A TRUE FREAK OF A PEDAL
The Supersonic Fuzz Gun is a completely unique and different take on a fuzz pedal made with the extreme manipulator in mind. The controls interact with each other in amazing and interesting ways to create a huge array of gated and oscillating fuzz sounds. It can scream, it can blast, it can implode, it can doom, and it can gloom. Possible sounds vary from relatively straightforward distorted guitar to shards of total insanity. 

Jim Dunlop Original Wah-Wah pedal w/ momentary switch mod! 9v power supply included.

The Dunlop Crybaby is the original - the one that created some of the most timeless sounds in rock. When people talk about wah pedals, they're talking about the Crybaby. Relied on by Jimi Hendrix, Eric Clapton, Buddy Guy, David Gilmour, and many other greats. Features: Heavy die cast construction for years of reliability, 100k ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. The Crybaby has been a standard in the world of music since its introduction in the late 1960's. Its rugged construction and efficient design will give years of outstanding performance.



The award-winning 710 Twin-Finity™ is a radical UA mic preamp design that combines both the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.

Tone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound. There are lots of sensibly priced solid-state and tube preamplifiers out there, but the 710 Twin-Finity is the only one that offers the best of both worlds — as well as everything in-between — all in one box.

A large sized steel-stringed guitar for both the professional and the serious amateur. A jumbo body delivers bright strong tone with sweet midrange and booming bass. 
The secret behind the incredible sound is our unique material; ThermoTimberTonewood. Body and neck are Flamed Nordic-birch. All tops are solid spruce. 

Prudencio Saez, Spanish Acoustic Guitar. Nylon strings.

Body Style: Dreadnought
Top: Laminated Spruce
Back & Sides: Laminated nato thomann
Bridge: Rosewood
Saddle: Compensated
Neck: Nato
Fretboard: Rosewood
Frets: 20
Scale: 643mm
Nut Width: 43mm
Tuners: Die-cast tuners

Save still and motion analogue video images and digitise analogue videos from your camcorder or videorecorder to your computer's hard drive.

The Behringer DI100 Ultra-DI Box is the perfect solution for ensuring that your sound source is transfered to your mixing console balanced and completely noise-free. Featuring the renowned Behringer OT-1 transformer, the Behringer DI100 Ultra-DI delivers a flat frequency response with superior sonic accuracy. Complete with switchable input attention switches, a ground lift switch, 1/4'' TRS and gold-plated XLR connectors, the Behringer DI100 Ultra-DI Box is suitable for both stage and studio applications.

Beyerdynamic DT 770 PRO Studio Headphones 
- Closed over-ear, ideal for professional recording and monitoring.
- Perfect for studio and stage recordings thanks to their pure, high-resolution sound.
- Headphone frequency response 5 - 35.000 Hz
- The soft, circumaural and replaceable velour ear pads ensure high wearing comfort
Hard-wearing, durable and robust workmanship.
- Practical single-sided cable (3.0 m cable). 
- Headphone frequency response: 5Hz - 35 KHz. 
- Nominal sound pressure level: 96 dB

-Transparent boost pedal, no colouration at all. (What goes in, comes out but louder!)

-28db of extra volume! Mosfet transistor for the amplifier. Produces very natural clean sound.

-Top components used throughout:

-Metal Film Resistors

-PANASONIC coupling capacitors

-Custom made audiophile potentiometer designed by BOO Instruments!

-True bypass.

-LED lights up when pedal is on

-Metal enclosure, specially finished and very robust!

-Suitable for electric, acoustic or bass guitars or any other instrument requiring clean boost. Frequency response is flat!!

-Works on 9v battery (stock unit) or 9VDC negative tip power supply (like boss and 99% of other pedals)

DeWalt drills are designed to deliver top performance every time, whether at home or on site. Comes with Dewalt Screwdriver Bit Set.

Introducing a new addition to the DigiTech Whammy Family -- Whammy DT!  We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT.   With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song.  Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe.  

Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years.  Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

Step down or step up 7 half steps or an entire octave: The Whammy DT gives you the latest pitch shifting technology to retune your guitar without ever touching the tuning pegs.  Step up or down in 7 half steps, or an entire octave with just one setting. 

Whammy effects capabilities: With all the new tuning capabilities, you still have your true pitch shifting effects to sweeten up all moments of your gig.  With over 20 years of leading the market in pitch shifting, Whammy effects give you the comfort of knowing the pedal you are using is a proven winner.

Momentary footswitch for "hammer-on" and "pull-off" effects: You can instantly create hammer-on and pull-off effects during your performance with the momentary footswitch.  Hold it on for quic

A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer’s three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.

I/O includes ¼ inch Input, Output, Send and Return jacks. The footswitch selects whether The Silencer is engaged or in bypass mode; buffered bypass allows the effects loop to remain in your signal path when the gate is bypassed. A built-in AC jack accepts a standard power supply like the EHX 9.6DC unit (optional) and the pedal comes with a 9V battery.

Conquer noise with The Silencer!

T-Rex The Fuel Tank Power Supply - No more batteries to change. No more tangled cables to trip over. FuelTank is the perfect power supply unit for guitarists who want to focus on their performance, not their gear.

The Super Unpleasant Companion is an improved version of the legendary Shin-Ei FY-2 fuzz fused with an FY-6 Superfuzz clone. This is a super tasty fuzz pedal, brutal transistor fuzz with boutique handwiring. Housed in an improved enclosure, it's the same design as the vintage units but now features a more road ready construction. Built by London based members of the art rock band The Sailplanes, these pedals are worth every penny.

Simple design with a huge sound.

4x12 Straight Cabinet w/ four different speaker elements. A perfect solution for studio recordings and live performances as well. A great sounding cab!!

Speaker elements:
Eminence Governor
Marshall Gold
Eminence Texas Heat
Eminence Wizard

Vax Power Revive Bagless Cylinder Vacuum Cleaner
Model CCMBPNV1T1

Microphone Stand - Mat Black. Good condition.

- 16 velocity-sensitive multi-color launch pads trigger loops and play drums
- Over 50 hardware controls that instantly map to all major DAWs via InControl technology
- Professional synth-styled keyboard
- The controller keyboard for electronic musicians: close integration with Ableton Live, FL Studio & Logic X

The Mysto-Dysto 'distortion unit' is a simple, primitive distortion; no frills, just an aggressive, slightly fuzzy, retro distortion which would be a good choice for a variety of styles, including classic, punk and old-school metal.

Just as with many other distortion pedals, especially older ones, the Mysto-Dysto sounds at its best (in my opinion) when it is cranked up with the Intensity (gain) at - or near to - its maximum.

Even at this setting, the Mysto-Dysto remains very responsive to playing dynamics, due to the uncompressed nature of its distortion. At lower gain levels, this lack of compression translates as a lack of sustain, but yields a nice vintage overdriven tone - especially for playing single note lines - where your pick attack determines the level of distortion, and held notes smoothly make the transition back to a clean tone.

One notable asset of the Mysto-Dysto is the freakishly wide sweep of its tone control; from soft and very muffled at one end, to harsh, biting treble at the other. While the range around the middle of the tone control's sweep is going to be the most useable in most situations, this wide range could be very useful at times, for special effects for example, or if you like to stack different distortion pedals or want to use it boost an overdriven amp (in a similar fashion to how you'd use a treble booster).

Two legendary and timeless icons of rock music-Slash and MXR-have teamed up to deliver the Slash Octave Fuzz. It features a searing Fuzz tone coupled with a separate Sub Octave voice and an Octave Up Fuzz, all for thickening up your tone with a sinister growl. With an array of external and internal controls, there are numerous ways to combine the main Fuzz effect's thick '70s shag and the chainsaw grind of the Octave Up Fuzz with the warm growl of the Sub Octave. Internal Gain and Tone pots shape the Octave Up Fuzz effect. Featuring custom Slash artwork and a distressed hot-rod paintjob, the Slash Octave Fuzz features all analog circuitry, true hardwire bypass and comes in a heavy duty housing with durable jacks and switches.

Specifications:
- Package Contents: Amplifier, Adapter, Pad, Bolt
- 19” Rack Compatible: No
- Number of Channels: 3
- Input Ports: 6x Jack 6,3 mm TS, RCA
- Output Ports: Headphone Jack 6,3 mm , 4x Jack 6,3 mm TS, RCA


The in-ear monitor systems of Sennheiser are used all over the world by professionals and not without reason! The EW 300 IEM G3 allows you to hear yourself in precisely the same way as your audience does. The special thing about this system is that the receiver is equipped with 'Adaptive Diversity', which uses the cable of the earpieces as a second antenna. The earphones come with various sleeves, in order to ensure a perfect fit for anyone. They reproduce the signal of the receiver very accurately. The outputs are equipped with pass-through, which allows you to split the signal and send it to other devices. The integrated five-band equalizer in the transmitter allows you to personalise the sound that goes into your ears.

Sennheiser's G3 series is the successor to the well-known G2 series. This new range of wireless systems distinguishes itself by its extensive new options. Devices from the G3 series have a built-in equalizer, IR synchronisation, battery status and new 19-inch rack mounts.

- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 16 compatible frequencies
- Adaptive diversity for high reception quality

Product specifications
- rugged metal housing
- 42 mHz bandwidth: 1,680 adjustable UHF frequencies for interference-proof reception
- enhanced frequency bank system with up to 16 compatible frequencies
- Ethernet port for connecting to Wireless Systems Manager (WSM) software for control via computer - this ensures a good overview of monitoring and professional data management for multi-channel systems
- 'Adaptive Diversity'-reception for high reception quality
- 'pilot tone squelch for elimination of RF interference when the transmitter is turned off
- automatic frequency scan searches for available frequencies 
- enhanced AF frequency range
- increased range for audio sensitivity
- wireless synchronisation of transmitter parameter from transmitter
- user-friendly menu operation with more control options
- auto-lock function prevents accidental alterations in settings
- HDX compander for crystal-clear sound
- transmitter has a 4-step battery indication
- mute function for the transmitter
- 5-band graphic EQ integrated in transmitter
- HiBoost, adjustable limiter, stereo/focus mode and balance in receiver
- FM, MPX stereo modulation
- RF frequency range 626 to 668 MHz
- 1,680 transmitter/receiver frequencies
- 12 presets
- switch bandwidth 42 MHz
- peak deviation approximately 48 kHz
- frequency response: 25 to 18,000 Hz
- signal/noise ratio: > 90 dB (A)
- THD less than 0.9 %
- BNC, antenna connector
- 2x XLR-3 / 3.5 mm jack audio connector


Cardioid dynamic instrument microphone offers clean reproduction of amplified and acoustic instruments. Features include contoured frequency response for rich vocal pickup, background noise reduction, and a pneumatic shock mount system.

Legendary cardioid vocal microphone tailored to deliver warm and clear vocal reproduction. The product includes a stand adapter, brightened mid-range and bass roll-off, a pneumatic shock mount system, and a built-in spherical wind and pop filter.

Desktop Konnekt 6 gives you high-quality recording features in a desktop design that allows you to focus on performance rather than technology.

In short, Desktop Konnekt 6 has all the features you need to instantly record instruments and vocals into your Mac or PC.

The TC Electronic Polytune 2 has all the legendary features of the original Polytune. But TC, not happy with their original Polyphonic tuner, decided to go one step better, and refine it even more... The Polytune 2!

Polytune 2 features super-high accuracy with a new strobe tuning mode, a bright LED display, plus a whole host of convenience features: memory of your preferences, a highly-intuitive tuning experience where no detail has been missed, down to the action of the tuning "needle", and true bypass so that when you aren't 'Polytuning', your tone is exactly how it would be without the tuner in the chain!

Here's what TC Electronic say about the Polytune 2
We've taken all that is awesome about our smash hit PolyTune and fine-tuned perfection with the addition of a ridiculously accurate (+/-0.1 cent) ultra-fast strobe mode and a retina-scorching bright display that guarantees maximum visibility under all circumstances!

Main Features
- PolyTune - Tune all strings simultaneously
- New super fast precise strobe tuning mode with +/- 0.1 cent accuracy
- Improved analog circuit
- New retina-scorching bright display

Sharp commercial Touch Screen w/internal PC (Windows 8). PCAP Multi Touch Technology. Connect external PC/Mac via HDMI. Leather frames (see picture) not included.

Experience the most versatile commercial touch screen on the market. With both Android and Windows operating systems installed on the integrated PC it cannot be beaten on flexibility. Seamlessly switch from your Windows desktop to the Android apps; this screen has it all in one convenient package. 

State of the art Projected Capacitive interactive technology offers the most responsive and sensitive touch experience available. Designed for commercial applications, PCAP touch technology works by fixing a sensor grid between a layer of cover glass and the LCD panel, when a finger touches the glass the grid detects the coordinates of the touch point. Unlike other touch technologies PCAP is not affected by dust or debris on the screen surface, allows for up to 10 touch points and offers superior optical quality.

The LED backlight used is not only eco-friendly but also ensures the display has enhanced brightness and contrast. This technology increases the lifespan and reduces the power consumption by around 30%. This form of light technology is mercury free; safeguarding this screen’s eco friendliness	

Built with commercial grade panel and components these displays are designed to run 24/7 in constant use; unlike domestic tablets. The panel also has a lifespan of over 50,000 hours of continuous use. They can also be used in landscape or portrait orientation.

Although the screens have an integrated PC with two operating systems, there is also a possibility to attach external Mac/PC or other devices if required via HDMI.

IRM Touch Screen w/ Internal PC. Connect external PC/Mac via HDMI.
Leather frames (see picture) not included.

Enclosure Color: Black

Touch Technology & Capacity
Infrared - 10 Multi Touch

Touch Interfaces
USB

Diagonal Size
46'' diagonal, Active matrix TFT LCD (LED)

Aspect Ratio
16:9

Resolution
1920 x 1080 60hz

Viewing Angle
Horizontal: ±89° or 178° total / Vertical: ±89° or 178° total

Number of Colors
16.7 million

Brightness (typical)
450 nits 

Response Time-total (typical)
6.5 msec

Contrast Ratio
4000:1

I/O Ports
Input: AC power input, USB type B (for Touch), VGA, 2x HDMI, GPIO, DisplayPort, Audio Line in 
Output: Audio Headphones out, RJ45 (for optional OSD remote)

Audio Input Connector
3.5 mm TRS jack

Audio Input Signal Range
1Vrms max stereo signal (standard PC line out)

Headphone Output Connector
3.5 mm TRS jack

Speakers
4 x 5 W stereo speakers

Maximum Operating Time
24 hours/day

Power Consumption (Typical)
Monitor Only 
(Typical at 120V at 60Hz): ON: 95.0 W; SLEEP: 8.7 W; OFF: 2.5 W 
(Typical at 230V at 50Hz): ON: 96.0 W; SLEEP: 8.0 W; OFF: 2.8 W

Dimensions
42.63" x 25.09" x 2.43" / 1082.8mm x 637.4mm x 61.6mm 


Portable absorber and diffusor
To be mounted behind the microphone
Reduces the transmission of unwanted room reflections, echoes and ambient noise
Suitable for live and studio applications, vocal or instrumental use
Screen can be widened or narrowed, adapting to the recording situation
Optimized acoustic membrane between the outer metal shell and foam
For quick and easy installation on almost any standard microphone stand
Width: 16 - 62 cm (recommended width 40 cm)
Depth: 13 - 26 cm (recommended depth 24 cm)
Hight: 30 cm
Weight: approx. 3.20 kg

The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.

It's a great FX processor, versatile and with multiple options.

No scratches, very well looked after and fully tested.

Original price around £250.

> Floor-based multi-effects processor with BOSS' most intuitive interface ever
> 30 Preset Patches including delay, modulation, reverb, compressor and more
> Killer COSM overdrive/distortion effects including "Square" synth sound
> Dedicated knobs for each effect section - no menus to navigate!
> Tone Modify function offers Preset EQ settings for quick tone editing
> 3 footswitches for switching effects on and off with a single stomp
> Onboard expression pedal pre-routed to 6 modulation options or volume
> Rugged metal case with clear panel layout

Aguilar Tone Hammer Pre Amp/Pedal with agro drive

The Fuzz Face Mini Germanium accurately recreates ’66-’68 era pre-silicon Fuzz Faces with slightly mismatched transistors (i.e. warm vintage fuzz) but in an all new pedalboard friendly size! So if the unwieldy shape of the original put you off you're going to love getting the classic warm 60s fuzz tone from a pedal that now fits happily on your board!

In perfect condition!

Battery operated light overdrive. Please DM for any queries!

Boss RC-30 - Loop Pedal - Loop Station
Great condition - Perfect working order

I can also provide the FS-5U, which helps to switch between tracks faster.
Comes with batteries fully charged, which gives you many days of battery life.

Pack contains: 
x1 Boss RC-30
x1 Boss FS-5U switch
x1 Jack Lead

All the pictures are my own and show the actual pedals for rent.
Easy pick-up right next to Hoxton Station (E2).
Get in touch if you're interested!

Keeley Compressor Plus

The Keeley Compressor Plus is a compressor with an expander/sustainer.  Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out.  Now you have sustain.  Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.

- Single-Coil & Humbucker Mode

Can be collected from my work in:  
Covent Garden/Holborn WC2B 6XF  (09:30-18:00 Weekdays)  
OR  
My flat SE17 (19:00 onwards Weekdays. Or anytime weekends)  
Also flexible to meet anywhere in Central London! :)

Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!

*Power cable and battery NOT included*  
Can be collected from my work in:  
Covent Garden/Holborn WC2B 6XF  (09:30-18:00 Weekdays) 
OR
My flat SE17 (19:00 onwards Weekdays. Or anytime weekends) 
Also flexible to meet anywhere in Central London! :)

Expanded delay time, up to 6.4 seconds
Modulation Delay mode offers natural, chorus-type sounds
Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
Tap tempo controllable via external footswitch
Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
Up to 40 seconds of recording for sound on sound (Hold mode)

*Power cable and battery NOT included*

Can be collected from my work in:  
Covent Garden/Holborn WC2B 6XF (09:30-18:00 Weekdays) 
OR  
My flat SE17 (19:00 onwards Weekdays. Or anytime weekends) 
Also flexible to meet anywhere in Central London! :)

This is widely considered to be the best octave pedal on the market. Fantastic tracking, polyphonic and capable of sounding like a synth or organ (due to multiple octaves and modes and attack/tuning controls). Also save presets for instant recall.

I also have the following pedals available; message for details -


(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon Timeline
Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky
Strymon BigSky

Industry standard professional delay pedal, amazing for both live and studio.

I also have the following pedals available; message for details -


(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky
Strymon BigSky


(Multi/Other) -

Roger Linn AdrenaLinn III
Keeley Mod Workstation (Klon, Boost/Plexi and Modulation)
Keeley Tone Workstation (Comp, Boost/Plexi & TS)
Electro-Harmonix Key 9

Industry standard professional reverb pedal, amazing for both live and studio. 

I also have the following pedals available; message for details -

(Overdrive) -

Ibanez TS9 Tubescreamer (Keeley Mod)
BOSS BD-2 Blues Driver (Keeley Mod)
Wampler Brett Mason Hot Wired (v2)
Analogman King Of Tone
Paul Cochrane Timmy
Ceriatone Centura (Klon clone)
Wampler Tumnus (Klon inspired)


(Distortion) -

Suhr Riot
Fulltone OCD
JHS Angry Charlie
Z.Vex Double Rock
Xotic BB Preamp M.B.
Amptweaker Tightmetal Pro


(Fuzz) -
Analogman Sunface BC183 (silicon)
ThorpyFX Muffroom Cloud
Green Carrot Pumpkin Pi
Z.Vex Fat Fuzz Factory


(Boost) -
Xotic R.C. Scott Henderson
Keeley Java (germanium treble boost)
Rory Gallagher Hawk
MI Boost N Buff


(Compression) -

Cali76 Compact Deluxe
JHS Pulp N Peel v4
Xotic SP


(Modulation) -

Red Witch Deluxe Moon Phaser
Hartman Analog Flanger
Red Witch Empress Chorus
Voodoo Lab Analog Chorus
CMAT Mods Analog Phaser
Analogman Bi-Chorus
MXR Phase 95


(Octave) -

EHX POG 2
EHX Micro POG


(Wah/Filter) -

Xotic WH-1
Budda Bud-wah (black label)
Morley Bad Horsie II


(Volume/Tremolo) -

Moog MF Trem
Empress Tremolo 2
Red Witch Pentavocal
Chase Bliss Audio Gravitas
Ernie Ball VP Junior Volume (passive)
Tapestry Audio Bloomery Volume (passive)


(Delay) -

Strymon Timeline
Strymon El Capistan
Way Huge Aqua Puss (analog)
BOSS DM2W (analog)


(Reverb) -

Strymon BlueSky


(Multi/Other) -

Roger Linn AdrenaLinn III
Keeley Mod Workstation (Klon, Boost/Plexi and Modulation)
Keeley Tone Workstation (Comp, Boost/Plexi & TS)
Electro-Harmonix Key 9



That classic 70s wah wah. Great for cop chase scenes but also experimenting with synths.

 Original Dunlop Cry Baby Wah pedal. Perfect working order. 

A classical Boss FZ-3 modified. Still a great Fuzz pedal

Polyphonic tuner / buffer
The Bonafide circuitry receives its sound through long cable paths and several effects devices
Polyphonic tuning - simultaneous display of all strings
Fast chromatic tuner with 0.5 cent accuracy
Ultra-precise strobe tuner with ± 0.02 cent accuracy
The "Always On" mode offers a tuner display even if the Polytune 3 is not muted
Automatic brightness adjustment
109 Super bright LED display with automatic brightness adjustment
Automatic change between polyphonic and monophonic tuning
Foot switch: On / Off / Mute
True Bypass
Power consumption: 45 mA
Power supply with a 9 V battery or a 9 V DC power supply 
Dimensions (W x D x H): 72 x 122 x 50 mm
Weight: 300 g

 Loop pedal, capable for use with electric/acoustic guitars. Very simple operation, great for getting used to the technique and experimenting!

RC-300 Loop Pedal.

The new flagship looper features three synchronised stereo tracks with dedicated volume knobs and transport-control footswitches for each track. It’s also equipped with pro effects, a master Expression pedal, and a deluxe, ultra-wide control panel for the ultimate in live-performance manipulation. Plug in your guitar, bass, keyboard, or instrument of choice and create amazing loops in real time. An XLR input is also provided, complete with phantom power, so singers, percussionists, violinists, beatboxers, or anyone with a mic’d instrument can get in on the act, too. The RC-300 lets you record for up to three hours directly to its internal memory, adding effects as you go. The USB port lets you save your loops externally, as well as import/export WAV files. Step into the most powerful and inspiring Loop Station in BOSS history. It’s the creative powerhouse that musicians have been dreaming of!

Used but works perfectly fine. just over a year old. 

Crazy noisy germanium fuzz pedal for guitar. Can produce a wide range of distinctive fuzz tones from polite to full self oscillation.

The legendary Big Cheese, a fantastic recreation of that valve-channelled fuzz of the 60s & 70s, and some. In Lovetone's own words, "a loving homage to the nasty, buzzy yet gorgeous and harmonically rich early fuzz". 

Plenty of permutations here with the variety of tones and drive. And plenty of fun to be had: set to Cheese, turn up the Curds, and you're straight into that world of gated fuzz cut-out that runs from late 60s Stones to mid-90s Radiohead.  

One of a trio of original 1995 Lovetones owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: Johnny Marr, The Edge, Ed O'Brien, Colin Greenwood, Henry Olsen, and many more. 

In excellent working condition, with minor scuffing to the external case, as you'd expect. 

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Paul Crowther first produced the Hot Cake when he was with Split Enz in the 1970s. He knew what he wanted, couldn't find it, so made it himself. 

And only a couple of new releases since then, he's stayed true to the basic formula - a great fat overdrive that retains the underlying tonality of the guitar without resorting to fuzz. So good, I've got two!  

Loved by: Thom Yorke, Ed O'Brien, Noel Gallagher, Steve Cradock, Hugh Harris, Neil Finn, to name just a few. 

Just a few small nicks to the paintwork, but comes in original box, and works fantastically. Really big full-on overdrive.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Perfect retro remake. Based on the 1960's SAM ASH FUZZZ BOXX and ASTROTONE FUZZ made in New York City in 1966-68 by the Astro Amp company, it's even built from a stock of transistors from 1966. 

The Analog Man gang worked really hard to create a rounded sound, as true to the low-end as the high-end. And they've nailed it. Classic 60s fuzz and distortion.  

Loved by: Retro effects lovers the world over, seeking the characteristic fuzz of the 60s. 

In near mint condition, in original packaging, and works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Built to withstand the explosive overdrive that it creates, lovely boutique overdrive pedal. Smart addition of the Calibre pot gives wide range to the tone and depth of the overdrive. Great high quality componentry gives you all the breadth and reliability to recreate classic overdrive across a range of amps.  

Loved by: Overdrive junkies wanting to explore a full range of tones, from hairy blues to hard rock. 

In excellent condition.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The Electro-Harmonix Big Muff is the stuff of legends, so much so that it's had more replicas and tributes than guitarists that have used it (well, probably). 

This is one of the very finest of those replicas, based on the 1973 - 77 Big Muff, also known as the Ram's Head. Staggering sustain. The perfect pedal for pretty much any solo by David Gilmour since the 1970s.  

Loved by: Big Muff fans everywhere, and anyone that wants their guitar to sing, and keep singing. 

One small nick to the case, but otherwise in perfect condition, and that sustain will truly blow you away.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

In production since 1986, as a follow-up to the Boss DD-2, the go-to digital delay pedal for thousands of guitarists. So many choices on the market nowadays, but this is the first and the original. 

Delay settings from 12.5ms to 800ms, from single to infinite repeat, and a Hold function to capture a looped echo to play over. Classic digital delay.

Loved by: Kelly Jones, Matt Bellamy, Dan Auerbach, Dave Grohl, Dave Keuning, Slash, Joe Bonamassa, Yannis Philippakis . . . in fact, it's pretty hard to name a guitar god that hasn't used one of these!

In excellent condition, with only minor scuffs. Works perfectly. 

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The Holy Grail! A 1983 Ibanez TS9 Tube Screamer. Not the reissue. This one's the original.

Ibanez produced their fabled "9" series for a relatively short run, from 1982 to 1985. This is one of those, and comes loaded with the original (and venerated) JRC4558D chip. Famous for its "mid-hump" boost" to midrange frequencies. And today, one of the most successful, replicated and "modded" pedals in history, A solid gold (or green) classic overdrive.  

Loved by: The Edge, Noel Gallagher, Billie Joe Armstrong, Stevie Ray Vaughan, Gary Moore, John Squire, Carlos Santana . . . enough said! 

In almost perfect condition, with barely a nick or scuff. And sounds the business!

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

A classic overdrive pedal, without the fuzz of many modern overdrives. This one very uniquely the first ever: Serial #0001. As Lovetone put it, "an instant flash-back to that dynamic, singing, BIG late 60's / early 70's brown sound that is associated with countless classic records spanning the whole musical spectrum . . . will make any new guitar sound 30 years older!" It can be pretty subtle too. Best experienced through an amp that's already cooking!  

One of a trio of original 1995 Lovetones owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: Johnny Marr, Kirk Hammett, Henry Olsen - which itself says a lot about the wide appeal of this classic. 

In excellent working condition, with light scuffing to the body, as you'd expect.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Tame by modern standards, but back in the early-70s, this was a pioneer. A Volume and Wah pedal in one. OK, quite an innovation. And then, why not, white noise filters that enable you to recreate the sound of a raging tornado or the surf on a beach. Oh, and just because there's still some space, a push button police siren, that can be activated in parallel with the instrument signal. Mad, maybe. But listen to 70s glam band The Sweet's classic Blockbuster and you'll know exactly why you need to try this one!  

Loved by: Anyone who couldn't get hold of a Cry Baby in the 70s - and The Sweet! 

In very good condition for its near 50 years on the planet, works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

A timeless classic. Built like a tank, perfect pedal response. 

The original 1990s version, with the side jacks (which seems to make more sense anyway, if you're chaining effects on a board).  

Loved by: Mark Knopfler, Josh Homme, Johnny Greenwood, Henry Olsen, and many, many more. 

In near-perfect condition for its age - and works with perfect response too.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

It's a micro-pedal, but it can really kick down doors. 

Built to replicate the sound of a far more expensive (and larger) overdrive, its size may fool you at first. But when you plug it in, this delivers in spades. Terrific cooking valve overdrive.  

Loved by: Those wanting to recreate the overdrive of amps cranked to 11, without waking up the neighbours (much). 

Some light scuffing to the body, but works absolutely perfectly. An incredible overdrive pedal in pocket-size.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Endless possibilities. The only limit is sleep deprivation. A harmoniser pedal featuring four pitch shift effects and up to three voice harmonies. 

Perfect for experimentation, even more perfect for creating multi-tracked guitar harmonies that will leave even Brian May open-mouthed. Various effect modes including; Harmony, Pitch Shifter, Detune, Super Bend pedal-bending effects and four octave pitch sweeps.  

Loved by: The sonic experimenters, the fearless innovators, the ones who want to sound like they've got a guitar orchestra hidden behind stage. 

In very good condition, with only a couple of scuffs. Works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Famed and loved for his beautiful custom amps, Reinhold Bogner has taken it all one step further with a limited range of pedals designed with audio pioneer Rupert Neve (whose equipment has underpinned recordings as diverse as Fleetwood Mac's "Rumours" and Nirvana's "Nevermind"). 

And the result: "fire-breathing pandemonium". Nice touch too with the central jewel lamp that reacts to the dynamics of your playing.  

Loved by: Lovers of beautifully engineered design, lovers of rich tone and dynamic distortion. 

A small scratch on the front panel, but otherwise in perfect condition - and a great crystal-clear distortion pedal from two sonic masters in partnership.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

You'd want to try it, if only for saying you've got an Atomic Cock. 

An instant gateway to the tone of a precisely cocked wah pedal. By adjusting the sweep knob, you can activate your chosen sweet-spot tone, without in-flight wah pedal adjustment. Probably most recognisable when set to replicate the harmonic overdrive of Mark Knopfler's Money For Nothing riff.  

Loved by: Anyone that likes wah pedals, but struggles to get the exact pedal angle in live performance.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

More often seen in purple, this is one of a Limited Edition run of 300 Riots in metallic green, with lovely cream vintage control knobs. 

All the quality and versatility you'd expect from the Suhr brand. Lovely range from overdrive to full-on distortion, and some very nice modulation from dynamic to high gain vintage with the 3-way voice toggle.  

Loved by: The ones that need that little bit more, not just overdrive, but a heavy sprinkling of distortion on top, pretty please. 

Light scuffing to case, but otherwise in perfect and awesome-sounding condition.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Metal Distortion Pedal 

2 High Gain amp tone circuits (Tight and Loose modes)
Controls: Level, Low, High, Mid Frequencies , Mid Level, Gain.
True Bypass
Stomplock knob guards to prevent tampering or accidental knob adjustments on stage. 

A brilliantly designed overdrive that takes an amp at reasonable settings, and makes it sound like it would sound if it were naturally driven to pure, smooth, tube distortion. 

It's actually two overdrive pedals in one box, each with separate controls, and internal DIP switches to vary the level of Clean, Overdrive & Distortion output. Basically the freedom to set and dial in a range of overdrive levels that you'd need 2 or 3 pedals to achieve. Modern-day classic! 

Such is the demand, and such is the Analog.Man commitment to quality hand-built production, you'll be on a 2-year waiting list for one of these beauties.  

Loved by: John Mayer, Wayne Sermon, Noel Gallagher, and many more. 

In excellent working condition, with light scuffing to the body, as you'd expect.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Bar none, the best Tube Amp Simulator I've ever used. Not just the options for California, British, and Tweed amps. Not just the options for Clean to Hot-Wired Overdrive. But even options for Mic placement - the most subtle of the options, but still opening up an even wider range of sonic possibilities. No need for a wall of amps and cabs. Just this. Superb!  

Originally owned by Henry Olsen, bass guitarist with Primal Scream, and multiple subsequent collaborations.  

Loved by: Matt Bellamy - and if it's good enough for him . . . 

The nicks you'd expect from a well-gigged pedal, but inside, everything is perfect!

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!


Massive distortion pedal for heavy rock lovers everywhere. Rothwell don't make clones or repros. They make pedals from the ground up. 

And this one has everything you need, from boost to full-on distortion for a truly huge heavy rock sound, rhythm or lead. This one should be cloned by other pedal builders!  

Loved by: Heavy rock guitarists that want to push it to 11. 

In excellent condition, with only some light minor staining to the case exterior.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

The industry standard. Compresses high-input signals while boosting low-input signals, giving you smooth sustain without degrading the quality of the original sound. Will instantly make you sound more in control of your playing, without taking away from your hard-earned and uniquely dynamic style.  

Loved by: Jack White, The Edge, Andy Bell, Tom DeLonge, Graham Coxon, Matt Healy, and so many more unique players. 

In near-mint condition, with original packaging, and works perfectly.

Happy to meet personally in London to hand over. And if this isn't the one for you, check out my other guitar, amp and pedal listings on Fat Llama!

Guitar Pedal - Death By Audio, Supersonic Fuzz Gun

Description

Location

Item lent by Antero

Other items from Antero

FAQs

Guitar Pedal - Death By Audio, Supersonic Fuzz Gun

Explore other options around London