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Sony a7Rii camera converted to full spectrum infrared. A7R2 (LENS not included!) If you rent my lenses with the camera, I will give you at least 50% discount on them! For false colour and IR pass 590nm: 1) see church picture: 590nm followed by simple task of channel swapping in Photoshop, with two different results. 2) a very simple B&W example 850nm 3) The picture with the city, the water and the trees is using 590nm filter, and then...

swapping channels Red into Blue and viceversa, with some Green into the Red. This gives pink foliage. Again, it's more art than science! I will also provide one clip on filter for the sensor, so that NO EXTRA filters will be needed, so the camera will work right away with any of your lenses, with no need for additional filters on the lens. Very easy! IMPORTANT how to install and remove the clip in filter: https://youtu.be/kkmDYiFticM You can choose one of these CLIP ON filters: IR pass 850nm (excellent for B&W, very dark skies and very light foliage - but no false colour at all) IR pass 720nm (excellent for B&W, probably the best wavelength compromise for B&W between Contrast and Exposure.) IR pass 590nm (excellent for False Colour " Goldie" and "Blue Sky" effects, very good for black and white) Or if you prefer you can have two of these screw on: As SCREW ON filters I have 950nm - 82mm and 49mm (note that I don't have this as clip in, only screw on) 850nm - 82mm and 49mm 760nm - 82mm and 49mm (note that I don't have this as clip in, only screw on) 720nm - 82mm and 49mm 680nm - 82mm and 49mm (note that I don't have this as clip in, only screw on) 590nm - 82mm Tiffen Red 25 and 49mm (Hoya R 25A and Pentax Asahi R60 (R2) - I have not tested them much - they are probably more for film, not digital Each additional filter for only 2 pounds a day. I may have more filters at some point, please enquire. Alternatively, with the camera you can rent the more advanced filter in my other listings, for which I will give you a 50% discount!) GREAT FEATURE: these allow you to avoid editing work*** a) Kolari Vision IR Chrome Lens Filter Aerochrome / Ektachrome 82mm https://fatllama.com/rentals/london/hire-kolari-vision-ir-chrome-lens-filter--aerochrome--ektachrome-07838663 b) Kolari Vision Blue IR/NDVI Lens Filter 82mm for infrared https://fatllama.com/rentals/london/hire-kolari-vision-blue-irndvi-lens-filter-82mm-for-infrared-79927964 c) ZB2 BG3 https://fatllama.com/rentals/london/hire-uv-ir-pass-filter-zb2-bg3-82mm-for-infrared-full-spectrum--46551183 (for this I have several filter thread sizes) See example pictures in those listings I also have gradual infrared filters (this will need post work, and, although it works and is very convenient it is probably not as good quality as the individual ones), eg 82mm Gradual Infrared Pass Lens Filter 530nm-750nm Screw-on https://fatllama.com/rentals/london/hire-82mm-gradual-infrared-pass-lens-filter-530nm750nm-screwon-91627566 THE FOLLOWING POINT ABOUT THE LENS IS IMPORTANT unless you are just playing around. Hot spots can be annoying. Make sure your lenses are good enough for IR, eg no hot spots etc - eg see here A) http://kolarivision.com/articles/lens-hotspot-list/ Sony E/FE Mount Lens IR Hotspot Performance Good Performers Sony E 16mm f/2.8* SEL16F28 (hotspot starting at F5.6) Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS (Good to f/16 at 35mm, good to f/5.6 at16mm) <<<<<< I HAVE Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS (mild hotspot starting at F5.6, works best with 590nm) Sony E 18-55mm F3.5-5.6 OSS SEL1855 * (mild hotspot starting at F7, mostly at 18mm) Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS <<<<<< I HAVE Sony E Zeiss T* 24mm F1.8 ZA Sony FE 28mm f/2 (hotspot starts at f8) <<<<<< I HAVE Sigma E 30mm F2.8 EX DN Sony Sonnar T* FE 35mm f/2.8 ZA (hotspot starting at f8) Sony E 50mm f/1.8 OSS(hotspot starting at f12) Sony FE 50mm f/1.8 Mitakon Zhongyi Speedmaster FE 50mm f/0.95on Speedmaster II 50mm f/0.95 <<<<<< I HAVE THE 35mm MARK II Zeiss Touit 50mm f/2.8M Macro E mount (good to F8) Sony Sonnar T* FE 55mm f/1.8 ZA (good throughout) <<< I HAVE, IT IS EXCELLENT Sony E 55-210mm F4.5-6.3 Sony FE 70-200mm f/4 G OSS Rokinon FE 135mm f/2.0 ED UMC or here B) https://www.edwardnoble.com/hotspots, some of his rankings (out of 10) ​SONY E (FE) 8.5 - 28/2.0 4.8 - 35/1.8 8.0 - 50/1.8 2.9 - 85/1.8 7.4 - 28-70/3.5- Sony / Zeiss​ ​ 4.8 - 35/2.8 9.7 - 55/1.8 <<< I HAVE THIS 6.6 - 16-35/4 [P | S] <<< I HAVE THIS 6.6 - 24-70/4 [P | S] <<< I HAVE THIS Zeiss Batis 1.8 - 25/2.0 [P] Zeiss Loxia 2.9 - 21/2.8 8.6 - 50/2.0 Samyang AF 8.0 - 24/2.8 4.5 - 35/1.4 6.1 - 35/2.8 7.5 - 45/1.8 5.5 - 75/1.8 7.5 - 85/1.4 Tamron 4.5 - 24/2.8 7.2 - 35/2.8 6.5 - 28-75/2.8 MANUAL FOCUS CANON FD 8.3 - 50/1.2 <<< I HAVE THIS 7.6 - 50/1.4 <<< I HAVE THIS SONY E (FE) manual focus Mitakon 7.0 - 50/0.95 C) https://photonius.jimdofree.com/infrared-filters/infrared-lenses-hot-spots/ D) https://www.lifepixel.com/lens-considerations/lens-hot-spot-testing-database >> WITH PHOTO EXAMPLES AT VARIOUS APERTURES E) https://www.mathieu.photography/Articles/IR-Hotspot-Database “ - Overall, 830nm produces more hot spots than 720nm, which produces more hot spots than 590nm” If you rent my lenses with the camera, I will give you at least 50% discount on them! Good lenses are (see hot spot details in one of the pictures attached): - The 1635 f4 and the 2470 f4 of mine at medium f levels - 55mm lens up to f 9.0 (SEL55F18Z), perhaps higher too - Other lenses may NEED f stop not higher than f/7.0 or so otherwise hot spot starts appearing. This is normally not a problem as you'd want a wide f stop, unless you are trying to do landscape with a high level of detail at all distances, or with low light - but then why would you use IR in those cases? Good discounts for rental of several days! Pick up from my home address in Clapham or work, just outside St Paul's tube station

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