image under low light conditions

Position coordinates report in real time per frame

Video Output: 3G-SDI + HDMI synchronously

Tally LED Design (IR Controller/ RS-422 / DVIP Operation)

Supports VISCA Protocol Keyboard

Supports DVIP Control Protocol


The PTC-200 video camera is a 4K UHD PTZ camera that can be mounted on a wall, ceiling, floor, or a tabletop. The camera captures up to 4K (3,840 x 2,160, UHD) video at 2160p29.97/25 resolution, and features wide dynamic range with backlight compensation.&nbsp; It features a motorized 12x optical zoom capability, and its image mirror and image rotation functions allow you to electronically adjust the image and deliver a correctly oriented image.
50 programmable presets including pan, tilt, and zoom positions, allow the camera to quickly move between predetermined camera positions using the remote, or an available PTZ controller.
For multi-camera shoots, the built-in tally light can identify the active camera. The camera features a built-in IR cut filter in the image path for low light shooting, and then returns for daytime shooting. Also, PTC-200 supports real time position report on a per frame basis; this is helpful in virtual studio applications. &nbsp;
The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port.




DT-G series monitors support up to 4K60p HDMI, downsample to FHD display, and support 3G-SDI (SMPTE 425M) including Level A&amp;B; 2K-SDI (2048x1080p) can also down sample to FHD display. Full-Front USB Colormetrie Sensor support, with build in Auto-Calibration support



Full HD LCD panel 23,8” 1920×1080 pixel with LED back-lighting.
Supports 4K-HDMI and 3G-SDI
10-bit processing Video Processing
Special ZERO Latency Mode for critical Audio/Video applications
Webserver IP remote control
Safety area selection: 80%, 85%, 90%, 93%, 95%
Scale marker: 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
3DLUT auto colour calibration
Built-in De-log LUTs
User 3DLUT upload
Selectable gamma preset 1.8, 2.2, 2.4 and 2.6.
16-ch audio level meters with alert and output selection
Built-in waveform monitor, with Line-Selector (for HDSDI sources)
Built-in vector scope and histogram monitor (for HDSDI sources)
H/V delay, freeze frame display mode
Frame/Field view selection
Native scan, over scan and normal scan selection
R/G/B/Mono, False color, Zebra stripes display
Focus assist display mode
USB Firmware update options
V-mount battery plate for field application
GPI control via RS485 port connection
3 User setting data storage
6 User definable function keys
On-screen TALLY display (Soft-and Hardware Tally)
TSL UMD and User editable video title
SDI Timecode (LTC, VITC1&amp;2) display
AFD (Active Format Description) info display




HD 6 Channel Portable Production Studio

Inputs: 4 x SDI, 2 x HDMI

2 x Upstream Keyers, supporting Chroma Key &amp; Linear/Luma Key

2 x DSK, supporting Linear &amp; Luma Key Modes

1 x PIP (assignable to any of the 4 keyers)

Built-in 17.3” HD LCD monitor that displays Program and Preview on a single screen.


HS-1200 is a cost effective 6 channel broadcast-quality hand-carry mobile switcher; it is designed for live events and TV programs that need to mix a variety of 1080i and 720p HD video and audio sources. The HS-1200 is a lightweight, portable and powerful featured mobile studio solution. As an integrated system, the unit is powered by a single power supply, making set up and installation extremely fast in any location.

Friendly and advanced features include a 17.3-inch video monitor, which displays the multi-view. The multi-view displays&nbsp;all &nbsp;input sources, as well as preview and program.

HS-1200 is low power consumption and it is ideal for TV and video professionals working in outside broadcast or on-the-go video studios, such as theatres, conference centers, houses of worship, educational establishments and corporate organizations.



HD PTZ Video Camera with HDBaseT Technology

Video, audio, tally, control and power over a single cat-6 cable

Ideal for use with 
HS1500T
&nbsp;HDBaseT Portable Video Studio with PTZ Control

HD Resolution: 1/2.8" High Definition 2.14 M Pixels progressive CMOS sensor

30x optical zoom (f = 4.3 mm to 94.6 mm)

High definition formats supported: 1080/59.94p, 1080/50p, 1080/59.94i, 1080/29.97p, 1080/25p, 1080/50i, 720/59.94p, 720/50p
Standard definition formats supported: 480i, 576i
Digital Noise Reduction Function (DNR) to reduce the noise and enable clearer image under low light conditions.
Position coordinates report in real time per frame.
Video Output: HD-SDI + CVBS + HDMI synchronously
Tally LED Design (IR / RF Controller / RS-422 / DVIP Operation)
Supports VISCA Protocol Keyboard
Supports VIP Control Protocol
Also available in white
* Note, unlike the PTC-150T/PTC150TW, PTC-150TL/PTC-150TLW is not supplied with PSU and Datavideo HBT-11 HDBaseT Receiver
SUPER-FAST INSTALLATION
The PTC-150T HD PTZ camera is equipped with HDBaseT Technology for transmitting remote control, video, power and tally signals. This means that a&nbsp;single Cat5 or Cat6 cable can replace four individual cables. Additionally, the camera can be positioned&nbsp;in virtually any location, regardless of&nbsp;the position of power sockets.
The camera&nbsp;can be installed and mounted quickly on a wall, ceiling, floor, or a tabletop. The PTC-150TL/W combines perfectly with the&nbsp;
HS-1500T ;to allow the user to control the camera at a remote location with just one Ethernet cable.
SUPERB IMAGE QUALITY
The camera captures HD video at 1920 x 1080 resolution and features wide dynamic range with backlight compensation. It&nbsp;features a motorized 30x optical zoom capability and its image mirror and image rotation functions allow you to electronically adjust the image and deliver a correctly orientated image.For multi-camera shoots, the built-in tally light can identify the active camera. The camera features a built in IR cut filter in the image path for low light shooting and then returns for daytime shooting. Also, PTC-150TL/W supports real time position report on a per frame basis; this is helpful in virtual studio applications.&nbsp;The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port.


Lightweight and slim Full HD (1920 x 1080) LMD-A Series monitor with an excellent cost-performance ratio
The LMD-A220 22-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, Wall mount and yoke-mount holes. In addition, the latest camera-linkage functions, such as camera and lens metadata display and a Picture and Picture function, provide the convenience of working efficiency both in the field and in the post process.Version 2.0 of the LMD-A220 expands and enhances the monitor’s ability to support 4K production, shopping channels, field and graphics applications.

Stylish lightweight and slim body with industry’s widest viewing angle
Robust and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries.

4K production features
The LMD-A220 V2.0 fulfils the demand for an affordable HD monitor in a 4K system. The unit supports the ITU-R BT.2020 colour space and accepts one of Quad-link 2SI 3G-SDI signals. The monitor offers DCI-P3 and S-GAMUT/S-GAMUT3/S-GAMUT3.cine settings, with proper EOTFs such as 2.6 gamma, S-Log3(SDR) and S-Log2(SDR).

Shopping channels feature
Shopping channels require a unique screen layout to instantly differentiate between a product and its commercial data. The monitor allows you to set two flexible area markers anywhere on the screen.

Enhanced field application features
The monitor is ideal for field applications, with sync-free side-by-side, false colour and audio muting functions. You can monitor two pictures without synchronisation. False colour allows you to check the exposure level of a camera at a glance from a distance. Audio muting helps you start to shooting quickly.

Graphics applications features
The monitor accepts a computer signal though HDMI. The monitor also offers Adobe RGB and sRGB settings in colour space, and D50 preset in colour temperature.

Latest camera-linkage functions
Includes camera and lens metadata display* and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring.*Lens metadata is supported by F65, PMW-F55, PMW-F5, PXW-FS7M2 and PXW-FS7 as well as equipment capable of SMPTE RDD18.

User presets and password protection
Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected.

2K format display and Dual-Link HD-SDI mode
This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available.

Multiple monitors firmware upgrade utility
Save you time to upgrade simultaneously your monitors through your network.



DT-G series monitors support up to 4K60p HDMI, downsample to FHD display, and support 3G-SDI (SMPTE 425M) including Level A&amp;B; 2K-SDI (2048x1080p) can also down sample to FHD display. Full-Front USB Colormetrie Sensor support, with build in Auto-Calibration support

Full HD LCD panel 27” 1920×1080 pixel with LED back-lighting.
Supports 4K-HDMI and 3G-SDI
10-bit processing Video Processing
Special ZERO Latency Mode for critical Audio/Video applications
3DLUT auto colour calibration
Webserver IP remote control
Scale marker: 4:3, 13:9, 14:9, 15:9, 1.85:1, 2.35:1
Built-in De-log LUTs
User 3DLUT upload
16-ch audio level meters with alert and output selection
Built-in waveform monitor, with Line-Selector (for HDSDI sources)
Built-in vector scope and histogram monitor (for HDSDI sources)
Safety area selection: 80%, 85%, 90%, 93%, 95%
Native scan, over scan and normal scan selection
H/V delay, freeze frame display mode
Frame/Field view selection
R/G/B/Mono, False color, Zebra stripes display
Focus assist display mode
USB Firmware update options
Selectable gamma preset 1.8, 2.2, 2.4 and 2.6.
V-mount battery plate for field application
GPI control via RS485 port connection
3 User setting data storage
6 User definable function keys
On-screen TALLY display (Soft-and Hardware Tally)
TSL UMD and User editable video title
SDI Timecode (LTC, VITC1&amp;2) display
AFD (Active Format Description) info display



HD PTZ Video Camera with HDBaseT Technology

Video, audio, tally, control and power over a single cat-6 cable

HD Resolution: 1/2.8" High Definition 2.14 M Pixels progressive CMOS sensor

30x optical zoom (f = 4.3 mm to 94.6 mm)

High definition formats supported: 1080/59.94p, 1080/50p, 1080/59.94i, 1080/29.97p, 1080/25p, 1080/50i, 720/59.94p, 720/50p

Standard definition formats supported: 480i, 576i

Digital Noise Reduction Function (DNR) to reduce the noise and enable clearer image under low light conditions.

Position coordinates report in real time per frame.

Video Output: HD-SDI + CVBS + HDMI synchronously.

Tally LED Design (IR / RF Controller / RS-422 / DVIP Operation)

Supports VISCA Protocol Keyboard

Supports VIP Control Protocol

Also available in white


Super-Fast Installation

The PTC-150T HD PTZ camera is equipped with HDBaseT Technology for transmitting remote control, video, power and tally signals. This means that a&nbsp;single Cat5 or Cat6 cable can replace four individual cables. Moreover, the camera can be positioned&nbsp;in virtually any location, regardless the&nbsp;the position of power sockets.

The camera&nbsp;can be installed and mounted quickly on a wall, ceiling, floor, or a tabletop. The PTC-150T has a receiver box that allows the user to control the camera at a remote location with just one Ethernet cable.

Superb Image QualityThe camera captures HD video at 1920 x 1080 resolution and features wide dynamic range with backlight compensation. It&nbsp;features a motorized 30x optical zoom capability and its image mirror and image rotation functions allow you to electronically adjust the image and deliver a correctly orientated image.

Multiple Presets and Easy Control

50 programmable presets including pan, tilt, and zoom positions, allow the camera to quickly move between predetermined camera positions using the remote, or a&nbsp;dedicated&nbsp;PTZ controller.For multi-camera shoots, the built-in tally light can identify the active camera. The camera features a built in IR cut filter in the image path for low light shooting and then returns for daytime shooting. Also, PTC-150T supports real time position report on a per frame basis; this is helpful in virtual studio applications.&nbsp;The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port.



HD PTZ Video Camera with HDBaseT Technology - white

HD Resolution: 1/2.8" High Definition 2.14 M Pixels progressive CMOS sensor

30x optical zoom (f = 4.3 mm to 94.6 mm)

High definition formats supported: 1080/59.94p, 1080/50p, 1080/59.94i, 1080/29.97p, 1080/25p, 1080/50i, 720/59.94p, 720/50p

Standard definition formats supported: 480i, 576i

Digital Noise Reduction Function (DNR) to reduce the noise and enable clearer image under low light conditions.

Position coordinates report in real time per frame.

Video Output: HD-SDI + CVBS + HDMI synchronously.

Tally LED Design (IR / RF Controller / RS-422 / DVIP Operation)

Supports VISCA Protocol Keyboard

Supports VIP Control Protocol

Also available in black


Super-Fast Installation

The PTC-150TW HD PTZ camera is equipped with HDBaseT Technology for transmitting remote control, video, power and tally signals. This means that a&nbsp;single Cat5 or Cat6 cable can replace four individual cables. Moreover, the camera can be positioned&nbsp;in virtually any location, regardless the&nbsp;the position of power sockets.

The camera&nbsp;can be installed and mounted quickly on a wall, ceiling, floor, or a tabletop. The PTC-150T has a receiver box that allows the user to control the camera at a remote location with just one Ethernet cable.

Superb Image QualityThe camera captures HD video at 1920 x 1080 resolution and features wide dynamic range with backlight compensation. It&nbsp;features a motorized 30x optical zoom capability and its image mirror and image rotation functions allow you to electronically adjust the image and deliver a correctly orientated image.

Multiple Presets and Easy Control

50 programmable presets including pan, tilt, and zoom positions, allow the camera to quickly move between predetermined camera positions using the remote, or a&nbsp;dedicated&nbsp;PTZ controller.For multi-camera shoots, the built-in tally light can identify the active camera. The camera features a built in IR cut filter in the image path for low light shooting and then returns for daytime shooting. Also, PTC-150T supports real time position report on a per frame basis; this is helpful in virtual studio applications.&nbsp;The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port.



T
he HS-1300 is a cost effective, all in one 6 channel hand-carry mobile studio with built-in streaming and recording capabilities. It has all the same great features of the HS-1200, with the addition of a built-in H.264 encoder for streaming. Therefore, the workflow is simplified because it is no longer necessary to add an external encoder to do streaming. Simply connect the HS-1300 to a network and begin streaming your program to your preferred CDN. In addition to the streaming capability, the HS-1300 can also record the program output to an SD drive.

Because of its lightweight portable design, the HS-1300 is ideal for various applications such as live concert events, seminars, sporting events and live TV programs that need to mix a variety of video and audio sources.

Other features include a 17.3-inch LCD monitor, which displays the multi-view, dual chromakey, DSK, still store, user memories and PIP.

Why lug around multiple pieces of equipment for your productions when you can have an all in one product like the HS-1300?Switch, monitor, stream and record simultaneously with the HS-1300

6 Channel Portable HD Streaming Studio

6 Video Inputs (SDI x 4 + HDMI x 2)

3 Video Output (SDI x 2 + HDMI x 3)

2 x XLR Analogue Audio Inputs

Flexible Mix/Effects Processor with:

2 Upstream Keyers, supporting Chroma Key&amp; Linear/Luma Key

2 DSK, supporting Linear &amp; Luma Key Modes

1 PIP (assignable to any of the 4 keyers

Wipe, Mix &amp; Cut Transitions

Full M/E Preview function


Any Input (1 - 6) can be used as a Frame store (Stills Store)

XPT (Cross Point Assignment)

Tally output

GPI Output

Broadcast quality HD / SD H.264 network streaming

Support different bitrate for recording and streaming

Built-in 17.3” HD LCD monitor

Easy to use on-screen Menu System for quick setting of parameters





Advanced live production switcher with 20 6G-SDI inputs, DVE, SuperSource and much more

Switch between SD, HD or Ultra HD video standards

Multi View Monitoring - Use a single screen for all your monitoring

Large graphics memory

Exciting multi layer effects

Massive 3840 x 2160 video resolution

Live mix multi channel audio from your cameras in real time

Compact 2 rack unit size



ATEM 2 M/E Production Studio 4KWorld's most advanced live production switcher with 20 6G-SDI inputs, DVE, SuperSource and much more.

dvanced Live ProductionCreative features with advanced technology

Take your live production beyond broadcast quality. ATEM Production Studio 4K has all the features you need for the most innovative live concerts, sporting events, theater productions, conferences and more. When you're doing live events with super large high resolution screens, then simply switch your ATEM Production Studio 4K to Ultra HD for incredible quality. Many live events now use massive high resolution LED screens and projectors and now you can drive those screens in full resolution.

Highest Quality ConnectionsConnect to SDI and HDMI equipment in SD, HD and Ultra HD.

InputsATEM Production Studio includes advanced 6G-SDI and HDMI 4K inputs that are SD, HD or Ultra HD switchable so you can connect to virtually anything! Every input supports embedded audio mixing and features a frame resynchronizer so you can use sources without genlock such as consumer HDMI cameras or even computers for live PowerPoint™ presentations. You also get 2 balanced XLR audio inputs for connecting professional mixers and a HiFi audio input for consumer equipment like an iPod®.

OutputsGet all the outputs you need to record your video master and to broadcast your program to the audience at the event. ATEM includes program and down converted program outputs plus auxiliary outputs allowing clean feeds, perfect for connecting to giant outdoor LED screens, projectors, disk recorders, monitors and broadcast decks. The multi view outputs are 1080i HD so you can use any TV or monitor. You also get a balanced XLR output of your audio mix, which is also embedded into all video outputs.

Multi ViewGet multi camera monitoring using a single low cost TVs

ATEM Production Studio 4K switchers let you connect loads of sources and monitor them all at the same time using the built in multi view. Multi view makes it easy to see your cameras, graphics, preview and program outputs on single screen. That means you don't need lots of monitors to see all your individual cameras! You get HDMI and SDI multi view outputs so you can connect to professional broadcast SDI monitors or even low cost big screen televisions using the HDMI multi view output! The advanced ATEM 2 M/E Production Studio 4K model features 2 independent multi view outputs so you can see up to 16 cameras across 2 screens.

Creative TransitionsChoose from a wide range of built in transitions.

ATEM Production Studio 4K switchers have an amazing choice of transitions including Cut, Mix, Dip and Wipe patterns. The advanced 1 M/E and 2 M/E models also give you key frame based DVE moves, flying graphics and animated stingers.

Every transition is instantly available and you get full control of the transition type, pattern, length and more. With so many creative options you can always find the perfect 'on air' style, so there's no limit to the combination of exciting effects you can create.

Upstream KeyersAmazing multi layer live action

All ATEM Production Studio 4K switchers include powerful upstream keying for amazing broadcast effects! Layer live video, titles, graphics and animation over live video or graphic backgrounds with incredible quality using chroma, luma, linear and pattern keying. You get 4 built in upstream keyers and a DVE in the ATEM 1M/E Production Studio 4K so you can create mind blowing broadcast multi layer effects for your production.

Internal media playersLoad on-air graphics to eliminate complex external servers.

You can store broadcast quality RGBA graphics in the media pool ready for instant playback via the ATEM media players. The two media players appear as input sources to your switcher. You can transition to graphics as full frame video or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG and TIFF are supported. The advanced ATEM 1 M/E and 2 M/E Production Studio 4K models feature a larger media pool with live clip storage plus 32 still graphic support.

Photoshop™ Plug-inCreate and download graphics directly to your ATEM

With the included Adobe Photoshop plug-in, you can create graphics live and then instantly download them into the ATEM media pool. Most graphic designers know and use Adobe Photoshop™ every day and now you can use their creative skills on your live production! Designers can create professional broadcast graphics such as logos, lower thirds, scorecards and other real time graphics that can be downloaded directly to the media pool. Now you can instantly change live graphics in seconds.





Newly designed control panel

Smooth Pan/Tilt Control with new joystick

Preset / Tracing memory functions

Colour image adjustment function

Flexible System Design by using IP connection and control

Storage Setting to SD card


The AW-RP120G Remote Camera Controller supports a variety of Panasonic remote camera systems. IP connection allows a large-scale, flexible, and simple system configuration for controlling up to 100 remote cameras and the simultaneous use of multiple controllers.&nbsp;A new joystick enables high response pan and tilt operation and a newly designed control panel adds colour adjustment dials.&nbsp;A preset memory with a new batch recall function and tracing memory save labour by allowing single-person operation.&nbsp;Equipped with Paint and other camera adjustment functions, the AW-RP120G meets a wide range of high-end needs. It is the ideal all-in-one controller for many applications such as event, conference hall, public facility, wedding and broadcasting use.

Please Note:&nbsp; The AW-RP120 is not supplied with a power adapter, which must be bought seperately.







GO 1200 Studio is a small live production system housing all required devices for a multi-camera production environment on a small rack. The GO 1200 Studio includes video switching, dual monitor, stream encoder, and USB recorder. These devices can be carried away in a box so that your production is not only professional but also mobile.It offers four HD SDI and two HDMI inputs, also supports Chroma Keyer, Luma Key, PIP.

Total solution with suitcase design, great protection and easy to move

4 in 1: switching, streaming, recording, monitoring

Power center for supplying power to all devices, only one button is required to activate the whole system

Support broadcast-quality dual chromakey with 50 virtual set background

9 sets of stinger transition included


Products Included

1x&nbsp;
SE-1200
&nbsp;6 Input Rackmount HD Mixe

1x&nbsp;
RMC-260
&nbsp;Digital Video Switcher remote controller

1x&nbsp;
HDR-1
&nbsp;Standalone H.264 USB Recorder / Player

1x&nbsp;
NVS-25
&nbsp;H.264 Video Streaming Server / Recorder

1x&nbsp;
TLM-102
&nbsp;Dual 10" Monitor

1x RMK-6 rack and cable pack

1x&nbsp;
HC-800
&nbsp;Extra large Trolley Style case




Control all the advanced functionality of your V-1200HDR
 switcher with the optional V-1200HDR Control Surface. The V-1200HDR provides a
 professional physical control surface for the V-1200HD with dual LCD
 touchscreens for monitoring and control, a large T-bar for effects and
 transitions, customization and operation of the mix effects buses, HDMI video
 outs, and many buttons for source switching.


 
 &nbsp;
Dual touch monitors let you display different GUIs on the
 left and right. Incoming video signals from the HDMI connectors on the rear
 panel can also be displayed.



 
 &nbsp;
This broad range of cross-point switches affords a
 commanding view of 16 sources at one time. This is also switchable to either
 PGM/PST or flip/flop according to operator preference.



 
 &nbsp;
Controls the PTZ parameters on up to 7 connected
 remote cameras











The new DT-U Series of 4K displays offers a high-quality solution for 4K monitoring. The DT-U31 31.5" 3840x2160 resolution model features multiple 4K interfaces, supporting 4x 3G-SDI quad link input (both quad and 2SI) and 4K60p HDMI 2.0 input, with built-in 3D LUT auto-calibration. It has a wide colour range and HDR signal support, along with built-in front panel USB colour calibration sensor support, IP remote control, measurement tools and a future SFP slot.

Native Panel resolution 3840 x 2160
31.5-inch UHD 10-bit IPS panel
14 Bit signal processing
Wide colour range ITU709 / DCI-P3(99.2%) / BT2020(75.6%)
Brightness 300 cd/m²
Contrast: 3000:1
HLG and PQ-HDR capability
12G-SDI In/Out
4 x 3G-SDI QUAD 4K or HD inputs
HDMI 2.0 input
SFP future slot
Low Latency Mode, for critical audio/video applications
Built-in Auto Calibration (only external sensor is needed)
Built-in 3D-LUT
IP Remote control
16ch audio meters with alert and output selection
Waveform monitoring with line selector
Vector and histogram tools
Signal support up to 4096x2160P 60/50 Hz
Flexible gamma selection from 1.0 to 3.0 in 0.1 steps
TSL Tally and GPI Tally included on screen marker
lost of additional Monitor tools, include Field/Frame selection, Zoom, H/V delay, Focus, RGB Mono, SDI Time code, Safety and screen markers, etc.
Comes with a adjustable U-Stand



With five HD-SDI or HDMI inputs, all the Studio Software features, and a high performance system, Studio HD51 is the perfect combination of powerful, simple and affordable. Simply plug in a screen and go.
2 Versions to choose from:HD Edition
4K Edition


Includes all the features of&nbsp;Studio
5x HDMI or SDI input
1 x SDI/HDMI Output
Up to 2 screens
10 x Remote camera tracks
2 x Media tracks
3 GFX tracks
20 hours of broadcast quality recording
Analogue audio in
Optional included rack-mount ears
Front-panel USB / headphone
Dimensions (WxHxD): 17 x 3.5 x 14 in
Weight: 13.8lbs
&lt;/u


The new DT-U Series of 4K displays offers a high-quality solution for 4K monitoring. The DT-U31PRO 31.1" 4096x2160 resolution model features multiple 4K interfaces, supporting 4x 3G-SDI quad link input (both quad and 2SI) and 4K60p HDMI 2.0 input, with built-in 3D LUT auto-calibration. It has a wide colour range and HDR signal support, along with built-in front panel USB colour calibration sensor support, IP remote control, measurement tools and a future SFP slot.

31.1-inch native 4K 10-bit IPS panel
Native Panel resolution 4096 x 2160
14 Bit signal processing
HLG and PQ-HDR capability
Wide colour range ITU709 / DCI-P3(99.4%) / BT2020(83.8%)
Built-in 3D-LUT
Built-in Auto Calibration (only external sensor is needed)
Brightness 350 cd/m²
Contrast: 1500:1
12G-SDI In/Out
4 x 3G-SDI QUAD 4K or HD inputs
SFP Future slot
HDMI 2.0 Input
Signal support up to 4096x2160P 60/50 Hz
Low Latency Mode, for critical Audio/Video applications
TSL Tally an GPI Tally include on screen marker
IP remote control
Flexible Gamma selection from 1.0 to 3.0 in 0.1 steps
16ch audio meters with alert and output selection
Waveform Monitoring with Line selector
Vector and Histogram tools
lost of additional Monitor tools, include Field/Frame selection, Zoom, H/V delay, Focus, RGB Mono, SDI Time code, Safety and screen markers, etc.
Comes with a adjustable U-Stand



All-in-one solution: The MS-2850 series includes intercom, recorder, monitor and power supply.

Complete Power System Integration: With a complete power system in the MS-2850 series, the producer can arrive on location, switch on and begin creating great live content. Set up, configuration and operation are fast and intuitive.

Mobile OB Van: The small form factor and portable rack unit suits outdoor live production and other applications really well.


CONFIGURATION

1 x SE-2850 (8CH)

1 x TLM-170LM

1 x HDR-70

1 x AD-200

1 x ITC-100

1 x PD-2A

2 x RP-12 (1U panel)

1 x RP-28 (rack mount for SE-2800KB)

1 x CB-58 (cable set)

1 x 8U CASE

1 x RP-31

1 x RP-50 (providing power to DVD player)

1 x RP-14SD


Datavideo MS-2850 HD/SD mobile video studio series is a ready to go solution. It is designed around the SE-2850 HD/SD 8-channel (upgradeable to 12 channels) broadcast- quality video switcher. It is perfect for outdoor events, conferences, education, places of worship and many more applications. Producing superb quality pictures with versatile input/output configurations, the SE-2850 also has powerful, easy to use effects, such as dual picture in picture, downstream keyer (DSK) and logo insertion.

The switcher is integrated with the essential elements required for live production including a recorder, a multi-view monitor and an intercom system.



Remotely capture broadcast quality 4K images with smooth, silent PTZ and excellent low-light sensitivityM
The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections.
Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator.
The 1.0-type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention.
Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. In HD resolution, 24x zoom can be doubled to 48x with Tele Convert Mode. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting.
There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.
The BRC-X1000/1 is a US/Canada model which is bundled with the AC-UES1230MT AC power supply and cord. In all other regions the AC power supply and cord are sold separately.
Available in both black and white (colour availability may vary by country).
Features
Enhanced Pan/Tilt/Zoom (PTZ) operation
Accurately re-frame shots or track moving subjects with smooth, speedy, near-silent remote control of pan, tilt and zoom functions. There's also low-speed zoom and a slow pan/tilt mode for precise, judder-free camera movements. PTZ Trace Memory allows a sequence of camera movements to be memorised and followed whenever required. PTZ Motion Sync smoothly blends separate pan, tilt and zoom movements for seamless, professional-looking transitions. Up to 100 pre set positions for pan/tilt/zoom operations
Uncompromising 4K images
The camera's large, back-illuminated 1.0-type Exmor R CMOS sensor delivers
uncompromised broadcast quality colour pictures in detail-packed 4K 30p, with four
times the resolution of Full HD. Footage can also be captured in Full HD 60p - ideal for
fast-moving sports action.
Cinematic 24p pictures
The camera can also operate in 24p mode, for video footage with a rich, filmic look.
High quality 12x optical zoom and 18x(4K) or 24x(HD) with Clear Image Zoom
The high quality Zeiss Vario-Sonnar T* lens with 12x optical zoom range covers wide angle shots as well as tight close-ups. Clear Image Zoom* expands this range to 18x (4K) or 24x (HD) without sacrificing detail. In addition, the Tele Convert Mode can double this range again, up to 48x zoom while maintaining a 1920x1080 resolution.
*Clear Image Zoom is a Sony original intelligent interpolation, which analyzes the input image and increases the resolution of the image.
Excellent low light sensitivity
The BRC-X1000 can capture crisp, low noise colour video images in light levels as low as 1.7lx, making it an ideal choice for dimly lit live hall and theater.
Flexible installation
Integration is simplified in a wide range of environments, with PoE+ (Power over Ethernet) to reduce cabling requirements and VISCA control over IP.
Remote operation
Pan/tilt/zoom and other camera settings can be controlled using the supplied IR remote commander, or with the optional RM-IP500 Remote Control Unit that can control multiple cameras.
RCP/MSU Connectivity
In an studio environment, BRC-X1000 can be controlled via Sony’s Remote Control Panel RCP-1500/1501/1530 and MSU-1000/1500. Connection can be made over IP networks.
*The compatibility is described in Remote Camera System Guide.
Genlock
Genlock simplifies integration with other systems in multi-camera broadcast environments.
Versatile video outputs
Enjoy greater installation flexibility in professional broadcast and AV environments with dual link 3G-SDI (x4) and HDMI video outputs.
Front and rear tally lamps
Ideal for on-air broadcast use, the BRC-X1000 features dual tally lamps on the front and rear of the camera body. Brightness of the front tally lamp can be adjusted in two steps.




Genie to camera shutter control cable
Shutter Link Cable is required for Time-lapse and photo stitching.

The Shutter Link Cable is not required for video recording with the Genie.



Ideal for archiving and deliveries

Outstanding recording capacity with up to 600 minutes of HD recording with the Quad layer version

Rugged and reliable HD media for day-to-day broadcasting

Designed for exceptional performance in tough conditions with advanced Hard Coat technology and a durable cartridge

PFD-23A: up to 85 minutes of XDCAM 4.2.2PFD-50DLA: up to 1.5 hours of XDCAM 4.2.2PFD-100TLA: over 3 hours of XDCAM 4.2.2PFD-128QLW: up to 4 hours of XDCAM 4.2.2

Proven Technology since 2003

Optimized Cost per GB

Compatibility: always check the compatibility of your equipment prior to any purchase



Dual Format Memory Card Reader - One slot each for CompactFlash (CF) and SD (SDXC, SDHC, SD) media

Fast USB 3.0 Interface - 5.0 Gb/s SuperSpeed USB 3.0 interface delivers superior performance with USB 3.0 port-equipped computers

Fast File Transfers - Transfers data from CF cards at up to 70 MB/s, SDXC and SDHC memory cards at full speed (limited by card)

Small and Rugged - The case measures just 2.7 inches wide x 2.5 inches deep x 0.8 inches tall; no doors or pop-up mechanisms to break or interfere with use


Mac Compatibility

Mac® with USB 3.0 ports or USB 2.0 ports (at USB 2.0 speeds)

Mac Pro® (with card slots) equipped with Sonnet’s Allegro™ USB 3.0 4-Port PCIe Computer Card

MacBook® Pro equipped with Sonnet’s USB 3.0 ExpressCard/34 Computer Card

OS X® 10.8.2+, 10.6-10.7.5

OS X Yosemite&nbsp;compatible


Windows Compatibility

PC with USB 3.0 ports or USB 2.0 ports (at USB 2.0 speeds)

Windows® 8, 7


Little Speed Reader

Sonnet’s Dio Pro CompactFlash and SDXC USB 3.0 Media Reader quickly transfers files from CompactFlash (CF), SDXC and SDHC™ memory cards to your computer on location, in the studio, or at the office. With one slot each for CF and SD media, Dio’s ability to transfer data from the fastest professional memory cards at much higher speeds than USB 2.0 card readers are capable makes for a significantly more convenient and efficient workflow. This handy device also supports concurrent and card-to-card file transfers

Dio can ingest files from your pro memory cards up to four times as fast as other card readers. What's its secret? This Sonnet reader exploits its 5.0 Gb/s SuperSpeed USB 3.0 interface to deliver superior performance with suitably equipped computers. Dio is UDMA6-enabled and UHS-I-compliant for CF and SD media, respectively. As a result, Sonnet’s high-performance memory card reader transfers data from currently available CF cards at up to 70 MB/s, while it supports at full speed the fastest available SDXC and SDHC memory cards, as well as future cards up to 104 MB/s.

This little, rugged Sonnet pro media reader is compatible with Windows® desktop and laptop computers with USB 3.0 ports. Got a Mac®? It is also compatible with Mac® Pro computers with Sonnet’s Mac OS® X-compatible Allegro USB 3.0 PCIe adapter card installed, and MacBook Pro computers using Sonnet's Mac OS X-compatible USB 3.0 ExpressCard/34 adapter. No USB 3.0 ports at your disposal? Dio is backward compatible with USB 2.0 connections, too.



Designed for microSD devices such as smartphones,
 interchangeable-lens cameras, drones, or GoPro action cameras that can capture
 Full HD, 3D, and 4K video, as well as RAW and burst photography, the 32GB
 Extreme UHS-I microSDHC Memory Card from SanDisk has a capacity of 32GB, is
 compatible with the UHS-I bus, and features a speed class rating of V30, which
 guarantees minimum write speeds of 30 MB/s. If your device does not support the
 V30 standard, this card also supports the U3 standard, which also guarantees
 minimum write speeds of 30 MB/s. Read speeds are supported up to 90 MB/s and
 write speeds max out at 60 MB/s.
 While this card has been designed for cameras that are UHS-I
 / V30 compatible, it may be used in devices that do not support UHS-I / V30.
 However, bear in mind that this card will then default to your device's speed
 class and bus rating, such as UHS-I and U3, which also supports minimum write
 speeds of 30 MB/s, UHS-I and U1, which supports minimum write speeds of 10
 MB/s, or Class 10, which also supports minimum write speeds of 10 MB/s.
 As with most SanDisk media, this memory card is shockproof,
 X-ray proof, and waterproof, while also being able to withstand temperatures
 from -13 to 185°F, allowing you to take this card with you into extreme
 environments, such as snow, deserts, and pools. Should the card's data become
 compromised, you also benefit from the option to download RescuePRO Deluxe
 software, and SanDisk's Memory Zone app offers users a simple way to organize,
 browse, and back up files on their Android mobile device. Protection is
 provided by a limited lifetime warranty and included is a microSD to SD adapter
 with a write protect switch, allowing this card to be used in SD-compatible
 devices.
 General Features
 Designed for Action Cameras
 SanDisk cards are compatible with smartphones, tablets,
 action cameras, drones, and more. They are recommended by GoPro for use with
 the Hero, Hero 3, Hero3+, Hero4, and Hero+ LCD.
 Write Speeds of up to 60 MB/s MB/s
 Capture fast-action photos or shoot UHD 4K video with write
 speeds of up to 60 MB/s MB/s to shoot more and transfer even faster. Quick read
 speeds of up to 90 MB/s save you time when transferring high-resolution images
 and UHD 4K videos.
 UHD 4K Ready
 With a UHS Speed Class 3 (U3) and UHS Video Speed Class 30
 (V30) ratings, this SanDisk Extreme UHS-I microSDHC card lets you capture
 uninterrupted 4K UHD and Full HD video. This makes it suitable for recording
 outdoor adventures, weekend trips, or sporting events without skipping frames.
 All the Memory You Need
 A generous storage capacity of up to 32GB means you won't
 run out of the memory you need to work, shoot, and share high resolution videos
 and stills.
 SD Adapter for Versatility
 This card comes with a convenient SD card adapter, so you
 can also capture and access data on the card with any device that has an SD
 card slot. You'll also be able to use your memory card with SD enabled cameras,
 camcorders, tablets, and laptops.
 Built for Extreme Conditions
 SanDisk Extreme microSDHC UHS-I Cards are waterproof,
 shockproof, x-ray proof and temperature proof to protect your memories from
 life's mishaps. Take your phone or tablet to the snow, to the pool or to the
 desert. Your card will survive, even if your device doesn't.
 RescuePRO Deluxe
 Includes RescuePRO Deluxe data recovery software
 downloadable offer, for bringing accidentally deleted images back to file.
 Water, Temperature, X-Ray, and Shock Proof
 This microSD card is waterproof, temperature proof, x-ray
proof, and shock proof.

Pole to D Tap connector

S-7104 has a D-tap plug to connect with battery plate or battery with D-tap output socket and get DC power.&nbsp;

2-pin Pole-tap DC Connector
S-7104 outputs DC power via 2.5M 2-pin pole-tap connector, connects to other products such as SWIT S-2040 / S-2050 on-camera LED lightings, and S-1051H / S-1051C LCD monitors.


Provides more balance to the rig making shooting easier and more stable
Decreases the weight in front of the shoulder moving the counterweight further back
Made of aluminium



The Hawk-Woods&nbsp;
DV-F550
&nbsp;
Lithium-Ion Mini-DV Battery works as a direct replacement for Sony's NPF battery. The
&nbsp;
DV-F550
&nbsp;
can be charged by any standard charger compatible with the Sony NPF or L-series such as our own
&nbsp;
DV-MC2
,
&nbsp;
DV-MC4
,
&nbsp;
DV-MC8
,
&nbsp;
DV-C1
&nbsp;
and
&nbsp;
DV-CL
. See our Sony MDV Chargers for full details.

Features

7.2 Volts

2600 Mah

Sony NPF (L-Series) Direct Replacement

Lithium-Ion






Video camera rain cover made from waterproof RipStop material
Suitable for use with a Handycam
Protects against rain and dust
Crystal clear panels allow camera controls to be easily seen
Can easily be connected to a tripod

Want to use your handycam outdoors? Made from waterproof RipStop material, the Manfrotto Pro Light Camera Element Cover will offer protection against any harsh weather condition so that you won’t need to worry about damaging your valuable equipment.
Wherever you are in the world and whatever you’re looking to do with your camera equipment, this video rain cover will help. With clear thermoplastic polyurethane (TPU) panels, you can easily see the camera controls so there’ll be no frustration when trying to capture the perfect shot. When you put your kit away at the end of the day, the cover will also protect it from any dust it may accumulate over time. Plus, forget about capturing uneven or unsteady shots when you’re on the go and using a camera protector – with this cover, an open vent on the underside allows for airflow, meaning that you’ll easily be able to use it alongside a tripod.
Whether you’re on the go and want to take a stunning picture of your travels, or you want to take your photography to the next level and capture everything there is to see in the world, this cover is the ultimate choice.


Toy Pin Hole Lens - MFT

Focal Length: 12mm

24mm (35mm Equivalent)

Approximate f/128 Apeture

Micro Four Thirds Mount

Protective Glass Covering

Filter Thread - 52mm

Nearly Infinite Depth of Field






Can be easily fitted on the adjustable handles to lengthen the arms
Compatible with Manfrotto clamp and joystick remote control units
Made of aluminium



The mp-50v(N) 4-Section Aluminum Monopod with Quick Release Plate from Acebil allows you to hold and stabilize smaller video cameras. This version of the mp-v50 features a built-in adapter allowing you to attach an optional MPS floor stand to the monopod. The monopod has a height range of 59.5-170cm / 23.5”-67”. Weighing only 700g / 1.5lb while supporting up to 3kg / 6.5lb, its three telescoping aluminum sections extend and retract easily via flip locks, making adjustments quick and simple. A soft padded foam grip adds comfort and protection during cold weather use. The wrist strap will help stabilize the monopod and camera while shooting and also allow you to strap the monopod to your belt or backpack for easy transport. Also included is a soft carrying case for added protection while traveling.


Quick Release Plate

Built-in adapter for optional MPS Floor Stand

Supports loads up to 3kg / 6.5lb

Height range: 59.5-170cm / 23.5”-67”




Capture 4K video with the&nbsp;
128GB High-Speed UHS-I SDXC U3 Memory Card
This SDXC memory card comes compatible with the UHS Speed Class 3 rating denoting a minimum data read speed of 30 MB/s which is sufficient for capturing 4K content as well as high-speed burst mode photos. With a maximum data read speed of up to 94 MB/s and maximum write speed of up to 70 MB/s you can transfer even large files to and from the card quickly. This card also comes with downloadable File Rescue Software to help recover your photos and videos should they become damaged or accidentally deleted.
Good for both high-resolution still images, and 4K1 video
 capture
 With support for write speed up to 70MB/s, UHS speed Class 3
 (U3), and Video Speed Class 30 (V30)2, you can effortlessly capture high
 resolution still images, or video at 4K resolution. The perfect partner for
 high performance cameras, Handycam and more. 
 Supporting Interface 
 Supports UHS-I interface Performance 
 Fast Transfer to PC 
 With a fast read speed up to 94MB/s, transfer even large
 media files to your PC in seconds .You can spend less time waiting and more
 time doing. 
 Superior Reliability
 Superior reliability and durability even in intense use:
 X-ray proof, Waterproof, Temperature resistant and shock-proof. 
 File Rescue 
 Sometimes things go wrong and data such as photos and files
 accidentally deleted.File Rescue is a powerful tool for recovering data that is
 simple enough for anyone to use. Available as a free download to memory card
 customers. 
 Warranty -  5 years

S-7000A Gold Mount (Anton Bauer) Battery Mount Plate.


Connections: Dummy battery to D-Tap connector

Length: 70mm (coiled)


Compatible with:

Sony
A7S




World’s fastest UHS-II SD card, SF-G series offers the highest speed for Professional photographers and videographers - ideal for high quality image capturing.Blazing fast performance and up to 300MB/s reading speed to transfer data faster and save precious time. Memory card in UHS-II support RAW and JPEG for continuous shooting.Don’t miss a shot with a 299MB/s writing speed, which contributes to longer high-speed continuous burst mode shooting for high-resolution images with UHS-II supporting cameras. Sony developed algorithm prevents speed decrease in data writing even after repeating burst shooting, and contributes to the camera’s speed of burst shooting– this is an SD card you can rely on.&nbsp

Key Features:

- Flexible storage capacity - 32GB/64GB/128GB.&nbsp;
- XAVC S 4K compatibility.&nbsp;
- Ideal for high quality photo, full HD, 3d and 4K video.&nbsp;
- UV guard, X-ray proof, magnet proof and anti-static
- Water proof and dust proof
- Durable and temperature proof
- Read speeds of up to 260mbps UHS-II
- Write speeds of up to 100mbps UHS-II

What's in the box?

- 32GB SF-G Series Memory Card
- Memory card case
- Quick start guide

Spotting Scope Plate
Designed to eliminate unwanted rotation of the spotting scope
It can be used to mount all makes of spotting scope
Made from machine-tooled aluminum with a black anodised finish
2 grub set screws to lock the spotting scope securely

Specifications
Weight: 146g / 5.15 oz
Material: Aluminium
Colour: Black
Top Attachment: 1/4″ screw
Quick Release: Yes

This adapter plate has been specifically designed to eliminate unwanted rotation of the spotting scope during viewing. Its universal design means it can be used to mount all makes of spotting scope, no matter what their foot shape (square, rectangular, trapezium), on any Manfrotto two-way head with rapid RC2 connector system. The adapter is made from machine-tooled aluminum with a black anodised finish. In addition to the standard 1/4' screw, it has two grub set screws to lock the spotting scope securely in position.


SanDisk CF Extreme 120MB/s
Ideal for use with mid-range to high-end DSLR cameras and HD camcorders, the SanDisk Extreme CompactFlash Memory Card delivers first-rate read/write speeds to catch fast action shots and enable quick file transfers. This memory card features Video Performance Guarantee (VPG-20) to deliver a minimum sustained recording data rate of 20MB/s to support high-quality Full HD video (1080p) recording.&nbsp;Take advantage of burst-mode photography with the card's write speeds of up to 60MB/s (400X) and enjoy efficient workflow with its transfer speeds up to 120MB/s (16GB - 128GB cards only). With capacities up to 128GB, this memory card provides plenty of storage for Full HD videos and RAW photos.
KEY FEATURES:


Up to 85MB/s write speed for premium shot-to-shot performance
VPG-20 enabled for sustained 20MB/s video recording rate
Ideal for HD camcorders and mid-range to high-end DSLR cameras



Holds 2 x LG-600SC / LG-600CSC light
Dimensions (L x W x H): 40 x 28 x 46cm



Can be used to power your Tomahawk transmitter from any LiPo battery with a JST-RCY connection
Allows Power pass-through (so you do NOT need an extra JST power source)
Compatible with Power&nbsp;FGG.0B.302
Pin 1=Ground, Pin 2=Positive (ARRI Polarity)
Length: 3" / 7.6 cm



 
Epson EB-S41 SVGA 3300 lumens Projector - White
 
Create the big screen experience: From box sets to business presentations, capture everyone&#39;s attention
Bright even with ambient light: Equally high White and Colour Light Output of 3,300 lumens
Affordable, high-tech equipment: Enjoy this SVGA projector
Product Dimensions: 25 x 9 x 30 cm ; 3 Kg
Boxed-product Weight: 3.6 Kg
Item model number: V11H842041
Product Description
EB-S41, SVGA, 3,300 lumens, 3LCD Business Projector. Don&#39;t let your need for a business projector hold you back from enjoying blockbusters on the big screen at home. This versatile SVGA projector can do both.Box Contains
Carrying Case, VGA cable, Main unit, Power cable, Quick Start Guide, Remote control incl. batteries, User manual (CD), Warranty card
 
Create the big screen experience: From box sets to business presentations, capture everyone&#39;s attention
Bright even with ambient light: Equally high White and Colour Light Output of 3,300 lumens
Affordable, high-tech equipment: Enjoy this SVGA projector
Long-lasting solution: Watch a film every day for 15 years**
Portable and quick to set up: Transport with a carry case and keystone slider for easy alignment
Don’t let your need for a business projector hold you back from enjoying blockbusters on the big screen at home. This versatile SVGA projector can do both. Even when there’s ambient light, its 3,300 lumens and 3LCD technology are capable of delivering a bright and clear picture. It&#39;s incredibly long lamp life means it’s great value for money.
Bigger is better
Whether you’re watching your favourite blockbusters or delivering a presentation, this projector can achieve an impressive 300 inch display. It&#39;s great quality too, with a high contrast ratio for defined shadows and deep blacks. From family and friends to business colleagues and clients, it&#39;s sure to get everyone’s attention.
Stress-free setup
Here’s a projector that’s designed with portability and quick set up in mind. Position the image with keystone correction and access content simply with the HDMI inputs. Thanks to the optional ELPAP10 adapter, it offers Wi-Fi connectivity, allowing you to share content from a smart device using the iProjection app.
 
Brighter, vivid projection
White brightness alone cannot bring the true colours you see everyday to life. The 3LCD technology found in Epson’s projectors delivers an equally high white and Colour Light Output (CLO), so that you can experience vivid and lifelike images.
 
Up to three times brighter colours with Epson projectors*
Epson projectors have significantly higher colour brightness than 1-chip DLP projectors thanks to 3LCD technology. As such, Epson’s projectors offer up to three times brighter colours*, resulting in more vivid and colourful images.
 
No rainbow effect
1-chip and LED projectors can be subject to the ‘rainbow effect’, which describes how some people can see a disruptive flicker in fast-moving images. Ensuring smooth images, Epson’s projectors use 3LCD technology, which means that the ‘rainbow effect’ can never occur.
 
 
IF PAYING BY PAYPAL THEN YOU MUST HAVE A PAYPAL CONFIRMED DELIVERY ADDRESS. PLEASE CHECK BEFORE PURCHASING.
BUY WITH CONFIDENCE FROM A TRUSTED EBAY SELLER.
 
We stay in touch every step of the way from order confirmation to dispatch
All our phones are fully checked and tested in our offices
Free delivery and shipping on most items
We aim to dispatch all items within 1-2 business days of payment.
We are 100% owned and operated in the United Kingdom
Buy with confidence
We are Paypal verified and can offer a fast and secure payment method.

This will help speed up the whole ordering process
We are a mobile phone and small electronics company and have been selling on ebay for a few years.
We aim to provide a high level of customer service and hope you enjoy your product and leave us some positive feedback on arrival.
We will return feedback to all those that leave positive feedback for us.
If there are any issues do contact us as we are here to help and for you to have a pleasant buying experience.
We accept:
Paypal from worldwide buyers, subject to below conditions;
UK, USA &amp; Canadian Buyers should have either a confirmed paypal account address or verified paypal account.
Buyers outside UK, USA &amp; Canada should contact us via email to see if we ship to your country. If we do you must have a verified paypal account.
Item will be despatched on successful realisation of funds into our paypal account only.
Item will be despatched to paypal account registered address only.
We do not offer collection in person for PAYPAL payments. We do allow collections for other payment methods (see below)
Bank Transfer
Cheque
Postal Orders
Payment on collection
We only do postages during weekdays (Monday - Friday)
We aim to dispatch all items within 1-2 business days of receiving payment.
The dispatch method will be defined on the auction under postage and payments section. If you wish to send it any other way or via a faster method. Please email us and we will check for you and let you know if there will be an additional cost involved.


Powerful wind machine for photography and video productions with 3 settings.
Condition: Used

JUST TESTED  INBOX


The DSMC2 Sidekick Controller from RED DIGITAL CINEMA is a lightweight interface solution offering intuitive and integrated full menu control over critical camera parameters. Engineered for the DSMC2 camera system, this low-profile interface provides full access to basic and advanced menus via a 1.7" OLED display. The rotary dial, D-Pad, function buttons, and configurable preset buttons provide an improved method of controlling your camera

So, you've hired or bought a Nishika or Nimslo stereo camera and you've had your fun—now what?

Well, send us your film and we'll develop your film, wet-scan* and convert your exposures in to bangin' GIFs AND MP4's ready up for uploading to your socials.

We've worked with the students, the professionals and some of the biggest names in fashion on campaigns, advertisements and mess-abouts.
————————————————————————————————
GET £20 FREE CREDIT WHEN YOU SIGNUP TO FAT LLAMA! 
COPY N PASTE THIS URL INTO YOUR BROWSER
https://fatllama.com/r/phil-afa82
————————————————————————————————
Here's some darn good reasons why you should go for it…

• Max Quality 
NO DUST. Doing it yourself, is likely to mean you'll be 'dry scanning' which isn't the best possible scan you could get—and your images really do deserve better.
We wet scan your negs; this is by far the best possible quality you'll get out of the negs before going to drum scanning. No, seriously it is. Check the images to see the difference between wet and dry scanning. 

• Experience
We just effin' love makin' them. We treat your art, like a work of art. Also, we've got the technique down to a t. 

• Quick turn around
Same working day turn around! Say, we get your films in the post at… 9:30am — you'll have a WeTransfer link over by 4pm. That includes the both GIFs AND MP4s! Posting the negatives back to you can take a few working days, however. That's Royal Mail for ya.

• We've got all the kit
The gear we use is colour-calibrated, clean, and dust-free. We use fresh chemicals for development and wear those white cotton gloves to handle your negs. Our working environment is cleaned before and after use.

• We make MP4 videos too!
Ready for your Insta or your music video. 

ADDRESS TO SEND TO REVEALED POST PURCHASE!

Datavideo DAC-70 Up / Down / Cross Converter

Description

Location

Item lent by Pro Video Kit

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FAQs

Datavideo DAC-70 Up / Down / Cross Converter

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