Barely used / mint condition.

Polyphonic pitch-shifter that can shift up to three octaves up or down or both at the same time. It's also great for chorus effects using the dry/when knob. With an expression pedal you can do some wild gliss bendy stuff. I love it.

More info here: https://www.ehx.com/products/pitch-fork

Excellent condition. A very underrated synth! True analogue (digitally controlled) 6 note polyphony. It has one oscillator (VCO) per voice and allows for 3 playing modes: Poly mode uses one VCO per voice for six voice polyphonic pads, chords and strings. Dual-VCO mode stacks 2 VCOs per voice for a thicker three-voice sound. Unison mode stacks all six VCOs onto one monophonic voice for a screamin' lead!

More info here: http://www.vintagesynth.com/akai/ax73.php

Excellent condition. A six-octave, fully-weighted MIDI conroller.

More info here: http://www.muzines.co.uk/articles/akai-mx73/199

Brand new, mint condition. 

That solid, phat, fuzzy woddy Moog sound but in a super versatile modular format. Can also be used stand-alone! Comes with a really powerful step-sequencer too.

More info here: https://www.moogmusic.com/products/semi-modular/mother-32

Mind condition / like new. Great vocal mic, pleasant sounding with no real drawbacks or problem spots. Extremely good mic for it's price-range. Cardiod. Comes with anti-shock cradle. 

More info here: http://www.oktava-shop.com/Large-diaphragm-condenser-mics/Oktava-MK-319.html

Excellent condition.

Not much to say it's a mic stand. I actually have three available, if you need 'em.

More info here: https://produkte.k-m.de/en/product?info=448&x24b4e=b6b0e9b695d560c8f0360adc68f9858d

Being from 1975ish it's in a little bit of a cruddy condition but working really well.

This synth has a legendary sound. Beautiful deep, fat, rounded bass tones. Was all over the Sheffield scene / Mute Records in the 80s. Vince Clarke, Human League, Depeche Mode etc. It's amazing.

Being one module of a semi-modular setup, I combine it with the Moog Mother32 and one or two other Eurorack modules to make it more versatile. If you're interested in using the modular stuff too, we can talk about a sweet deal.

Being so old and delicate, I'd insist it doesn't go far and only travels in your lap in a taxi. Or maybe you could come and use it in my studio. Let's chat!

More info here: http://www.vintagesynth.com/roland/sys100.php

Mint condition. Faithful to the circuit design created by Rupert Neve fpr his legendary ISA 110 module (but without EQ) this feller is an alaxomg one-channel pre-amp for vocals, synths guitars and everything. V versatile. I've also installed a built-in A/D concerter so that you can connect this via S/PDIF on a super cheap soundcard without compromising the signal chain at all.

Fantastic condition. It's an effects unit, it's a sampler, it's a MIDI controller (X/Y touchpad & knobs/sliders), it's a BPM detector and it also has some synth and drum sounds. It does some weird and wonderful things you'd never expect from a little bit of kit like this.

More info here: http://www.korg.com/uk/products/dj/kaoss_pad_kp3_plus/

Mint condition. Only used once so far. V simple, it's a talkbox with amp built in so you can use this on it's own. I had the banshee but prefer the sound of this one.

Comes with a totally unused mouth tube.

More info here:
https://www.jimdunlop.com/product/m222-7-10137-06214-6.do

Mint condition. Lush Moog phaser. Amazing as a phaser effect, obviously but I really like to use it as a mix tool, too. Turn the LFO off and sweep around to boost a snare's resonance, for example.

More info here:
https://www.moogmusic.com/products/moogerfoogers/mf-103-12-stage-phaser

4 channel virtual analogue drum synthesizer. I got this to make stuff that sounds like The Knife and it really works. I well love it. I only have one trigger pad but I can throw that in for you, too.

More info here: http://www.nordkeyboards.com/products/nord-drum

It's a classic.

This is actually a t-power model but I have a little adaptor to make it p48. Never been a problem.

Please note, I only have the mic — I don't have a boom pole or handle or anything.

Sennheiser MKH30 Figure 8 Condenser Location/Studio Microphone.

I pair this with my MKH416 for M/S stereo recording.

Most famously used by Michael Jackson on his "Thriller" album, as well as Led Zeppelin & Pearl Jam, the SM7B is best suited to male vocals.

The Shure SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices.

Theo* says:
My favourite studio mic for male rock and metal vocals. Gritty yet forward. Can also make you sound just like a radio presenter if you're so inclined. 
 
*I don't know who Theo is, I gnabbed this from a website.

This mic is for studio measurement / acoustic treatment but is also good for recording acoustic guitars and apparently drum overheads and snare.

Ultra-linear condenser microphone for measurement and recording application
Perfectly suited for room equalization application plus high-resolution studio recording and live applications
Exceptionally flat frequency response and ultra-high sound resolution
Evenly weighted, true omnidirectional pattern
Perfect for use with the Behringer Ultracurve or any other analyzer
Ultra-low noise transformerless FET input eliminates low-frequency distortion

Four analogue inputs: two natural-sounding Scarlett mic preamps with plenty of even gain; two newly-designed instrument inputs, designed to handle seriously hot guitar pick-ups
Class-leading conversion and sample rates up to 192kHz / 24 bit
Super-low latency for using your plug-ins in real time without the need for DSP (measured at 2.74ms, working at 96kHz with a 32 samples buffer)
Four 1/4-inch balanced jack outputs; one headphones output with gain control; MIDI I/O; S/PDIF in and out for connecting to other digital devices

The Genelec range all sound amazing - I use these as rear speakers in a surround set up but don't need them too often to you're welcome to them.

They're highly portable monitors that come in a handy carry bag so they're really perfect for mobile applications.

This thing's a monster:
—32 voices!
—3 oscillators, one sub osc
—2 independent multi-mode filters
—2 ADSTR envelopes
—3 LFOs
—16 arpeggiators
—32-band vocoder
—5 FM synthesis modes
—16 part multitimbrality.

http://www.vintagesynth.com/misc/virusc.php

Matched pair of these lovely Ribbon Microphones

—Very warm, natural sound
—Figure 8 characteristic
—2” Aluminium ribbon (strength: 2 µm)
—Frequency range: 30 - 18.000 Hz
—Sensitivity: -60 dB /1mV/PA (0dB = 1V/PA at 1 kHz)
—Maximum SPL: 148 dB
—XLR cable attached to the microphone

Ribbon Microphone
—Very warm, natural sound
—Figure 8 characteristic
—2” Aluminium ribbon (strength: 2 µm)
—Frequency range: 30 - 18.000 Hz
—Sensitivity: -60 dB /1mV/PA (0dB = 1V/PA at 1 kHz)
—Maximum SPL: 148 dB
—XLR cable attached to the microphone

The Orange AD 5 COMBO Guitar All Valve Amplifier Combo, 5 Watts, 1 X 10 inch Celestion Speaker, single ended. Smooth, warm vintage amp sounds. The Orange AD 5 COMBO 5 Watt Single Ended, 1 x 10 inch Combo guitar amp.

Sounds great even at v low volume.

This classic was originally available in the early 2000's and only produced in very limited numbers. Since then it has become a real collectors piece, even being listed in Aspen Pittman's Groove Tube's book.


That classic 70s wah wah. Great for cop chase scenes but also experimenting with synths.

This has a few nice effects, great for all round live vocal processing. I use to to get The Knife / Fever Ray type effects.

Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more
Create the total of 3-part harmonies and layers
Realtime pitch-correction tools
Special FX, including Distortion, Radio and Strobe
Phrase Looper with 38 seconds (mono) of recording time
Phantom power for condenser microphones
Runs on six AA-batteries or AC adaptor (PSA)
Easy operation, road-tough BOSS construction

CIG Q-series, 2002-2004 Japan Model in Candy Apple Red.

Great condition just v minor scratches, which aren't really visible. Recently been strung, set up and electronics fixed.

Wammy bar can bend down and up on this one. Great for surf stuff, shoegaze or djent bends.

Lots of fun bits and bobs:

2 x Cowbells
2 x Woodblocks
2 x Kathak Ghungroo (Indian dancing waist bells)
1 x Large Thunder Drum
2 x Sleigh Bells
1 x Large Gourd Shaker
1 x Large Caxixi (African Basket Shaker)
1 x Juju waist belt
1 x Nut bracelet
2 x Meinl latin soft shakers
3 x Pod Shakers
+ Various drum sticks, mallets, friction mallets, hot rods, snare brushes

These are very compact, small diaphragm condenser microphones

This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of colouration. The linear off axis performance is beneficial with large sound sources and for stereo recording, preserving sound character at an angle.
The CM4 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true all round microphone!

Very kind and fast in giving feedback, immediately at disposal for the pick up.
Strongly recommend 

Mint EHX pedal. Features & details:
A faithful reissue of the legendary Green Russian Big Muff from the mid 1990s
Revered by guitarists and bassists
Vintage-correct army green chassis
Controls for Tone, Sustain and Volume
Compact and pedalboard friendly


This is widely considered to be the best octave pedal on the market. Fantastic tracking, polyphonic and capable of sounding like a synth or organ (due to multiple octaves and modes and attack/tuning controls). Also save presets for instant recall.

I also have the following pedals available; message for details -


(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon Timeline
Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky
Strymon BigSky

 Shimmer, octave, digital. Lots of delays in one pedal.

The famous polyphonic octave generator from EHX.
Their best pedal ever.
Worth £300 new.

(If you're new to Fatlama, get £25 off your first rental signing up through me : https://fatlama.com/r/phil-14a3d )

There are very few stompboxes that have fostered lore, worship and debate like the Klon Centaur. Some might argue that no other pedal is as hallowed. The Klon stands alone as an industry-shaping force that tore through players’ and builders’ notions of what a rich transparent overdrive can be. Since Bill Finnegan created the first Centaur in 1994, the hand-made unit has been the grail for amateur players and a must-have for many professional rockers. That sentiment has only grown since production stopped in 2009. The current used market price for an original Klon - between $1400 and $2000 - reflects this skewed supply and demand curve. So much has been written and filmed about the Klon and its kin that there’s no need to go on about what the Soul Food pedal is chasing.

EHX Micro Q-Tron envelope follower effects pedal.

It's just a graphic equalizer, it's just a row of frequency sliders. Which is what I thought when I first plugged this in. But start to experiment with it and you're hooked. From thin & reedy (think Nutbush City Limits) to full-fat cream, can make any guitar sound like any guitar. As a floor-pedal graphic equalizer, it takes a lot of beating.  

Loved by: Gary Moore, Bob Dylan (for his vocals!), Adrian Belew, and The Chemical Brothers - quite a range! 

In near-perfect condition and original DC adaptor. Great fun to experiment with.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Used but works perfectly fine. just over a year old. 

Electro Harmonix Cathedral, Comes with fresh battery and 9V Power Supply. Great sounding reverb for both guitars or synths.

Can come with extra jack or patch cables if requested.

Electro Harmonix Overlord, Comes with fresh battery and 9V Power Supply. Great sounding unit for both guitars or warming up / distorting synths.

Can come with extra jack or patch cables if requested.

Good condition, pedal kept in full working order.

"Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box."

Endless possibilities. The only limit is sleep deprivation. A harmoniser pedal featuring four pitch shift effects and up to three voice harmonies. 

Perfect for experimentation, even more perfect for creating multi-tracked guitar harmonies that will leave even Brian May open-mouthed. Various effect modes including; Harmony, Pitch Shifter, Detune, Super Bend pedal-bending effects and four octave pitch sweeps.  

Loved by: The sonic experimenters, the fearless innovators, the ones who want to sound like they've got a guitar orchestra hidden behind stage. 

In very good condition, with only a couple of scuffs. Works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Synthesizer
New algorithms
Polyphonic
Freeze function
All parameters and presets are fully MIDI controllable
Master volume regulator
Store and recall up to 100 programs with the thomann optional foot controller (included)
True Bypass
Octave, MIDI, wah wah, envelope filter, and more
Dimensions (W x D x H): 235 x 152 x 57 mm
Includes power supply (9LDC-500) and expression pedal

This is a great little reverb pedal, really good quality effects with 4 types of reverb. Sounds great recording or live.

EHX's POG2 with a bonkers option of 2 higher octaves and 2 lower octaves, sliders to control the mix of the dry signal and each of the 4 octaves, attack and detune options. The pedal is in full working condition and has a couple of minor scuff marks on the body. You'll need a regular 9v power supply.

Get wild.

Electro-Harmonix Pitch Fork

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Electro-Harmonix Pitch Fork

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