
The NiSi Pro Nano 1.5-5 Stop Enhance ND-VARIO is a variable neutral density filter providing an exposure reduction of 1.5 to 5 stops. 

The degree of density is easily controlled by rotating the knob. 
The transition of density occurs smoothly which allows the photographer or videographer to adjust exposure length to the exact amount required for a given scene. 

For those using this filter with cinema or video cameras, combined adjustments of aperture and this filter allow fine adjustments of depth of field while retaining the designated frame rate. 

Videos 

https://www.youtube.com/watch?v=elZ9VNcR_3c 

https://www.youtube.com/watch?v=ptlEs8lgnrs

Great slider for up to 7kg of pressure ball bearings and belt driven

Here at Zoom we've been building innovative products for the past thirty years. But with the revolutionary H6 six-track recorder, the bar is raised further still. Four interchangeable input capsules – X/Y, MS, Shotgun, and Dual XLR/TRS Combo – make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too. Whatever your application – live recording, professional film/video work, live broadcast or electronic news gathering – the H6 can handle it with ease.

Canon 24mm - 105mm L - Series Lens 

The Canon 24-105mm f/4L IS EF USM AF Lens is an easy-to-use standard zoom lens that can cover a large zoom area ranging from 24 mm wide-angle to 105 mm portrait-length telephoto.

The EF 24-105mm f/4L IS USM incorporates Canon's high standards of precision optics. The L-series is Canon's flagship professional lens range, combining high image performance and operability with dust and moisture resistant construction.

Canon's ring-type USM gives silent but quick AF, along with full-time manual focus. Moreover, with dust- and moisture-resistant construction, this is a durable yet sophisticated lens that meets the demands of enhanced amateur photographers and professional photographers alike.

JTZ DP30 MATTE BOX  

Nowadays, with the rapid development of digital cinematography technique, more and more powerful digital cinema cameras (video dslr and video mirrorless camera) come out. Under this circumstances, we intend to make out a set of auxiliary rig that applicable to all brand and model cameras, then here comes out our DP30 series
DP30 takes ALLinOne concept into its structure design, and this ensures all main modules of it compatible with almost all main cinema cameras, video dslr cameras, video mirrorless cameras on the market
With DP30, you will only need to change very few camera body connecting parts or cage, sometimes even need no any change when you change your camera brand or model.(Including professional digital cinema cameras, DSLR and mirrorless cameras of RED, ARRI, Blackmagic, SONY P series, SONY ILCE, Canon CINEMA EOS, Canon EOS and Panasonic, etc)
DP30 adopts JTZlink protocol to its electronic performance. JTZlink is one kind of controlling connection module designed for digital cinema cameras, and it is workable with almost all cinema camera controlling protocols on the market. (including professional digital cinema cameras, video dslr cameras and video mirrorless cameras of RED, ARRI, Blackmagic, SONY P series, SONY ILCE, Canon CINEMA EOS, Canon EOS, Panasonic and Nikon, etc)
With JTZlink, the above different brand and model cameras can be controlled by one set of controlling device (wired or wireless)at the same time. With the JTZlink module, it can also support digital zoom, focus, aperture, ISO, zoom in, menu and other controls

The E-Image E ystem is an ideal entry-level video tripod system for DSLR and small video cameras, consisting of a fluid-head capable of a payload of 4kg and a set of 2-stage aluminium legs with a mid level spreader. A soft carry case is included.
E-Image are a leading manufacturer of tripods worldwide and their expertise has created a range of tripods that have exceptionally high reliability and build quality. The professional GH series offer tripods from 3kg payload up to 25kgs.

The EG-03A2 Tripod Kit is more than just an entry level system. It comprises of the GH03 head that incorporates an installed fluid system enabling smooth motion in pan and tilt to give you the perfect shots.

The side of the head features a ¼" and 3/8" thread for mounting an articulating arm, this is useful for adding additional side lighting or even a TFT monitor, you can use the E-image EI-A02 arm for this.

The aluminium 2 stage legs extend quickly and easily with the speed locking system and the adjustable mid level spreader creates a sturdy base for payloads up to 4kgs.

Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), equivalent noise level A-weighted 10 dB, CCIR-weighted 21 dB, max. SPL 125 dB at 1 kHz (THD = 1 %), dimensions Ø 22.5 x 221 mm, weight 65 g.

he RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Pistol Grip
Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Lightweight and precision balanced, the anodized aluminum pole features intuitive twist locks for smooth extension.
Three-section boompole
Precision balanced anodized aluminum construction
Intuitive lock/release system
Ergonomic grip handle

User-friendly and designed for portable wireless operation, the Sennheiser EW-112P G3 GB Portable Wireless Microphone System is suitable for presentations, live broadcast and reporting on the move. The system is made up of 1x EK-100 G3 diversity receiver, 1x SK-100 G3 bodypack transmitter, 1x ME-2 clip-on microphone (omni-directional lapel), 1x CL-1 jack cable, 1x CL-100 XLR cable, 1x CA-2 camera adaptor, 4x AA batteries and operating instructions.
Sennheiser EW-112P G3: Key Features
Sturdy metal housing (transmitter and receiver)
42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
Enhanced frequency bank system with up to 12 compatible frequencies
Adaptive-diversity reception for high reception quality
Pilot tone squelch for eliminating RF interference when transmitter is turned off
Automatic frequency scan feature searches for available frequencies
Enhanced AF frequency range
Increased range for audio sensitivity
Wireless synchronization of transmitters via infrared interface
User-friendly menu operation with more control options
Illuminated graphic display (transmitter and receiver)
Auto-Lock function avoids accidental changing of settings
HDX compander for crystal-clear sound
Transmitter and receiver feature battery indicatation in 4 steps
Programmable Mute function
Contacts for recharging BA 2015 accupack directly in the transmitter or receiver
Wide range of accessories adapts the system to any requirement
Overview:

In reporting there are certain things you should be able to take for granted, i. e. if your equipment will do its job as well as you. The ew 112-p G3 reporting set from Sennheiser delivers: Optimal reception thanks to 1,680 tunable UHF frequencies within 42 MHz bandwidth and adaptive-diversity, high-quality sound courtesy of its HDX compander and premium clip-on microphone. No need to search for available frequencies, the automatic frequency scan feature will identify them for you. While illuminated graphic displays inform you about the settings at one glance and the auto-lock function makes sure you don't change them accidentally. So, concentrate on what is in front of your mic instead of what's in it.

GH5 camera comes with 2 Batteries (Metabones EF adaptor available on request for £15.00 extra )

Capable of 6K Photo and 4K recording, the Panasonic Lumix DMC-GH5 Digital Camera is a new upgrade to the popular GH4, offering exceptional performance for professional photographers and videographers alike. Built around a new 20.3-megapixel sensor and Venus Engine image processor, the flagship GH5 is capable of recording 4K 60p/50p footage and 4:2:2 10-bit 4K video to UHS-II compatible dual SD card slots. Like its predecessor, the GH5 is fully weather-sealed and offers 12fps continuous shooting.
Firmware Update V2 - September 2017

Compatibility with LUMIX Tether software
Improved autofocus performance
Improved performance for 6K photo and 4K photo
Additional ALL-Intra video recording mode
4K HDR video recording
Enchaned Anamorphic video recording mode
Improved body Image Stabiliser

VLOG-L
LUMIX function enhancement for film production/professional videographers
Increases dynamic range from 10 stops to 12 stops
10 bit internal(GH5) / 8 bit internal (GH4 / FZ2500) to SD media or 10 bit to external media recording
Makes color grading easier with improved compatibility between LUMIX GH4, DMC-FZ2500, DC-GH5KBODY and Panasonic Varicam
V-Log / V-Log L were developed to feature similar characteristic to Cineon

GH5 BODY ONLY with 2 Original batteries and MFT to EF SPEED BOOSTER METABONES with Vlog and latest firmware 
GH5 camera comes with 2 Batteries (Metabones EF adaptor available on request for £15.00 extra )

Capable of 6K Photo and 4K recording, the Panasonic Lumix DMC-GH5 Digital Camera is a new upgrade to the popular GH4, offering exceptional performance for professional photographers and videographers alike. Built around a new 20.3-megapixel sensor and Venus Engine image processor, the flagship GH5 is capable of recording 4K 60p/50p footage and 4:2:2 10-bit 4K video to UHS-II compatible dual SD card slots. Like its predecessor, the GH5 is fully weather-sealed and offers 12fps continuous shooting.
Firmware Update V2 - September 2017

Compatibility with LUMIX Tether software
Improved autofocus performance
Improved performance for 6K photo and 4K photo
Additional ALL-Intra video recording mode
4K HDR video recording
Enchaned Anamorphic video recording mode
Improved body Image Stabiliser

VLOG-L
LUMIX function enhancement for film production/professional videographers
Increases dynamic range from 10 stops to 12 stops
10 bit internal(GH5) / 8 bit internal (GH4 / FZ2500) to SD media or 10 bit to external media recording
Makes color grading easier with improved compatibility between LUMIX GH4, DMC-FZ2500, DC-GH5KBODY and Panasonic Varicam
V-Log / V-Log L were developed to feature similar characteristic to Cineon

Metabone

The Speed Booster Ultra from Metabones allows a Canon full-frame EF-mount lens to be mounted onto a Micro Four Thirds compact system camera. Like the previous Metabones Speed Booster model, the updated Ultra has a magnification of 0.71x so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new optical design in the Ultra uses advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting.
Key Features
Optical



Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), equivalent noise level A-weighted 10 dB, CCIR-weighted 21 dB, max. SPL 125 dB at 1 kHz (THD = 1 %), dimensions Ø 22.5 x 221 mm, weight 65 g.

he RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Pistol Grip
Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Light

The Speed Booster Ultra from Metabones allows a Canon full-frame EF-mount lens to be mounted onto a Micro Four Thirds compact system camera. Like the previous Metabones Speed Booster model, the updated Ultra has a magnification of 0.71x so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new optical design in the Ultra uses advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting.
Key Features
Optical

Increase maximum aperture by 1 stop
Increase MTF of any lens attached
Makes lens 0.71x wider
Patented 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass by Caldwell Photographic in the USA
Supports 16:9 video with DX lenses
Electronic

Autofocus
Can be powered either by camera body or by third-party external 5V power source (not included)
Iris/aperture controlled by the camera body
Image stabilization (IS) lens support
Electronic manual focusing (e.g. EF 85/1.2L II and discontinued EF 50/1.0L)
EXIF (focal length, aperture, zoom range)
Distance and zoom display on camcorders (requires lenses supporting distance information)
Other

Detachable tripod foot compatible with Arca Swiss, Markins and Photo Clam ball heads
Flocking material coating to reduce internal reflection
Compatible with all MFT mount cameras, including GH4, OM-D, Blackmagic Cinema Camera, Blackmagic Pock

Further development of Canon's flagship Speedlite has led to the production of the 580 EX II
This is the premier Speedlite for all photographers, including professionals
Newly designed to match with the EOS-1D Mark III in terms of improved dust- and water-resistance, body strength, and the ability to control flash functions and settings from the camera menu (EOS-1D Mark III only)
Other features include improved communication reliability through its direct contacts, and recycling time is both 20% shorter than the 580EX and is completely inaudible

Also compatible with other camera's in manual mode



Elaborate optical construction brings images to life
Glass aspherica lens (ASP)
Extra low dispersion (ED)
Ultra Multi Coating (UMC) of Samyang Optics
VDSLR II CINE LENS 
Wide Angle Manual Focus Cine Lens
Samyang Optics 24mm T1.5 VDSLR ED AS IF UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

Cine Lens Features
Samyang 24mm T1.5 VDSLR ED AS IF UMC II is carefully designed for professional film and video work so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances.  

Optical Features
This lens features 13 lenses in 12 groups including 4 extra low dispersion lenses (ED) and 2 glass aspherical lenses (ASP). ED lenses of 24mm T1.5 II effectively control the light dispersion to prevent flare and ghost. ASP lenses minimize colour aberration to provide exceptional image quality and high contrast for center and corner of the image even when the aperture is fully opened. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration to also minimize flare and ghost. Samyang 24mm T1.5 II is known for its beautiful and soft bokeh.

Hardware Features
The frame of the Samyang 24mm T1.5 II is compact and solid since it is made of high-strength aluminium alloy

The Samyang 85mm T1.5 Cine Lens for Canon EF produces a slightly telephoto angle-of-view on full-frame sensors. It features a very fast maximum aperture of T1.5 and an 8 blade iris, for shallow depth of field with attractive bokeh. The focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been "declicked", which facilitates smooth iris pulls.
The 85mm has a minimum focus distance of 3.6'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 7 groups, including one aspherical element to reduce spherical aberrations. In addition, a multi-coated elements help improve light transmission.
85mm focal length for full-frame format
Very fast T1.5 maximum aperture
8 blade iris for attractive bokeh
Geared focus and aperture control rings
"Declicked" aperture control ring
Minimum focus distance of 3.6'
Internal focusing mitigates lens breathing
Aspheric lens element limits spherical aberration
Lens multi-coating improves transmission

GoPro, simplified.

HERO makes it easy to capture and share your world. Featuring high-quality 1080p30 and 720p60 video, HERO captures the same immersive footage that’s made GoPro one of the best-selling cameras in the world. User-friendly modes include QuikCapture, which lets you power on the camera and start recording with the press of a single button, and Burst Photo, which captures fast-action sequences at up to 5 frames per second. Wearable, gear-mountable and integrated into a rugged housing 1 that’s waterproof to 131’ (40m), HERO helps you capture photos and videos that make you look like just that: a HERO.

GoPro video quality.

HERO captures the same immersive footage that’s made GoPro one of the best-selling cameras in the world. With gorgeous 1080p30 and 720p60 video, and user-friendly modes like QuikCapture, SuperView and Auto Low Light, it’s easier than ever to get the shot and achieve professional-quality results every time.


Overview
The Zoom H4n Handy Pro Digital Audio Recorder offers clean, four-track audio recording for music, film, podcasting and more. Improving on the performance of the original H4n, the portable H4n Pro offers four tracks of simultaneous recording in WAV and MP3 formats, a built-in X/Y stereo microphone, and advanced features such as time stamping, phantom power and mid-side (MS) decoding, as well as onboard multi-effects and guitar/bass amp modeling.
Key Features: Zoom H4n Pro Digital Audio Recorder
Four-track simultaneous recording
Built-in X/Y stereo mic, adjustable between 90° and 120°
Onboard MS decoding
Dual mic/line/instrument level inputs with XLR/TRS combo connectors
Stereo 1/8" Mic/Line In mini phone jack
+24 or +48V phantom power for main inputs and Plug-in power (2.5V) via Mic/Line In mini phone jack
Output/headphone jack with dedicated volume control
Built-in reference speaker for fast monitoring
Large 1.9 inch backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Supports up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record and Pre-record features
Internal mixdown: four-track to stereo and stereo to dual mono
Up to 99 marks per recording
Flexible overdubbing and punch-in/out
Built-in effects, including compression/limiting, low-cut filtering, modulation, reverb/delay and amp models
Normalize (maximum gain) and Divide (file splitting) functions
Chromatic tuner and metronome
Loop playback with user-defined start and stop points
Variable playback speed, from 50% to 150%, without affecting pitch


Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

The RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.
Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), eq

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Light

ITEMS
1x RODE BOOM POLE
1x SHOTGUN MICROPHONE
1x RODE PISTOL GRIP
1x Sennheiser Shotgun Adaptor

2 Pairs

User-friendly and designed for portable wireless operation, the Sennheiser EW-112P G3 GB Portable Wireless Microphone System is suitable for presentations, live broadcast and reporting on the move. The system is made up of 1x EK-100 G3 diversity receiver, 1x SK-100 G3 bodypack transmitter, 1x ME-2 clip-on microphone (omni-directional lapel), 1x CL-1 jack cable, 1x CL-100 XLR cable, 1x CA-2 camera adaptor, 4x AA batteries and operating instructions. Sennheiser EW-112P G3: Key Features Sturdy metal housing (transmitter and receiver) 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception Enhanced frequency bank system with up to 12 compatible frequencies Adaptive-diversity reception for high reception quality Pilot tone squelch for eliminating RF interference when transmitter is turned off Automatic frequency scan feature searches for available frequencies Enhanced AF frequency range Increased range for audio sensitivity Wireless synchronization of transmitters via infrared interface User-friendly menu operation with more control options Illuminated graphic display (transmitter and receiver) Auto-Lock function avoids accidental changing of settings HDX compander for crystal-clear sound Transmitter and receiver feature battery indicatation in 4 steps Programmable Mute function Contacts for recharging BA 2015 accupack directly in the transmitter or receiver Wide range of accessories adapts the system to any requirement Overview: In reporting there are certain things you should be able to take for granted, i. e. if your equipment will do its 

Clapperboard and Slate 
Clapperboards have been essential to filmmaking since the earliest sound films because (until the advent of digital cinematography) visual and audio tracks were recorded on separate media by separate equipment. The clapperboard combines a chalkboard slate with a clapstick. The slate displays the name of the production, the scene and "take" about to be performed, and similar information;[2] an assistant holds the clapperboard so the slate is in view of the cameras, speaks out information for the benefit of the audio recording, then opens the clapstick and claps it shut. The shutting of the clapstick is easily identified on the visual track, and the sharp "clap" noise is easily identified on the separate audio track; the two tracks can later be precisely synchronised by matching the sound and movement. And since each take is identified on both the visual and audio tracks, segments of film are easily matched with segments of audio.

DP500IIS follow focus is upgraded based on the previous DP500II version I follow focus.More elegent apperance,more practicable. Quick-release version,easily attach and detach.
There is an improvement on its inner structure to reach a high level in this field,which permits much less backlash,even better than the previous DP500II follow focus and most follow focus on the market.There is also a button downside can adjust the tension of of the gearbox to reach 2 dampen level.
This improved Follow Focus Integrated with A/B Hard Stops which have easy begin/end setups for fast repeatable racking between two points, and make focusing lenses that have no hard stops (such as Canon EF lenses) much easier. Further more,the gear wheel on it can be detached and insalled in other side,which makes it suitable for both left-hand and right-hand photographer.
The white mark ring is made of magnet material.It can be detached or attached very easliy and quickly on matel-made follow focus.You can also buy additional mark ring.
The particular part of this follow focus is it can use different size gears.It can work with 3 different size gear to meet your different need with various lens: 38T (38 teeth) 0.8mm pitch,diameter is approx.28mm (not included) 43T (43 teeth) 0.8mm pitch,diameter is approx.31mm (included) 65T (65 teeth) 0.8mm pitch,diameter is approx.49mm(not included)

Nowadays, with the rapid development of digital cinematography technique, more and more powerful digital cinema cameras (video dslr and video mirrorless camera) come out. Under this circumstances, we intend to make out a set of auxiliary rig that applicable to all brand and model cameras, then here comes out our DP30 series.
DP30 takes ALLinOne concept into its structure design, and this ensures all main modules of it compatible with almost all main cinema cameras, video dslr cameras, video mirrorless cameras on the market
DP30 adopts JTZlink protocol to its electronic performance. JTZlink is one kind of controlling connection module designed for digital cinema cameras, and it is workable with almost all cinema camera controlling protocols on the market
With JTZlink, the above different brand and model cameras can be controlled by one set of controlling device (wired or wireless)at the same time. With the JTZlink module, it can also support digital zoom, focus, aperture, ISO, zoom in, menu and other controls.
JTZ DP30 Camera Cage Shoulder Handle Advanced Set is fully compatible with Panasonic Lumix GH3/GH4/GH5 series, contains as follow: Top Handle Grip Module: (Universal Module Fit For All Cameras) Standard L-Type Top Handle Grip × 1 2" Multifunctional Slider × 1 15mm Aluminum Rod (Length 150mm) × 1

SmallHD's FOCUS 5-inch Monitor has a daylight-viewable 800 nit display, which is sharp enough to achieve critical focus and bright enough to be used outdoors. The lightweight FOCUS attaches securely atop the camera via shoe mount with the included Tilt Arm. With 180 degrees of vertical rotation, the Tilt Arm allows run-and-gun shooters to make quick, smooth monitor adjustments. Included on the FOCUS’ mount is an extra shoe mount for accessories like microphones and video lights.

Comes with 
Case
3 Batteries
Cable for Sony 
HDMI Adaptor
Mounting Plate
SD Card with Luts


- Camera Body
- 0.71x EF Mount Speedbooster (This changes the mount from MFT to Canon EF Full Frame and also adds an extra stop of light to any attached lens.
- 6 x LP-E6 Batteries for all day shooting
(Optional Vlock Power solution for an additional charge)
- 1x 64GB v60 for 1080 Pro Res
- 1 x 1TB SSD Samsung T5 for 4K RAW 25p Lossless
- SmallRig CAGE /HANDLE/SSD MOUNT/METABONES MOUNT 
- Mains power
- Fotga A50TL 5" 1920x1080p and Magic Arm
- ND & IR 77mm Filter available for an additional fee
- PELIC CASE

6.2 FIRMWARE with BRAW


All comes packaged in HARD PELI CASE with.

Rest assured you are renting from an experienced lender, with over 50 rentals completed. 


Shout with any questions!



The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.

The wireless range of both the hand unit and hand grips is 1,000 feet and with the planned upcoming transmission upgrade, the range can reach up to 1 ¼ miles! This makes it ideal for drone or car-mounted shots.

The hand grips can be attached to the included rosette mounts for handheld operation and can also be attached to top bar-based gimbals with the included Nucleus-M Hand Grip to Gimbal Adapters or to ring-based gimbals with the optional Nucleus-M Hand Grip Universal Gimbal Ring Adapters.

Each motor has its own built-in motor drive that communicates directly with the hand unit and hand grips. This negates the need to mount a separate MDR to your rig, allowing for a more compact camera setup and a quicker setup time. Simply set the motors and hand unit/hand grips to the same channel and you will have full control.

The motors allow for automatic calibration of the lens as well as manual calibration if you are using lenses that don’t have hard end stops at close focus and infinity.

The motors are designed to clamp onto 19mm or 15mm rods (with the included rod bushings). This clamp-on design allows you to easily attach and detach the motors without needing to remove any other accessory from your setup. Every motor has a 0.8 mod, 35 tooth, 32 pitch gear attached, which is the standard gear size for cinema lenses. The torque of the Nucleus-M Motor at 14.8V is 2.5N·m

To power the motors, only one power port on your camera rig needs to be used. Simply plug the P-tap power cable into one of the motors and then daisy chain power to the rest of the motors with the short 7-pin to 7-pin cables.

The hand unit and hand grips are each powered with two 18650 rechargeable batteries (batteries NOT included). When fully charged, the batteries in the hand grips last up to 2 days, while in the hand unit they last up to 10 hours.

Remote start/stop is possible by plugging a compatible Nucleus-M R/S cable into the open 7-pin port of a motor. This then gives you R/S capabilities through the hand unit and/or the handles.




- Camera Body  6.2 FIRMWARE with BRAW
- 0.71x EF Mount Speedbooster (This changes the mount from MFT to Super35 and also adds an extra stop of light to any attached lens.
- 6 x LP-E6 Batteries for all day shooting
- 1x 64GB v60 for 1080 Pro Res
- 1 x 1TB SSD Samsung T5 for 4K RAW 25p Lossless
- Mains power
- PELIC CASE


All comes packaged in HARD PELI CASE with.

A seriously portable and versatile kit.
Rest assured you are renting from an experienced lender, with over 50 rentals completed. 

Shout with any questions!

Sigma’s 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens covers a focal length from 17mm wide angle and offers a large aperture of F2.8 throughout the entire zoom range, making it ideal for many types of photography especially portraiture and landscapes. The OS, Sigma’s anti shake feature offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. HSM provides fast and quiet AF. Sigma’s own FLD glass elements, which have performance equal to fluorite along with two glass mold and one hybrid aspherical lens, provide excellent correction for all types of aberrations. The Super Multi-Layer coating reduces flare and ghosting. This lens boasts superior peripheral brightness and provides sharp, high contrast images even at the maximum apertures. With a minimum focusing distance of 11 inches throughout the entire zoom range and a magnification ratio of 1:5. If you need to be ready for any photographic opportunity, even low light, then this Sigma lens is perfect. Compact and light weight, it’s a necessary addition to your camera bag.

Samyang 50 mm T1.5 AS UMC has been designed for cameras and camcorders fitted with photosensitive 24x36mm or smaller sensor. It gives 46.2 degrees field of view, and thanks to high brightness value of T1.5 (f/1.4) it comes as a great tool in poor lighting conditions, ensuring splendid image quality and small depth of field.

Optics of the lens consists of nine lens elements arranged in six groups (including one aspherical and one hybrid aspherical lens element). To ensure high contrast and faithful colour reproduction, all lens elements have been covered with multi-layered UMC anti-reflective coatings.   

Samyang 50mm T1.5 VDSLR ensures exceptionally smooth and aesthetic mapping for out of focus areas beyond the focal plain, producing the so called bokeh effect. Thanks to the eight-bladed aperture, the subjects located outside the depth of field are shown with extremely smooth features. This feature will be appreciated by professional filmmakers and photographers taking portrait photos.

This is the Ultimate Indie Film package for all your needs.  BRAW AND PRO RES, HD, UHD AND 4K

NETFLIX APPORVED 

This includes
BMPCC4K with Small Rig Cage  6.2 FIRMWARE with BRAW
1TB SSD
METABONES 0.71 EF
VLOCK POWER SOLUTION 
2 VLOCK BATTERIES + Dual Charger
6 LPE6 BATTERIES
SmallHD Focus 5 Monitor
Aputure VS2 Fine HD 7" (AC Monitor)
Tilta Nuclues M Follow Focus
Samyang 24mm, 50mm, 85mm Cinema Lenes
Grey Card
Tripod
Boom Pole
H6 Zoom Box 
2 Sets of Radio Mics 
Clapper Board
Mattebox
IR Filter and ND Filters
Full Shoulder Rig
Top Mic
HDMI Splitter for Monitors
Peli cases

This is the Ultimate equipment list for the indie film maker. 

If you need a DOP or AC on shoot please drop me a message.

Please not this kit is only available for Collection in person from South London and will need to be dropped up to the same location at set time.

Thanks for looking and if you have any questions please feel free to drop me a line 

BMPCC4K  BODY 6.2 FIRMWARE with BRAW
6 LPE6 Batteries
Charger
Cage

- Camera Body 6.2 FIRMWARE with BRAW
- 0.71x EF Mount Speedbooster (This changes the mount from MFT to Canon EF Full Frame and also adds an extra stop of light to any attached lens.
- 6 x LP-E6 Batteries for all day shooting
- 1x 64GB v60 for 1080 Pro Res
- 1 x 1TB SSD Samsung T5 for 4K RAW 25p Lossless
- SmallRig CAGE /HANDLE/SSD MOUNT/METABONES MOUNT 
- Mains power
- Fotga A50TL 5" 1920x1080p and Magic Arm
- PELIC CASE



All comes packaged in HARD PELI CASE with.

Rest assured you are renting from an experienced lender, with over 50 rentals completed. 


Shout with any questions! As I have other items avaible 

- ND & IR 77mm Filter available for an additional fee
(Optional Vlock Power solution for an additional charge)



This is the complete Blackmagic Pocket Cinema Camera 4K accessories Kit for you to get started with your camera 

THIS DOES NOT INCLUDE THE CAMERA ITSELF

SMALL RIG FULL CAGE plus wire,ssd,speedbooster clap

6 LPE6 Batteries
Charger
RIG Handle 
Monitor fotga a50
XLR cables 
1 v60 SD cards
Dtap power cable 
any question please ask or if you need more pictures

Super Crisp and Sharp 5" Monitor with Sunhood and HDMI in/Out

1920x1080 IPS panel with instant pinch touch zoom like on smartphones
510 cd/m2
1500:1
4K HDMI inputs/outputs.

Built-in audio input
Multiple connecting holes (1/4",3/8" ,M6 and cold shoe connector)

5 built in LUTs and you can import extra 8 custom LUT files.
Dual battery compartment for NP-F NP-FM/QM batteries
Battery output to power your camera directly from monitor.
Features - Histogram / Audio Levels / False Colors / Peaking Focus Assist (Red, Green, Blue and white colors optional)/Zebra Exposure (1-100% adjustable)/Check Field.
Anamorphic Mode (2.35:1,1.33:1,)
Image Flip(vertically) / Image Freeze / Safety marker / Center Marker
Ratio marker (4:3,16:9,16:10,5:4,1.85:1,2.35:1)

14mm lens with approximately 115.7° angle-of-view on full-frame cameras
Industry-standard gearing for focus and aperture rings
"Declicked" aperture ring for smooth iris pulls
14 elements in 10 groups with 3 high refractive index elements, 2 ED element, an aspherical hybrid element and a aspherical glass element
Ultra Multi Coated lenses minimize flare and ghosting
A minimum focusing distance of 11.02"
A built-in petal-type lens hood

Helps generate higher quality images with clearer and sharper definition

Transmits only light in the visible spectrum

Blocks UV rays below 390nm

Blocks Infra-Red (IR) rays above 700nm



GFeatures & details

Prevents most reflections on all non-metallic surfaces

Slim mount made from aircraft aluminium, also with super wide angle lenses 

Richer colours and better image saturation



Optical
Canon EF mount lens to Blackmagic Design cameras with M43 mount, specific for BMPCC4K.
Increase maximum aperture by 1-stop. (with a maximum output aperture of f/0.9).
Increase MTF.
Makes lens 0.71x wider.
Patented 6-element/4-group optical design by Caldwell Photographic in the USA.
Electronic
Lens iris/aperture is set by the controls on the camera body.
Smooth iris support with the latest Canon (2009+), Tamron (SP series 2013+) and Sigma (2016+) lens models.
Image stabilization (IS) lens support.
Push autofocus if supported by camera.
Cinema EOS lens support (CN-E 18-80mm T4.4 L), including AF (requires external 5V power via micro USB port), auto iris and servo zoom.
Powered by camera body. With most lenses, no external power source required.
Mechanical
Patented positive-lock EF lens mount.
Detachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo Clam or attach to quick release plate by a 1/4"-20 screw. 
The tripod foot is tailor-made to match the exact height as the BMPCC4K camera body.
Flocking to reduce internal reflection.
Rubber gasket protects M43 mount connection from dust and moisture.
Aluminum alloy and brass construction with chromium plating.
Satin surface finish.




he Tiltamax Gravity G2X Compact Handheld Gimbal System uses the same technology as the Tiltamax Gravity 3-Axis gimbal to stabilize camera systems but in a smaller, more compact setup. With a maximum payload of up to 8 lbs.

The Gravity G2X features a 45 degree-angled roll motor, which gives you more room to balance longer camera setups. This angled design also allows for unobstructed viewing of your camera’s monitor.

The gimbal allows for full 360 degree rotation on the pan and tilt axes as well as 60 degree rotation to the left and right on the roll axis.

Four distinct operation modes are available: pan and tilt follow mode, tilt lock mode, fully stabilized mode, and roll lock mode. These modes plus the ability to undersling your camera give you endless possibilities to achieve whatever shot you have in mind.

The Gravity G2X is powered off of four 18650 rechargeable batteries which last up to 10 hours of operation when fully charged (batteries not included). A 14.8V 5.5mm x 2.5mm DC in/output port at the base of the pan motor allows for alternative ways to power your gimbal and also provides a way to power external accessories through the gimbal itself (the port provides 3 amps max). A 5V Mini USB port on the tilt motor allows you to easily power the motor for the upcoming Nucleus Nano remote follow focus.

The sliding quick release plate of the Gravity G2X is a standard Manfrotto plate which allows you to quickly and easily slide off of the gimbal and mount to a Manfrotto tripod in no time. 

The Gravity G2X features a 45 degree-angled roll motor, which gives you more room to balance longer camera setups. This angled design also allows for unobstructed viewing of your camera’s monitor.

The gimbal allows for full 360 degree rotation on the pan and tilt axes as well as 60 degree rotation to the left and right on the roll axis.

Four distinct operation modes are available: pan and tilt follow mode, tilt lock mode, fully stabilized mode, and roll lock mode. These modes plus the ability to undersling your camera give you endless possibilities to achieve whatever shot you have in mind.
The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.

The wireless range of both the hand unit and hand grips is 1,000 feet and with the planned upcoming transmission upgrade, the range can reach up to 1 ¼ miles! This makes it ideal for drone or car-mounted shots.


Allowing you to mount a Canon FD lens on a Micro Four Thirds camera body, this Lens Turbo Adapter Mark II from Mitakon Zhongyi is a manual adapter that maintains infinity focus and image quality, and well as increases the maximum aperture and angle of view. Four elements are featured in the adapter's design, including one extra-low dispersion element, which helps to deliver a well-corrected image with edge-to-edge sharpness and illumination. This optical design also condenses the light reaching the sensor in order to gain one effective stop of light and increase the angle of view by 0.726x to somewhat lessen the crop factor of Micro Four Thirds cameras.

In addition to the optical design, this adapter features a durable metal housing along with stainless steel mounts for secure lens-to-adapter and adapter-to-camera connections. As a manual adapter, electronic communication, including aperture control and autofocus, is not supported between the camera and lens.

 The DeWalt brushless motor delivers reduced friction, better runtime and a longer tool life compared to brushed motors.

Multi-material: 185 mm Japanese tungsten carbide tipped (TCT) blade included cuts steel, aluminium, wood with embedded nails, plastic and more
Powerful: 1600 W hi-torque motor, optimised gearbox and blade system, increases motor and blade life to cut through a variety of heavy-duty materials. Electric brake stops the blade in seconds for additional safety
Accurate: 0˚ - 45˚ bevel and 0 – 64 mm adjustable cutting depth with ergonomic, soft grip handles provide maximum control, versatility and precision. Channelled air flow and base indicators ensure optimum visibility of your cutting line
Instantly workable finish - No heat and no burrs and virtually no sparks when cutting mild steel

Reengineered for More Ambitious Camera Setup
It is not simply an upgrade but reconstruction. CRANE 3S is constructed with brand new SUPER motors which allow for 6.5kg payload for a wide range of camera setup including Canon EOS 1DX, Blackmagic Pocket Cinema Cameras, and even Canon Cinema EOS, Sony FS & FX series, and Red Digital Cinema Cameras.

Phenomenal Speed Seriously Smooth
To facilitate powerful features in various shooting environment, CRANE 3S is driven by a new algorithm system which enables phenomenal responsive speed and smoothness. In fast action shoot, CRANE 3S is able to resist high winds and G-forces without compromise.

Wider compatibility is the goal but flexibility is provided. For larger cinema camera combos, users can attach an extension module onto roll axis for more space, while for smaller DSLR combos, the extension module can be detached for greater portability.

 Рrоbаblу thе bеѕt-ѕеllіng рrесіѕіоn рrоfеѕѕіоnаl vіdео lіght іn thе wоrld, thе Dеdоlіght іѕ nоw іn іtѕ fоurth gеnеrаtіоn. Тhіѕ kіt соntаіnѕ thrее 150w DLН4 hеаdѕ рluѕ роwеrрасkѕ, аlоng wіth а ѕwаthе оf іnvаluаblе ассеѕѕоrіеѕ, іnсludіng ѕtаndѕ, bаrndооrѕ, gеl hоldеrѕ, lаmрѕ, а hаndу сlаmр аnd а ѕmаrt, hіgh quаlіtу trаnѕроrt саѕе.

Aladdin ALL-2BI-KITG (ALL2BIKITG) ALL-IN 2 BI KIT (100w Bi-Colour). Aladdin goes Colour
Can you imagine a filmset without LED lights anymore? Proba­bly not. The industry is changing and LED lights became a major deal in the workflow. Most people go for LED lights on their sets and we understand why and how they choose their gear. This is the reason for our endless journey to provide the best LED light sources for the industry. You need just the best of the best and none less. Today is the day we are introducing the brand new Aladdin ALL IN 2. The Aladdin ALL IN 2 is the result of innovation and feed­back from the community. By using Aladdin products you are part of the ALL IN 2 journey and helped us create an ingenious light panel for you. Starting with an incredibly compact built-in dimmer on the back of the panel. Less weight, easier handling and much...

COMES WITH STNAD AND OPTIOn for BATTERY POWER

77mm CineBloom Diffusion Filter 10%

atch and bloom light but soften hard edges and provide a smoothing effect on skin tones, making wrinkles less noticeable. The glass itself is made by fusing a microlayer of NanoBlack particulates between two layers of top-grade Japanese filter glass, allowing us to maintain full image quality. The ring of the filter is precision machined from aerospace-grade metal and designed to be thin enough to stack underneath another filter without compromising the field of view. This means you can use an ND or VND on top of it for shooting cinematic frame rates and capturing motion blur.


• Step up rings, also known as adaptor rings, allow you to use filters and accessories that are

not the same size as your camera's lens. Lenses and filters come in a large range of types and

sizes and unfortunately they don't always fit together correctly. Fortunately there is a step up

or step down filter for just about any need.

ow step up rings work

• Step up rings provides a way to fit a larger diameter filter or accessory onto a smaller lens.

The step up rings screws onto your lenses threading and provided a larger thread with

18 RINGS in total 

37mm-49mm Step-up ring x 1
49mm-52mm Step-up ring x 1
52mm-55mm Step-up ring x 1
55mm-58mm Step-up ring x 1
58MM-62mm Step-up ring x 1
62mm-67mm Step-up ring x 1
67mm-72mm Step-up ring x 1
72mm-77mm Step-up ring x 1
77mm-82mm Step-up ring x 1
49mm-37mm Step-down ring x 1
52mm-49mm Step-down ring x 1
55mm-52mm Step-down ring x 1
58mm-55mm Step-down ring x 1
62mm-58mm Step-down ring x 1
67mm-62mm Step-down ring x 1
72mm-67mm Step-down ring x 1
77mm-72mm Step-down ring x 1
82mm-77mm Step-down ring x 1

 Sandbag suitable for up to 7kg's of sand. Saddle type with ARRI logo, Can be used as a ballast for lighting stands and other photographic / video equipment.

Calumet ND filter, 72mm with 58-72 ring adapter so that it works on a plethora of lenses with 58mm. This minimises vignetting. Watch out for a slight colour shift but hey, you get daytime bokeh in video! - only available when renting a lens or body.

Tiffen ND Solid PV 4x5.65 Filter Set including 0.3 0.6 0.9 and 1.2

VAT included in price

Marumi 52 mm Digital High Grade ND64 Filter for Camera
perfect for the Canon EF-S 24 mm f/2.8 STM Lens 

Tiffen 4x4 Double Fog 1/8
Tiffen 4x4 Double Fog 1/4
Tiffen 4x4 Double Fog 1/2
Tiffen 4x4 Double Fog 1
Tiffen 4x4 Double Fog 2
Tiffen 4x4 Double Fog 3
Tiffen 4x4 Double Fog 4
Tiffen 4x4 Double Fog 5

Tiffen variable ND filter 77mm, allows light control from 2-8 stops.

Tiffen 77mm Variable Neutral Density (ND) Filter.

Provides 2 to 8 Stops of light control.

Fat Llama first timers, please feel free to use my discount code for £25 credit! Link - https://fatllama.com/r/jess-60ed4

Includes:

- 2 x 77mm Tiffen Variable ND Filters
- 2 x Protective Boxes

All my kit is maintained and kept with love. Any questions please don't hesitate to get in touch. x

Fat Llama first timers, please feel free to use my discount code for £25 credit! Link - https://fatllama.com/r/jess-60ed4

Includes:

- 77mm Tiffen Variable ND Filter
- Protective Box 

All my kit is maintained and kept with love. Any questions please don't hesitate to get in touch. x



Provides 2 to 8 stops of light control
Thin profile ring - 9mm
Wider outer optic to help reduce vignetting at wide angles
Made with high quality optical glass using Tiffen's ColorCore technology
Made in the USA

We have here the 77mm Tiffen Black Pro Mist 1/8th filter great for diffusing images from the Blackmagicdesign Pocket Cinema Camera 4K or the Panasonic GH5 or GH5S or any digital camera.


FILTER CARE
*Please do not touch the surface of the filter or the back glass or clean the lenses with anything other than a lint free photographic cloth*
*Keep caps on if not shooting or when transporting*

Diffusion filter which alleviates overly sharp digital images and blooms highlights.

TIFFEN PV ND SET
ND: 0.3, 0.6, 0.9
IRND: 1.2, 1.5, 1.8, 2.1

4x Filters: £30

Full set: £40

Also:
Tiffen ND Soft Edge Grad Set: 0.3, 0.6, 0.9, 1.2
Hot Mirror
138mm Diopter set: 1/2, 1, 3 (£25)
Tiffen Rotating Polar (£15)

Tiffen 4x4 Neutral Density (ND) Set.

ND 0.3, 0.6, 0.9, 1.2

IRND 1.2

ND Soft Edge Grad 0.6, 1.2

Custom package containing:

Zhiyun Crane 2 with 3 extra batteries and charger
Tiffen 77mm VND Filter
Sigma Art 18-35mm lens

Tiffen Black Pro Mist 1/8 77mm filter, great for defusing and getting away from the ‘digital look’ and smoothing out skin tones, giving footage a more cinematic look.

Tiffen ND Soft Edge Grad Filter Set: 
0.3, 0.6, 0.9, 1.2

The Schneider Kreuznach 35mm LS lens is designed for ultimate quality wide angle imaging on medium format 645 format.  •This is a true architectural quality lens, challenged only by dedicated technical camera lenses. •The professional choice for wide-angle, providing quality in both flash and daylight shooting.  - Tack sharp wide-angle lens - Full frame edge-to-edge sharpness - Minimum optical distortion  - Flash synchronization up to 1/1600th - Schneider Kreuznach “Blue Ring” design

Kit includes +1, +2, +4 diopters, all 77mm filter thread.

A warming filter that can help to correct skin tones whilst shooting tungsten stock. Can also be used for creative photography and film work.

Warm promist filter set including 

1/8, 1/4 and 1/2 and all filters are 4x4



Lensbaby OMNI Creative Filter System Large for filter thread sizes 62-82mm

-Step down rings to fit lenses from 62mm - 82mm thread size.


Kit include: 

-0.3 Filter
-0.9 Filter
-1.5 Filter
-1.8 Filter

IRND 4x4 Filter, we also have gradual ND if needed. 

Please message us to arrange pick up and drop-off time BEFORE you make the booking.
Any enquiries please call us on 07543193905 or 07565861652

DELIVERY Available from £10 (Zone 1-2)

-------------------------

Yellow Cactus is your local video and photography gear supplier. We are a small team
dedicated to your equipment needs. Flexible pick-up and drop-off. Please message us
if you have any questions. 

-EQUIPMENT AVAILABLE-

--Cameras--
Red Komodo 6k S35 EF Mount
1x Blackmagic Pocket Cinema Camera 6k EF 
2x Blackmagic Cinema Camera 2.5k MFT
1x Panasonic GH4 
1x Mamiya RB67 Pro S w/ 50mm & 90mm

--Lens PL--
SLRMagic 35mm t2.4 1.33x
SLRMagic 50mm t2.8 1.33x
SLRMagic 70mm t4 1.33x

--Lens EF--
Xeen 16mm 2.9t
Xeen 20mm 2.4t
Xeen 24mm 1.5t
Xeen 50mm 1.5t
Xeen 85mm 1.5t
Sigma Art 18-35mm f1.8
SLRMagic 35mm t2.4 1.33x
SLRMagic 50mm t2.8 1.33x
SLRMagic 70mm t4 1.33x

--Lens MFT--
Xeen 16mm 2.9t
Xeen 24mm 1.5t
Xeen 50mm 1.5t
Xeen 85mm 1.5t
Samyang 16mm 2.2t
Lumix G Vario 14-140mm f3.5/5.6

--Lighting--
Arri Skypanel S60C
8x Astera AX1 Pixel Tube Kit
1x Astera ART7 AsteraBox 
1x Aputure 300X Bi-Colour
1x Aputure 300D Mark ii 
2x Aputure Nova P300C
4x Dedolight DLH4 150w Kit 
2x RGB Led Panels
2x Bi-Colour LED Panels
6x Nanlite Pavotube 6C ii
Digital Sputnik Voyager (2x4ft and 2x2ft)  
Bowen Light Modifiers (Light Dome, Softbox, Fresnel 2x and Barn Doors)

--Monitoring--
Teradek Bolt 300 HDMI and SDI with 2 Receiver
Teradek Bolt 500 HDMI and SDI 
Atomos Shogun 4K 7” SDI-HDMI 
FeelWorld FullHD 7” HDMI 
Smallhd Focus 7” Wireless RX Bolt 500
Directors Monitor 9” HDMI and SDI
Directors Monitor Cage with V-Lock Plate

--Camera Accessories--
Freefly Movi Pro with Mimic and Ignite
EasyRig Minimax 2-7kg 
Ready Rig GS with Pro Arms
Zhiyun Crane 3S Pro Kit
2x Tilta Nucleus-M with 2 Motors and Handles 
Tilta Nucleus-N with 1 Motor 
Tilta Manual Follow Focus
Tilta Shoulder Rig 
DJI Ronin-M with Extension Arm
DJI Ronin MX with Ring Grip
Steadicam Zest with Vista II Arm & Vest
Formatt IRND Filter Kit 4x4 (0.6, 0.9, 1.5, 1.8)
Supreme Dolly ProAim with 24ft Tracks, Platform and Curved Tracks
Car Mount with Suction Cups - Holds up to 20kgs 

--Sound--
2x Sennheiser MKH-416 P48
Zoom F6 Field Recorder 
Zoom H6 Handy Recorder 
Zoom H4n Pro Handy Recorder
Boom Pole with built-in XLR cable (Max 3m)
Rode Blimp 2 with Deadcat 
Rode Link Wireless System with Phantom Power
Rode Stereo Video Microphone 
Yamaha HS80m (Pair) Active Studio Monitor

--GRIP--
3x C-stand
2x Heavy duty stands
4x Small Stands 
4x Baby Plate
10x Sand Bags


--Other--
2x 20m 13amps Extension
1x 25m 13 amps Extension
1x 25m 16amps Extension
Panavision Clapper

YC Team



Provides 2 to 8 stops of light control
Thin profile ring - 9mm
Wider outer optic to help reduce vignetting at wide angles
Made in the US with high quality optical glass using Tiffen's ColorCore Technology
Makes long exposures easier to handle

Tiffen 77mm Variable ND Filter with 72mm Step Up Ring

Compatible with all 77mm and 72mm lens diameters.
__________________________________

SIMILAR KITS AVAILABLE:

- Sony a7sii with Samyang Cine Lenses (24mm, 35mm and 85mm)

- Sony a7sii Camera Body

- Sony a7sii with Ronin-S, Feelworld 5.7" monitor and 24mm, 35mm and 85mm Samyang Cine lenses
__________________________________

OTHER GEAR AVAILABLE:

Cameras: 
- Sony FS7
- Sony a7sii
- Fuji X100T
__________________________________

Lenses: 
- Sony 28-135mm F4 G Power Zoom
- Samyang Cine Lenses 24mm, 35mm, 50mm, 85mm
__________________________________

Sound: 
- Rode NTG4+
- Zoom H5
- Rode Blimp
- Rode Boompole
- Sony MDR-7506
- RodeLink Filmmaker Kit
- Sony UWP-D11 Radio Mic
__________________________________

Lighting: 
- Litepanels Gemini 2x1 RGBWW LED Panel
- Aputure 300d ii
- Aputure 120d ii
- Aputure Light Dome ii
- Aputure Lantern
- Aputure Barndoors
- Aputure 2x Fresnel
- Litepanels Astra 1x1
- 2 x Litepanels 1x1 Bi-Colour LEDs
- 2 x Aputure LEDs
- Aputure M9 Credit Card LED
- 2 x Arri Lighting Stands
- 2 x Dimmable Redheads
- 2 x Fluorescent Softbox Lights
- C-stands
- Combo stand
__________________________________

Other: 
- Miller Compass 12 Tripod
- DJI Ronin-S Gimbal
- SmallHD Focus SDI kit
- Zacuto VCT kit
- Chrosziel matte box
__________________________________

Thanks for viewing this item and please feel free to browse my other listings for additional video production equipment.

Rotating ring between ND2-400 giving great versatility in changing light. Reduces the amount of light without effecting colour balance
Ultra slim rim profile to avoid vignetting on wide angle lenses. Extra tough Magnalium frame ensuring durability and jamming prevention
Eliminates overly bright & washed-out images. Enables slow shutter speeds to record movement in subjects such as waterfalls providing a silky smooth effect to flowing water
Decreases depth of field by allowing a wider aperture, helping to separate subjects from their background.

Scneider ND filter. ND 0.3, 0.6, 0.9, 1.2, in 4"x5.65"

Other filters available in many different sizes.

52mm variable ND filter - great for reducing the light entering your lens on a sunny day or when doing long exposures

Hama ND2-400 variable ND filter 62mm

This 62mm variable ND filter gives you the flexibility to reduce your exposure from 1 stop through to 8 2/3rds

** PLEASE ASK FOR AVAILABILITY BEFORE BOOKING**

√ Collection & Return is from EC1V 4JZ (Outside Pret a Manger)
√ Late Returns (Over than 24 hours) will cost extra as 1x day rental

Product Highlights
* Rotating ring between ND2-400 giving great versatility in changing light. Reduces the amount of light without effecting colour balance
* Ultra slim rim profile to avoid vignetting on wide angle lenses. Extra tough Magnalium frame ensuring durability and jamming prevention
* Eliminates overly bright & washed-out images. Enables slow shutter speeds to record movement in subjects such as waterfalls providing a silky smooth effect to flowing water
* Decreases depth of field by allowing a wider aperture, helping to separate subjects from their background. The variable ND filter is not recommended for use with a wide-angle lens. Lens caps and hoods are also not compatible.


Check out my profile for more items...

 The Gobe 67mm 1Peak NDX is the perfect filter for capturing the motion of water by reducing light intake and allowing a slower shutter speed. Ideal for shooting waterfalls, rivers, the ocean washing over rocks and surfers flying across the waves. It also facilitates a wider aperture allowing a shallow depth of field all without affecting the colour balance of the image.

The Gobe 58mm 1 Peak NDX is the perfect filter for capturing the motion of water by reducing light intake and allowing a slower shutter speed. Ideal for shooting waterfalls, rivers, the ocean washing over rocks and surfers flying across the waves. It also facilitates a wider aperture allowing a shallow depth of field all without affecting the colour balance of the image.

√ Collection & Return is from EC1V 4JZ (Outside Pret a Manger)
√ Late Returns (Over than 24 hours) will cost extra as 1x day rental

Product Highlights
* Rotating ring between ND2-400 giving great versatility in changing light. Reduces the amount of light without effecting colour balance
* Ultra slim rim profile to avoid vignetting on wide angle lenses. Extra tough Magnalium frame ensuring durability and jamming prevention
* Eliminates overly bright & washed-out images. Enables slow shutter speeds to record movement in subjects such as waterfalls providing a silky smooth effect to flowing water
* Decreases depth of field by allowing a wider aperture, helping to separate subjects from their background. The variable ND filter is not recommended for use with a wide-angle lens. Lens caps and hoods are also not compatible.


Check out my profile for more items...

67 and 72mm step-down ring is also available
- Highlight flares are controlled.
- Contrast is lowered, but with less lightening of shadows for a more delicate effect
- Creates a soft light "pastel" effect
- Delicate effect with contained highlight flare

Its unique layering of contrast combined with a gauzy paint like halation, function as a twist on the stand of the pro halation spill effect. Even at its lowest density, it delivers an effective and increase in the halation which adds a pleasing depth of warmth, but is not transported to the skin tone values.

Tiffen ND NDIR Filters PV 4x5.56

Set of 4
0.3 0.6 0.9 1.2

These ND filters block out IR light as well as the standard spectrum to avoid any unwanted colour shifts

All NDs come in individual pouches

Set of original Promist from 1 to 5 in strength. I like these compared to Black Promist, as they soften the whole image evenly instead of just the highlights, which gives a more natural lens look.

Whole kit is square 4x4 size meant for use in Matte box and includes the following filters:  2, 3, 4 & 5

Tiffen Black Pro Mist 1/8 Filter in perfect condition. Fits  all 77mm lenses or can be adapted for use with a step up ring.

Nisi variable ND filter 77mm 1.5 - 5 stops

Description

Location

Item lent by Aspire

Other items from Aspire

FAQs

Nisi variable ND filter 77mm 1.5 - 5 stops

Explore other options around London