The Pioneer DDJ-400 is a compact, entry level DJ controller laid out very similarly to a typical Pro DJ setup.

Excellent Makita combi drill perfect for DIY projects 

This can be used with rekordbox without a licence key. The Pioneer DDJ-400 is a compact, entry level DJ controller laid out very similarly to a typical Pro DJ setup. 

Rent this for whatever occasion you need. Message me for more details

Pioneer CDJ 900 pair + DJM450 mixer. Comes with all cables and headphones. USB, CD and digital vinyls system compatible. 

Classic Pioneer ddj-sb2 available to rent including Serato DJ Pro software. Includes connecting cables and carry case. 

Super easy usb set up!! 

I will price match if you’ve seen a comparable item cheaper elsewhere! 

2m by 1m stage deck inc legs or 1m by 1m (same price)

this listing is for 1 stage deck but we have around 30 of them available 

we also have stage steps, stage handrails, valance skirts, backdrops etc 

Collection / return from NW11 6JJ.  We can quote on delivery, set up and collection, message us for a quote. 

We have a large stock of Sound Equipment, Lighting, AV equipment, Staging, Furniture,etc.   Please see our other items or send a message if you cant see what you need. 

We are totally reliable.  Please see our reviews on here which speak for themselves and our 5 star rating.

Thanks


Pioneer HDJ-1500-K 
Fully-enclosed, dynamic headphones
50 mm dome type
3.5 mm stereo mini-jack 
1.2 m side mount coil cable 
285 g
Max Imput: 3500 mW
Output: 108 dB
Freq: 5 - 30000 Hz

The HDJ-1500s don’t have the luxury of the HDJ-2000s, especially in the ear cups which are only so-so comfort wise, but these are nonetheless a DJ headphone that ticks just about every box. They look great, there’s plenty of metal and leather involved, they sound good, they isolate well, and all the part that matter are serviceable.

If you’re looking for Pioneer, you can’t or don’t want to stretch to the HDJ-2000s, but want something more pro than the HDJ-500s, then you’ve probably already got your eye on a pair of these. I can happily report that you needn’t worry whether they’re up to the job: They are.


My amazing XDJ-RX2, 2 channel, all-in-one set up is available to hire now!

My equipment is always kept in immaculate condition: dust, finger print and scratch free; making it the ideal environment to practice mixing, perform to crowds, or transport with you elsewhere. Thanks the hard-waring Gorilla flight-case, the unit is easy to take from place to place with all the leads fitting neatly inside.

The plethora of leads provided inside the flight-case include 2x XLR, 2x 1/4 inch Jack, RCA-to-Aux, Power & USB cables. I also have a range of other leads that I will happily provide on request.

Please get in touch, I'd be happy to answer any questions you have and look forward to arranging a hire with you!

Toby 😇

The Reloop RP7000 MK2 is the next generation DJ turntable for club DJs and turntablists building on the successful RP7000

2x Pioneer CDJ2000 NXS 2 decks and a DJM900 NXS 2 mixer with a flight case. Comes with all cables. Can also supply studio Rokit speakers and subwoofer. Contact me for more information.

Recently serviced Pioneer PLX-1000 available for rent w/ Ortofon Pro S cartridge and slip mat.

This turntable/mixer combo includes a pair of Technics 1210 and an Allan & Heath Xzone 23 Mixer

NO TONE ARM CLIP OR HEADSHELL OR DECK LIGHT.

Only used twice! RRP is £60. 

Turntable with built-in speaker, but also has an RCA out port to connect to external stereo (cable included). 

Also has the ability to record vinyl to USB (and has USB drive included!)

SAME DAY DELIVERY AVAILABLE

Pair of industry standard Pioneer CDJs 

Includes: 

- Pioneer CDJ 2000 Nexus Multiplayer X2
- 2x Power cables 
- Link cable (for CDJs)
- 2x Phono cables 
- 2x Flight cases 
- Stand (if required)

!!!USE MY PROMO CODE (8442D600) FOR 10% DISCOUNT!!! 
All equipment is well maintained with the latest software updates. 
This listing is for 
2x Pioneer CDJ 2000 NXS
2x Red hard shell Pioneer Flight case
All cables and wiring
Delivery and collection can be arranged for an additional fee.
Thanks for stopping by and please take a look at my other listing for DJ equipment as well as sound and lighting packages. 

This listing is for a pair of Industry standard Technic 1210 mk3 decks with flight cases and slip mats. Please note that cartridges/needles are not provided with the turntables I have Orfoton and Technics which are available for an additional fee. Delivery and collection can be arranged! I’m also able to provide various CDJs, mixers, speakers and lighting. Please see my other listings for details! 




- 1 x CDJ 2000 NXS2
- Comes with all cables and in flight case for safe travel. Please keep in the flight case.

- 2 x CDJ 2000 NXS2
- Comes with all cables and in flight cases for safe travel. Please keep in the flight cases. 

 Wires included. THIS IS ONLY COMPATIBLE WITH SERATO 

All in one Pioneer DJ Controller. External use or Rekordbox Compatible. With carry case and wires.

2 x HEAVY DUTY MULTI-FORMAT TURNTABLE CASES - especially designed to fit Technics SL-1200/1210 Turntable.

One size fits all! Designed and made by trusted, industry leading MAGMA for ultimate protection and transportability.

Includes several foam pads to accommodate various new models such as a Pioneer PLX-1000, Mixars LTA and other models from Stanton, Vestax, Reloop, American Audio or Numark.

Design allows wires and plugs to sit under turntable when transporting, unlike other models that require tightly packing down the side.

Specs:

Heavy duty construction of 9 mm vinyl laminated plywood

Solid aluminum profiles and 2 x spring loaded butterfly locks

Secure stacking due to stackable ball corners

Adjustable top foam pad to hold platter in place.

External Dimensions (mm)	520 x 220 x 430
Interior Dimensions (mm)	455 x 75 x 365

The 2000 NXS2's are the top. Of the range pioneer decks out there currently, with every specification a dj might need it's the safest options to rent. Pioneer, 7” touch screen display wih Rekord box. Compatle with USB, SD, CD and Laptops. Price listed is for the pair all cables inclided. Delivery set up and pick up excluded but can be arranged 

Heavily upgraded Technics decks with X2 mixer that can be used with digital vinyl/Traktor. Comes in a custom made Swan flight case.
* Matte Black Paint Job
* Ortofon Concorde DJ S Cartridges and Stylus
* Upgraded tonearms
* Blue Led Upgrade
* pitch control upgraded

There are other upgrades I had done by Turntable Pimp but I can't remember all of them off the top of my head.

Industry standard CDJ 2000 Nexus 2. Supplied with carry case and audio cables. DJM900 Nexus 2. Also Available in packages. Nexus 1 range also available. 

TT250USB is a professional direct-drive turntable with a high torque motor ideal for turntablists

Rent this for whatever occasion you need. Message me for more details. 

Great TTL Auto Flash Compatibility: Godox AD400Pro is Compatible with Canon E-TTL II, Nikon i-TTL Autoflash, Sony, FUJIFILM, Olympus and Panasonic TTL Autoflash System. With Master＆Slave Function, AD400Pro Can be Used in Combination with Godox TTL Camera Flashes, TTL Outdoor Flashes, etc
All-in-One Outdoor Flash: 400Ws Strong Power, 0.01-1s Recycle Time, 12 Continuous Flashes in 1/16 Power Output, 30W LED Modeling Lamp, 390 Full Power Pops, Stable Color Temperature(change within ±75K over the entire power range in color temperature mode)
Two Power Supply Methods: 21.6V/2600mAh large capacity Professional lithium battery pack provides 390 full power flashes and recycle in 0.01-1 second. You can also purchase the Godox AD-AC Power Source Adapter to freely choose DC or AC power source
Small, Light Weight and Portable: Godox AD400Pro weights 2.1Kg with the small size of 220*102*128 mm(without the flash tube and reflector). With Type-C USB port to achieve firmware upgrade. With 3.5 mm sync cord jack to achieve multiple sync triggering methods

Technics 1200mk2, slipmats and needles. Immaculate condition ready to use. 

Pioneer XDJ1000MK2 single, with flying case abs cables 

Turbo Sound Active PA system : 

 Pair of 18'' Subs or 15'' milan or iq  
Pair of IQ12 satellite Speakers  
Pair of DJ monitor Speaker 12''  

 DJ equipment ; 
 Pioneer DJM300S 
Technics 1210MK2

DJ decks   Multimedia player.    Recordbox.         USB players.                                                                 This listing is for a pair of                         Pionner XDJ1000 MK2. With all cables and transport hard cases 

HIRE IS BASED ON DAILY PRICE, WEEKLY PRICE (CHARGING 5 DAYS PER WEEK) AND MONTHLY PRICE (CHARGING ONLY 3 WEEKS) 
I can arrange this unit to be delivered as long as we arrange a halfway point for us both.
Alternatively, you can pick it up from my place, whichever is easier for you, I'm very flexible.
A pair of Technics SL1200/10 MK2, needs no introduction, industry standard, slipmatts and Stanton Groovemaster II, constantly serviced for top performance.
Get in touch for longer period deals.

Numark Pro tt-1 Professional Direct Drive Turntable DJ Turntable
Without Dust Cover hinges.
Start/Stop and speed control
Quartz 33-45-78RPM
Numark Groove cartridge
Very Heavy in weight and duty

HIRE IS BASED ON DAILY PRICE, WEEKLY PRICE (CHARGING 5 DAYS PER WEEK) AND MONTHLY PRICE (CHARGING ONLY 3 WEEKS) 

Technics SL1200 MK2 needs no introduction, industry-standard, slipmats and Stanton Groovemaster II, regularly serviced for top performance.

Industry standards: Technics SL-1200


Dimensions MK1: 45.3 cm (w) x 36.6 cm (d) x 18 cm (h)
Dimensions MK2: 45.3 cm (w) x 36 cm (d) x 16.2 cm (h)
Weight: 11 kg (net, unboxed without lid)
Voltage: 220 V / 110 V (selectable)
Pitch Control: +/- 8%
Starting Time (MK2): 0.7s
Rotation Speeds: 33-1/3 & 45 rpm

SL-1200 features include:

Magnetic (no wear), direct drive (low slip) mechanism.
High torque (1.5 kgf·cm or 0.15 N·m), which means the platter spins at the desired speed almost immediately (0.7 seconds to reach 33 ¹⁄₃ RPM from standstill), and rapidly reacquires the desired speed, without "overshooting", if the platter is dragged or nudged—this aids beatmatching.
Low wow and flutter (0.01%), implying that the platter stays within 1/100 of 1% of the desired speed.
Heavy base (2.5 kg), and increased isolation of platter from base, reduced the likelihood of feedback or stylus jumping.
Variable pitch control, allowing the rotational speed to be adjusted from -8% to +8% (for the purpose of beatmatching).
High reliability: many examples of SL-1200s lasting well over 15 years of heavy use and withstanding physical shock without functional impairment.
S-shaped tone arm: No longer popular on high end hi-fi turntables.


"DJs all over the world know the 1210," says Christian Hoffmann, the head sound tech at Tresor in Berlin. "Most of them know how to handle them. They know how they react. They don't want to try new turntables they don't know, even if there is no big difference between them." Their continual ubiquity is, in a sense, the result of their continual ubiquity. 

DJs make much of the 1200's tough-to-replicate tactility, but anyone who's owned a pair and really put them to work can attest to their near-indestructibility. Stories abound of the early days of hip-hop in the Bronx, where DJs would throw their decks in car trunks and plunk them down in whatever courtyard or gymnasium was home to the party that day. They can be covered in gashes, dents and cigarette burns and play just as well as one right out of the box. "I've heard of them getting run over by cars and still holding up," says Justin Carter of Brooklyn's Mister Saturday Night party, whose mobile soundsystem still uses half of his first pair, procured as an undergraduate at NYU from a scratch DJ in the South Bronx. "We have only ever had to get rid of one turntable. I can't remember what the specific problem with it was, but we were able to use it for parts, so it was still useful." 

The machines aren't flawless, but their less durable bits—an easily broken grounding wire and RCA cables, pitch adjustment sliders in need of recalibration, connections in the tonearm that grow famously testy as they oxydize—are known quantities to sound technicians and come with their own unconventional fixes. (As a college radio DJ many years back, I was shown a workaround for the latter problem during a mandatory equipment training session: stick the eraser-end of a pencil inside the tonearm, apply pressure and give the pencil a few turns. The more common solution—licking the connections on the back of the headshell—would only worsen the problem over time and wouldn't be tolerated.) Some regular tonearm and tracking force calibration, and the occasional new set of cartridges, is basically all the TLC most 1200s will ever require. 

As of 2010, citing poor sales and dwindling parts suppliers, Panasonic discontinued the Technics 1200, meaning our fetishization of the deck will likely only increase. One wonders if their epic lifespans are eventually what did them in—if very little about a product ever changes, and if the pair you bought ten years ago (off a DJ who had been using the pair for ten years before that) still works like new, why would you ever buy a new set? For the time being, nearly new decks are still common on Craiglist and eBay. (I recently bought a pair of well-functioning 1210 MK5s out of a basement in Berlin—and paid more than double what a box-fresh pair cost me in 2006.) But it seems obvious that one day these workhorses will cease to bounce back so effortlessly, that decades of spilled drinks and tumbles down stairs will take a toll. Daydreamers of a certain sort might revel in the thought of a few more fresh ones magically appearing on the shelves. Eamon Harkin, the other half of Mister Saturday Night, who I'd guess fits that bill, came late to the conversation Carter and I were having about the decks. "The piece sounds interesting," he said after getting up to speed. "Hopefully it'll inspire someone to start manufacturing Technics again." 





"Industry standards: Technics SL-1200


In the first of a new six-part series, RA's Jordan Rothlein looks at why a gimmick-free turntable from the '70s became the most important piece of DJ gear in history.

There's some gear DJs expect to see in every club they walk into. Our new series Industry Standards will look at the history, technology and personalities behind these classics of the craft. Once a month for the next six months, we'll grab one item out of the booth, scratch through the front panel and see what we find. Along the way, we'll introduce you to the folks who made them, and pick the brains of those who use them week in and week out. 

What we'd tackle in our first edition was a no-brainer. You'd be hard-pressed to find a more ubiquitous presence in the DJ world than the Technics SL-1200 MK2, the deck that started it all. 





Technics 1210 turntable


In 1979, the Japanese electronics giant Matsushita introduced an updated version of its Technics SL-1200 turntable. Since no official history was ever written, and Matsushita, better known these days as Panasonic, never made much of a fuss about its designers, we know very little about what went into this redesign. But the updates, however modest, made for critical improvements. The pitch adjustment, formerly controlled by two skinny rotary knobs below the platter, were bundled into a single slider next to the tonearm. A start/stop button now set the platter spinning without turning the unit on or off. There were also more subtle changes, like better dampening and a quartz-lock on the motor control circuit for more consistent speed (a weak point in the original model). The MK2 now came in two colors—matte black in addition to the familiar ashy silver—but otherwise looked even less fancy than the down-to-business original. Tweaks aside, Matsushita wasn't striving for anything more than the humble, middle-of-the-range hi-fi equipment they'd been marketing for much of the decade. 

The Technics SL-1200 MK2 is unquestionably not the best turntable ever made. For great audio quality, you'll want a belt-driven audiophile deck. As for the height of direct-drive turntable design, it's safe to say the legendary EMT 950 will never be surpassed. And in terms of what you get for your money, it's not even best at its own tabletop mixing game. (A comparable Stanton deck gives you three playback speeds to the 1200's two, a line-level output and variable pitch control ranges for about half the price.) 

But the decks known simply as 1200s—or 1210s, if you hail from a part of the world where the black model was more ubiquitous—went on to become something much more than turntables. Hook two of them up to a mixer, and you give synthesizers a run for their money as the key instrument of the 20th century. Developments in the digital world would of course make Silly Putty of sound, but the 1200s did much to unfix recorded music, opening vinyl up to whatever sort of wobbles, slow-downs and speed-ups dexterous hands could elicit from the platter. Hip-hop might not have happened without a record player that could be so thoroughly mangled and manipulated. And the dance floor experience as we know it, where the beat pounds away more or less uninterrupted for the entire night, would likely have taken a very different form. 

Most critically, the 1200 was direct-drive, one of the hallmarks of the Technics brand for years prior. Most turntables employed belt-drive systems, which operate as the name indicates: the motor attaches to a belt, and that turns the platter. This means the motor can live far from the platter, which diminishes the amount of vibration that makes it into playback, and the belt itself helps with absorption. Audiophiles thus have a comparatively low opinion of direct-drive systems, where the motor operates directly to the platter and can more adversely affect the sound. But direct-drive's quick starts and stops made it the preference for broadcast DJs. And as more adventurous hands would discover, you could do some serious fooling-around with the platter without breaking the motor or something as flimsy as a turntable belt. 



Mister Saturday Night's Justin Carter & Eamon Harkin.


The MK2s, with their quartz-enhanced timing, proved especially good at this. You could run your finger along the platter to slow it down, and when you lifted it off, the platter would return almost instantaneously to its steady original speed without overshooting or otherwise wobbling back into place. You could do this for hours every day, and it wouldn't have any damaging effect on your deck. As anyone old enough to have gotten a scolding when trying to pull similar moves move on your parents' hi-fi can attest, this was no small innovation, and one that could seriously change your relationship with playing music. 

Beyond a direct-drive platter, the 1200s really don't offer much in the way of features. They play records within plus-or-minus eight percent of 33 or 45 RPM, and that's it. The only obvious addition in models subsequent to the MK2 was a pitch reset button, but in eliminating the need for the "click" at the center of the pitch adjustment slider, this felt almost subtractive. 1200s, then, are as feature-rich as you make them. Learning the toolkit of vinyl mixing (cueing, scratching, beatmatching) very often means learning 1200s. There's a subtlety to how we play turntables, with little flicks of the wrist and precision nudges of the platter worked into our muscle memory. Unlike digital gear, which can "learn" these things and reproduce them at will, record players require some of the nuance—we might call it musicianship—that a guitarist or violinist brings to their instrument. 

Technics Gold
Though much of its charm is how little its design has changed since the '70s, the 1200 has been tweaked through the years. Here's what you'll find floating around. 

1972: SL-1200 
The precursor to the legend, with a direct-drive platter and rotary pitch adjustment knobs. 

1979: SL-1200/1210 MK2 
Quartz-enhanced timing and a pitch adjustment slider defined the deck we know and love today. 

1997: SL-1200/1210 M3D 
A reset button replaces the "click" in the pitch adjustment slider. And in a nod to DJs, Technics scraps the dust cover hinges. 

2002: SL-1200/1210 MK5 
The tonearm gets some some slight tweaks, and the target light goes LED. A 30th-anniversary edition, numbered 1210 M5G, sports a shiny black finish, digital pitch adjustment and a few other high-end touches. 

2008: SL-1200 MK6 
As advanced as they'd get, with better wiring, pitch control, damping and LEDs. 

The Gold Ones 
The usual models too subtle for your taste? Hunt down the limited-edition decks Technics released in 1997 and 2004, where all the metal parts came plated in 24-karat gold.
Anyone who's had to switch over to a different brand for the night has no doubt been thrown off by such seemingly trivial differences as the texture of the platter or resistance of the pitch adjustment. In an age where DJs might play four gigs a weekend in as many countries, Technics decks are likely the most critical consistency in the booth for anyone who plays vinyl, or maintains the feel with a digital vinyl emulator like Serato Scratch Live or Traktor Scratch. 

"DJs all over the world know the 1210," says Christian Hoffmann, the head sound tech at Tresor in Berlin. "Most of them know how to handle them. They know how they react. They don't want to try new turntables they don't know, even if there is no big difference between them." Their continual ubiquity is, in a sense, the result of their continual ubiquity. 

DJs make much of the 1200's tough-to-replicate tactility, but anyone who's owned a pair and really put them to work can attest to their near-indestructibility. Stories abound of the early days of hip-hop in the Bronx, where DJs would throw their decks in car trunks and plunk them down in whatever courtyard or gymnasium was home to the party that day. They can be covered in gashes, dents and cigarette burns and play just as well as one right out of the box. "I've heard of them getting run over by cars and still holding up," says Justin Carter of Brooklyn's Mister Saturday Night party, whose mobile soundsystem still uses half of his first pair, procured as an undergraduate at NYU from a scratch DJ in the South Bronx. "We have only ever had to get rid of one turntable. I can't remember what the specific problem with it was, but we were able to use it for parts, so it was still useful." 

The machines aren't flawless, but their less durable bits—an easily broken grounding wire and RCA cables, pitch adjustment sliders in need of recalibration, connections in the tonearm that grow famously testy as they oxydize—are known quantities to sound technicians and come with their own unconventional fixes. (As a college radio DJ many years back, I was shown a workaround for the latter problem during a mandatory equipment training session: stick the eraser-end of a pencil inside the tonearm, apply pressure and give the pencil a few turns. The more common solution—licking the connections on the back of the headshell—would only worsen the problem over time and wouldn't be tolerated.) Some regular tonearm and tracking force calibration, and the occasional new set of cartridges, is basically all the TLC most 1200s will ever require. 

As of 2010, citing poor sales and dwindling parts suppliers, Panasonic discontinued the Technics 1200, meaning our fetishization of the deck will likely only increase. One wonders if their epic lifespans are eventually what did them in—if very little about a product ever changes, and if the pair you bought ten years ago (off a DJ who had been using the pair for ten years before that) still works like new, why would you ever buy a new set? For the time being, nearly new decks are still common on Craiglist and eBay. (I recently bought a pair of well-functioning 1210 MK5s out of a basement in Berlin—and paid more than double what a box-fresh pair cost me in 2006.) But it seems obvious that one day these workhorses will cease to bounce back so effortlessly, that decades of spilled drinks and tumbles down stairs will take a toll. Daydreamers of a certain sort might revel in the thought of a few more fresh ones magically appearing on the shelves. Eamon Harkin, the other half of Mister Saturday Night, who I'd guess fits that bill, came late to the conversation Carter and I were having about the decks. "The piece sounds interesting," he said after getting up to speed. "Hopefully it'll inspire someone to start manufacturing Technics again." 




Add the DJS-1000 to your DJ set-up to intuitively create unique sounds and phrases in advance of your set, or on the fly. Use the DJ-friendly interface to sequence and loop your samples as you wish. With a 7-inch full-color touch screen, 16 multicolored step input keys, multicolored performance pads, a host of inputs and outputs, live sampling and various other performance features, having the DJS-1000 in the booth will propel your sets to the next level. Specs: what's in the box: power cord, LAN cable, USB cable, RCA pin cable, 

This listing is for 1X Pioneer CDJ 2000 Nexus 2 Flight Case and all leads and cables are included. Delivery and collection can be arranged for an additional fee. Thanks for stopping and please take a look at my other listing for sound and lights! If this is your first time renting on fatlama please use my discount code when signing up for £25 free credit. https//fatlama.com/r/deej-f7342

Great direct drive turntable. Relatively new sure MG44 needle. Sounds good, works perfectly. Arm clip is gone but does not affect operation. Simply tape the arm in place for transport. 

This listing is for 1X Pioneer CDJ 2000 Nexus 2
Flight Case and all leads and cables are included.  Delivery and collection can be arranged for an additional fee. Thanks for stopping and please take a look at my other listing for sound and lights! If this is your first time renting on fatlama please use my discount code when signing up for £25 free credit.  https//fatlama.com/r/deej-f7342

Pioneer DDJ-400 RekordBox DJ Controller

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Item lent by Sam

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Pioneer DDJ-400 RekordBox DJ Controller

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