Blackmagic Cinema Camera features an amazing 2.5K image sensor with a wide 13 stops of dynamic range for a true digital film camera. You get a built-in SSD recorder, popular open standard uncompressed RAW and compressed file formats, compatibility with quality EF and ZE mount lenses, LCD touchscreen monitoring plus metadata entry, all packed into an exciting hand held design!

Rental Includes:
Camera Body With Hood
Switronix V Mount 98WWH Batteries
2 - SSD Drive 480GB
Wooden Camera Cage
Baseplate And 15MM Rods
2.5" SSD Drive Caddy
Sun Shield
AC Power Supply
V Mount Battery Dual Bay Charger
Software
2 - D-Tap To 12V Cables
Tilta V Mount Plate
Card Reader W/ FW800 And USB 3
 

A true Super 16 digital film camera that's small enough to take anywhere!
The pocket sized Super 16 digital film camera that's small enough to keep with you at all times, so you'll never miss a shot! Get true digital film images with feature film style 13 stops of dynamic range, Super 16 sensor size, high quality lossless CinemaDNG RAW and Apple ProRes™ recording and the flexibility of an active Micro Four Thirds lens mount, all packed into an incredibly tiny size! The Blackmagic Pocket Cinema Camera records 1080HD
resolution ProRes 422 (HQ) files direct to fast SD cards, so you can immediately edit or color correct your media on your laptop. Blackmagic Pocket Cinema Camera is everything you need to bring cinematic film look shooting to the most difficult and remote locations, perfect for documentaries, independent films, photo journalism, music festivals, ENG, protest marches and even war zones.

RENTAL INCLUDES:

Blackmagic Pocket Cinema Camera
64GB SDXC Memory Card Extreme
2 - Lithium Ion Battery (EN-EL20)
Battery Charger
AC Adapter

Shoot Ultra HD TV or 4K feature films with the new Blackmagic Production Camera 4K. You get a large Super 35 size sensor with professional global shutter combined with precision EF mount optics, high quality visually lossless compressed Cinema DNG RAW and Apple Pro Res 422 (HQ)™ file recording for a complete self contained solution. The built in touchscreen lets you monitor, change settings and enter metadata directly on the camera!
The latest high end televisions and video projectors support Ultra HD which is four times the resolution of 1080 HD. The Blackmagic Production Camera 4K creates visually lossless compressed CinemaDNG RAW and Pro Res 422 (HQ) files that are perfect for editing and grading with the software tools you already own. Now you can shoot the most amazing high resolution music videos, episodic television productions, television commercials, sport, documentaries, interviews and feature films. The Blackmagic Production Camera 4K features a single 6G-SDI output for incredible Ultra HD live production
The Blackmagic Production Camera 4K is precision engineered for quality in an incredibly small size. You get a beautifully crafted design featuring a machined aluminum chassis, EF lens mount for interchangeable optics, high resolution 4K Super 35 size sensor, global shutter, visually lossless compressed Cinema DNG RAW and Pro Res 422 (HQ) file format. With built in uncompressed audio recording you can record professional audio straight to the Pro Res files and totally eliminate separate audio syncing during post production.
With a large Super 35 size sensor you get familiar framing and behavior from the lenses you already own! The sensor features a global shutter so you get perfect panning and with minimal crop factor you also get beautiful wide angle shots from your wide angle lenses. If you're working in HD you'll love the freedom to reframe and zoom into shots without any resolution loss, and when down scaling from 4K to HD you get incredibly smooth and clean images

RENTAL INCLUDES

Blackmagic URSA Mini 4.6K EF
Side Handle with LANC Cable and strap
Blackmagic URSA OLED Viewfinder
Blackmagic Design Shoulder-Mount Kit for the URSA Mini
E-Image Quick-Release Tripod Adapter
2 - Lexar 128GB Professional 3500x CFast 2.0 Card
2 - IDX V-Mount Batteries
IDX V Mount Battery Charger
AC Power supply
 

Canon 16-35mm F2.8 L II
The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers. It features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo for even better image quality than the original EF 16-35mm f/2.8L USM. The circular aperture produces a beautiful and natural background blur when shooting at wider apertures. Other features include internal focusing, a ring type USM (Ultra Sonic Motor), and new AF algorithms for fast and quiet autofocusing.

The Canon EF 24-70mm f/2.8L II USM was announced a year ago, in February 2012, as an update to the venerable EF 24-70mm f/2.8L USM of 2002. It features an all-new optical design, designed to provide improved imaging performance right across the frame and reduced distortion compared to its predecessor. The lens also features a smaller, lighter design and weather-sealed construction, and Canon promises improved robustness due to revised internal construction. It's designed primarily for Canon's high-end full frame bodies (with a price tag to match), but can of course also be used on APS-C SLRs such as the EOS 7D, on which it offers a 38-112mm equivalent angle of view.

The 24-70mm f/2.8 II is intended to be a workhorse lens for professional photographers that has to deliver the best possible results in a wide range of conditions. It uses a suitably exotic optical design for this purpose, with 18 elements in 13 groups, including two 2 ultra-low dispersion (UD) glass elements and one Super UD aspheric element to minimize aberrations. Naturally it uses Canon's ring-type ultrasonic motor for fast, silent focus with full-time manual override, along with a circular aperture diaphragm for attractive background blur.

One feature the lens doesn't offer, though, is image stabilization - Canon says this would require too great a compromise in either image quality or size. This makes for an interesting comparison with the Tamron SP 24-70mm F/2.8 Di VC USD that was announced at about the same time, and incorporates image stabilization into a lens that's almost exactly the same size (and of course, rather cheaper). Users who need IS and prefer to stick with Canon's own lenses will have to make to with a stop slower aperture, from either the EF 24-70mm f/4L IS USM or the EF 24-105mm f/4L IS USM. In this review we'll compare how all of these lenses measure up against each other in the lab, and assess the 24-70mm f/2.8L II USM's specific strengths and weaknesses.

Shoot Ultra HD TV or 4K feature films with the new Blackmagic Production Camera 4K. You get a large Super 35 size sensor with professional global shutter combined with precision EF mount optics, high quality visually lossless compressed Cinema DNG RAW and Apple Pro Res 422 (HQ)™ file recording for a complete self contained solution. The built in touchscreen lets you monitor, change settings and enter metadata directly on the camera!
The latest high end televisions and video projectors support Ultra HD which is four times the resolution of 1080 HD. The Blackmagic Production Camera 4K creates visually lossless compressed CinemaDNG RAW and Pro Res 422 (HQ) files that are perfect for editing and grading with the software tools you already own. Now you can shoot the most amazing high resolution music videos, episodic television productions, television commercials, sport, documentaries, interviews and feature films. The Blackmagic Production Camera 4K features a single 6G-SDI output for incredible Ultra HD live production
The Blackmagic Production Camera 4K is precision engineered for quality in an incredibly small size. You get a beautifully crafted design featuring a machined aluminum chassis, EF lens mount for interchangeable optics, high resolution 4K Super 35 size sensor, global shutter, visually lossless compressed Cinema DNG RAW and Pro Res 422 (HQ) file format. With built in uncompressed audio recording you can record professional audio straight to the Pro Res files and totally eliminate separate audio syncing during post production.
With a large Super 35 size sensor you get familiar framing and behavior from the lenses you already own! The sensor features a global shutter so you get perfect panning and with minimal crop factor you also get beautiful wide angle shots from your wide angle lenses. If you're working in HD you'll love the freedom to reframe and zoom into shots without any resolution loss, and when down scaling from 4K to HD you get incredibly smooth and clean images

RENTAL INCLUDES:

Camera Body With Hood
Wooden Camera Cage
2 - Extreme II SSD Drives 480GB
2 - V Mount Batteries
Baseplate And 15MM Rods
Pix Caddy 2 2.5" SSD Drive
V Mount Battery Dual Bay Charger
Tilta V Mount Plate
2 - D-Tap To 12V Cables
AC Adapter / Charger
Sun Shield
Card Reader W/ FW800 And USB 3
Ultra Scope (software)

A true Super 16 digital film camera that's small enough to take anywhere!
The pocket sized Super 16 digital film camera that's small enough to keep with you at all times, so you'll never miss a shot! Get true digital film images with feature film style 13 stops of dynamic range, Super 16 sensor size, high quality lossless CinemaDNG RAW and Apple ProRes™ recording and the flexibility of an active Micro Four Thirds lens mount, all packed into an incredibly tiny size! The Blackmagic Pocket Cinema Camera records 1080HD
resolution ProRes 422 (HQ) files direct to fast SD cards, so you can immediately edit or color correct your media on your laptop. Blackmagic Pocket Cinema Camera is everything you need to bring cinematic film look shooting to the most difficult and remote locations

	
Blackmagic Pocket Cinema Camera
Qty: 1
Options: Lens Mount Options : Micro Four Thirds

Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Lens for Micro 4/3
Qty: 1

Focal Length & Maximum Aperture	-24mm 1:1.4
Lens Construction-13 elements in 10 groups
Diagonal Angle of View- 84°
Focus Adjustment-Rear focusing system with USM
Closest Focusing Distance-3.0 in./77mm
Filter Size-77mm
Max. Diameter x Length, Weight-3.4 in./86.9mm; 22.9 oz./650g

Specifications

Lens
Focal Length & Maximum Aperture	24mm 1:3.5
Minimum Aperture	f/22
Lens Construction	16 elements in 11 groups
Diagonal Angle of View	84° (without tilt or shift)
Image circle diameter	67.2mm
Focus Adjustment	Manual focus, rear focusing system (no floating system)
Closest Focusing Distance	0.69 ft./0.21m (maximum close-up magnification: 0.34x)
Aperture Control	EMD with 8 blade iris diaphragm, circular aperture
Filter Size	82mm
Max. Diameter x Length, Weight	3.5 x 4.2 in./88.5 x 106.9mm, 27.5 oz./780g

 
Features

Specifications
	High-performance L-series super-telephoto lens series with built-in dual-mode Image Stabilizer (IS) function.
	Ultra-high image quality through new optical designs with Fluorite and UD Glass.
	World's highest AF speed with improved Ring USM (Ultrasonic Motor) and new algorithms for focus prediction with moving subjects.
	Magnesium alloy lens barrels for reduced weight & rugged reliability.

Lens
Focal Length & Maximum Aperture	300mm 1:2.8
Lens Construction	17 elements in 13 groups
Diagonal Angle of View	8° 15'
Focus Adjustment	Inner focusing system with USM
Closest Focusing Distance	2.5m / 8.2 ft.
Filter Size	52mm Drop-in
Max. Diameter x Length, Weight	5.0" x 9.9", 5.6 lbs. / 128.0 x 252.0mm, 2550g (lens only)

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE.

The EF 100-400mm f/4.5-5.6L IS II USM lens delivers a superb combination of cutting-edge performance, compact construction and brilliant resolving power that’s great for sports and wildlife photography. The lens features one fluorite and one super UD element to help provide impressive contrast and resolution with reduced chromatic aberration across the entire zoom range. Canon’s new Air Sphere Coating (ASC) helps significantly reduce backlit flaring and ghosting, while fluorine coatings on the front and rear lens surfaces help lessen smears and fingerprints. A 9-blade circular aperture renders beautiful, soft backgrounds, and a 3 mode (standard, panning and exposure only) Optical Image Stabilizer provides up to 4 steps* of image correction. The new inner focusing AF system helps ensure fast and accurate focus down to 3.2 ft. with a .31x maximum magnification. Usability enhancements include a rotation-type zoom ring with adjustable zoom torque for more precise, customizable zoom performance, a redesigned tripod mount that can be attached and detached without removing the lens from the camera, and an all-new lens hood with a side window that makes it simple to adjust specialty filters-like polarizers-without the need to remove the hood. Ruggedly constructed with advanced dust and water sealing for durability in a range of environments, the EF 100-400mm f/4.5-5.6L IS II USM lens is a stellar performer with refined controls for a wide variety of situations.
*According to CIPA standards (400mm focal length, when using the EOS-1D X).
† Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.

Lens Focal Length & Maximum Aperture 100mm 1:2.8
Lens Construction 15 elements in 12 groups
Diagonal Angle of View 23.4°
Focus Adjustment Inner focusing system with USM.
Closest Focusing Distance 0.99 ft./0.3m
(maximum close-up magnification: 1x)
Filter Size 67mm Max.
Diameter x Length, Weight 3.1 x 4.8 in./77.7 x 123mm, 22.0 oz./625g

EF 180mm f/3.5L Macro USM
Features
High-performance, high image quality 1x macro telephoto lens.
High-quality close-up throughout the focusing distance range (1.57ft. to infinity).
Three UD Glass elements and floating construction correct residual chromatic aberrations for improved image quality.
Advanced USM for high-speed, quiet AF.
Full-time mechanical manual focusing.
Compatible with EF Extender 1.4x and 2x. (manual focus only with Extender 2x).
Specifications
Focal Length & Maximum Aperture	180mm 1:3.5
Lens Construction	14 elements in 12 groups
Diagonal Angle of View	13° 30'
Focus Adjustment	Inner focusing system with USM
Closest Focusing Distance	0.48m / 1.6 ft.
Filter Size	72mm
Max. Diameter x Length, Weight	3.2" x 7.3", 2.4 lbs. / 82.5 x 186.6mm, 1090g

The all-new Canon EF 300mm f/2.8 IS II USM super telephoto lens is lightweight, weighing approximately 13% less than its predecessor, yet offers faster operation, improved image stabilization and superior optics. Incorporating Fluorite elements for improved image quality and reduced chromatic aberration plus a number of advanced coatings to minimize ghosting, flaring, and with a newly developed Fluorine coating that keeps soiling, smears and fingerprints to a minimum, the EF 300mm f/2.8 IS II USM is ready to deliver spectacular images in an instant. With a third Image Stabilization mode (Mode 3) that activates IS only when the shutter button is fully pressed, and giving the equivalent effect of a shutter speed four stops faster, the EF 300mm f/2.8 IS II USM allows for easy panning and is ideally positioned for professional action photography. The EF 300mm f/2.8 IS II USM also features a new security slot for wire-type security locks.
 
Focal Length & Maximum Aperture	300mm 1:2.8
Lens Construction	16 elements in 12 groups (Including drop-in rear filter, Fluorite: G2 and G4, UD Lens: None)
Diagonal Angle of View	8° 15'
Focus Adjustment	Inner focusing system, with focusing cam
Closest Focusing Distance	2.0m / 6.6ft.
Filter Size	52mm Drop-in
Max. Diameter x Length, Weight	5.0 x 9.8 in, 82.9 oz. / 128 x 248mm, 2350g

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE.

To experience the ultimate in wide-angle photography, the EF 11-24mm f/4L USM brings L-series construction and optics to the widest zoom lens Canon has ever made. With an expansive wide-angle range of 11-24mm, this is an ideal lens for landscapes, interior shots, and unique perspectives on subjects close and far. Its new optical design features Super UD and UD lenses that correct chromatic aberration. Four aspheric lens elements help to minimize distortion from the center of the image to the periphery and throughout the zoom range. A Subwavelength Coating (SWC) and Air Sphere Coating (ASC) significantly reduce flare and ghosting, while a 9-blade circular aperture diaphragm creates beautiful, blurred backgrounds. For silent and fast AF, it features a rear focus system and ring USM, and can be manually focused even when in AF mode. It has a minimum focusing distance of 11 in./0.28m (extreme telephoto) for admirable performance and results even when shooting in tight spaces
Constructed to L-series specifications, the EF 11-24mm f/4L USM is durable and rugged due to its highly dust and water resistant design, so it is prepared for shooting in any number of environments. It also has fluorine coatings on the front and rear elements for reducing smears and fingerprints. With a compact design that includes an integrated hood and compatibility with all EOS cameras, 

Canon EF 35mm f/1.4L II USM Lens helps provide a level of clarity and resolving power that can be an ideal complement to the latest generation of Canon’s high-resolution SLRs. With an effective focal length of 35mm on full-frame cameras and 56mm on APS-C cameras, it helps capture beautiful detail with minimal chromatic aberration and color fringing thanks to Canon’s new BR optics element. It also has a fast, 9-blade maximum aperture of f/1.4 for impressive performance in low-light conditions and beautiful, soft backgrounds. And, like other L-series lenses, the EF 35mm f/1.4L II USM has dust and water sealing. Versatile, speedy and elegant, the EF 35mm f/1.4L II USM will delight photographers looking for a bright, sharp and responsive lens for their most important images.
L-series wide-angle single focus lens introduces Canon's newly-developed optical element, BR Optics*, which helps produce impressively high quality images by helping to maximize performance and reduce chromatic aberration.

Two aspheric lenses and one UD lens help provide a high level of image quality.

Improved durability for use in harsh environments helps ensure reliability and dependability.

Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.

Shortest minimum focusing distance in its class (0.28m) and increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects.

Fluorine coating on front and rear lens surfaces helps reduce smears and fingerprints.

Specifications

Lens
Focal Length & Maximum Aperture	70-200mm 1:4.0
Lens Construction	16 elements in 13 groups
Diagonal Angle of View	34° - 12°
Focus Adjustment	Inner focusing system with USM
Closest Focusing Distance	1.2m / 3.9 ft.
Zoom System	Rotating Type
Filter Size	67mm
Max. Diameter x Length, Weight	3.0" x 6.8", 25 oz. / 76mm x 172mm, 705g

The new EF 40mm f/2.8 STM offers an ultra-slim and lightweight design. Incredibly compact in size, the EF 40mm f/2.8 STM delivers high image quality from the center to the periphery thanks to its advanced lens configuration including an aspherical element, a bright 2.8 aperture, and optimized coatings that minimize ghosting and flare while providing exceptional color balance. The EF 40mm f/2.8 STM's unobtrusive design helps the photographer avoid overwhelming their subjects with a large lens and to remain discreet in sensitive shooting situations with no compromise in performance. Its diminutive design is complemented by features such as a newly developed stepping motor for smooth and quiet continuous AF while capturing video with the Canon EOS Rebel T4i DSLR, a circular aperture (7 blades) for beautiful soft-focus backgrounds, and a short minimum focusing distance of only 0.98 ft./0.30 m.

 
This lens is compatible with EF-S series, made specifically for "APS-C" format Canon EOS DSLRs - including all cameras in the EOS Digital Rebel series, and the 20D/30D/40D/50D/60D and 7D. Not for cameras with full size sensors.
 
Specifications
Focal Length & Maximum Aperture 
15 - 85mm 1:3.5-5.6
Lens Construction 
17 elements in 12 groups
Diagonal Angle of View 
84° 30' - 18° 25'
Focus Adjustment 
Inner focusing system with USM
Closest Focusing Distance 
1.15 ft./0.35m
Filter Size 
72mm
Max. Diameter x Length, Weight 
3.2 x 3.4 in./81.6 x 87.5mm, 20.3 oz./575g

EF-S 60mm f/2.8 Macro USM
Features
True flat-field macro lens that can focus to full life-size magnification
Fill the frame with a subject the size of a penny
Working distance of nearly 4 inches from front of lens to subject at 1x
Canon's shortest focal length macro lens ever with fully internal focusing
Accepts both MR-14EX Macro Ring Lite and MT-24EX Macro Twin Lite
Circular aperature design - natural highlights, even stopped down two stops
Optimized for digital SLRs: special coatings to minimize reflections and flare
EF-S lens - exclusively for EOS 20D, Digital Rebel XT and Digital rebel (as of March 2005)
Specifications
Focal Length & Maximum Aperture	60mm 1:2.8
Lens Construction	12 elements in 8 groups
Diagonal Angle of View	25°
Focus Adjustment	Manual
Closest Focusing Distance	0.2m /0.65 ft.
Filter Size	52mm
Max. Diameter x Length, Weight	2.9" x 2.8", 11.8 oz. / 73 x 69.8mm, 335g (lens only)

 
Focal Length & Maximum Aperture	70-200mm 1:2.8
Lens Construction	23 elements in 19 groups (1 Fluorite and 5 UD elements)
Diagonal Angle of View	34° - 12°
Focus Adjustment	Inner focusing system with USM. Full-time manual focus available
Closest Focusing Distance	1.2m/3.94 ft. (maximum close-up magnification: 0.21x)
Filter Size	77mm
Max. Diameter x Length, Weight	3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g


Focal Length & Maximum Aperture	70-300mm 1:4-5.6
Diagonal Angle of View	34° - 8° 15'
Focus Adjustment	Lens extension via inner focusing and focus cam plus floating mechanism
Closest Focusing Distance	1.2m/ 3.9ft
Filter Size	67 mm dia., P=0.75 mm /1 filter
Max. Diameter x Length, Weight	3.5 x 5.6 in, 2.31 lbs. / 89 x 143mm, 1050g

Specs  
Focal Length & Maximum Aperture	15mm 4.0
Lens Construction	14 elements in 11 groups
Diagonal Angle of View	180°
Focus Adjustment	Lens extension via inner focusing and focus cam plus floating mechanism
Closest Focusing Distance	0.16m / 6.2 in.
Filter Size	Rear Gel Holder (accepts up to 3 pre-cut gel filters)
Max. Diameter x Length, Weight	3.1 x 3.7 in, 19.1 oz. / 78.5 x 83.0mm, 540g

The Cinema prime CN-E 135mm T2.2 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the Cinema prime CN-E 135mm T2.2 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric.
The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
Cinema Prime Lenses Canon's brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production.
Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup.
Perfect on the EOS C500, EOS C300, EOS C100 and EOS-1D C, these lenses are also compatible with all Canon EOS DSLRs.

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE

The EF Cinema prime CN-E50mm T1.3 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
 
Intended for the working professional, the EF Cinema Prime CN-E50mm T1.3 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
 
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
 
EF Cinema Prime Lenses
Canon's brilliant EF Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C300, these lenses are also compatible with all Canon EOS DSLRs.

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE. 

The Cinema prime CN-E 14mm T3.1 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the Cinema prime CN-E 14mm T3.1 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
Cinema Prime Lenses Canon's brilliant Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup.
Perfect on the EOS C500, EOS C300, EOS C100 and EOS-1D C, these lenses are also compatible with all Canon EOS DSLRs.
Maximum Photometric Aperture T Number 3.1
Lens Front Diameter 114mm

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE. 

 Features
New Canon Super 35mm CMOS Sensor
Canon DIGIC DV III Image Processor
Canon XF Codec
Fully Compatible with New & Existing EF-mount Lenses
Ergonomics & Design
CF Memory Card Recording
Multiple Recording Formats and Advanced Recording
Connectivity
Full Manual Control and Focusing Aids
WFT Wireless Remote Control over Wi-Fi  
See Menu Simulater 
Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.
 The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work.
Specifications
Standard Definition or High Definition 
High Definition
Power Supply (rated) 
7.4V DC (battery pack), 8.4V DC (DC-IN)
Recording/Codec 
Signal System: NTSC and PAL
Compression: 8 Bit MPEG-2 Long GOP
Color Space: 4:2:2 at 50Mbps recording
Maximum Bit Rate: 50Mbps (CBR)
Canon Log Gamma: Available
File Format: MXF (OP-1a)
Recording Options:
50Mbps (CBR) 4:2:2 422P@HL
1920x1080: 59.94i/29.97p/23.98p; 50i/25p; True 24 (24.00)
1280x720: 59.94i/29.97p/23.98p; 50p/25p; True 24 (24.00)
 35Mbps (VBR) 4:2:0 MP@HL
1920x1080: 59.94i/29.97p/23.98p; 50i/25p
1280x720: 59.94p/29.97p/23.98p; 50p/25p
 25Mbps (CBR) 4:2:0 MP@H14
1440x1080: 59.94i/29.97p/23.98p; 50i/25p
 Audio 
Linear PCM; 2-Channel; 16-Bit; 48kHz
Built-in Microphone: None
External Audio Inputs: 2 - XLR inputs (Auto and Manual level settings)
Recording Channel Selection: Two channel recording
XLR Mic Trimming: Available; -12dB, -6 dB, 0dB or +12dB
Recording Level Adjustment Range: - Infinity to +18dB
Phantom Power: Available: +48V
Headphone Adjustment: 16 Settings; Volume is muted at lowest setting
1KHz Tone: Available: -12, -18 or -20 dB
Image Sensor 
Sensor Type: CMOS sensor (single-panel), equivalent to Super 35mm
Sensor Size: 24.6 x 13.8mm effective screen size (6.4 x 6.4 micrometer pixel pitch)
Scanning System: Progressive
Number of Sensors: 1
Filter: RGB Primary Color Filter (Bayer Array)
Imaging Processor: DIGIC DV III
Effective Pixels 
Approx. 8.29 megapixels (3840 x 2160)
Total Pixels 
Approx. 9.84 megapixels (4206 x 2340)
Max. Movie Recording Time 
64GB Compact Flash (CF) card
Greater capacity is possible when both are used.
 25Mbps: 310 minutes
35Mbps: 225 minutes
50Mbps: 160 minutes
 Lens 
Interchangeable: EF mount
Focusing System 
Manual; Autofocus system not available
Max. Shutter Speed 
1/2000 sec
ISO Range 
320 to 20,000, 1-stop or 1/3-stop
ND Filter Settings 
Mechanical ND filter system with option of clear, 2 stops, 4 stops, and 6 stops
White Balance 
Auto, Manual, 2 Custom (2000K - 150,00K in 100K increments), Daylight, Tungsten
Frame Rate 
NTSC: 59.94P, 59.94i, 29.97P, 23.98P
PAL: 50P, 50i, 25P
Film: 24P
Minimum Illumination 
Full AUTO mode: TBA lux 
Manual mode: TBA lux
Illumination Correction 
Compensates for each lens' light fall-off. Lens specific data stored in firmware
Genlock Terminal 
BNC (input only)
HD/SD-SDI Terminal 
BNC (output only), with embedded audio
Timecode Terminals 
BNC (input/output), Sync Out (BNC)
Viewfinder 
0.52-inch diagonal, color 16:9 rotatable LCD
+2.0 to -5.5 diopter eye adjustment
LCD Screen (Monitor Unit) 
4-inch diagonal, 1.23 megapixel color 16:9 rotatable LCD
100% field of view
adj. brightness, contrast, color, sharpness and backlight
Microphone 
None built-in
Recording Media 
CF Card (Type 1 Only): 2 slots (Movie files); UDMA supported
SD Card: 1 slot: Still images, Custom Picture Data*, Clip Metadata and menu settings
*Custom Picture Data and settings are not compatible with data from other Canon models
Video Terminal 
Same as HD/SD-SDI Terminal
Audio Terminal 
XLR 3-pin jack (2), Switchable between MIC/LINE
HDMI Terminal 
Yes (Type A), output only
AV Mini-terminal/Headphone Terminal 
3.5mm stereo mini-jack
WFT Terminal 
For compatible Wi-Fi Accessory
Operating Temperature Range 
Performance: 32°-104°F / 0°-40°C, 85% (relative humidity)
Operation: 23°-113°F / -5°-45°C, 60% (relative humidity)
Dimensions (W x H x D) 
EOS C300 + Thumb Rest: 5.2 x 7.0 x 6.7 in / 133 x 179 x 171mm
EOS C300 + Grip: 6.9 x 7.0 x 6.7 in / 174 x 179 x 171mm
Camera + Monitor: 7.3 x 9.8 x 7.4 in / 185 x 249 x 187mm
Camera + Handle + Monitor: 7.3 x 11.2 x 11.9 in / 185 x 284 x 301mm
Weight (not including lens) 
Main Unit:
EOS C300: 3.2 lb / 1430g
Grip: 8.1 oz / 230g
Monitor Unit: 1.4 lb / 620g
Handle Unit: 6.3 oz / 180g
Thumb Rest: 0.35 oz / 10g
BP-955 Battery: 7.8 oz / 220g
Attachment fitting: 0.32 oz / 9g
CF Cards x 2: 0.63 oz / 18g
Measure hook: 0.11 oz / 3g
Body Cap, Camera Cover (either type): 0.63 oz / 18g
EOS C300 w/:
Grip, Monitor, BP-955, 2@CF 5.6 lb / 2520g
Grip, Monitor, Handle, BP-955, 2@CF 6.0 lb / 2700g 

The EF Cinema prime CN-E24mm T1.5 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
 
Intended for the working professional, the EF Cinema prime CN-E24mm T1.5 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
 
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
 
EF Cinema Prime Lenses
Canon's brilliant EF Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C300, these lenses are also compatible with all Canon EOS DSLRs.
Specifications 
Maximum Photometric Aperture T Number 
1:1.5
MOD From Front of Lens 
12" / 0.3m
 
Size Length mm mod1 
4.66 x 4.66 x 4.00 in. / 118.4 x 118.4 x 101.5mm
Weight1 
2.65 lb. / 1.2 kg
Front Diameter 
Ø114mm

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE. 


The EF Cinema prime CN-E85mm T1.3 L F (EF mount) lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the EF Cinema Prime CN-E85mm T1.3 L F lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque.
 
Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design-this phenomenal lens is perfect for any number of applications. It features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies.
 
EF Cinema Prime Lenses
Canon's brilliant EF Cinema Prime lenses offer spectacular optical performance for demanding high-end productions. Featuring a compact and consistent lens design, these lenses offer consistent form factors and markings optimized for motion picture production. Sharing the same gear position, diameter and rotation angle, and front diameter-the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C300, these lenses are also compatible with all Canon EOS DSLRs.

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE. 


Dual Pixel CMOS AF technology features a CMOS sensor
 
Upgrade Features   
The Upgraded EOS C100 Digital Video Camera that offers an autofocus mode to help ensure sharp focus and smooth focus transitions. The upgrade provides a new Continuous AF (Autofocus) Function for all autofocus Lenses, using Dual Pixel CMOS AF technology. 

A new AF Lock setting also lets you change the image framing while holding the desired focus. These critical focusing capabilities are designed to help reduce out of focus video while providing for smooth focus transitions and assist users when operating with small crews

The EOS C100 camera with Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while, providing a natural, smooth autofocus movement with select Canon EF lenses – including newer-generation STM lenses – which offer even smoother and quieter operation.

After this modification, the EOS C100 camera's Continuous AF function active area represents 20% of the image vertically and 25% horizontally, yielding a very large, centrally located autofocus zone. The AF lock mode allows you to set focus and hold it, allowing you to change framing while maintaining the original point of focus.

After this modification, the EOS C100 camera's Continuous AF function active area represents 20% of the image vertically and 25% horizontally, yielding a very large, centrally located autofocus zone. The AF lock mode allows you to set focus and hold it, allowing you to change framing while maintaining the original point of focus.
A modified EOS C100 camera's set-up menu offers two options for “AF Mode” – One-Shot AF and Continuous Autofocus. The AF Lock function can optionally be set to one of the camera's assignable buttons. During shooting, you simply press this button to lock the focus preventing the camera from refocusing, and then press it again to re-enable continuous AF.
The Dual Pixel CMOS AF technology helps provide smooth and consistent autofocus, so that focus transitions are natural looking and that subjects can remain focused even as they move. The compatibility of Dual Pixel CMOS AF with Canon EF autofocus lenses combines outstanding optical tools with a wide range of creative options.

By using the Contrast AF system to supplement the EOS C100 camera's new Dual Pixel CMOS AF the camera can determine which direction to initially drive the lens helping to result in reduced focused hunting.
The combination of Contrast AF and Dual Pixel CMOS AF helps ensure that the EOS C100 camera's autofocus system initially drives the lens in the correct direction resulting in faster focus up acquisition. The upgraded EOS C100 camera will focus twice as fast as an unmodified camera, with a more natural look with no focus overshooting. Because the current One-Shot AF mode uses only Contrast AF, movements can sometimes be jerky with overshoot errors.
 
 

Canon 8.85 Megapixel Super 35mm CMOS Sensor
Dual DiG!C DV 5 Image Processors
Internal CFast 4K Recording Technology
Canon Log Gamma 2/ACES/REC. 2020 Support
Dual Pixel CMOS AF (Auto Focus) Technology
Canon XF-AVC Codec
Slow and Fast Motion Recording
Multiple Recording HD/2K/4K Modes
Fully Compatible with New and Existing EF-mount Lenses
Versatile and Refined Ergonomics
Ultra-High Resolution OLED EVF with Adjustable Viewing Angle
Connectivity and Camera Control
The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology. Redesigned with the help of user input, the EOS C300 Mark II Digital Cinema Camera helps to deliver more creative flexibility for professional studio motion picture production applications, as well as independent productions, TV dramas, commercials, news features, sports and more.
The EOS C300 Mark II Digital Cinema Camera integrates a re-designed imaging system of advanced components. These include a newly developed 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor that supports up to 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels and a high-speed readout for reduced rolling-shutter distortion. Working in concert with its dual Canon DIGIC DV5 image processors, data from the 4K sensor delivers Over-Sampling HD Processing for reduced-moiré 2K(DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Auto Focus with an expanded focusing area and Face Detection (in combination with Canon EF lenses). The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. In addition to its sensor and processors, the EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs that enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body Users can choose among multiple recording modes, resolutions and frame rates to meet their production needs.
Creative flexibility is also greatly enabled by the EOS C300 Mark II Digital Cinema Camera’s compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon CN-E Cinema prime and zoom lenses (including the "ENG-style" Canon CINE-SERVO zooms). New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.
Operability improvements of the Canon EOS C300 Mark II Digital Cinema Camera that further facilitate operation and creative freedom include full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60º tilting angle, a built in internal mono reference microphone, a removable hand grip, an improved camera handle extension with additional attachment points, and a removable LCD Monitor and control panel with XLR inputs. The modular design of the EOS C300 Mark II camera also allows for many kinds of industry-standard accessories to be added or removed as needed. 

RENTAL INCLUDES:

EOS C300 Mark II Body (with Grip)
Shoulder Strap
Monitor Unit
Handle Unit
2 - Batteries
Battery Charger (CG-A10)
Power Adapter (CA-A10)
Tripod Base (TB-1)
2 - 128GB Extreme PRO CFast 2.0 Memory Card
Base Plate

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE. 


 Canon EOS 5D Mark III   
 
Features
Newly designed 22.3 Megapixel full-frame CMOS sensor, 14-bit A/D conversion, wide range ISO setting 100-25600 (L:50, H1: 51200, H2: 102400) for shooting from bright to dim light and next generation DIGIC 5+ Image Processor for enhanced noise reduction and exceptional processing speed.
New 61-Point High Density Reticular AF including up to 41 cross-type AF points with f/4.0 lens support and 5 dual diagonal AF points (sensitive to f/2.8).
iFCL Metering with 63 zone dual-layer metering sensor that utilizes AF and color information for optimizing exposure and image quality.
EOS HD Video with manual exposure control and multiple frame rates (1080: 30p (29.97) / 24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 30p (29.97) / 25p with 4 GB automatic file partitioning (continuous recording time 29 minutes 59 seconds), selectable "All i-frame" or IPB compressions, embedded timecode, manual audio level control while recording, and headphone terminal.
Outstanding shooting performance: up to 6.0 fps continuous shooting using a UDMA CF card.
Magnesium-alloy body with shutter durability tested up to 150,000 cycles, enhanced dust-and-weather resistance, and updated EOS Integrated Cleaning system for improved vibration-based dust removal.
Intelligent Viewfinder with superimposed LCD display with approximately 100% field of view, wide viewing angle of 34.1°, and 0.71x magnification.
3.2-inch Clear View II LCD monitor, 170° viewing angle, 1,040,000-dot VGA, reflection resistance with multi coating and high-transparency materials for bright and clear viewing.
High Dynamic Range (HDR) and Multiple Exposure modes expand creative possibilities.
Improved handling with the addition of new customizable controls, enhanced recording options with Dual Card Slots for CF and SD cards, Dual Axis Electronic Level, and compatibility with optional Canon Wireless File Transmitter and GPS Receiver.
Other Features.
Brilliant Sensor, Supercharged Processors.
22.3 Megapixel full-frame CMOS sensor 
The EOS 5D Mark III features a newly developed Canon full-frame 22.3 Megapixel CMOS sensor that?s designed from the ground up to create high resolution, perfectly detailed images with unprecedented speed and clarity. A full 24 x 36mm, the sensor captures 5784 x 3861 large individual 6.25 µm pixels and has a much-improved S/N ratio resulting in better images from the start. A new photodiode structure with an increased photoelectric conversion rate increases the sensor's sensitivity by approximately 2 stops over previous models, meaning higher ISOs with the lowest noise of any EOS digital camera. And a 2-line 8-channel simultaneous signal readout means speeds of up to 6.0 fps (RAW + JPEG) are possible!
14-bit A/D conversion, wide range ISO setting 100-25600 (L: 50, H1: 51200, H2: 102400) 
The EOS 5D Mark III not only offers 14-bit signal processing for excellent image gradation, it delivers higher standard and expanded ISOs, and a score of new options to enhance shooting in varied and fast-changing lighting situations. With a standard range of ISO 100-25600, the EOS 5D Mark III represents a 2-stop increase in sensitivity over previous cameras. Thanks to the improved signal-to-noise ratio of the new sensor and powerful noise reduction, the EOS 5D Mark III can shoot at expanded sensitivities down to ISO 50 (L) and up to 51200 (H1), and even 102400 (H2)! Beyond the obvious advantages of its wide ISO range, the EOS 5D Mark III has automatic ISO settings, found on the dedicated ISO menu. Minimum and maximum ISO settings can be specified, as can a user-defined range, plus full auto and manual.
DIGIC 5+ Image Processor for enhanced noise reduction and blazing processing speed 
For a whole new level of performance, the EOS 5D Mark III uses a DIGIC 5+ Image Processor. Working with two 4-channel A/D converter front-end processing circuits, and delivering speeds of up to 6.0 fps (RAW + JPEG), and the DIGIC 5+ Image Processor improves data processing performance and features new algorithms that promote greater noise reduction at higher ISOs. In addition to conventional image processing functions the DIGIC 5+ Image Processor offers real-time compensation for chromatic aberration in both still and motion images. With the power of this processor, speed improvements are noticeable from the instant the camera is turned on and the stunning results speak for themselves.
 
 RENTAL INCLUDES:

SanDisk 32GB Extreme Pro Compact Flash Card
2 Canon LP-E 6 Battery Pack
Canon LC-E6 Battery Charger
USB Multi Card Reader
Canon USB Interface Cable
Canon Software Disc

             Canon Super 35mm CMOS Sensor
·         
Canon DIGIC DV 4 Image Processor
·         
Simultaneous AVCHD and MP4 Recordings
·         
Slow and Fast Motion Recording
·         
MP4 Conversion
·         
Updated 3.5-Inch OLED Panel
·         
1.23 Megapixel Tilting Color EVF
·         
Dual Pixel CMOS AF
·         
Face AF Mode
·         
59.94p Frame Rate
·         
Wireless FTP Video Transfer
·         
Built-In Microphone
·         
Built-In Canon Log LUT
·         ·         
New Ergonamic Re-Design
·         
Outstanding Low Light Sensitivity and Wide Dynamic Range
·         
Full Manual Control and Focusing Aids
·         
Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic
·         
HDMI® Out with Time Code

RENTAL INCLUDES:

2 - Canon Battery For Cinema Camera
Battery Charger
Power Adapter
SD Cards 32GB
Zacuto Base Plate
Tripod base
AC Cable
DC Cable
Shoulder Strap
Thumb rest

Features

	21.1 Megapixel Full-frame CMOS sensor, 14-bit A/D conversion (16,384 colors/each of 3 primary color), wide range ISO setting of 100-6400 (expandable L: 50, H1: 12800 and H2: 25600).
	Full HD Video capture at 1920 x 1080 resolution for up to 4GB per clip with HDMI output for HD viewing of stills and video.

Next generation DIGIC 4 Image Processor for faster processing of fine detail and color reproduction as well as reduced image noise.

High performance with 3.9 fps continuous shooting, new shutter with a durability of 150,000 cycles and improved weather-resistant body.

Live View Function for stills (Quick, Live and Face Detection AF modes) and video.

3.0-inch Clear View LCD (920,000 dots/VGA) monitor with anti-reflective and scratch-resistant coatings for improved viewing and smudge protection.

Updated EOS Integrated Cleaning System specifically designed to work with a full-frame sensor.

Compatible with over 60 Canon EF/EF-S lenses and most EOS System accessories.
spacer	spacer
Highest ISO Range to Date.
21.1 Megapixel Full-frame CMOS sensor, 14-bit A/D conversion (16,384 colors/each of 3 primary color), wide range ISO setting of 100-6400 (expandable L: 50, H1: 12800 and H2: 25600).
spacer
The EOS 5D Mark II features a huge, full-frame sensor. A 21.1-megapixel CMOS sensor delivers images of up to 5616 x 3744 pixels. And since it is full-frame, all lenses will deliver the angle of view they would on a 35mm camera without a conversion factor. This comes in handy especially when shooting with wide-angle lenses. For the flexibility to shoot in even the most dimly lit situations, the EOS 5D Mark II offers Canon's highest ISO sensitivity to date, ranging from 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600). Thanks to improved noise reduction technologies, images shot even at highest sensitivity will be remarkably smooth.

RENTAL INCLUDES:

2 Canon LP-E 6 Battery Pack
Canon LC-E6 Battery Charger
SanDisk 32GB Extreme Pro Compact Flash Card
USB Multi Card Reader
Canon USB Interface Cable
Canon Software Disc

The Freedom of High Resolution
Marking a new standard in high-resolution digital SLR photography, the Canon EOS 5DS camera shatters the status quo with a new 50.6 Megapixel, full-frame CMOS sensor. Perfect for commercial and fine art photography, or any other application that calls for extremely high-resolution, the EOS 5DS is the ultimate combination of EOS performance and ultra-high megapixel capture. It features an advanced, 61-point High Density Reticular AF system that includes 41 cross-type AF points and EOS iTR AF for precise AF in numerous situations. An anti-flicker function helps provide consistent exposure and color during continuous shooting under certain lighting conditions, while a built-in bulb timer and intervalometer expands creative opportunities without the need for an additional remote control. A refined mirror control mechanism reduces vibration and a Time Release Lag setting minimizes camera shake for sharp image capture when using mirror lock-up. New features like a crop function of 1.3x and 1.6x and a Custom Quick Control screen are complemented by advanced, multi-featured Full HD Movie capture, with Time Lapse Movie, and much more. With EOS performance and 50.6 Megapixel Capture, the EOS 5DS revolutionizes high-resolution photography! 
_____________________________________________________
What is the difference between Canon 5DS and Canon 5DS-R?
The key difference between both the 2 cameras is that the Canon 5DS-R introduces another low pass filter to cancel the effect of the first low pass filter. This is called the Low Pass Filter (LPF) Cancellation Effect. This will reduce the incidence of false color. This feature is not available with the Canon 5DS model which adds a little bit of blur to its photos.
This filter is located just behind the IR filter. It realigns original pixels that were shifted by the first filter and in turn, provides us with a sharper high-quality image even further without blur. For photographers who need a sharp, crisp images such as the landscape photographers and fine art photographers, this camera is the relevant choice.

RENTAL INCLUDES:

EOS 5DS Body
2 - Battery Pack LP-E6N
1 - Battery Charger LC-E6
64GB CF Card
Interface Cable IFC-150U II
Card Reader

The Canon EOS 7D Mark II digital SLR camera is designed to meet the demands of photographers and videographers who want a camera that can provide a wide range of artistic opportunities. With a winning combination of cutting-edge operations and a robust, ergonomic design, it is optimized to make even the most challenging photography simple and easy. The EOS 7D Mark II features a refined APS-C sized 20.2 Megapixel CMOS sensor with Dual DIGIC 6 Image Processors for gorgeous imagery. It shoots up to 10 frames per second at ISOs ranging from 100–16000 (expandable to H1: 25600, H2: 51200), has a 65-point* all cross-type AF system and features Canon’s amazing Dual Pixel CMOS AF for brilliant Live-View AF. It has dual card slots for both CF and SD cards, USB 3.0 connectivity and even has built-in GPS** for easy location tagging, automatically. Compatible with an ever-expanding collection of EF and EF-S lenses plus a host of EOS accessories, the EOS 7D Mark II is an ideal tool for creative and ambitious photography.
 
Up to 10.0 fps Continuous Shooting
A new, rugged shutter designed for 200,000 cycles, enables the EOS 7D Mark II to shoot up to 10.0 frames per second to capture all the action. Refined mechanics like a newly designed, more efficient shutter drive motor and a vibration dampened mirror drive help deliver reliable, speedy performance for high caliber image capture.
 
AF System to Match
The EOS 7D Mark II features some of Canon’s most sophisticated AF technologies ever, enabling the camera to achieve accurate and speedy AF performance while maintaining impeccably clear action shots. Designed to be fast, the EOS 7D Mark II delivers impressive results
.
Dual Pixel CMOS AF
Canon’s revolutionary Dual Pixel CMOS AF enables superb HD shooting with the EOS 7D Mark II. With Dual Pixel CMOS AF, each pixel on the camera’s sensor performs both phase-difference detection autofocus and records light. Auto-focus is achieved quickly, easily and smoothly thanks to phase-difference detection AF. When used with the predictive power of Movie Servo AF, subjects in motion are smoothly and consistently tracked –once focus is locked, the EOS 7D Mark II stays on target!
 
65-point* All Cross-type AF System
The advanced 65-point* all cross-type AF system helps ensure precise and stable AF no matter the subject or camera’s orientation. These AF points are spread over a wide area of the frame, enabling faster AF wherever the subject lies. With a central dual cross-type AF point of f/2.8, AF is enhanced with lenses faster than f/2.8. Also, this new system makes AF possible in dim lighting as low as EV-3.
 
Full HD 60p Video Recording
The EOS 7D Mark II delivers refined and detailed EOS movie image quality with Full HD 60p (59.94 fps NTSC), and 50.00 fps (PAL), recording at ISO values up to 16000 (Dual Pixel CMOS AF is not available when shooting at 60p). At these frame rates, even a fast-moving subject looks smooth in HD, as does a slow motion playback.
 
Multiple Input / Output Options
 
Shoot Full HD and send uncompressed NTSC, PAL and 24p footage out directly using the EOS 7D Mark II’s included HDMI port. HDMI output makes it possible to monitor images on a large display or save image data to an external recorder. Thanks to an audio output function, video and sound can be recorded together to a single recorder. The EOS 7D Mark II also has dedicated microphone and headphone jacks for professional sound recording and monitoring. Dual card slots for CF and SD cards are also included, offering many options and long recording times with automatic switching between recording media.

RENTAL INCLUDES:

2 - Canon LP-E6N Lithium-Ion Battery
Canon LCE6 Charger
SD Memory Card 16GB
Interface Cable USB 3.0
Card Reader
Camera Case

Canon 8.85 Megapixel Super 35mm CMOS Sensor
Dual DiG!C DV 5 Image Processors
Internal CFast 4K Recording Technology
Canon Log Gamma 2/ACES/REC. 2020 Support
Dual Pixel CMOS AF (Auto Focus) Technology
Canon XF-AVC Codec
Slow and Fast Motion Recording
Multiple Recording HD/2K/4K Modes
Fully Compatible with New and Existing EF-mount Lenses
Versatile and Refined Ergonomics
Ultra-High Resolution OLED EVF with Adjustable Viewing Angle
Connectivity and Camera Control
The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology. Redesigned with the help of user input, the EOS C300 Mark II Digital Cinema Camera helps to deliver more creative flexibility for professional studio motion picture production applications, as well as independent productions, TV dramas, commercials, news features, sports and more.
The EOS C300 Mark II Digital Cinema Camera integrates a re-designed imaging system of advanced components. These include a newly developed 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor that supports up to 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels and a high-speed readout for reduced rolling-shutter distortion. Working in concert with its dual Canon DIGIC DV5 image processors, data from the 4K sensor delivers Over-Sampling HD Processing for reduced-moiré 2K(DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Auto Focus with an expanded focusing area and Face Detection (in combination with Canon EF lenses). The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. In addition to its sensor and processors, the EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs that enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body Users can choose among multiple recording modes, resolutions and frame rates to meet their production needs.
Creative flexibility is also greatly enabled by the EOS C300 Mark II Digital Cinema Camera’s compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon CN-E Cinema prime and zoom lenses (including the "ENG-style" Canon CINE-SERVO zooms). New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.
Operability improvements of the Canon EOS C300 Mark II Digital Cinema Camera that further facilitate operation and creative freedom include full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60º tilting angle, a built in internal mono reference microphone, a removable hand grip, an improved camera handle extension with additional attachment points, and a removable LCD Monitor and control panel with XLR inputs. The modular design of the EOS C300 Mark II camera also allows for many kinds of industry-standard accessories to be added or removed as needed. 

RENTAL INCLUDES:

EOS C300 Mark II Body (with Grip)
Shoulder Strap
Monitor Unit
Handle Unit
2 - Batteries
Battery Charger (CG-A10)
Power Adapter (CA-A10)
Tripod Base (TB-1)
2 - 128GB Extreme PRO CFast 2.0 Memory Card
Base Plate

THIS ITEM REQUIRES COI OR DEPOSIT: 

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE. 

The ultra compact XA10 Professional Camcorder is designed for situations where mobility is critical while shooting. This feature-rich, professional model records Full HD 1080p using an AVCHD codec. The ultimate professional camcorder for run-and-gun shooting, the compact XA10 includes a detachable handle for low-angle shooting and portability. With the handle attached the XA10's functionality is further enhanced with the addition of XLR inputs and an external microphone holder.

A Genuine Canon 10x HD Video Lens delivers a wide, flexible zoom range (35mm equivalent range 30.4mm-304mm) and smooth, pleasing backgrounds thanks to an 8-blade iris. And an infrared mode allows users to capture video in conditions with little or no ambient light, a situation which would make other camcorders useless.

The new XA10 provides the option of recording to a 64GB internal flash drive or two SDXC-compatible card slots and the ability to simultaneously record to two cards at once for instant backup. Portable and packed with professional features, this camcorder will be the model of choice for on-the-go videographers.

RENTAL INCLUDES:

2 - Canon Batteries
USB Cable
SD Card 64GB
Wireless Controller
AC Power w/Cable


1920 x 1080, 1/2.84" CMOS Sensor
20x HD Zoom Lens
Canon Digic DV 4 Image Processor
Dynamic Image Stabilization
Manual Camera Controls
2 x XLR with Manual/Auto Audio Levels
HDMI Composite
2 x SD/SDHC/SDXC Media Card Slots
Built-in Wi-Fi Connectivity + Control
 
 The XA20 is a compact, "run-and-gun" HD camcorder with an impressive optical performance from a powerful new Genuine Canon 20x HD Video Lens with a new 8-Blade Circular Aperture, capable of focusing down to just 23.6 inches (60cm).
Other features include a 3.5-inch OLED Touch Panel Display with the equivalent of 1.23 million dots of resolution, tiltable electronic viewfinder, multiple HD/SD recording rates - including 24p for a "cinematic" look - together with a choice of industry-standard MP4 (up to 35 Mbps) and AVCHD (up to 28 Mbps) codecs.
The high image quality and recording versatility make the XA20 ideal for independent and documentary filmmaking, as well as event videography and educational institutions. In addition to reducing horizontal and vertical shaking, five-axis SuperRange Optical Image Stabilization eliminates rolling and other artifacts, for sharper images no matter how the camcorder is moved. A new automatic correction circuit can substantially reduce image distortion, thereby producing better-looking videos.
A detachable handle offers increased control functionality, with a built-in microphone holder and XLR-format audio inputs. Infrared shooting with little to zero ambient light offers additional flexibility during, for example, surveillance and wildlife projects;
The detachable handle also includes an IR light. Dual-band, built-in Wi-Fi® technology allows easy FTP file transfer and upload to the internet. And intelligent lithium batteries report remaining power and battery-wear levels in one-minute increments to the camcorder, thereby taking the guesswork out of battery management.
 
Maximum Recording Time (Ref.Canon USA website) 
AVCHD	Recording Mode
Memory Card	28 Mbps	24 Mbps	17 Mbps	5 Mbps	 
8GB	35 min.	40 min.	1 hr. 00 min.	3 hrs. 00 min.	 
16GB	1 hr.15 min.	1 hr. 25 min.	2 hrs. 05 min.	6 hrs. 05 min.	 
32GB	2 hrs. 30 min.	2 hrs. 55 min.	4 hrs. 10 min.	12 hrs. 15 min.	 
64GB	5 hrs. 05 min.	5 hrs. 55 min.	8 hrs. 20 min.	24 hrs. 30 min.	 
128GB	10 hrs. 10 min.	11 hrs. 55 min.	16 hrs. 45 min.	49 hrs. 00 min.	 
 
MP4	Recording Mode
Memory Card	35 Mbps	24 Mbps	17 Mbps	4 Mbps	3 Mbps
8GB	30 min.	40 min.	1 hr. 00 min.	4 hrs. 20 min.	5 hrs. 40 min.
16GB	1 hr. 00 min.	1 hr. 25 min.	2 hrs. 05 min.	8 hrs. 40 min.	11 hrs. 25 min.
32GB	2 hrs. 00 min.	2 hrs. 55 min.	4 hrs. 10 min.	17 hrs. 20 min.	22 hrs. 55 min.
64GB	4 hrs. 00 min.	5 hrs. 55 min.	8 hrs. 20 min.	34 hrs. 45 min.	45 hrs. 55 min.
128GB	8 hrs. 00 min.	11 hrs. 55 min.	16 hrs. 45 min.	69 hrs. 30 min.	91 hrs. 55 min.
 
* Recording time based on internal flash memory only. Greater capacity is possible when SD memory cards are also used (2 card slots).
** 1920 x 1080 movie recording requires a Class 4 or higher memory card. For other recording formats, a Class 2 or higher card is recommended. Also, movie recording requires cards with 128MB of memory or more. Cards made by Toshiba, SanDisk or Matsushita are recommended. No particular restrictions apply for still images.

RENTAL INCLUDES:

2 - Batteries
A/C Power Cable / Charger
64GB SD Card
Wireless Controller
Stereo Video Cable
Interface Cable
High Speed HDMI Cable
Software CD

Dynalite Road Series RP1000 1000 Watt/Second Power Pack
This compact power pack is lightweight and powerful.
Power may be adjusted asymmetrically in 1/3 power increments between the 3 head outlets with the rocker switches and across the board with the two-stop dial variator.
The RP1000 has a three-way switch for controlling the modeling light -- on full, on in proportion to power, and off. The head outlets are arc-proof -- unplug the heads at will without having to shut down the power pack.

The RP1000 has a built-in optical and infra red slave. If this pack is used with other strobes, it "sees" the light and fires instantaneously without having to be hard-wired.

RENTAL INCLUDES:

Dynalite RP1000 Power Pack
Dynalite Standard Flash Head
Light Stand 9'
Umbrella
Power Cable
2 - Sync Cable
Carrying Case

The XA25 is a compact, high-performance professional camcorder designed specifically for "run-and-gun," ENG-style shoots with enhanced I/O connectivity. The XA25 offers a unique combination of high-precision optics, outstanding image processing, multiple recording formats, flexible connectivity and intuitive user features. But its compact design does not mean compromised functionality – this small and lightweight camcorder meets the quality and performance standards necessary for use in a wide range of applications, including news gathering, law enforcement and military, education and documentary, among others.

·                  Genuine Canon 20x High Definition Optical Zoom Lens
·                  Full HD 1920x1080 Recording Capabilities
·                  HD/SD-SDI Output
·                  Built-in Wi-Fi®Technology with FTP Transfer Capability
·                  Superb Image Reproduction
·                  3.5-inch OLED Viewscreen with 10,000:1 Contrast Ratio and EVF
·                  Dual SD Card Slots, Using Readily Available, Consumable Media
·                  Intelligent Optical Image Stabilization System with Powered and Dynamic Modes and Auto On/Off
·                  Full Manual Control
·                  Ergonomic, Portable Design
·                  Two Phantom-powered XLR Audio Inputs with Manual Gain Control
·                  Ultra-compact Form Factor with Detachable Handle
·                  High Definition Peaking for Focus Assist
·                  Assignable Buttons for Custom Shooting
·                  Infrared Shooting Mode for Extreme Low-light Conditions (with built-in IR emitter and diffuser)
·                  Connectivity
·                  Optional Bluetooth Mic with Two-way Intercom-like Capability
·                  Advanced Display Features: Zebra, Color Bars and Test Tone
 
The XA25 features a Genuine Canon 20x HD Zoom Lens that provides a highly versatile zoom range with 35mm equivalent of 26.8mm–576mm, and a minimum object distance of just 23.6 inches (60cm). The impressive image quality is enhanced by a new 8-Blade Circular Aperture design, which avoids the “starburst” effect of point light sources in non-circular aperture designs. Out of focus areas are smoother, more natural and more appealing. An endless-type focus and zoom control includes user-programmable direction and sensitivity modes. Zoom speed can be set to variable, constant (with 16 levels), Fast, Normal or Slow.

RENTAL INCLUDES:

2 - Canon Batteries
USB Cable
SD Card 64GB
Stereo Video Cable
Component Cable
Utilities CD-ROM
Wireless Controller
AC Power w/Cable

Honda 2000 Watt Gas Generator EU2000I
2000 watts, 120V
Ideal for TV/DVD, satellite, fridge, coffee pot, and more
Super quiet
Easy to carry - less than 47 lbs!!
Fuel efficient - up to 9.6 hrs on 1 gal of gas
Inverter - stable power for computers and more
EU2000i	Specifications
Engine	Honda GX100
Displacement	98.5cc
AC Output	120V 2000W max. (16.7A) 1600W rated (13.3A)
Receptacles	20A 125V Duplex
DC Output	12V, 96W (8A)
Starting System	Recoil
Fuel Tank Capacity	1.1 gal
Run Time per Tankful	4hrs. @ rated load, 9.6 hrs. @ 1/4 load
Dimensions (L x W x H)	20.1" x 11.4" x 16.7"
Noise Level	59 dB @ rated load 53dB @ 1/4 load
Dry Weight	46.3 lbs.

3000 watts, 120V
Power for your furnace, fridge, microwave, most 13,500 BTU RV AC units, and more
Super quiet
Convenient electric start
Fuel efficient - up to 20 hrs on 3.4 gals of gas
Inverter - stable power for computers and more
EU3000iS	Specifications
Engine	Honda GX200
Displacement	196cc
AC Output	120V 3000W max.(25A) 2800W rated (23.3A)
Receptacles	20A 125V Duplex, 30A 125V Locking Plug
DC Output	12V, 144W (12A)
Starting System	Recoil, electric
Fuel Tank Capacity	3.4 gals.
Run Time per Tankful	7.2 hrs. @ rated load, 20 hrs. @ 1/4 load
Dimensions (L x W x H)	25.8" x 18.9" x 22.4"
Noise Level	58 dB @ rated load 49 dB @ 1/4 load
Dry Weight	134 lbs.
 
 
 

Features
Bi-Color Light adjustable from 2700K-5600K
4" Fresnel with flood to spot
High CRI and TLCI
Can be powered by Pro V-Mount Battery
Flicker feature allows slow to fast strobe
Large digital readout for easy adjustment
Barn Doors Included
Inlcudes Hard Case with Wheels
The Helia Bi-Color LED lights offer the flexibility of color temperatures ranging from 2700K to 5600K for any shooting situation. 
The 4-inch Fresnel lenses can focus from a 60-degree flood to a 15-degree spot. With a high CRI and TLCI, the Helias give shooters all the color they’re looking for and more. A large digital display allows you to move through the menus and tweak settings with ease. 
The flicker feature can be tuned to any frequency. HF40 lights can be powered with a pro battery and come with V-mount battery plates and DC cables. They also come with barn doors and AC power cables. A heavy-duty case and sturdy stands allow for quick setups wherever you choose to shoot.

RENTAL INCLUDES:

3 - Helia 40 Watt Bi-Color LED Fresnel Light
3 -  6 Ft Power Cable
3 - Barn Doors
3 - Light Stand
3 - P-TAP Cables
3 - V-Mount Plates
Hard Case With Wheels

Features
1280 x 800 HD panel
Waveform, Vector Scope, & RGB Parade
False color with adjustable under luminance and over luminance warning
Clip guide with adjustable threshold
Peaking with red outline
DSLR Scaling
Video Inputs
3G-SDI
HDMI
 D5w Quick Start Guide
The D5w with waveform, vectorscope and RGB parade.
These keys features assist the video professional in getting the shot right the first time. The D5w’s 1280 X 800 high definition panel is optimal for displaying it’s advanced software features. The D5w is also equipped with false color and peaking, enabling the video professional to deliver precision shots in the field. The D5w’s small lightweight design makes it perfect for handheld rigs and easy to store. The D5w’s HDMI input is complimented by a 3G-SDI input/output along with the feature of headphone audio out. The customized function buttons on the back of the D5w can be tailored for your workflow and optimization. Furthermore, the D5w’s frame has a rubberized texture for better grip and handling making it easier to maneuver.
Waveform
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vectorscope
The D5w uses vectorscope to help set and verify skin tones and monitor white balance. The vectorscope function also verifies and checks the overall tint and hue of an image.
RGB Parade
The RGB parade splits the image into separate red, green, and blue channels and shows you the color values for each. RGB Parade is fundamental in balancing out the shadow region when leveling a shot. Furthermore, this feature helps the video professional to instantly see what color cast might be in an image; thus, making it extremely helpful when verifying the white balance.
Advanced Software Features
The D5w is loaded with advanced software features like false color, peaking, movable pixel-to-pixel and DSLR scaling. The D5w is designed with a flexible battery system that supports Sony, Canon, Canon-E6 and Panasonic. Each of these features is highly effective in their own right creating a smooth workflow for superior results. With all the features you need at the prices you want the D5w provides endless possibilities for the video professional.

Features
Wide Angle Beam Pattern
Analog Controls with Digital Readout Display
LCD Battery Life Indicator
Slide-on Barn Doors
Removable Diffusion Gel Filter
Horizontal / Vertical Interlock Options

RENTAL INCLUDES:

2 - Sony "L" Series DV Batteries
A/C Adapter
Barn Doors
Diffusion Filter
Dual Battery Charger
Ultra-Heavy Duty Shoe Mount
Soft Carrying Case

Joker Bug 1600 Beamer Kit  The Joker 1600 Beamer includes an 8” specular reflector and a set of 4 traditional PAR 64 lenses – Medium, Wide, Super-Wide and a Frosted Fresnel.  These lenses provide varying light patterns from 5 to 45 degrees and a maximum output due to the reflector finish.

The Joker 1600 ZOOM Beamer is revolutionary.  This lensless, focusable Beamer gives 15 to 65 degrees of even light output.  With its physical similarities to a faceted umbrella, the soft finish beautifully distributes light across your subject.  The ZOOM Beamer reflector was specifically engineered around the radiant image of our new 1600W lamp, providing for the best and most efficient performance possible
 
HEAD:
Lamp: 1600 Watt CSR/SE daylight single ended discharge, 5600 Kelvin, 700 hours maximum life.

Housing: Aluminum casting, high temperature black
Socket: G22, highly insulated for hot retsrike
Safety Glass Beaker: Borosilicate UV filter tempered
 
Ballast:
Electronic Powe Supply: square wave, flicker free; AC input: 90-265V; 50 or 60Hz.  Fan cooled; 50% dimmable; Output Frequency selector
Connectors: Veam quarter-turn quick locking.
Extension Cable: 25 foot shielded; nine feet attached to the head
 
Beamer 
Housing: Machined from aluminum billet with replaceable ears; High temperature black
Reflector: 8" diameter specular parabolic, aluminum 90% reflectance electrolytically coated.
Accessory Size:  9” Scrims; 9180 Chimera Circular Speedring; Video Pro Medium

Zoom Beamer: Optional Accessory
Housing: Combination of machined aluminum billet with spun aluminum parts; replaceable ears; high temperature black
Reflector: Faceted reflector of engineered spline shape; aluminum 

RENTAL INCLUDES:

K5600 Joker 1600 Head (with 9' Cable)
k5600 Joker 1600 Ballast
Head Extension Cable 25'
Beamer Optical
Fresnel Frosted lens with ring
Medium Flood lens with ring
Wide Flood lens with ring
Super Wide Flood lens with ring
Four leaf Barndoor
Protection Beaker
Beaker Safety Wire
Frosted Glass UV
2 - Full Double Scrim 9"
2 - Full Single Scrim 9"
Bug Ring
Beefy Baby Stand 11'
Carrying Case / Wheels

(EU3000iHAN, EU3000iHAC )
Features
3000 watts, 120V
The lightest 3000-watt inverter generator we’ve ever made
Wheels and folding handle for true portability
Compact design
Offset handles for easier lifting
Super quiet
 
Lighter weight, compact design- Easy to store, easy to pack At only 78 lbs, the EU3000i Handi is lightest, most compact 3000 watt generator we've ever made.
 Recessed wheels and unique folding handle for true portability The flip up handle and sturdy wheels make the EU3000i Handi easy to transport.
 
So quiet, The EU3000i Handi operates at 57 to 65 dBA. This makes it ideal for camping, supplemental RV power and any other activity that requires quiet operation.
 Fuel efficient - runs up to  7.7 hours on 1.56 gals of fuel Thanks to our exclusive Eco-Throttle System, the EU3000i Handi offers great fuel efficiency. Runs 3.6 to 7.7 hours on a single tank, depending on the load 
 Advanced inverter technology - reliable power for computers and other sensitive equipment Honda's inverter technology means stable, clean power in a smaller, lighter package. The precision of Honda's inverter technology ensures our inverter generators produce power that is as reliable as the power you get from your outlets at home.
  
 
 
Engine	Honda GX160
Displacement	163cc
AC Output	120V 3000W max.(25A) 2600W rated (21.7A)
Receptacles	20A 125V Duplex, 30A 125V Locking Plug
DC Output	12V, 100W (8A)
Starting System	Recoil
Fuel Tank Capacity	1.56 gal.
Run Time per Tankful	3.6 hrs. @ rated load, 7.7 hrs. @ 1/4 load
Dimensions (L x W x H)	24.5” x 14.9” x 19.3”
Noise Level	65 dB(A) @ rated load, 57 dB(A) @ 1/4 load


6500 Watts (54.1/27.1 A) 120/240V of Honda inverter power
Super Quiet - 60 dB(A)
Eco-Throttle - Runs up to 14 hours on 4.5 gals of fuel
Convenient electric start - battery included
Perfect for home back up power, RV's, outdoor events, job sites, and more
120/240V Selector switch
Protected by Oil Alert®
Wheel kit standard
Fuel gauge standard
Optional remote start available
Electronic circuit breakers
i-Monitor LCD readout for performance monitoring and service diagnosis
USDA-qualifed spark arrestor/muffler
Convenient, folding handles
EU6500i	Specifications
Engine	Honda GX390
Displacement	389cc
AC Output	120/240V 6500W max. (54.1/27.1A) 5500W rated (45.8/22.9A)
Receptacles	20A 125V Duplex, 30A 125V Locking Plug, 30A 125/250V Locking Plug
DC Output	N/A
Starting System	Recoil, electric
Fuel Tank Capacity	4.5 gals.
Run Time per Tankful	4.7 hrs.@ rated load, 14.0 hrs. @ 1/4 load
Dimensions (L x W x H)	33.5" x 26.4" x 27.5"
Noise Level	60 dB @ rated load 52 dB @ 1/4 load
Dry Weight	260 lbs.


Kit Includes 3 x Lights ID500-v2 3 X Light Stand 3 X Power Cord 3 X Wireless Remote Control Carrying Case
The ID500-v2 continues the ikan tradition of providing versatile, portable and cost effective lighting solutions which are at home in the field or in the studio.
The 500 Luxeon LED bulbs create energy-efficient light with a watts equivalency of 300w providing 2550 lux at 3' at 5600°K(±300).
If you need a bright, portable light that won't roast your talent, the ID500-v2 is the light you need.
The LCD touch screen panel on the rear makes it simple to dim the lights in increments from 0-100%. No more guessing with old school analog rotary knobs.
Professional Power Options If you need Anton Bauer or Sony V mount power options, ikan has you covered with the PBK-A-X or PBK-S-Xprofessional battery mount system. This simple device mounts directly to back of the ID500-v2 via the included VESA mount receiver slots. Video tour Features Color Temperature of 5600K (300K) 3 x ID500-v2 Fixtures, Bags and Stands 3 x Wireless Remote Control Optional DC Accessories Available Energy Efficient and Lightweight Operating Volts: 100/120V 60Hz
Dimension: 14" x 4" x 7" (Bag= 20" x 15" x 10") Weight : 19.2 lbs Wattage: 30w Brightness: 3ft / 2550 lux / 5600°K Color Temperature: 5600°K (±300°K) Shipping Weight: 25 lbs

Includes
2 Sony "L" Series DV Batteries
A/C Adapter
Diffusion Filter
Dual Battery Charger
Soft Carrying Case
Ultra-Heavy Duty Shoe Mount
 
Features
Wide Angle Beam Pattern
Variable Color Temperature
Built-In Dimmer
On-Board Battery Life Indicator
Color Temperature
3200 K - 5600 K
 
Brightness
3ft / 722lux / 3200K
 
The ikan iLED 312 is the light for you. Featuring a bright, wide angle beam pattern, this 312 bulb LED light has you covered. With switchable daylight to tungsten, intensity dimmer and on-board battery indicator, the iLED 312 gives you unparalleled accuracy and control.
 

Features
1100 Nit High Brightness LCD Panel
Auto Brightness Mode
Waveform, Vectorscope, RGB Parade, VU Meter
Dual SDI Inputs
HDMI input to SDI output conversion
Supports 2K Resolution
Video Inputs
3G-SDI x 2
HDMI
Composite x 3
Component
 
Additional MD7 Features:

Super bright LCD Screen for Visibility in Direct Sunlight.
Firmware Update with USB Memory
Peaking/False Color
Waveform/Vectorscope
DSLR Guides
Closed Caption (CEA-608/708)
Onscreen Time Code Display
8~16ch Audio Level Meter
Video Exposure Range Check
UMD/IMD Mode
AFD & V-CHIP(SDI Only)
Various Markers (user programmable- ideal for Steadicam Operators)
H/V Delay
Pixel-to-Pixel Zoom
Tally LED Control Output R/G/B/W Internal Patterns Rack & VESA Mount (Option)
HDMI-to-SDI Converter (Original Resolution)
Auto Back Light Control
Auto Color Temperature Adjustment
Horizontal/Vertical Angle Level Meters
3G SDI input (Level A/B)
1~16Ch Audio Level Meters
H/V Delay
SMPTE-425M 3G Signal supported (Level A, Level B)
 
RENTAL INCLUDES:

Ikan MD7 7" Monitor
AC Adapter
Shoe Mount

The Joker-Bug 400 combines the characteristics of the BUG-LITE 400, a 400 Watt daylight HMI system without optics, with those of the JOKER 400, a PAR 46 fixture using a specular parabolic reflector and a set of 4 lenses. The JOKER-BUG 400 is comparable to a 1500/2000Wquartz fixture but with a power draw of only 5.5 Amps.
In the Bug-Lite mode (no optics) the main application is in traditional Lightbanks as well as Lanterns where it uses the sides as a large reflector, collecting the maximum output of the lamp and filling the front screen very evenly. It is very powerful in daylight interiors and can operate in any position including pointing straight down.

The BEAMER optical accessory turns the BUG-LITE into a JOKER-BUG, a directional PAR unit offering various beam patterns through quick lens changes. The JOKER-BUG 400 offers the most flexible optical configuration for location lighting by achieving Spot to Flood ratios of 80 to 1 with beam angles from as narrow as 5 degrees to as wide as 55 degrees.

RENTAL INCLUDES:

k5600 Joker 400 Head
K5600 Joker Ballast
K5600 Lens + Scrim Set
K5600 Barndoors
Head Cable 25'
Avenger 11.5' Baby Alu Stand
Case

The Kessler CineSlider™ is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds. Weighing in at only 10 pounds, with a length of 40.5 inches, 5 inches wide, and a total camera travel distance or 35.5 inches, the CineSlider is a very portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system. Features include drag control and locking, handle with adjustable arc diameter for ultimate movement control, smooth rolling precision stainless steel ball bearing Delrin wheels, and multple mounting options.
The CineSlider™ can be center mounted flush to the Kessler Hercules 2.0 head to achieve panning and tilting movements, center mounted to a 100mm bowl tripod with the optional 100mm Ball Mount Kit, or support from both ends with a combination of a standard tripod / fluid head or lightstand or monopod.
Camera mounting options include the Quick Release Plate & Receiver that comes standard. Also included with the CineSlider™ is a 3/8" standard mounting bolt, for flat mounting a fluid head to the carriage. Optional mounting options include a 100mm Bowl High Hat  and 100mm Ball Relocater.

The Stealth is a hybrid slider that combines the lightweight portable rail & carriage system of the Pocket Dolly™ with the drag control of the  CineSlider™
Features include drag control, measuring tape, smooth rolling precision stainless steel ball bearing wheels and multiple mounting options. The Stealth does not have a crank handle.
The Stealth is smooth due to our ball bearing wheel design. Plus, with the belt drive you have the option to go to full automation with our elektraDRIVE system that boasts features like time lapse, memory/motion playback, digital dampening and many more options that will make getting that perfect shot easy.
The elektraDRIVE Motor Drive options are available for the Stealth.
 Length: 40.5" (102.9cm) 
 Weight: 7 pounds (3.2kg)
Watch Video
 

4Bank System Highlights

• 4-Lamp remote fixture w/ built-in barndoors 
• Fixture includes Reflector, Louver, and Removable Harness 
• Same fixture takes daylight and tungsten lamps, plus visual effects color lamps 
• Mount to stand, light enough to tape to wall 
• Removable center-mount 
• Fixture or lamps w/ harness run up to 75 feet (24 meters) from ballast
• High-output, flicker-free ballasts 
• Instant-on, dead quiet 
• Individual lamp switching - no color shift 
• HO/Std switching 
• Same ballast runs 4ft and 2ft lamps 
• Operates at 1/10th the power of conventional tungsten softlights 
• UL listed, CE approved 

4ft 4Bank portable lighting systems have changed the way professionals light everything from feature films to television productions to video and still photography. 

Why? Because it is the most versatile softlight on the market. The 4Bank is similar to a 1,000Watt softlight, but uses 1/10th the power. Color temperature doesn’t shift when the light levels change. Lamps are long lived and operate outside the fixture. The fixtures are lightweight enough to tape to a wall. Here are some 4Bank Basics:
The 4-Lamp Fixture
• Built-in Barndoors
• Removable Lamp Harness, 
  Reflector and Louver 
• Twist-on, locking Center Mount
• True Match® daylight and 
  tungsten lamps
The High Output Ballast
• Select and Select/DMX
• HO/Standard switching
• Flicker-free, remote operation
• Individual lamp control
• Instant-on, dead quiet

READY TO FLY
The JOKER-BUG 800 fits in one tiny airline case, weighing only 38lbs. The next wattage up (1200) is twice the size and weight. The actual size of the kit is exactly the same as a JOKER-BUG 400 Kit!
LOCATION FRIENDLY 
When working in practical locations such as homes, offices or business, power consumption is a key factor. The JOKER-BUG 800 will produce as much output as a 4,000 Watt quartz fixture with the power draw of only 11 Amps, never risk overloading a circuit again! The next size up (1200) monopolizes an entire circuit whereas the JOKER-BUG 800 will allow for another source such as a JOKER-BUG 400 on the same circuit!
 
 JOKER-BUG 800 only draws 11 Amps allowing for a 400W to be used on the same circuit!

RENTAL INCLUDES:

k5600 Joker 800 Head
K5600 Joker Ballast
K5600 Lens + Scrim Set
K5600 Barndoors
Head Cable 25'
Avenger 11.5' Baby Alu Stand
Wheeled Case

THIS ITEM REQUIRES COI OR DEPOSIT:

PLEASE NOTE: SOME HIGHER VALUED EQUIPMENT REQUIRE A COI (CERTIFICATE OF INSURANCE) OR A DEPOSIT FOR THE ITEM VALUE. 


The Kessler CineSlider™ is a heavy duty portable mini-dolly / linear slider system for camera rigs weighing up to 80 pounds. Weighing in at only 10 pounds, with a length of 40.5 inches, 5 inches wide, and a total camera travel distance or 35.5 inches, the CineSlider is a very portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system. Features include drag control and locking, handle with adjustable arc diameter for ultimate movement control, smooth rolling precision stainless steel ball bearing Delrin wheels, and multple mounting options.
The CineSlider™ can be center mounted flush to the Kessler Hercules 2.0 head to achieve panning and tilting movements, center mounted to a 100mm bowl tripod with the optional 100mm Ball Mount Kit, or support from both ends with a combination of a standard tripod / fluid head or lightstand or monopod.
Camera mounting options include the Quick Release Plate & Receiver that comes standard. Also included with the CineSlider™ is a 3/8" standard mounting bolt, for flat mounting a fluid head to the carriage. Optional mounting options include a 100mm Bowl High Hat  and 100mm Ball Relocater.
Due to the length of the 5 foot CineSlider™, you will need to support the unit on both ends with tripods, light stands, etc, or set it on a flat surface. Do not center mount the 5' Long CineSlider on a tripod. Both ends must be supported. If setting on the ground, we recommend the Outrigger Feet for the best support and stability.

RENTAL INCLUDES:

Kessler Outrigger Feet
Kessler Flat Mount Adapter

Double System Highlights

• 2-Lamp remote fixture w/ built-in barndoors 
• Fixture includes Reflector, Louver, and removable Harness 
• Same fixture takes daylight and tungsten lamps, plus visual effects color lamps 
• Mounts to stand, light enough to tape to wall 
• Removable center-mount 
• Fixture or lamps w/ harness run up to 75 feet (24 meters) from ballast
• High-output, flicker-free ballasts 
• Instant-on, dead quiet 
• Individual lamp switching - no color shift 
• HO/Std switching 
• Same ballast runs 4ft and 2ft lamps 
• Operates at 1/10 the power of conventional tungsten softlights 
• UL listed, CE approved

4FT. X 4-BANK SYSTEM,  C Stand Included
4ft 4Bank portable lighting systems have changed the way professionals light everything from feature films to television productions to video and still photography. 

Why? Because it is the most versatile softlight on the market. The 4Bank is similar to a 1,000Watt softlight, but uses 1/10th the power. Color temperature doesn’t shift when the light levels change. Lamps are long lived and operate outside the fixture. The fixtures are lightweight enough to tape to a wall. Here are some 4Bank Basics:
The 4-Lamp Fixture
• Built-in Barndoors
• Removable Lamp Harness, 
  Reflector and Louver 
• Twist-on, locking Center Mount
• True Match® daylight and 
  tungsten lamps
The High Output Ballast
• Select and Select/DMX
• HO/Standard switching
• Flicker-free, remote operation
• Individual lamp control
• Instant-on, dead quiet

The Kino Flo Diva Lite is convenient and simple to use, Just take it out of the case, Mount it on a stand, plug in to the wall, And you’re ready to shoot !

The Kino flo Diva light ballast is built into the light and also has a built-in rotary dial dimmer for the right amount of even soft light. Or add the Flozier diffuser to the front of the Diva Lite for glamour lighting.
Easy to switch from Tungsten 3200K light to Daylight 5600K light by just changing the fluorescent tubes.
 
The Kino Flo Diva Lite is always a perfect choice for video location work. 

Awesome Canon 24-105mm EF-mount lens. F/4. 

Comes with lens hood, front/rear caps, and tiffen UV filter. 

No scratches whatsoever - super clean!

Near perfect condition. 

To be rented with a Domke protective lens wrap. 

Canon EF 24-105mm f/4L IS USM
Canon EF 24-105mm f/4L IS USM

Lens is like new, hardly a scratch on it. Has image stabilizer and auto focus.

Pickup in Fort Greene, Brooklyn near Atlantic Terminal/Barclays, or Lower Manhattan near Wall Street.



A versatile one-lens solution for many shooting situations, the EF 24-105mm f/4L IS USM Lens is a Canon L-series zoom spanning a useful wide-angle to short-telephoto range and featuring a constant f/4 maximum aperture. Complementing the flexible design is an advanced optical layout that includes one Super UD element, which reduces color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.

Dust and moisture resistant and incorporating Canon's very finest standards of precision optics, the EF 24-105mm f4L IS USM is designed for reportage, event, travel, and celebrity photographers looking for a lightweight and maneuverable lens with minimal image quality compromise.

Complementing the EF 17-40mm f4L USM and EF 70-200mm f4L USM, the lens completes Canon's f4L-series zoom lens range. These lenses are designed for professional photographers requiring a light zoom lens with a fixed aperture throughout the zoom range. For outstanding camera-shake reduction, Image Stabilizer allows shutter speeds of 3 stops slower than would otherwise be possible, with no perceptible increase in image blur.

The L-series is Canon's flagship professional lens range, designed to include outstanding image performance, ultimate operability, and weather resistance. The EF 24-105mm f4L IS USM offers a lightweight alternative to the renowned EF 24-70mm f2.8L USM.

Image Stabilizer
Image Stabilizer (IS) dramatically reduces image blur caused by camera shake. Gyro sensors detect unwanted vibrations, triggering the corresponding movement of a correcting lens group perpendicular to the optical axis. This alters the light path, returning the image to its correct position on the sensor or film plane.

The 3-stop advantage means that photographers normally shooting a 105mm lens handheld at 1/125 second can obtain a shake free result with a shutter speed as low as 1/15 second, for vastly extended options in low light conditions.

Superb autofocus
The ring-type USM motor found in the EF 24-105mm f4L IS USM employs ultra-sonic frequency vibrations to drive autofocus with unrivalled speed and near-silent operation. A powerful CPU and improved AF algorithm contribute to speed performance. Good holding torque stops the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. Photographers can choose manual focus instantly and at any time simply by moving the manual focus ring without first having to switch out of autofocus mode.

Constant f4 aperture from 24 to 105mm
The EF 24-105mm f4L IS USM offers the highest possible optical quality with no change in aperture over the full focal range of the lens. This allows photographers to set exposure at the widest aperture and zoom all the way through to 105mm without having to vary the shutter speed. It is the perfect lens for professional photographers looking for a lightweight and extended zoom alternative to its EF 24-70mm f2.8L USM counterpart. The lens employs an almost perfectly circular barrel aperture, helping create attractive, defocused backgrounds.

Image quality
To limit lens size and improve image clarity over the total image area, an Ultra-Low Dispersion glass (UD) element is used to eliminate the secondary chromatic aberrations that otherwise reduce sharpness and introduce color fringing. Aspherical lens elements correct spherical aberration for crisp, high-contrast, corner-to-corner quality. By optimizing Super Spectra lens coatings and lens element shaping, Canon's engineers have been effective in suppressing flare and ghosting--more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural color balance.

EOS system integration
The EF 24-105mm f4L IS USM includes distance metering information, providing compatibility with the E-TTL II flash system of late-model cameras such as the EOS-1D Mark II N and EOS 5D. When used in conjunction with Canon's range of EX Speedlite flash units, the lens passes distance information to the flash algorithm for markedly improved flash exposure metering. To match the weather resistance afforded by EOS-1 professional camera bodies, an O-ring seals the lens against the lens mount and numerous seals around the lens' moving components provide protection against the ingress of dust and moisture.

AF Mode and IS switches have been reshaped, making them less susceptible to being engaged or disengaged accidentally.

The EF 24-105mm f4L IS USM comes with a bayonet mount lens hood EW-83H and soft lens pouch LP1219. In keeping with Canon's Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.

 Canon EF 24-105mm f/4L IS USM                             

Aperture Range: f/1.4-16

The 35mm f/1.4 DG HSM Art Lens for Canon DSLR Cameras.

Part of the Sigma Art series of professional lenses. With a bright f/1.4 maximum aperture, floating inner focusing system, and Hyper Sonic Motor (HSM) you'll have quick and accurate control over the artistic effects achieved by the lens' high quality elements.

Perfect Condition. Comes with front and rear caps, hood, Chiaro UV filter, and lens bag.

Includes:
Lens Hood
Front and Rear Caps
Lens Bag
UV Filter

Helios 44M-4 58mm f/2 With SONY E Adapter, 77mm filter thread


Miranda Sensomat Camera
comes with
1. 1:1.8 f=50mm Lens, 
2. case 
3. stabilizing handle rig

Rokinon 85mm t1.5 EF mount

72mm to 77mm filter thread included if needed.


Canon EF 50mm f/1.4

58mm filter thread. I can provide a 58mm to 77mm step up ring if needed.

Canon EF 24-105mm f/4L IS Version 1.

Some dust and one small scratch on the lens but does not effect image quality.

Enjoy your photography day with the super Canon EF 100-400mm f/4.5-5.6L IS II USM 
telephoto lens. 


Enjoy your photography day with my canon 70-200mm IS lens Works and functions 100% 

Voted one of the best digital portrait cameras available on the market today, this HARD TO FIND model is the Sony Alpha A7III camera body, worth approximately 2,000.00, complete with a stunning Sony 85 mm F/1.8 FE E Mount Lens and multi-coted UV haze cover. A Slik Sprint 150 Tripod is also available as well as a 64 GB SNDSK Extreme Pro Card. 

Canon EF 28-135mm f/3.5-5.6 IS USM Lens With hood 

Sony a700 DSLR Camera with Prime Lens and Portrait Grip. Battery and wall charger also included.

Camera, lens, and grip all in good working order. This device takes fantastic photographs and is perfect for portraits.

Full specs here: https://www.dpreview.com/products/sony/slrs/sony_dslra700/specifications

Mamiya C330 in amazing condition with 105mm f3.5 lens

Everything works.  Phenomenal Camera

*babe not included

Canon 100mm Macro 2.8 IS

Clean & Clear - no issues, no scratches, perfect!

Available in Williamsburg (Metropolitan and Bedford)

Nikon D5500 available for rent. -24.2 megapixel image sensor with no optical low-pass filter for sharpness -Swiveling touchscreen vari-angle LCD display -Built in WiFi connectivity for instant photo sharing with smartphone or tablet -Full HD 1080/60p video recording  -Creative in-camera filters and effects, built in HDR

Great little lens, powerful punch! If you know you know! 

the 24-105 with IS from canon. A classic. polyvalent, amazing zoom range.

21mm zeiss wide angle lens withcanon mount.
one of the best wide angle of the market.


Canon 50mm f/1.8 'nifty fifty' lens. Works great! Quick autofocus and smooth pull.

Includes:
- Lens
- Front and back caps

Please check out my microphone, audio gear, and lens collection as well!

Canon 24mm f/2.8 STM Lens. Super small and compact. Quick autofocus. Great for travel.

Includes:
- Lens
- Front and back caps
- UV Filter

Please check out my microphone, audio gear, and lens collection as well!

Tokina 11-16mm f/2.8 lens with a Canon EF mount. One of my favorite lenses. 

This is an APS-C lens. You'll only get full functionality on a crop sensor camera (most Canon cameras except 5D, 6D, 7D, 1D). On full frame lenses, you'll only be able to use 14-16mm, but it still looks great.

Includes
-Lens
- Front and back caps
- UV filter

Please check out my microphone, audio gear, and lens collection as well!

Pentax Asahi 135mm f/3.5 with an EF (Canon) mount adapter.
Very smooth and long focus throw with manual aperture adjustment.

Includes:
- Lens
- Front and back caps

Please check out my microphone, audio gear, and lens collection as well!

Pentax Asahi 50mm f/1.2 with an EF (Canon) mount adapter.
Very smooth and long focus throw with manual aperture adjustment. Super fast lens!

Includes:
- Lens
- Front and back caps

Please check out my microphone, audio gear, and lens collection as well!

Pentax Asahi 35mm f/2 with an EF (Canon) mount adapter.
Very smooth and long focus throw with manual aperture adjustment.

Includes:
- Lens
- Front and back caps

Please check out my microphone, audio gear, and lens collection as well!

A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS II USM is an L-series telephoto zoom characterized by its bright f/2.8 constant maximum aperture and optical image stabilization. The fast maximum aperture affords greater control over depth of field and benefits working in low-light conditions while the Image Stabilizer compensates for four stops of camera shake for sharper handheld shooting. As an L-series lens, this 70-200mm also features a sophisticated optical design that uses five ultra-low dispersion elements and one fluorite element to reduce color fringing and chromatic aberrations for improved clarity. Also, a Super Spectra coating has been applied to help reduce lens flare and ghosting for greater contrast and color neutrality.

HIGHLIGHTS
EF-Mount Lens/Full-Frame Format
Aperture Range: f/2.8 to f/32
One Fluorite Element & Five UD Elements
Super Spectra Coating
Ring-Type Ultrasonic Motor AF System
Optical Image Stabilizer
Internal Focus, Focus Range Limiter
Weather-Sealed Construction
Detachable, Rotatable Tripod Collar
Rounded 8-Blade Diaphragm

The Canon EF 24-70mm f/2.8L II USM ($2,299) is the workhorse lens for many a Canon shooter. With a constant f/2.8 aperture throughout its zoom range, excellent optical performance, and a fairly compact design, the lens pairs well with all Canon DSLRs. Its wide angle to short telephoto zoom range also makes it a good choice for serious hobbyists in search of a walkaround lens. Whether you're renting for a NYC weekend adventure or a work photoshoot or just for new headshots, this lens can do it all!  

Great lens for interviews and getting nice depth of field! 

Pickup and drop off available for lower Manhattan and Brooklyn. Amazing 20.9 megapixel dslr, perfect for portraits and or any photo jobs that you might need to take care of. Shoots 4K video. 

Includes 
- 3 batteries
-charger
-nikon d500
-18-200 lens

Spanning a long-reaching range, the AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR is an 82.5-450mm-equivalent telephoto zoom for DX-format Nikon DSLRs. Its optical design feature of pair of extra-low dispersion elements along with one high refractive index element, which help to reduce both chromatic and spherical aberrations in order to realize a high degree of sharpness and clarity. A Super Integrated Coating has also been applied to control flare and ghosting in order to increase contrast and color accuracy when working in harsh lighting conditions. Benefitting the lens's long reach is Vibration Reduction, which compensates for up to three stops of camera shake to promote sharper handheld imagery. Additionally, a Silent Wave Motor is also featured to provide fast and near-silent autofocus performance and full-time manual focus adjustment override.

Available for pickup and drop off in lower Manhattan and Brooklyn. Great lens for wider shots, landscapes, interiors etc, also amazing for capturing  video.

 Pick up and drop off available for lower Manhattan and Brooklyn. Amazing lens for portrait photography as well as video.

EF 24-105mm f/4L IS USM

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EF 24-105mm f/4L IS USM

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