Not sure which year this is but it’s the standard model, tie activated, classic way sound.

Dreamy reverb, thousands of settings and possible combinations, please use bank 2 upwards for your own settings  (mine are on 1!) recommend cab setting off with acoustic guitars. Power supply included as this needs 500mA minimum.

Lovely guitar, nice to play good stability on tuners, all intonated properly.  I’ve upgraded this to include gfs pickups and a 4-way switch giving the neck and bridge phase option. The guitar isn’t mint cosmetically, shows signs of use. Comes with a hard case for safety.

Quality tuner, runs of 9v Batt or DC, does bass as well.

This is a Parkside mitre saw, I’ve mostly used it for cutting laminate and it does a great job! The lawyer on it helps you keep it straight and it can do different angles. Easy to use and there is a safety catch, however be careful as it is high powered and could cause serious injury if you are careless! ( I take no responsibility, though I can quickly demo the operation if you don’t want to read the manual. It’s big and heavy in a big box.

4 in 1 petrol powered strummer, I use it with the grass cutting blade on it

That classic 70s wah wah. Great for cop chase scenes but also experimenting with synths.

Jim Dunlop Original Cry Baby Wah Pedal. Good condition pedal, in fully working order.

"The Cry Baby Wah is the most iconic guitar effect in music history. When it hit the scene in 1966, it added a whole new layer of expression to the electric guitar-players such as Jimi Hendrix and Eric Clapton used the Cry Baby Wah to create some of the most timeless sounds in rock.

The GCB95 is a modern interpretation of that sound, featuring the lush, expressive character of the legendary red Fasel® inductor with a more focused high end and a more aggressive and accentuated wah sound. With a heavy-duty die-cast housing and a sturdy pot."

Make your guitar chucka chucka wah wah with this original cry baby pedal!

A very powerful multi-fx processor for bass guitar from Boss. Comes in original box with power chord and batteries. 

Here’s what Boss day about it:
The BOSS ME-50B puts world-class bass effects in a rugged floor unit with easy pedal-style control. Effects are divided into six sections—Compressor/Limiter, Master, Filter/Tone, Drive/Synth, Delay/Modulation and Expression Pedal—giving bassists a range of unique and powerful tones including new effects like Sound Hold, Octave Up and Kick Drum. Effects can be edited using 23 knobs and controlled via three built-in footswitches and an assignable expression pedal. This is the piece no bass player should be without!

 Loop pedal, capable for use with electric/acoustic guitars. Very simple operation, great for getting used to the technique and experimenting!

Classic Line 6 Floor Pod.  Perfect for gigging and home use.  12 classic amp tones, 64 preset sounds, a range of classic effects, and an expression pedal.  If you want a compact and uncluttered board, this is the one.

In near-perfect condition, with DC adaptor. Great fun to experiment with.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The BOSS RC-300 features three synchronized stereo tracks with dedicated volume knobs and transport-control footswitches for each track. It's also equipped with pro effects, a master Expression pedal, and a deluxe, ultra-wide control panel for the ultimate in live-performance manipulation. Plug in your guitar, bass, keyboard, or instrument of choice and create amazing loops in real time. An XLR input is also provided, complete with phantom power, so singers, percussionists, violinists, beatboxers, or anyone with a mic'd instrument can get in on the act, too. The RC-300 lets you record for up to three hours directly to its internal memory, adding effects as you go. The USB port lets you save your loops externally, as well as import/export WAV files. 

Provided with a Gator soft case.

Perfectly functioning pedal and in superb condition, with no signs of wear and tear except a miniscule scratch on the left corner. Used only once in a rehearsal, never used at a gig. 18v power supply included. Need to get rid of it as it takes up too much space on my pedalboard! 😊  

In production since 1986, as a follow-up to the Boss DD-2, the go-to digital delay pedal for thousands of guitarists. So many choices on the market nowadays, but this is the first and the original. 

Delay settings from 12.5ms to 800ms, from single to infinite repeat, and a Hold function to capture a looped echo to play over. Classic digital delay.

Loved by: Kelly Jones, Matt Bellamy, Dan Auerbach, Dave Grohl, Dave Keuning, Slash, Joe Bonamassa, Yannis Philippakis . . . in fact, it's pretty hard to name a guitar god that hasn't used one of these!

In excellent condition, with only minor scuffs. Works perfectly. 

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The Holy Grail! A 1983 Ibanez TS9 Tube Screamer. Not the reissue. This one's the original.

Ibanez produced their fabled "9" series for a relatively short run, from 1982 to 1985. This is one of those, and comes loaded with the original (and venerated) JRC4558D chip. Famous for its "mid-hump" boost" to midrange frequencies. And today, one of the most successful, replicated and "modded" pedals in history, A solid gold (or green) classic overdrive.  

Loved by: The Edge, Noel Gallagher, Billie Joe Armstrong, Stevie Ray Vaughan, Gary Moore, John Squire, Carlos Santana . . . enough said! 

In almost perfect condition, with barely a nick or scuff. And sounds the business!

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Classic Zoom Multi-Effects unit. Over one hundred effects in one box. Infinite pre-set or user-set combinations. Pretty much every classic amp ever emulated. Every favourite pedal. And a brilliant digital display, which tells you exactly what (or who's) sound you've landed on. 

Really easy to use, and just the one if you prefer every sound under the sun in one box over all those pedals, and all those cables. 

In excellent condition outside and inside. A world of sonic possibilities.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

A brilliantly designed overdrive that takes an amp at reasonable settings, and makes it sound like it would sound if it were naturally driven to pure, smooth, tube distortion. 

It's actually two overdrive pedals in one box, each with separate controls, and internal DIP switches to vary the level of Clean, Overdrive & Distortion output. Basically the freedom to set and dial in a range of overdrive levels that you'd need 2 or 3 pedals to achieve. Modern-day classic! 

Such is the demand, and such is the Analog.Man commitment to quality hand-built production, you'll be on a 2-year waiting list for one of these beauties.  

Loved by: John Mayer, Wayne Sermon, Noel Gallagher, and many more. 

In excellent working condition, with light scuffing to the body, as you'd expect.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

A rare and hugely versatile pedal. The third off the production line - Serial # 0003. Lovetone describe the Meatball as "an amazing envelope follower/triggered filter". 

The effects produced are similar to those of wah and flanger/phaser pedals. But that understates it, massively. This is a pedal with infinite sonic possibilities - not to mention additional FX looping. For multiple instruments, not just guitars. Has to be heard (and experimented with) to be believed!  

One of a trio of original 1995 Lovetones owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: The Edge, Kirk Hammett, Billy Duffy, Robert Smith, Kevin Shields, Henry Olsen, and many more. 

In excellent working condition, with light scuffing & nicks to the external body, as you'd expect.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The legendary Big Cheese, a fantastic recreation of that valve-channelled fuzz of the 60s & 70s, and some. In Lovetone's own words, "a loving homage to the nasty, buzzy yet gorgeous and harmonically rich early fuzz". 

Plenty of permutations here with the variety of tones and drive. And plenty of fun to be had: set to Cheese, turn up the Curds, and you're straight into that world of gated fuzz cut-out that runs from late 60s Stones to mid-90s Radiohead.  

One of a trio of original 1995 Lovetones owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: Johnny Marr, The Edge, Ed O'Brien, Colin Greenwood, Henry Olsen, and many more. 

In excellent working condition, with minor scuffing to the external case, as you'd expect. 

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

A classic overdrive pedal, without the fuzz of many modern overdrives. This one very uniquely the first ever: Serial #0001. As Lovetone put it, "an instant flash-back to that dynamic, singing, BIG late 60's / early 70's brown sound that is associated with countless classic records spanning the whole musical spectrum . . . will make any new guitar sound 30 years older!" It can be pretty subtle too. Best experienced through an amp that's already cooking!  

One of a trio of original 1995 Lovetones owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: Johnny Marr, Kirk Hammett, Henry Olsen - which itself says a lot about the wide appeal of this classic. 

In excellent working condition, with light scuffing to the body, as you'd expect.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Bar none, the best Tube Amp Simulator I've ever used. Not just the options for California, British, and Tweed amps. Not just the options for Clean to Hot-Wired Overdrive. But even options for Mic placement - the most subtle of the options, but still opening up an even wider range of sonic possibilities. No need for a wall of amps and cabs. Just this. Superb!  

Originally owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: Matt Bellamy - and if it's good enough for him . . . 

The nicks you'd expect from a well-gigged pedal, but inside, everything is perfect!

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!


Classic no-frills chorus pedal. The first scale production compact chorus pedal, first introduced in 1979, and running strong through to 1991. You'd be hard-pressed to find any guitarist playing in the 80s, whatever their style, without one of these on their board.  

Loved by: Johnny Marr, Jimmy Page, Josh Klinghoffer, Andy Rourke, Andy Summers, and many, many more converts. 

In excellent condition, with only minor nicks to the outer body.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Built to withstand the explosive overdrive that it creates, lovely boutique overdrive pedal. Smart addition of the Calibre pot gives wide range to the tone and depth of the overdrive. Great high quality componentry gives you all the breadth and reliability to recreate classic overdrive across a range of amps.  

Loved by: Overdrive junkies wanting to explore a full range of tones, from hairy blues to hard rock. 

In excellent condition.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Massive distortion pedal for heavy rock lovers everywhere. Rothwell don't make clones or repros. They make pedals from the ground up. 

And this one has everything you need, from boost to full-on distortion for a truly huge heavy rock sound, rhythm or lead. This one should be cloned by other pedal builders!  

Loved by: Heavy rock guitarists that want to push it to 11. 

In excellent condition, with only some light minor staining to the case exterior.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Tame by modern standards, but back in the early-70s, this was a pioneer. A Volume and Wah pedal in one. OK, quite an innovation. And then, why not, white noise filters that enable you to recreate the sound of a raging tornado or the surf on a beach. Oh, and just because there's still some space, a push button police siren, that can be activated in parallel with the instrument signal. Mad, maybe. But listen to 70s glam band The Sweet's classic Blockbuster and you'll know exactly why you need to try this one!  

Loved by: Anyone who couldn't get hold of a Cry Baby in the 70s - and The Sweet! 

In very good condition for its near 50 years on the planet, works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

It's just a graphic equalizer, it's just a row of frequency sliders. Which is what I thought when I first plugged this in. But start to experiment with it and you're hooked. From thin & reedy (think Nutbush City Limits) to full-fat cream, can make any guitar sound like any guitar. As a floor-pedal graphic equalizer, it takes a lot of beating.  

Loved by: Gary Moore, Bob Dylan (for his vocals!), Adrian Belew, and The Chemical Brothers - quite a range! 

In near-perfect condition and original DC adaptor. Great fun to experiment with.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The industry standard. Compresses high-input signals while boosting low-input signals, giving you smooth sustain without degrading the quality of the original sound. Will instantly make you sound more in control of your playing, without taking away from your hard-earned and uniquely dynamic style.  

Loved by: Jack White, The Edge, Andy Bell, Tom DeLonge, Graham Coxon, Matt Healy, and so many more unique players. 

In near-mint condition, with original packaging, and works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

First produced in 1966 and immortalised by players like Clapton and Hendrix, this is a modern take on that original - more focused high end, more aggressive and accentuated wah sound.

Loved by: Eric Clapton, John Frusciante, Matt Bellamy, Kelly Jones, Brian May, Paul Weller . . . and pretty much everyone else. 

In near-perfect condition, and in original packaging. Works like a dream.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama! 

Paul Crowther first produced the Hot Cake when he was with Split Enz in the 1970s. He knew what he wanted, couldn't find it, so made it himself. 

And only a couple of new releases since then, he's stayed true to the basic formula - a great fat overdrive that retains the underlying tonality of the guitar without resorting to fuzz. So good, I've got two!  

Loved by: Thom Yorke, Ed O'Brien, Noel Gallagher, Steve Cradock, Hugh Harris, Neil Finn, to name just a few. 

Just a few small nicks to the paintwork, but comes in original box, and works fantastically. Really big full-on overdrive.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Perfect retro remake. Based on the 1960's SAM ASH FUZZZ BOXX and ASTROTONE FUZZ made in New York City in 1966-68 by the Astro Amp company, it's even built from a stock of transistors from 1966. 

The Analog Man gang worked really hard to create a rounded sound, as true to the low-end as the high-end. And they've nailed it. Classic 60s fuzz and distortion.  

Loved by: Retro effects lovers the world over, seeking the characteristic fuzz of the 60s. 

In near mint condition, in original packaging, and works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The Electro-Harmonix Big Muff is the stuff of legends, so much so that it's had more replicas and tributes than guitarists that have used it (well, probably). 

This is one of the very finest of those replicas, based on the 1973 - 77 Big Muff, also known as the Ram's Head. Staggering sustain. The perfect pedal for pretty much any solo by David Gilmour since the 1970s.  

Loved by: Big Muff fans everywhere, and anyone that wants their guitar to sing, and keep singing. 

One small nick to the case, but otherwise in perfect condition, and that sustain will truly blow you away.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

A timeless classic. Built like a tank, perfect pedal response. 

The original 1990s version, with the side jacks (which seems to make more sense anyway, if you're chaining effects on a board).  

Loved by: Mark Knopfler, Josh Homme, Johnny Greenwood, Henry Olsen, and many, many more. 

In near-perfect condition for its age - and works with perfect response too.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

It's a micro-pedal, but it can really kick down doors. 

Built to replicate the sound of a far more expensive (and larger) overdrive, its size may fool you at first. But when you plug it in, this delivers in spades. Terrific cooking valve overdrive.  

Loved by: Those wanting to recreate the overdrive of amps cranked to 11, without waking up the neighbours (much). 

Some light scuffing to the body, but works absolutely perfectly. An incredible overdrive pedal in pocket-size.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Endless possibilities. The only limit is sleep deprivation. A harmoniser pedal featuring four pitch shift effects and up to three voice harmonies. 

Perfect for experimentation, even more perfect for creating multi-tracked guitar harmonies that will leave even Brian May open-mouthed. Various effect modes including; Harmony, Pitch Shifter, Detune, Super Bend pedal-bending effects and four octave pitch sweeps.  

Loved by: The sonic experimenters, the fearless innovators, the ones who want to sound like they've got a guitar orchestra hidden behind stage. 

In very good condition, with only a couple of scuffs. Works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Famed and loved for his beautiful custom amps, Reinhold Bogner has taken it all one step further with a limited range of pedals designed with audio pioneer Rupert Neve (whose equipment has underpinned recordings as diverse as Fleetwood Mac's "Rumours" and Nirvana's "Nevermind"). 

And the result: "fire-breathing pandemonium". Nice touch too with the central jewel lamp that reacts to the dynamics of your playing.  

Loved by: Lovers of beautifully engineered design, lovers of rich tone and dynamic distortion. 

A small scratch on the front panel, but otherwise in perfect condition - and a great crystal-clear distortion pedal from two sonic masters in partnership.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

You'd want to try it, if only for saying you've got an Atomic Cock. 

An instant gateway to the tone of a precisely cocked wah pedal. By adjusting the sweep knob, you can activate your chosen sweet-spot tone, without in-flight wah pedal adjustment. Probably most recognisable when set to replicate the harmonic overdrive of Mark Knopfler's Money For Nothing riff.  

Loved by: Anyone that likes wah pedals, but struggles to get the exact pedal angle in live performance.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

More often seen in purple, this is one of a Limited Edition run of 300 Riots in metallic green, with lovely cream vintage control knobs. 

All the quality and versatility you'd expect from the Suhr brand. Lovely range from overdrive to full-on distortion, and some very nice modulation from dynamic to high gain vintage with the 3-way voice toggle.  

Loved by: The ones that need that little bit more, not just overdrive, but a heavy sprinkling of distortion on top, pretty please. 

Light scuffing to case, but otherwise in perfect and awesome-sounding condition.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Used but works perfectly fine. just over a year old. 

The Boss TU-3 is the industry standard pedal tuner by which all others are judged. Built to Boss’ usual high reliability standards, this is a tuner you can trust.
The TU-3 is the latest incarnation of the standard Boss pedal tuner and features a smooth 21-segment LED and new, high brightness mode, making it great for use on bright stages. It has a range of different display modes (chromatic, guitar/bass, stream/cent, etc) to suit your tuning preferences. Plus, it mutes the output, so your audience don’t have to experience the dreaded mid-set tuning song


Based on the classic 808, the Sally Drive Advanced greatly enhances the performance by solving some known limitations and adding some new practical features.The result is a well-balanced, harmonically rich, dynamic and responsive light overdrive with a beautiful singing voice that suits a board range of genres. https://6degreesfx.com/products/sally-drive-advanced-custom-shop

Vintage Cry Baby Super from the 70s. Lovely classic wah sound. Funky and Electric bluesy responsive wah. Free delivery and pick up in greater London area. 

Boss cs-3 guitar pedal. Fully working comes with power adaptor 

Dunlop Cry Baby Wah Pedal

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Dunlop Cry Baby Wah Pedal

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