The ProArms can be operated in the locked or unlocked position providing the operator support throughout the systems range. Very durable design, allowing you to hold up to 40lbs. 

Sony PXW-FS7 (PXWFS7) 4K Super 35mm Exmor CMOS Sensor XDCAM Camera with an E-mount Lens Mount, 4K/2K RAW and XAVC Recording Options (Body Only). High mobility professional camera with continuous Super Slow Motion capabilities and α Mount lens system compatible with wide variety of E-Mount and A-Mount* lenses
The PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage. The PXW-FS7 features a 4K Super 35mm Exmor CMOS sensor and support for shooting in 4K** 60p or Full HD at high frame rates up to 180 fps (frames per second). Selectable recording formats include XAVC, which supports 4K* 60p, Full HD 60p even in 4:2:2 10-bit recording, as well as the common MPEG-2 HD 422 format used by many broadcast stations around the world. Attach an optional Extension Unit (XDCA-FS7) to open up the possibilities of multi-camera shooting and ProRes 422 encoding**

Metabones Canon EF to Sony E Mount T Smart Adapter. The Smart Adapter is equipped with a rubber gasket to protect the E-mount connection from dust and moisture. To promote ease-of-use, an LED indicates the adapter's operation mode, optical image stabilisation operation and communication status. A dedicated switch controls in-body image stabilisation (IBIS) on Sony cameras equipped with SteadyShot INSIDE.

Metabones' EF to E Cine Smart Adapter allows a Canon EF lens to be mounted on a Sony E-Mount camera, to allow the fast contrast-detect autofocus on all E-mount cameras. Smooth iris support with the A7II, A7RII and A7SII and phase-detect auto focus support with the latest Canon, Tamron and Sigma lenses.
The Cine Smart Adapter features positive-locking EF mounts that firmly lock the lens in place to prevent any movement of the lens when focusing. This is useful when using a remote focus or follow focus system. 
The Smart Adapter is equipped with a rubber gasket to protect the E-mount connection from dust and moisture. To promote ease-of-use, an LED indicates the adapter's operation mode, optical image stabilisation operation and communication status.

Canon EF 16-35mm f/4L IS USM L Series Ultra-Wide Angle Zoom Lens with 4-stop image stabilizer (9518B005AA). Capture stunning landscapes and architectural images using this compact and lightweight, high-performance, f/4 fixed aperture, ultra wide-angle zoom lens with Image Stabilizer. Ideal for professionals and enthusiasts.
Ultra wide-angle 16-35mm zoom lens
This high performance, fixed aperture, ultra wide-angle zoom lens combines excellent optical performance with flexibility, making it ideal for landscapes, architectural shots, photo journalism, travel and general use – delivering clear, sharp, expansive images with very little distortion.
Constant f/4 aperture
Ideal for use in a wide range of light conditions, the f/4 maximum aperture stays constant over the full focal-length range, so there is no variation in shutter speed or ISO when zooming.
Ultrasonic focusing

Canon 24-105mm f4L IS II USM L Series Standard Zoom Lens - EF Mount (p/n 1380C005AA). A professional-quality standard zoom lens, suited to many different types of photography and videography.

With its fast maximum aperture and rapid focusing system, the compact, high performance EF 50mm f/1.4 USM standard lens can be relied on for superb performance in any field of photography.
This standard lens features superb quality and portability. Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. If crisp images with little flare are important to you, they can be obtained even at the maximum aperture with this robust lens.

Tokina AT-X 24-70mm F2.8 PRO FX Lens Canon - EF Mount (p/n 710045.0). The Tokina AT-X 24-70mm F2.8 PRO FX lens gives photographers with full frame Canon and Nikon camera bodies a 24mm wide-angle to 70mm moderate telephoto lens with a fast F2.8 aperture at an affordable price. 

The new groundbreaking proprietary optical design uses three precision molded all-glass aspherical lens elements to achieve excellent contrast, sharpness, and corrects for spherical aberrations. One of these elements is very special and difficult to manufacture. G09, is made from Super-Low Dispersion (SD) glass and is a large sized aspherical element. 

Metabones PL to Sony E Mount T Cine Speed Booster Ultra 0.71x (p/n MB_SPPL-E-BT1). New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting.
Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors and Super35 camcoder, such as Sony E-mount, Fuji X-mount cameras Sony FS7 MARKII, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full frame SLR/Prime lenses regardless of exit pupil distance. 

A very good ultra wide angle lens with excellent sharpness and contrast across the film plane, except in the extreme corners at wider apertures. Performance is slightly to moderately soft towards the corners wide open at F/3.5, improves at F/4, is very good by F/5.6, and is excellent between F/8 to F/16. The early version (model 51B) of this lens had built-in filters for black and white photography and thus are highly sought after items.

This lens definitely is an above average performer within its class even when compared to OEM lenses of the same era. Optimal optical performance is F/8 to F/11 at all zoom settings, and at these apertures this lens is very sharp. Macro performance is good between F/8 and F/22, but with a moderate drop of contrast in fine details towards the edges of the film plane. This is a very versatile lens which nicely covers the wide angle to slight telephoto zoom range, and which features decent built-in macro performance at the 80mm zoom position when using smaller apertures.

amron's SP 70-210, introduced in 1979, changed the thinking of optical engineers throughout the industry by showing what could be achieved in terms of properly balancing optical performance throughout a 3:1 zoom range and throughout a continuous focusing range of infinity to 1:2 macro at 0.75 meter. There were no macro buttons to press, and this lens could even be zoomed while in macro mode without affecting the focus. This lens clearly offered far more convenience and flexibility compared any other telephoto zoom lens available at the time of its introduction, with the exception of Vivitar's Series 1 90-180mm medical macro zoom, and is an excellent example of Tamron's frequent genius for optical design. Tamron's lens features a broader zoom range plus better control off off-axis aberrations compared to the Vivitar Series 1 lens.

70-350 F/4.5 was designed for sports and nature photography. 

This set of HANSE INNO TECH Celere HS 25, 36, 50, 85mm consists of four manual focus prime lenses that covers Full Frame and Super 35 sensor formats. The included 25, 36, 50, and 85mm lenses have an interchangeable EF-mount and are marked in feet. They offer a maximum aperture of T1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth of field look. The 8-blade iris that provides round, out-of-focus highlights for a natural-looking bokeh. The lens barrel features 250° of smooth rotation from close focus to infinity, giving you a high degree of precision, and the internal focus design keeps the length of the lens consistent throughout the focus range.

The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.

Shogun Inferno combines the world's most advanced HDR monitor with high resolution, high frame rate recording. Connect cinema cameras from Arri, Sony, Canon, Panasonic, Red or JVC over the QuadLink SDI or HDMI 2.0 connections to make mastering a high resolution, high frame rate, HDR workflow a reality.

The SmallHD 502 on-camera monitor features a Full HD, 1920x1080 LCD display. With a pixel density greater than the iPhone 6, the 502 is the sharpest 5-inch camera-top monitor in the world. As far as color and contrast are  concerned, the 5-inch display is again, best-in-class. The 502’s LCD display is able to produce 85% NTSC Color Gamut (greater than the REC. 709 color standard), rivaling the color capabilities of OLED technology.

The Teradek Bolt LT 500 3G-SDI Wireless Transmitter. The Bolt LT is an essential, no-frills high performance wireless video system. Each transmitter includes a single 3G-SDI or HDMI input with matching looping output, while the receiver includes a single 3G-SDI or HDMI output. 

The Easyrig vario 5 gives you the same advantages as our other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations.

Developed for the filmmaking professional, the Ronin is a 3-axis stabilization gimbal that can hold a wide variety of cameras, giving you smooth, stable, hand-held footage in most conditions. Includes cinemilled extension arms, 3x batteries, 2x small vlock batteries for camera. Optionally supplied with either standard top arm, or cinemilled swivel. 

Excellent for all kinds of subject matter, whether it's for portraits, products, food photography, you name it! And because it's a high-powered continuous light, it works for video work, as well as still photography. One of the most versatile, well-built kits of its kind ever made.

An excellent location lighting kit conveniently packaged into a small soft case.

This kit combines the optical quality and control from the award winning Dedo DLED4 fixture with battery operation and a handle for hand held usage.

Sony FS7 Lightweight handheld config inc. SmallHD 502 monitor and handgrip. Perfect for lightweight handheld run-and-gun shooting.

Sony FS7, Viewfinder, 2x 128gb XQD cards, SmallHD 502 with canon batteries, lightweight side handle, 3 BPU60 batteries , Choice of metabones adaptor,  (doesn't include the side grip, unless requested)


Sony PXW-FS7 (PXWFS7) 4K Super 35mm Exmor CMOS Sensor XDCAM Camera with an E-mount Lens Mount, 4K/2K RAW and XAVC Recording Options (Body Only). High mobility professional camera with continuous Super Slow Motion capabilities and α Mount lens system compatible with wide variety of E-Mount and A-Mount* lenses
The PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage. The PXW-FS7 features a 4K Super 35mm Exmor CMOS sensor and support for shooting in 4K** 60p or Full HD at high frame rates up to 180 fps (frames per second). Selectable recording formats include XAVC, which supports 4K* 60p, Full HD 60p even in 4:2:2 10-bit recording, as well as the common MPEG-2 HD 422 format used by many broadcast stations around the world. Attach an optional Extension Unit (XDCA-FS7) to open up the possibilities of multi-camera shooting and ProRes 422 encoding**

Sony FS7 Shoulder Rig config inc. baseplate, 15mm rods and v-lock adaptor,. Perfect for shoulder mounted shooting, or for rigging up with various accessories

Included:
Sony FS7, Viewfinder, 2x 128gb XQD cards, top plate, improved top handle, 2x V-Lock batteries (all day shooting),cChoice of metabones adaptor, Movcam Baseplate, Tilta V-lock adaptor, rod handles (doesn't include the side grip, unless requested)

Sony PXW-FS7 (PXWFS7) 4K Super 35mm Exmor CMOS Sensor XDCAM Camera with an E-mount Lens Mount, 4K/2K RAW and XAVC Recording Options (Body Only). High mobility professional camera with continuous Super Slow Motion capabilities and α Mount lens system compatible with wide variety of E-Mount and A-Mount* lenses
The PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage. The PXW-FS7 features a 4K Super 35mm Exmor CMOS sensor and support for shooting in 4K** 60p or Full HD at high frame rates up to 180 fps (frames per second). Selectable recording formats include XAVC, which supports 4K* 60p, Full HD 60p even in 4:2:2 10-bit recording, as well as the common MPEG-2 HD 422 format used by many broadcast stations around the world. Attach an optional Extension Unit (XDCA-FS7) to open up the possibilities of multi-camera shooting and ProRes 422 encoding**

Superb telephoto-zoom lens for sports and nature photography. 3 ED glass elements for high resolution and high contrast even at maximum apertures. Maintains fast f/2.8 aperture throughout zoom range.

Rode RODELink Wireless System Filmmaker Kit + Rode NTG-2 Dual Powered Shotgun Condenser Mic With WS6 Windshield + XLR cables

Miller CompassX CX10 3752 Sprinter II S-St Tripod Alloy Tripod

Sony FS7 (with batteries, cards, EF Speedbooster)
Canon 24-105 f4 IS
Miller Compass CX10 tripod
Dedo 150w DLH4 3 head lighting kit + Rifalite soft box (in peli inc. gels and stands)
Atomos Shogun Inferno (with batteries and cables)

Bright Tangerine Misfit matte box + Revar Cine Vari ND + 2 x Firecrest ND filters

Flycam HD-3000 mechanical gimbal stabiliser

- Standard Manfrotto quick release plate
- Arm brace support included

Available for pick up in Summertown

Offset Shoulder Rig 

The shoulder pad offsets from the camera mount so that the camera operator can easily look at the screen.

Available for pickup in Summertown.

Note: The camera is for demonstration purposes only.

Turn your smartphone into a professional video making device!

The DJI OSMO MOBILE 2 is an amazing mobile stabilizer, only launched this year. 

It allows you to take standard, slow-motion or time-lapse videos without shaking and with 15 hours of battery life while you are able to charge your own phone. 

The DJI OSMO MOBILE 2 is a mobile stabiliser featuring DJI's signature technologies, allowing you to seize the moment whenever you feel inspired.

You will get the DJI OSMO MOBILE 2 & Charging Cable.

The  device is controlled using the DJI GO  App

DJI Ronin-S, complete kit as it comes when bought in DJI box. 

 Designed for smart phones, it can support up to 280 grams. Compatible with iPhone Xs Max. 

The Ronin-M gimbal is the smaller (and much lighter) version of the Ronin, a very handy bit of kit for filming films, music videos, fashion shows and more!
 
It's able to carry cameras up to 3.6kg/8lb.
So DSLRs like Canon 5D/7D etc, Sony A7, Panasonic GH4 etc. 
It can be used with a stripped-down Canon C300, apparently: www.danielhaggett.com/blog/227-dji-ronin-m

Comes with stand, charger, and remote control. 

https://www.dji.com/uk/ronin-m

Shoulder Rig (Small Rig). Can be used with the OUFF Blackmagic Ursa Mini or a DSLR.

If you are an Oxford University student making a film, we invite you to submit a bid to the OUFF committee to use this equipment for free.

Hauge Suction Car Mount
Supports up to 10kg

3x Suction pads (150mm. diameter, pump action vacuum)
1x Triangle plate with 100mm. bowl
1x Quick release slide plate with claw-ball leveler
6x Adjustable brackets
3x Connecting poles 250mm. long
2x Connecting poles 500mm. long
1x Connecting poles 660mm.long

Sony style VCT Plate - Small Rig 

Tripod Plate - fits best with Small HD VCT Shoulder Plate.

One of the first in the country This system is awesome! 
NOTE it doesn’t include the Camera, Gimbal or Cars shown in the pictures.  (However, I can provide a suitable vehicle and highly experienced tracking vehicle driver, that can rig the car mounting system, please contact me direct and I can provide a quote.)  

I have used the Car mounting system on a number of shoots, on road and at the race track and can say it will hold a suitable camera and gimbal steady at high speeds. 
It is quick to set up and offers a number of mounting solutions. 
Please contact me before booking to discuss what it is you are hoping to achieve with the Car Mounting System and I can talk you through it and ensure you have all the necessary equipment to get the best from the system and achieve your goals. 

The Kit includes the Baseplate for the Ronin RS2 so you can power the RS2 from V-lock batteries (not included) This baseplate is not compatible with other Ronins. 

PRICE INCLUDES VAT - I am VAT registered and can provide an invoice with VAT breakdown on return of the equipment.
 
Description from Tilta’s website. 
The Hydra Alien Car Mounting System was designed from the ground up to work in conjunction with smaller gimbals to allow for a lightweight solution to car-mounted cinematography.
The system utilizes a highly customizable combination of dovetail-like plates and suction cups that can support a payload of 50kg each. Highly elastic shock-absorbing silicon provides longer durability and less abrasion, while the updated suction cup plungers create a stronger seal for improved security in colder weather.
When interconnected, the system allows users to fine-tune the exact placement of their shot to achieve almost any angle possible when mounting to a vehicle.
The system also uses a shock absorbing arm to better stabilize the camera for certain shots as well as a spring-loaded cradle head if the intended shot requires that the gimbal be flipped upside down.
The newly included Hydraulic Dampening Pole further stabilizes the arm to provide smoother results when driving conditions are less than optimal.
The Hydra Alien supports full wireless control of the RS2 via the optional Remote Control Kit for RS2 which allows you to control your RS 2 gimbal’s settings as well as the record and photo functions of your camera via either a wired or wireless connection. It also includes a thumbstick that allows you to control the pan and tilt of your gimbal for maximum precision while operating.
High, low. To the side of the car, mounted on top of it — almost any car mounted shot can be configured using the Hydra Alien Car Mounting System. Let your imagination run wild!
*This system is compatible with any gimbal that can mount via 1/4″-20 screws and power via P-Tap*

https://tilta.com/shop/hydra-alien-car-mounting-system/


Do you need to produce a smooth video? The new Zhiyun Crane V2 3-axis Gimbal is the one for you! Used by many videographers to produce those non-jittery, quality videos.

The crane will come in its hard shell case with fully charged batteries.

Teleprompter kit compatible with most mini DV to mid size HD video cameras and DSLRs, to work with iPad or iPad mini (not included). Comes disassembled in hard carry case. Can be setup in 5 minutes. Camera and tripod not included but I have them available to hire if needed.

DJI Ronin-M 3-axis gimbal stabiliser for DSLR video cameras
2x official batteries + charger
Comes with stand

Ready Rig GS Proarm

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Ready Rig GS Proarm

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