Great, unique pedal from Digitech.
It features 7 modes:
- 4 different synth settings that react to your playing dynamic in different ways. Bit-crushed sounds, synthy leads and fat octave downs are what these modes shine in.
- 2 Classic envelope filter modes (up and down)
- Modulated envelope filter (modulated by an LFO instead of your pick attack, rate can be set on the pedal)

Sens control sets sensitivity to your pick attack
Control changes a different parameter in each setting
Range sets the range of the effect (how wide the filter sweeps for instance)



Not much to say about this one. Boss TU3 Chromatic Tuner. Great working tuning pedal, accurate, easy to use and durable. Has a regulated power out so you can power other pedals from it also.

Behringer clone of the infamous Boss FZ2 pedal.
Volume and Gain controls as well as active (boost/cut) treble and bass controls.
3 modes:
Fuzz 1: Thick saturated fuzz with an octave up when played around the 12th fret. Perfect for stoner rock or doom metal (think Electric Wizard/Fu Manchu).
Fuzz 2: Like Fuzz 1 but with a big mid-scoop. More defined sound, much more suited for palm-muting and more intricate riffs.
Boost: Clean boost with active tone shaping (theres A LOT of boost on tap here!)

This pedal is fairly new, and in my experience the little rubber footpad on Behringer pedals tends to come off after a while. If this happens while it's on loan don't sweat it, but bring the rubber pad back if possible!

This is MXR's hot-rodded and modded take on the Boss DS1 circuit. It's my favourite drive pedal and (in my opinion) much more usable than the DS1. Great dynamics, amp-like crunch and distortion and very natural sounding. I have it running 95% of the time when I play with my rock band.
Gain, Volume and Tone controls as well as a switch to change the clipping style from more compressed to less compressed.

Not much to say about this pedal. It's a classic. Good for grungy, heavily saturated tones.
Volume, Gain and Tone controls.

A Boss classic. Has a punchy, very dry and focussed sound to it. Great as solo boost or a rhythm drive sound when pushing a valve amp.
Gain, Volume and Tone controls.

Malekko Plus Ultra Fuzz. Spectacular fuzz sound that's great for blues, hardrock and stoner rock. Does the Queens of the Stone Age - Songs For The Deaf sound very well.
It's based on a Fuzz Face with the addition of a foot-switchable all-pass filter (which can be controlled also with an expression pedal for fuzz-wah sounds). Think of the all-pass filter as a manually controllable phaser and you pretty much have the sound.
The fuzz side is beautifully thick and wooly sounding and cleans up well with the guitar volume. The filter section can give you anything from a scooped sound to a frequency boost depending on the setting. Very versatile.
Filter, Volume, Gain and Tone controls (like MXR the knobs glow in the dark.. handy on stage!)

The ultimate tuner in my opinion. Super clear display, great accuracy, tiny footprint, and ability to strum all strings at once to check tuning.

Super compact looper from digitech.
One knob sets the loop level. One footswitch to record/dub/delete/start/stop. I recommend having a read through the manual before using this one. Lot's of fun to play with!

Classic pedal. LOADS of fun to be had with this one.
You get a whole selection of different delay types including tape, reverse, swell, lofi, filtered and multihead as well as 16 second looper function with reverse and half-speed capabilities. Great for soundscaping as well as general delay sounds. You get 3 banks to save presets and tap tempo in Delay mode.

I have the expression pedal also, let me know if you need it. Uses a Line6 power adapter which I will supply.

Classic wah wah pedal. I have adjusted the pot inside to maximise the sweep of the pedal. The threadle is a can be a bit creaky so please keep this in mind if you intend to use it for a recording situation!

Beautiful sounding amp made by Dutch company Koch.
It's a vintage voiced hybrid valve/solid state amp. The valves are in the pre-amp on this one so you can actually get that valve-drive sound unlike many other hybrid amps. The design also means it's much lighter than a full valve amp, more durable, and it features a very neat "dimmer" (master volume) that allows you to operate the amp from 5% wattage to 100%, giving you the full valve sound at any volume.
The clean channel goes from sparkling clean to just breaking up. The drive channel goes from mild valve drive to full on heavy distortion (vintage Marshall style) with the boost engaged.

It has two footswitchable channels that share one global EQ.
Cool channel has a gain and master volume
Hot channel has a gain and master volume as well as a boost switch
EQ features bass, mid and treble as well as a switch to change bewteen a Marshally and a Fendery EQ voicing.
There's also a pretty nice sounding digital reverb.

Comes with the footswitch which lets you change channels as well as engage the boost OR turn the reverb on/off (this is selected on the back of the amp).
Max power output is 45 watts.

8 Channel A/D - D/A converter
On the back there are 8 line outs (XLR) and 2 ADAT connectors. No USB, sadly.

Focusrite Scarlett Solo recording interface.
Plug & Play (no driver needed) 2 channel audio interface (1x mic input, 1x 1/4 inch), headphone output & stereo line out.
Super handy little unit for home recording or field recording.

DigiTech JamMan Looper

Featuring a dual-stomp design for tandem looping, six and a half hours of loop time recordable to a removable memory card and easily navigable interface, the Digitech JamMan is an industry standard in looping.


 4th gen. Octave shifter and harmoniser. Comes with power supply.

Meet the DigiTech Polara Reverberator: a fresh reverb pedal set to take you to the final frontiers of the sonic galaxy. The Polara offers seven modes that cover the gamut of reverb effects, from standards like Plate and Spring to more out-there settings like Halo. This is a reverb pedal that plays especially nice with the rest of your board, offering a massive palate of experimentation.




The DigiTech Whammy 5th Generation Guitar Effects Pedal is crafted using the latest pitch shifting technology, offering a wide selection of tones to add to your performance. This 5th Generation Whammy can bring new depth to your performances, turning your solos into raging, screams of tone or tame the crowd with expressive, ambient chordal bends. The Whammy produces a full range of unique sounds from energetic scratchy note frenzies, intriguing musical bursts or full-fretboard pitch translation. This new improved model is MIDI compatible, allowing remote control access of your whammy effects. With its full host of versatility tones, the DigiTech Whammy is the perfect addition to any pedalboard.

5th gen. For pitch shifting, harmonies and detuning. Whammy pedal comes with the original box and with a 9V Harman DC power supply.

A rare and hugely versatile pedal. The third off the production line - Serial # 0003. Lovetone describe the Meatball as "an amazing envelope follower/triggered filter". 

The effects produced are similar to those of wah and flanger/phaser pedals. But that understates it, massively. This is a pedal with infinite sonic possibilities - not to mention additional FX looping. For multiple instruments, not just guitars. Has to be heard (and experimented with) to be believed!  

One of a trio of original 1995 Lovetones owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: The Edge, Kirk Hammett, Billy Duffy, Robert Smith, Kevin Shields, Henry Olsen, and many more. 

In excellent working condition, with light scuffing & nicks to the external body, as you'd expect.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Based on a PLL Synth

amazing pedal!!!

boxed

Digitech Synth Wah Envelop Filter

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Digitech Synth Wah Envelop Filter

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