Zeiss 21 - 100mm lens - PL Mount - Great condition. Used with Sony F5 Camera.


Carl Zeiss Vario-Sonnar 1.8 / 10-100mm S16 (conversión) the zoom become 12-120mm T.2 aprox with the conversion + chrosziel sunshade 3x3 clip on + 1x 3x3 Nd 6 + 1x adaptor PL to micro 4/3 + 1x Flightcase (original one) everything included with the price.

It is nearly out from repairs “zoom mechanism” and “s16 conversion” by “Van diemens” Uk.

I have posted the invoice where you could see details of everything I have done and paid to make this great old schools zoom to look and performance like new. There is no scratches, no fungus, no hazes.

This is the perfect choose if you got the new bmpcc4k camera.

More info by “inbox”  

Irix 150mm T 3.0 macro 1:1 Cine lens - Canon EF Mount. Irix 150mm T3.0 Macro 1:1, the first ever Irix Cine lens is a result of not only hard work, but also countless hours of extensive development filled with passion, innovative creation and cooperation between engineers and the design team. The project, now finalized, brings us pride – and lets us present to the world an entirely new Cine lenses line. 
https://youtu.be/1Kl_9cV3vb0 

Samyang Sony E Mount VDSLR 5-Lens Kit 
Including 14mm, 24mm, 35mm, 50mm, 85mm, Lenses and Custom Hard Case 

Includes

1x 14mm T3.1 VDSLR lens
1x 24mm T1.5 VDSLR lens
1x 35mm T1.5 VDSLR lens
1x 50mm T1.5 VDSLR lens
1x 85mm T1.5 VDSLR lens
1x Custom Hard Case

Please get in contact if you would like to modify this listing or add more kit.

 A tasty 50mm that I have used to shoot the likes of dizzee rascal and Jamie Cullum! It shall serve you well!

Samyang VDSLR Lens Kit - Contains - 24mm - 35mm - 50mm - 85mm Lenses and Custom Case, Canon EF Mount (7410). 

The Samyang VDSLR Lens Kit is a versatile lens kit consisting of four carefully selected optics: 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5.

These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage.

The frames of these lenses are compact and solid since they are made of high-strength aluminium alloy so trustworthy images can be captured even in an inferior environment.

SUMMARY
Lens Format: APS-C, Full Frame
Focal Length: 24mm, 35mm, 50mm, 85mm
Lens Mount: Canon EF
Type: Photo, Video

INCLUDED IN BOX
1x 24mm T1.5 UMC II Lens
1x 35mm T1.5 UMC II Lens
1x 50mm T1.5 UMC II Lens
1x 85mm T1.5 UMC II Lens
Lens Caps
Custom Case

Kowa 16H anamorphic  projection Lens + Leica 50mm f1.4 combo

Sony SCL-P85T20 35mm F/2.0 PL Mount Prime Lens

Very fast Prime lens that produces great images and is very sharp.

This is a high quality Sony lens with PL mount and a filter diameter of 95mm. 
Though designed for Sony PMW-F3, PMW-F5 and PMW-F55, this lens could also be useful for any PL mount camera / camcorder such as Red and Arri.

NOTE: There have been some reports on the web of the Sony PL lenses not working with cameras other than the Sony PL cameras. Sony stated that it seems to occur on a lens-by-lens / camera-by-camera basis; a lens may fit on one ARRI Alexa or RED, but not on another. 

Now about the quality: In all honesty, the outer casing is a bit plasticy in comparison to a Zeiss CP2 but the glass is much sharper. The lightweight nature of these lenses is perfect in handheld applications. The optics are good and can be compared to Zeiss Super Speeds or Ultra Primes. There is little to no light falloff at the edges and resolution is even from corner to corner. Breathing is present but minimal. This lens certainly gets the job done. 
An objective of the design of these lenses (35, 50 and 85) was to create good quality lenses that weren’t too expensive. Sony focused on geometry; making sure that, edge to edge, the lenses have a minimum amount of barrel distortion and focus fall-off.

Sony SCL-P50T20 35mm F/2.0 PL Mount Prime Lens

Very fast Prime lens that produces great images and is very sharp.

This is a high quality Sony lens with PL mount and a filter diameter of 95mm. 
Though designed for Sony PMW-F3, PMW-F5 and PMW-F55, this lens could also be useful for any PL mount camera / camcorder such as Red and Arri.

NOTE: There have been some reports on the web of the Sony PL lenses not working with cameras other than the Sony PL cameras. Sony stated that it seems to occur on a lens-by-lens / camera-by-camera basis; a lens may fit on one ARRI Alexa or RED, but not on another. 

Now about the quality: In all honesty, the outer casing is a bit plasticy in comparison to a Zeiss CP2 but the glass is much sharper. The lightweight nature of these lenses is perfect in handheld applications. The optics are good and can be compared to Zeiss Super Speeds or Ultra Primes. There is little to no light falloff at the edges and resolution is even from corner to corner. Breathing is present but minimal. This lens certainly gets the job done. 
An objective of the design of these lenses (35, 50 and 85) was to create good quality lenses that weren’t too expensive. Sony focused on geometry; making sure that, edge to edge, the lenses have a minimum amount of barrel distortion and focus fall-off.

Sony SCL-P35T20 35mm F/2.0 PL Mount Prime Lens

Very fast Prime lens that produces great images and is very sharp.

This is a high quality Sony lens with PL mount and a filter diameter of 95mm. 
Though designed for Sony PMW-F3, PMW-F5 and PMW-F55, this lens could also be useful for any PL mount camera / camcorder such as Red and Arri.

NOTE: There have been some reports on the web of the Sony PL lenses not working with cameras other than the Sony PL cameras. Sony stated that it seems to occur on a lens-by-lens / camera-by-camera basis; a lens may fit on one ARRI Alexa or RED, but not on another. 

Now about the quality: In all honesty, the outer casing is a bit plasticy in comparison to a Zeiss CP2 but the glass is much sharper. The lightweight nature of these lenses is perfect in handheld applications. The optics are good and can be compared to Zeiss Super Speeds or Ultra Primes. There is little to no light falloff at the edges and resolution is even from corner to corner. Breathing is present but minimal. This lens certainly gets the job done. 
An objective of the design of these lenses (35, 50 and 85) was to create good quality lenses that weren’t too expensive. Sony focused on geometry; making sure that, edge to edge, the lenses have a minimum amount of barrel distortion and focus fall-off.

High quality Sony lenses with PL mount (35mm, 50mm and 85mm, T2.0). T2.0 to C (close), Filter diameter 95mm.

These are very fast and very sharp prime lens that produce great images.
Though designed for Sony PMW-F3, PMW-F5 and PMW-F55, this lens could also be useful for any PL mount camera / camcorder such as Red and Arri.

NOTE: There have been some reports on the web of the Sony PL lenses not working with cameras other than the Sony PL cameras. Sony stated that it seems to occur on a lens-by-lens / camera-by-camera basis; a lens may fit on one ARRI Alexa or RED, but not on another. Therefore I can't guarantee that they would fit on non-Sony PL camera (though it's very likely that they will).

Now about the quality: the outer casing is a bit plasticy in comparison to a Zeiss CP2 but the glass is much sharper. The lightweight nature of these lenses is perfect in handheld applications. The optics are good and can be compared to Zeiss Super Speeds or Ultra Primes. There is little to no light falloff at the edges and resolution is even from corner to corner. Breathing is present but minimal. This lens certainly gets the job done. 
An objective of the design of these lenses (35, 50 and 85) was to create good quality lenses that weren’t too expensive. Sony focused on geometry; making sure that, edge to edge, the lenses have a minimum amount of barrel distortion and focus fall-off.

Limited time offer: £39 per day.
Sony Cinealta PL mount Prime Lens 135mm, 2.0, metric scale. 

Equal in quality (contrast performance, sharpness and chromatic aberration), if not even better, to Cooke S4, Zeiss Compact Prime and Arri Ultra Prime lenses, and superior to Xeen.
Sharp wide open, T 2.0, natural and neutral colour rendition with minimal chromic abbreviation, consistent t-stop, size, mechanics, minimal breathing.

The lens is certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. It also covers 6K full.  

This is Sony's 2nd generation of PL mount primes and has improved mechanical design. 
It has the widest diameter of 118 mm, the front diameter of 114 mm and is 145 mm long. 

Thanks to its 9-bladed iris, it delivers beautiful bokeh. The focus ring rotates 240°

It has a metal housing and fits all PL-mounts, on Sony, ARRI, Ursa, etc.

The CineAlta are softer than Cookes and better in terms of continuous edge-to-edge sharpness. The Cookes are becoming blurred towards the edge (less suitable for 4K).
The CineAlta lenses are heavier than the Cooke S4/i, but still much lighter than the Zeiss Master Primes or even the Cooke 5/i.	

If you need various focal lengths for your shoot, you can rent a set of 6 lenses.
All have the same widest diameter, front diameter, and geared barrel locations. With this consistency you won't be losing time to adjust/exchange lenses. 
The whole set is also colour matched: perfect for matching colours in post.

Sony bought Minolta in 2006 to help develop its own cameras and lenses. Minolta has been in the lens business since 1873.

Limited time offer: £39 per day.
Sony Cinealta PL mount Prime Lens 85mm, 2.0, metric scale. 

Equal in quality (contrast performance, sharpness and chromatic aberration), if not even better, to Cooke S4, Zeiss Compact Prime and Arri Ultra Prime lenses, and superior to Xeen.
Sharp wide open, T 2.0, natural and neutral colour rendition with minimal chromic abbreviation, consistent t-stop, size, mechanics, minimal breathing.

The lens is certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. It also covers 6K full.  

This is Sony's 2nd generation of PL mount primes and has improved mechanical design. 
It has the widest diameter of 118 mm, the front diameter of 114 mm and is 120 mm long. 

Thanks to its 9-bladed iris, it delivers beautiful bokeh. The focus ring rotates 240°

It has a metal housing and fits all PL-mounts, on Sony, ARRI, Ursa, etc.

The CineAlta are softer than Cookes and better in terms of continuous edge-to-edge sharpness. The Cookes are becoming blurred towards the edge (less suitable for 4K).
The CineAlta lenses are heavier than the Cooke S4/i, but still much lighter than the Zeiss Master Primes or even the Cooke 5/i.	

If you need various focal lengths for your shoot, you can rent a set of 6 lenses.
All have the same widest diameter, front diameter, and geared barrel locations. With this consistency you won't be losing time to adjust/exchange lenses. 
The whole set is also colour matched: perfect for matching colours in post.

Sony bought Minolta in 2006 to help develop its own cameras and lenses. Minolta has been in the lens business since 1873.

Limited time offer: £39 per day.
Sony Cinealta PL mount Prime Lens 50mm, 2.0, metric scale. 

Equal in quality (contrast performance, sharpness and chromatic aberration), if not even better, to Cooke S4, Zeiss Compact Prime and Arri Ultra Prime lenses, and superior to Xeen.
Sharp wide open, T 2.0, natural and neutral colour rendition with minimal chromic abbreviation, consistent t-stop, size, mechanics, minimal breathing.

The lens is certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. It also covers 6K full.  

This is Sony's 2nd generation of PL mount primes and has improved mechanical design. 
It has the widest diameter of 118 mm, the front diameter of 114 mm and is 120 mm long. 

Thanks to its 9-bladed iris, it delivers beautiful bokeh. The focus ring rotates 240°

It has a metal housing and fits all PL-mounts, on Sony, ARRI, Ursa, etc.

The CineAlta are softer than Cookes and better in terms of continuous edge-to-edge sharpness. The Cookes are becoming blurred towards the edge (less suitable for 4K).
The CineAlta lenses are heavier than the Cooke S4/i, but still much lighter than the Zeiss Master Primes or even the Cooke 5/i.	

If you need various focal lengths for your shoot, you can rent a set of 6 lenses.
All have the same widest diameter, front diameter, and geared barrel locations. With this consistency you won't be losing time to adjust/exchange lenses. 
The whole set is also colour matched: perfect for matching colours in post.

Sony bought Minolta in 2006 to help develop its own cameras and lenses. Minolta has been in the lens business since 1873.

Limited time offer: £39 per day.
Sony Cinealta PL mount Prime Lens 35mm, 2.0, metric scale. 

Equal in quality (contrast performance, sharpness and chromatic aberration), if not even better, to Cooke S4, Zeiss Compact Prime and Arri Ultra Prime lenses, and superior to Xeen.
Sharp wide open, T 2.0, natural and neutral colour rendition with minimal chromic abbreviation, consistent t-stop, size, mechanics, minimal breathing.

The lens is certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. It also covers 6K full.  

This is Sony's 2nd generation of PL mount primes and has improved mechanical design. 
It has the widest diameter of 118 mm, the front diameter of 114 mm and is 120 mm long. 

Thanks to its 9-bladed iris, it delivers beautiful bokeh. The focus ring rotates 240°

It has a metal housing and fits all PL-mounts, on Sony, ARRI, Ursa, etc.

The CineAlta are softer than Cookes and better in terms of continuous edge-to-edge sharpness. The Cookes are becoming blurred towards the edge (less suitable for 4K).
The CineAlta lenses are heavier than the Cooke S4/i, but still much lighter than the Zeiss Master Primes or even the Cooke 5/i.	

If you need various focal lengths for your shoot, you can rent a set of 6 lenses.
All have the same widest diameter, front diameter, and geared barrel locations. With this consistency you won't be losing time to adjust/exchange lenses. 
The whole set is also colour matched: perfect for matching colours in post.

Sony bought Minolta in 2006 to help develop its own cameras and lenses. Minolta has been in the lens business since 1873

CP.2 21 mm/T2.9,  CP.2 25 mm/T2.1, CP.2 35 mm/T2.1, CP.2 50 mm/T2.1, CP.2 85 mm/T2.1, CP.2 100mm/T2.1
includes a Peli case and caned air.

"Samyang 24mm T1.5 VDSLR ED AS IF UMC II is carefully designed for professional film and video work so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances."

Canon EF Mount
Comes with a lens hood. 

This is a Nikon F mount option of the Samyang 85mm T1.5 Cine, and it comes with protective caps and lens hood. The front diameter is 77mm.
It is a semi-professional cine lens featuring de-clicked aperture (meaning no steps for smooth operation), and geared focus for easy use with follow focus.
Fast T1.5 aperture makes this lens great for low light and shallow depth of field
It has the latest generation multi-layer anti-reflection ultra multi-coating (UMC) to minimise flare and ghosting.
This lens can be used both in photography and cinematography. The frame of the lens is compact and solid since it is made of high-strength aluminium.

This is a Nikon F mount option of the Samyang 50mm T1.5 Cine lens, with a hood as well as front and rear protective caps. It has a front diameter of 77mm. The lens offers semi-professional cine lens functionality (de-clicked meaning no steps, and geared focus for easy use with follow focus) at a very affordable price. What makes this lens optically outstanding is that optically it can truly be used shooting wide open at T1.5 with very minor optical degradation.

1x 20mm T1.5 FF High Speed Prime Cine Lens
1x 24mm T1.5 FF High Speed Prime Cine Lens
1x 35mm T1.5 FF High Speed Prime Cine Lens
1x 50mm T1.5 FF High Speed Prime Cine Lens
1x 85mm T1.5 FF High Speed Prime Cine Lens
1x Hard Case

Behold, the holy trinity of lightweight gimbal lenses

Sony Zeiss FE 55mm F1.8 (The Father)
Sony Zeiss FE 35mm F2.8 (The Son)
Sony 28mm F2 (The Holy Spirit) 

Anoint your next shoot with something truly divine.
 

USE THE LINK AND GET 20£ discount: 
https://fatllama.com/r/marc-d011a

Nikon AI-S Vintage Lenses Kit - 5X Lenses:

20mm F2.8
28mm F2.8
35mm F2
50mm F1.4
85mm F1.4

Lens come with original Nikon F-mount and can be adapted to any modern Cinema Camera or Mirrorless/DSLR.

1x Nikon to Canon EF and 1x Nikon to L-mount ring adapter are available if needed. 
  
All the lenses have smooth declicked aperture, Custom Follow Focus Ring and step-up ring to 82mm filter treads.

* Pick up & drop off:
-London NW6 - (Kilburn Station)

Feel free to contact me directly for arrange the collection or for any more questions.

 INVOICE AVAILABLE ON REQUEST. 

16mm, 24mm, 35mm, 50mm, 85mm	

Lenses are kept in brilliant condition.
All 5 lenses are Canon EF mount.

Panasonic adapter available on request.

"Samyang 24mm T1.5 VDSLR ED AS IF UMC II is carefully designed for professional film and video work so the focus gear ring is installed for the follow focus system. You can change the aperture quickly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film more precisely. The lens operates in manual aperture system with a low T number which enables natural shooting under various light exposure circumstances."

Canon EF Mount
Includes lens hood.

Samyang Cine Prime Lens in Canon EF Mount.

85mm T1.5.

Comes in hard case with end caps and sun hood.

35mm & 24mm also available.

Samyang Cine Prime Lens in Canon EF Mount.

35mm T1.5.

Comes in hard case with end caps and sun hood.

24mm & 85mm also available.

Samyang Cine Prime Lens in Canon EF Mount.

24mm T1.5.

Comes in hard case with end caps and sun hood.

35mm & 85mm also available.

Set of 3 Samyang Cine Prime Lenses in Canon EF Mount.

24mm T1.5
35mm T1.5
85mm T1.5

Come in hard case with end caps and sun hoods.

5 Lens Cintek Celere Prime Set

18.5mm T1.5
25mm T1.5
36mm T1.5
50mm T1.5
85mm T1.5

All lenses, except the 18.5mm are designed to be identical in shape and dimensions to avoid timely re-balancing during lens changes on steadicams and gimbals.

Do have EF mounts for lenses as well, happy to swap mounts for long hires.

Have PL to Sony adapter so these PL lenses can be used on say Sony FS7s

heres are my Cinealta prime lens set for hire beautiful pl mount lens opitcal amazing

Limited time offer: £39 per day.
Sony Cinealta PL mount Prime Lens 25mm, 2.0, metric scale. 

Equal in quality (contrast performance, sharpness and chromatic aberration), if not even better, to Cooke S4, Zeiss Compact Prime and Arri Ultra Prime lenses, and superior to Xeen's 24mm.
Sharp wide open, T 2.0, natural and neutral colour rendition with minimal chromic abbreviation, consistent t-stop, size, mechanics, minimal breathing.

The lens is certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. It also covers 6K full.  

This is Sony's 2nd generation of PL mount primes and has improved mechanical design. 
It has the widest diameter of 118 mm, the front diameter of 114 mm and is 120 mm long. 

Thanks to its 9-bladed iris, it delivers beautiful bokeh. The focus ring rotates 240°

It has a metal housing and fits all PL-mounts, on Sony, ARRI, Ursa, etc.

The CineAlta is softer than Cookes and better in continuous edge-to-edge sharpness. The Cookes are becoming blurred towards the edge, which makes them less suitable for 4K.
The CineAlta lenses are heavier than the Cooke S4/i, but still much lighter than the Zeiss Master Primes or even the Cooke 5/i.	

This 25mm lens has been serviced at some point and the notch in the mount is 90° further round but this does not effect operation.

If you need various focal lengths, you can rent a set of 6 lenses.
All have the same widest diameter, front diameter and geared barrel locations. With this consistency you won't be losing time to adjust/exchange lenses. 
The set is also colour matched: perfect for matching colours in post.

Limited time offer: £39 per day.
Sony Cinealta PL mount Prime Lens 20mm, 2.0, feet scale. 

Equal in quality (contrast performance, sharpness and chromatic aberration), if not even better, to Cooke S4, Zeiss Compact Prime and Arri Ultra Prime lenses, and superior to Xeen.
Sharp wide open, T 2.0, natural and neutral colour rendition with minimal chromic abbreviation, consistent t-stop, size, mechanics, minimal breathing.

The lens is certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. It also covers 6K full with a very slight vignette on the corners.  

This is Sony's 2nd generation of PL mount primes and has improved mechanical design. 
It has the widest diameter of 118 mm, the front diameter of 114 mm and is 120 mm long. 

Thank to its 9-bladed iris, it delivers beautiful bokeh. The focus ring rotates 240°
The 20mm lens has some breathing. 

It has a metal housing and fit all PL-mounts, on Sony, ARRI, Ursa, etc.

The CineAlta are softer than Cookes and better in terms of continuous edge-to-edge sharpness. The Cookes are becoming blurred towards the edge, which makes them less suitable for 4K recordings.

The CineAlta lenses are heavier than the Cooke S4/i, but still much lighter than the Zeiss Master Primes or even the Cooke 5/i.	


If you need various focal lengths for your shoot, you can rent a set of 6 lenses.
All have the same widest diameter, front diameter, and geared barrel locations. With this consistency you won't be losing time to adjust and exchange lenses. 
The whole set of lenses is also colour matched, perfect for matching colours in post.

Limited time offer: £199 per day.
Sony CineAlta SCL-PK6/M (M = meter model, apart from 20mm which is in feet): set of 6 CineAlta PL Mount Prime Lenses - 2nd generation.

Equal in quality to Cooke S4, Zeiss Compact Prime and Arri Ultra Prime lenses, and superior to Xeen.
Sharp wide open, T 2.0, natural and neutral colour rendition with minimal chromic abbreviation, consistent t-stop, size, mechanics, minimal breathing - cinema glass.
This generation has improved mechanical design and is not to be confused with the first version (which had great optics but are inferior in terms of the materials used and serviceability). 
Focal lengths are 20, 25, 35, 50, 85 and 135 mm, all T2.0. All have the same widest diameter of 118 mm, the same front diameter (114 mm), and geared barrel locations. All are 120 mm long, except the 135 mm, which is 145 mm long - with this consistency you won't be losing time to adjust and exchange lenses. Each lens has a 9-bladed iris, delivers beautiful bokeh. The focus ring rotates 240°
All are certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. 
The lenses have metal housings and fit all PL-mounts or adapters without a problem, on Sony, ARRI, Ursa, etc.
There is little to no breathing on most of the lenses, except the 20mm, which displays the most breathing of all the lenses in the set. 
The whole set of lenses are colour matched - this saves you worrying about matching colours in post.

All lenses cover 4K, As for 6K, the 20mm covers 6K full with a very slight vignette on the corners. The rest of the lenses cover 6K full with no problem. 

This a Fujinon 85-300 zoom lens with macro function for rent opically amazing cinema lens great glass.

Zeiss CP.2 SUPER SPEED LENSES T1.5!!!!

DELIVERY AND PICK UP UPON REQUEST (Minimum two day hire) 

(Ideal for low light situations and for a shallow depth of field)

35mm, 50mm and 85mm

 This is Sigma Cine 24-35mm T2.2 FF Zoom Lens - Canon Mount. Full frame lens. 

 85mm Rokinon prime cine lense cannon Ef mount, can come with E mount adapter. 

A set of 5 Samyang cine-style prime lenses, EF mount:

- 16mm f2.2
- 24mm f1.5
- 35mm f1.5
- 50mm f1.5
- 85mm f1.5

The lenses come in a hard case, together with a circular variable ND and, if needed, an E - EF adapter so you can use them on Sony cameras.

All lenses are in great condition, no scratches or marks.


NEW LEITAX ADAPTERS JUST PUT ON costing nearly £600 and it makes all the difference! 

If this is your first booking use this code to get £25 off! fatlama.com/r/came-3a716

Amazing set of 7 Cinemod Zeiss Contax lenses and a non-cinemod contax. The pins have all been reduced to allow them to work with adapters e.g. Metabones. All fitted with high quality EF adapters. Cine-modded Contax Zeiss Primes.

All come with focus gears and cinemod aside from the 18mm and the zoom. 

They come in a Peli-style case with cleaning accessories. 

18mm f/4 MMJ
25mm f/2.8 MMJ
28mm f/2.8 MMJ
35mm f/2.8 MMJ
50mm f/1.4 MMJ
85mm f/1.4 MMJ
135mm f/2.8 MMJ * Mechanics - focus is fine, the aperture ring is stiff (it took a knock) but everything engages fine. 
Plus a beautiful 28-85 zoom lens (honestly this stands up alongside all of the primes).

All apart from the 25 have Leitax adapters on so there'll be no messing around with adapters which come lose etc. The 25 has the best screw on adapter I could find as the screws are glued in so I couldn't Leitax it. 

Very well looked after and put together as a set. You will not be disappointed. You won't find many better Contax sets anywhere, and I really mean that! 

Good discounts for multiple rentals and repeat custom. 

24/7 Collection from Belsize Park or can deliver within London 24/7 for a charge. If you get to set at 5am and realise what you've got isn't going to work... I can be there. 

Drop off Prices:
10am-8pm 
£20 Zone 1-2

7am-10am, 8pm-12am
£28 Zone 1-2

12am-7am
£40 Zone 1-2

Message me if you need me to deliver further - I cannot guarantee I will always be available to drop off. Pick up/drop off from Brockley available free 24/7. Please drop kit back off by 1pm, collections from 3pm - message me if you need any extensions etc. 



Rokinon 24mm T1.5 Cine ED AS IF UMC Lens for Canon EF Mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens for Canon EF Mount MFR # CV24M-C Key Features * Canon EF Mount Lens * Aperture Range: T1.5 to T22 * Four ED and Two Aspherical Elements * UMC Coating Rokinon 35mm T1.5 Cine AS UMC Lens for Canon EF Mount Rokinon 85mm T1.5 Cine DS Lens for Canon EF Mount Let it kit Rokinon lenses (SAMYANG in Europe) Come with Pelican case. Collection only West London 71 Reviews Key Features * 85mm Lens * Full-Frame Coverage * Multi-Layer Coating to Reduce Flare * Standard Gearing for Focus and Iris.

Comes with a pelican case.
Collection in Ealing West London 
 

Zeiss 21-100mm Lightweight lens PL mount

Description

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Item lent by Conrad

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Zeiss 21-100mm Lightweight lens PL mount

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