When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. The Super Speed series gives you the incredibly fast t1.5 to work with. This solid 50mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

The film and tv industry has embraced this incredible camera from Arri, and you should too. With 14 stops of dynamic range and a base sensitivity of 800 iso, this camera functions especially well in low light situations via its Super 35 sensor. This shoulder balanced camera makes shooting handheld a cinch and works perfectly for documentaries or reality series.

Owner Notes: 
**LENS NOT INCLUDED**

Includes:
Arri Amira Premium License Camera
Arri AMIRA Viewfinder w/ Extension Bracket
Arri PL LDS Mount
Sennheiser MKH8060 Camera Mic and Mount
2x 15mm Rods
4x 128GB CFast 2.0 Cards
2x CFast 2.0 USB 3.0 Card Readers
1x Spare VF Cable
Raincover
Quick Release Camera Plate
4x Switronix 150 HyperCore Batteries
Switronix 2-Port Charger
Arri Amira AC Power Supply
Camera Accessories Pelican (iM2720)
*** Own Fujinon 19-90/85-300, Canon 17-120, Zeiss CP2's/Super Speeds/70-200mm . Ask for availibilty ****
Internal ND's (Up to 2.1ND)


The Weapon is the latest in the RED arsenal and with 6k up to 100 fps it lives up to the hype. Currently able to shoot at 6K, its 6144 × 3160 19.4-megapixel sensor is able to record images in RAW, ProRes, or DNxHR/HD.

Owner Notes: 
Includes:
1 x 6K Red Weapon (Carbon Fiber)
PL or EF (Canon) Mount
1 x 5'' Red Pro 5.0 LCD Touchscreen Monitor and Hood
1 x Red Pro OLED EVF (Bomb EVF)
1 x 15mm Rod Adapter Base Plate
3 x 512GB Red Mini Mags
1 x Red Mini Mag USB 3.0 Reader
1 x Wooden Camera Anton Bauer Quick Mount Battery Plate
1 x Red Side Handle
2 x ProSound TC Cables (SDI/BNC - 4-Pin Male Lemo)
All Relevant Cables For RED to Run on Movi or Ronin
1 x Quick Release Camera Plate
4 x Switronix 150 HyperCore Batteries
1 x Switronix 2-Port Charger

VariCam 35 boasts the highest-quality images of the new VariCam Series. 
It features a dynamic range with 14+ stops of latitude and a wide color gamut, acquisition functions that 
support 4K/120fps uncompressed RAW recording with Codex V-RAW Recorder* to bring 
form to the vision of today's image creators.

Owner Notes: 
Features: 
- Dual Record Slots (Record High Speed and Real Time Simultaneously) 
- 4K Up To 120FPS (with Codec I-4k-LT) 
- 4K Up To 60FPS (with Codec AVC Intra100) 
- Full HD up to 120FPS (with Codec ProRes 422 HQ) 
- Dual Native ISO 800, 5000 (Ideal for Low Light Shooting)

Includes:
Panasonic Varicam 35 Head (Super 35mm 8.9MP Sensor - PL Mount)
Panasonic Varicam Record Module
Panasonic EVF (AU-VCVF1G)
2 x 256GB Express P2 Cards
4 x 64GB Micro P2 Cards
1 x Micro P2 Adapter (To Express P2 Size)
1 x Express P2 Card Reader
1 x Micro P2 Dual Slot Card Reader
1 x Camera Mic (Panasonic AJ-MC900)
1 x Raincover
1 x Quick Release Camera Plate
4 x Switronix 150 HyperCore Batteries
Internal ND's (Up to 1.8ND)

VariCam HS helps its users capture action with its 2/3 3MOS and bayonet lens mount, 
continuous 240fps recording, and also revolutionizes workflow with the addition of dual-codec recording, 
in-camera color grading, and a modular design.

Owner Notes: 
** LENS NOT INCLUDED **

Features: 
- Dual Record Slots (Records High Speed and Real Time Simultaneously) 
- Full HD up to 120FPS (with Codec ProRes 422 HQ) 
- Full HD up to 240FPS (with Codec AVC-Intra 100) 
- Native ISO 2500

Includes:
Varicam HS (High Speed) Head (2/3 3MOS Sensor)
B4 / Bayonet Lens Mount
Varicam Recording Module
EVF (AU-VCVF1G)
2 x 256GB Express P2 Cards
1 x Micro P2 to Express Adapter
1 x Express P2 USB 3.0 Card Reader
1 x Micro P2 USB 3.0 Dual Card Reader
Camera Mic (Panasonic AJ-MC900)
1 x Raincover
1 x Quick Release Camera Plate
4 x Switronix 150 HyperCore Batteries
1 x Switronix 2-Port Charger
2 x 64GB Micro P2 Cards

The PMW-F55’s Sony 4K image sensor captures a true 4K 4096 x 2160 DCI-standard cinema image. Its 4K CMOS sensor features 11.6 megapixels (total) and 8.9 megapixels (effective). The “Frame Image Scan” technology used by F55 sensor eliminates flash band and image artifacts common to conventional CMOS sensors. This sensor captures with an impressive 14 stops of exposure latitude with excellent sensitivity and low noise. The F55 image sensor is also equipped with the same advanced color filter array technology used in Sony’s flagship F65, which delivers color gamut that’s wider than 35mm motion picture print film.

8.9MP Super 35mm CMOS Image Sensor 
Internal 4K/2K/HD Recording 
Electronic Global Shutter 
Highly Modular Design 
Up 240 fps 2K with Optional AXS-R5 
Native FZ-Mount and PL-Mount Adapter 
Dynamic Range Rated at 14 Stops 
Wider Color Gamut than Film 
SxS Pro+ Media Cards

Owner Notes: 
** LENS NOT INCLUDED **

Features: 
- Super 35 Sensor 
- Global Shutter 
- Internal ND's up to 1.8 
- XAVC 4K/QFHD Up to 60FPS 
- XAVC 2K Up to 180FPS 
- XAVC HD Up to 180FPS 
- ProRes & DNXHD Options 
- 14 Stops of Dynamic Range 
- Sony S-Log 2 & 3 Gamma Options 
- 16Bit Linear 4K RAW Available with AXS-R5 Access Memory System RAW Recorder 
- Dual Recording Available While Using AXS-R5 Recorder (RAW on AXS-R5 and Proxy on SXS)

Includes:
Sony PMW-F55 Camera Body
Sony FZ to PL Lens Mount Adapter
Sony FZ to EF Lens Mount Adapter
Cheeseplate and Handle Attachment
OLED EVF
2 x EVF Cables
2 x Switronix V-Mount to Gold Mount Battery Plate Adapter
1 x Vocas Shoulder Mount Quick Release Plate w/ 15mm Rod Adapter
1 x Start/Stop Cable from Handle to Camera
2 x 128GB SXS Pro Plus Cards
6 x 64GB SXS Pro Plus Cards
1 x SXS USB 3.0 Card Reader
1 x F55 AC Power Supply
1 x Raincover
1 x Camera Mic with Shock Mount and Ultralight Arm
1 x Sensor Cleaning Kit
1 x Quick Release Camera Plate
AXS-R5 Access Memory System RAW Recorder
2 x AXS 512GB RAW Recorder Cards
1 x AXS USB 3.0 Card Reader
2 x Wooden Handles
2 x 15mm Rods
4x Switronix 150 Hypercore Batteries
1 x 2 Port Switronix Battery Charger

For ENG style shooting on Super 35mm sensors, it doesn't get much smoother than this lens. Cabable of communicating with Arri LDS and Cooke i Technology and supports macro focusing.

Owner Notes: 
Includes:
Lens Hood
Lens Cap

Owner Notes: 
The Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens with PL Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. At 9.84" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam applications.

Includes:
Lens Cap
PL and EF Lens Mounts w/Tool
15mm Rod Support
15mm Rods

Owner Notes: 
The CINE-SERVO 17-120mm T2.95-3.9 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.4 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments.

This Lens can be used for Cinema or Broadcast shoots. The ergonomic Servo Grip allows powered zoom up to 7x along with powered focus control. It also offers 4K-ready optical performance, perfect for a Super 35mm Sensor Camera shooting 4K, with outstanding picture quality extending from the image center to the edges.

In some cases the camera will be able to provide power to the lens through the mount. Other cameras can use the attached 20-Pin power and control chord, or the P-Tap Power cable that comes with the lens.

The lens also features three, 20-pin ports that provide full remote control of zoom servo, focus servo and iris/aperture settings, compatible with a wide range of digital cameras, virtual data systems and remote-control protocols.

Includes:
Lens Hood
Built In 20-Pin Power Chord
Lens Cap
P-Tap Power Cable

Owner Notes: 
The 85-300 is similar in size and weight as the PL 19-90, and its longer focal length makes it ideal for shooting documentaries, nature and wildlife, and car commercials, among other demanding production scenarios. This lens is equipped with the same indispensable features as the 19-90, including flange focal distance adjustment, a MOD of 1.2m, a macro function for objects as close as 97cm (38-inches), and covers a 31.5mm diagonal sensor size.

The digital servo’s 16-bit encoding assures operators that all lens data output—such as the position of the zoom, iris, and focus—is extremely accurate and the lens supports Lens Data System (LDS) and /i metadata formats.

Includes:
Lens Hood
Lens Cap
P-Tap Servo Power Cable

When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid wide lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid 35mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

Includes:
Lens Caps


When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid 85mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request




"When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid 100mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well."

Owner Notes: 
Lens back can be changed to PL or EF mount on request


When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid 28mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid 50mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

Includes:
Lens Caps


When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid 135mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. This solid 21mm lens from Zeiss has standard housing that works great with follow focus systems, and it produces a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. The Super Speed series gives you the incredibly fast t1.5 to work with. This solid 85mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

When you're shooting with a DSLR, there's no reason to sacrifice quality in glass or housing. The Super Speed series gives you the incredibly fast t1.5 to work with. This solid 35mm lens from Zeiss has standard housing that works great with follow focus systems, and the 14 blades inside it produce a smooth bokeh on a modest budget. And because of the flexibility of the swappable mounts, this one isn't just a step up for DSLRs, but a fine choice for cinema cameras as well.

Owner Notes: 
Lens back can be changed to PL or EF mount on request

Owner Notes: 
**LENS NOT INCLUDED**

The first Canon hybrid DSLR to offer onboard 4K motion imaging and Full HD motion imaging on CF cards, in a rugged, ultra-compact form factor. Coupled with Canon's compact EF-mount lenses or Zeiss Compact Primes, the EOS-1D C facilitates 4K image origination in the tightest and most challenging environments, opening up fresh cinematic opportunities along the way.

The EOS-1D C features an 18.1-megapixel full frame CMOS image sensor that offers a wide range of image acquisition options, including 4K (4096 x 2160), HD (1920 x 1080); or 18-megapixel (5184 x 3456) still images. The 4K is recorded as Motion JPEG; the HD is recorded as H.264; and the still images are recorded as RAW or JPEG. All of the selected motion imaging formats can be recorded as normal gamma-corrected video or with Canon Log.

Includes:
Canon 1D C 4K Cinema Camera Body
1 x Wooden Camera Quick Cage w/ Accessory 1/4" - 20 Screw Holes
1 x 2-Port Battery Charger
1 x AC Power Supply for Canon 1D C
2 x 128GB SanDisk Extreme Pro 160mb/s CF Card
1 x Lexar CF USB 3.0 Card Reader
1 x EOS Camera Strap
1 x 15mm Rod Mount

4K internal mirrorless shooting has arrived and when you see the dynamic range of this little camera (up to ISO 409600!) in low light situations, you'll be blown away.

Owner Notes: 
**WE ALSO OWN EF METABONES ADAPTERS AND EF LENSES**

The a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. Other features include: Internal 5-Axis Stabilization, S-Log 2&3 capabilities, and Wi-FI Connectivity.

Includes:
Sony Alpha A7S II Mirrorless 4K Camera Body
1 x MovCam A7S II Camera Cage
4 x Sony NP-FW50 Lithium Battery
3 x NP-FW50 Battery Chargers
4 x SanDisk 128GB Extreme PRO 95mb/s SD Cards
1 x MovCam Handle Attachment
1 x Lexar USB 3.0 SD Card Reader

4K mirrorless shooting has arrived! And yes, you'll have to record out through HDMI to an external recorder to get it, but when you see the dynamic range of this little camera (up to ISO 409600!) in low light situations, you won't even mind.

Owner Notes: 
**WE ALSO OWN EF METABONES ADAPTERS AND EF LENSES**

The Sony Alpha a7S Mirrorless Digital Camera features a full-frame 12.2MP Exmor CMOS sensor and BIONZ X image processor to enable notable video and still image quality with an expansive dynamic range, low noise, and extended sensitivity to ISO 409600.

The a7S is also quite adept in regard to recording video. It is able to output uncompressed 4:2:2 UHD 4K video to an optional external recorder over HDMI, as well as record full HD 1080p video in the high-quality XAVC S format at 50 Mbps in multiple frame rates. Extending the video recording capabilities is support for S-Log2 gamma, which helps to expand the effective dynamic range during recording, as well as picture profile options, time code, and zebra marker display aids. Sound can be recorded in the AAC/Linear PCM format via the internal stereo microphone, with a built-in headphone jack for on-board monitoring, or via an external microphone.

Includes:
Sony a7S Alpha Mirrorless Digital Camera Body
1 x MovCam a7S Camera Cage
4 x Sony NP-FW50 Lithium-Ion Battery
2 x NP-FW50 Battery Chargers
3 x SanDisk 64GB Extreme PLUS 80mb/s SD Cards
1 x Camera Strap
1 x MovCam Handle Attachment


The Panasonic AJ-HPX2700 VariCam Camcorder is a high-end professional camera meant to replicate the warm and natural look and texture of film. Featuring a variable frame rate from 1 to 60 fps, in 720p, this camera enables you to easily under or overcrank your shooting for creative fast and slow motion effects. This camera's native effective resolution is 1280 x 720, but shooting is possible in a range of formats from 1080/60i to 720/25p due to the 3x 2/3" 1MP CCD sensors. A high F10 sensitivity supports low-light photography at 2000 Lux and a minimum illumination of 0.021 Lux. Recording is possible in AVC-Intra 100, AVC-Intra 50, and DVCPRO HD; 4:2:2 full raster sampling is supported in the AC-Intra 100 format.

Owner Notes: 
**LENS INCLUDED**

This camera's native effective resolution is 1280 x 720, but shooting is possible in a range of formats from 1080/60i to 720/25p due to the 3x 2/3" 1MP CCD sensors. 
Recording is possible in AVC-Intra 100, AVC-Intra 50, and DVCPRO HD; 4:2:2 full raster sampling is supported in the AC-Intra 100 format.

Includes:
Panasonic AJ-HPX2700 VariCam Camcorder Body
EVF
2 x 64GB P2 Card
1 x P2 Card Reader
1 x AC Power Supply
1 x Raincover
2 x Switronix 150 HyperCore Batteries
1 x 2-Port Switronix Battery Charger


Owner Notes: 
Bridging the gap between compact clip-on sunshades and multi-staged matte boxes, Bright Tangerine's Misfit Matte Box Kit is versatile while remaining lightweight. This kit is based on the carbon fiber Misfit core, which can hold two 4x5.65" filters and, with the twist of a knob, can be expanded to hold three filters. For holding filters, two trays are included, and they mount in the Misfit's fixed stages. Also included is a carbon fiber top flag for blocking any reflections. Once you're ready to mount the matte box to your lens, use the 114mm clamp to secure it to the front and you're ready to shoot.

Includes:
Top and Side Brow Attachments to Flag Flares/Light
2 x 4x5.65" Filter Trays
1 x 114mm Clamp Attachment
1 x 100mm Step Down Ring

The longstanding favorite telephoto lens from Canon. This one is a classic with its four UD-glass elements to correct chromatic aberrations and a constant aperture of 2.8 throughout. Whether you're setting up an interview and want to push the background out of focus, or need those extra millimeters to shoot from far off, this is the lens for you.

Owner Notes: 
This is our 70-200mm, a must for any production using still lenses. The focal range helps you cover the medium to far end, and the internal stabilization saves you from any quick shakes in your footage.

Includes:
Carrying Case
Lens Hood
Caps


The widest lens in Canon's tilt-shift family, this 17mm lens allows for +/- 90° on the tilt-shift mechanism and the tilt (and they can be used independently or together). Use it to control perspective with the composition and the depth of the entire focal plane. Great for architecture shorts or product beauties. Minimum Focus 9.8", Maximum Tilt: +/- 6.5º, Maximum Shift: +/- 12mm

Owner Notes: 
The TS-E 17mm f/4L Tilt-Shift Lens from Canon is an ultra wide-angle manual focus lens for EF mount cameras with a 104º diagonal angle of view on full frame cameras. It is the widest tilt-shift lens in the Canon lineup and provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in architecture, landscape, and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.

The tilt-shift function on the 17mm f/4 lens allows adjustment of the focal plane by an angle of +/-6.5º and enables parallel shift of the optical axis by +/-12mm. Both tilt and shift can be engaged singly and in combination. The tilt-shift rotation mechanism locks at right angle and at parallel and clicks at 45º and the lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.

Owner Notes: 
The Extender EF 2X III from Canon is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 2x while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, it combines redesigned optics, improved data communication between lens and camera and enhanced environmental protection. It is ideal for photojournalists and wildlife, nature and sports photographers who need to get close to distant and challenging subjects and it reduces the need to carry heavy telephoto lenses.

The Extender EF 2x III features nine optical elements in five groups, ensuring improved optical performance. All optical elements have Canon's Super Spectra coating to reduce ghosting and flare. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings. 
To facilitate the accurate transfer of imaging data between the lens and camera body, the extender features an integrated processor which ensures all focusing, metering and ID information is available - allowing the photographer to capture balanced, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable AF accuracy even when capturing moving subjects. When attached, the 2x extender reduces the effective maximum aperture by 2 stops.

Tilt-Shift L-Series Manual Focus Lens 
For EOS Cameras 
Aperture Range: f/3.5-22

Owner Notes: 
The TS-E 24mm f/3.5L II Tilt-Shift Lens from Canon is a wide-angle lens for EF mount cameras. It provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in architecture, landscape, and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.

The tilt-shift function on the 24mm f/3.5 lens allows adjustment of the focal plane by an angle of +/-8.5º and enables parallel shift of the optical axis by +/-12mm. Both tilt and shift can be engaged singly and in combination. The tilt-shift rotation mechanism locks at right angle and at parallel and clicks at 45º and the lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.


The TS-E 45mm f/2.8 Tilt-Shift Lens from Canon is a standard length manual focus lens for EF mount cameras with a 51º diagonal angle of view on full frame cameras. It provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in architecture, landscape, and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.

The tilt-shift function on the 45mm f/2.8 lens allows adjustment of the focal plane by an angle of +/-8º and enables parallel shift of the optical axis by +/-11mm. Both tilt and shift can be engaged singly and in combination. The lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.

Includes:
Front and Back Caps
Carrying Case

A solid offering from Canon, this lens's zoom range makes it a great portrait lens. And for run and gun shoots, having the versatility to go from 24 to 105mm proves very useful for documentary or event videography.

Owner Notes: 

The EF 24-105mm f/4L IS USM Lens from Canon is a versatile, easy-to-use standard zoom lens that covers a focal range from wide-angle to portrait-length telephoto. Its constant maximum aperture of f/4 provides effective consistency when at the telephoto end of the zoom range.

The L-series is Canon's flagship professional lens series, combining the highest standards of precision optics and operability with dust and moisture resistant construction. Canon's ring-type Ultrasonic Motor (USM) provides silent and quick autofocus as well as full-time manual focus override. Optical image stabilization enables up to 3-stops of compensation against the effects of camera shake and one Super-UD and three aspherical lens elements minimize aberrations for overall optical clarity.

Owner Notes: 
The MP-E 65mm f/2.8 1-5x Macro Photo Lens from Canon is a unique manual focus lens specifically for macro photography that provides extreme close-up imaging from a 1:1 (life-size) magnification ratio to a 5:1 ratio. The lens mounts to all Canon EOS DSLR and SLR cameras.

Includes:
Front and Back Caps
Carrying Case

This 90mm lens allows for +/- 90° on the tilt-shift mechanism and the tilt (and they can be used independently or together). Use it to control perspective with the composition and the depth of the entire focal plane. Great for architecture shorts or product beauties. Minimum Focus 12", Maximum Tilt: +/- 8º, Maximum Shift: +/- 11mm

Owner Notes: 
Canon 90ts ($1,399 new) - no prices available to compare

The TS-E 90mm f/2.8 Tilt-Shift Lens from Canon is a telephoto length manual focus lens for EF mount cameras with a 27º diagonal angle of view on full frame cameras. It provides tilt-shift functions to control perspective and correct convergence of lines within your frame. It is especially useful in portrait and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control.

The tilt-shift function on the 90mm f/2.8 lens allows adjustment of the focal plane by an angle of +/-8º and enables parallel shift of the optical axis by +/-11mm. Both tilt and shift can be engaged singly and in combination. The lens mount itself can rotate left or right by 90º with click-stop adjustment each 30º.

The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation; its lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras. This high-performance, weather-resistant lens delivers all the superb image resolution and contrast you expect in a Canon L Series Lens.

Owner Notes: 
The EF 50mm f/1.2L USM Lens from Canon is a fast prime lens featuring a particularly large maximum aperture for effective low-light and shallow depth of field capability. As a standard focal length lens, it is suitable for most any shooting situation and its lens coating and optical construction are optimized to minimize chromatic aberrations, ghosting and flare. A truly circular diaphragm results in pleasing out-of-focus areas.

1x Easy Rig
1x Easy Rig Belt Pouch
1x Carrying Bag

Capacity:	4kg (9lbs) in steps to 25 kg (55 lbs)

The Serene is a patent pending two axis spring arm that attaches at the end of the Easyrig arm. It stabilizes vibrations and motion errors on the vertical axis that comes from walking or running with the rig. It also stabilises side to side errors in the same scenarios by counter pivoting around it’s center axis. At the same time you have full use of the Easyrig cord extension that will allow you to go from high to low mode while at the same time the Serene will take care of the vertical and side to side stabilisation adding two more stabilised axis to your existing system. The Serene can take camera setups between 6-19.5 kg, and you can easily fine tune the spring tension without tool. It works really well for other gimbal rigs like the Freefly MoVI, DJI Ronin, Letus Helix and most other leading gimbal rigs.

Camera Kit Incudes:

1x Camera Body
1x Top Handle
1x Cam mic
1x LCD Control Panel
1x Grip Controller
2x 128gb Angelbird cards
2x 64gb Panasonic Cards
1x Wireless USB stick Dongle 
1x Atomos Batt Dual Charger
1x EVA Batt Dual Charger
2x Med EVA Batt
2x Small EVA Batts
1x Atomos Shogun Monitor
1x BNC Cable
1x P-tap Power cord
1x Lemo to 2-head XLRf audio cable
1x male minijack to double female head audio jack audio cable
1x carrying case
1x USB Drive Reader
2x 500gb Atomos Drives
3x ATOMOS Batts



------


Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. Panasonic's acclaimed Dual Native ISO technology is also incorporated into this sensor. Dual Native ISO uses alternative circuitry within the sensor, rather than adding gain or shifting the gamma of the original signal output, to increase sensitivity while maintaining a high signal-to-noise ratio. The standard native ISO is 800, which works for most production situations. This can be switched to 2500 when working in dim scenarios.


An EF lens mount at the front of the body supports a wide range of interchangeable lenses from popular manufacturers. Directly behind the mount is an electronically controlled ND filter wheel offering 2, 4, and 6 stops of filt

The Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. The standard native ISO is 800, which works for most production situations. With the Dual Native ISO, this can be switched to 2500 when working in dim scenarios.

OWNER'S NOTES
1x Camera Body 
1x Top Handle 
1x Cam mic 
1x LCD Control Panel 
1x Grip Controller 
2x 128gb Angelbird cards 
2x 64gb Panasonic Cards 
1x Wireless USB stick Dongle 
1x EVA Batt Dual Charger 
2x Med EVA Batt 
2x Small EVA Batts

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Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. Panasonic's acclaimed Dual Native ISO technology is also incorporated into this sensor. Dual Native ISO uses alternative circuitry within the sensor, rather than adding gain or shifting the gamma of the original signal output, to increase sensitivity while maintaining a high signal-to-noise ratio. The standard native ISO is 800, which works for most production situations. This can be switched to 2500 when working in dim scenarios.


1x Lens 
1x Front Cap 
1x Back Cap 
1x Carrying Case

100mm Cineovision macro T2 lens. PL mount. With extension factor up to 4x.

1x Lens
1x Front Cap
1x Back Cap
1x Carrying Case

A long-reaching telephoto zoom characterized by a sophisticated optical design and advanced image stabilization technologies, the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is part of the esteemed L-series developed for full-frame EOS DSLRs. One fluorite element and one Super UD element have been incorporated into the lens' construction, and both help to reduce aberrations and distortions throughout the zoom range in order to deliver notable clarity, image sharpness, and faithful color reproduction. An Air Sphere Coating has also been applied to lens elements in order to reduce lens flare and ghosting for more contrast-rich imagery. Benefitting the optical components of the lens, a four-stop effective Image Stabilizer helps to minimize the appearance of camera shake and can be dedicated to different styles of shooting. Furthermore, a redeveloped rotation-type zoom ring pairs with an internal focusing mechanism, and an Ultrasonic Motor, to deliver quick and intuitive handling to benefit handheld shooting. Positioned as a versatile option for sports and wildlife photographers, this lens' list of attributes make it a viable telephoto zoom for a variety of shooting applications.

Housed within a weather-resistant barrel, this lens also features fluorine coatings on the front and rear elements for protection against fingerprints and smudges from affecting image quality. Zoom control is complemented by a dedicated tension ring for adjusting zoom torque. Additionally, other refined design elements include a tripod collar that ca

This kit includes:
- 8 x PixelTube
- Charging Travel Case
- AsteraBox (can download app on phone to control tubes)
- Various Mounting Fixtures

This kit includes:
- 8 x TitanTube
- Charging Travel Case
- AsteraBox (can download app on phone to control tubes)
- Various Mounting Fixtures

Excellent! Great to work with, will rent again

Canon EF Mount Lens
Aperture Range: T1.5 to T22
Four ED and Two Aspherical Elements
UMC Coating
Geared Focus and Aperture Control Rings
De-Clicked Aperture Ring
Accepts 77mm Threaded Filter Rings

ROKINON T1.5 CINE LENSES
Canon EF Mount Lens
24, 35, 50, & 85mm Cine-Style Lenses
Canon EF Mount
Covers Full-Frame Sensors
T1.5 to T22 Exposure Range
Manual Focus and Aperture

Great Lenses! Works really well with plenty of cameras. 

Four ED and Two Aspherical Elements
UMC Coating
Geared Focus and Aperture Control Rings
De-Clicked Aperture Ring
Accepts 77mm Threaded Filter Rings



Canon CN-E cine prime super fast full frame prime lens. Geared for follow focus.

50mm Cine Prime CN-E lens, incredibly fast. T1.3

4 lens kit, ultra fast cine primes with an EF mount.
24,35, 50, and 85 mm lens. Great kit for doc or inde cinema. The 35 is a 1.5! They are all less than 2 and perfect for lowlight and shallow depth of field.

Excellent long cine primes that’s super fast!

Tiny paint chips on gears. Otherwise perfect condition.

50mm Samyang/Rokinon Cine (geared) lens with EF mount and de-clicked Iris.

85mm Samyang/Rokinon Cine (geared) lens with EF mount and de-clicked Iris.

24mm Rokinon/Samyang Cine Lens (geared) with de-clicked iris.  

EF mount.  Geared Cine lens from Rokinon/Samyang with de-clicked iris. 

Rokinon 24, 35, 50, 85mm T1.5 Cine DS Lens Bundle for Canon EF Mount 

Zeiss 35mm CP.2 T2.1                          

This Prime Lens kit includes:

Rokinon 14mm T3.1 Cine DS Lens for Canon EF Mount

Rokinon 35mm T1.5 Cine AS UMC Lens for Canon EF Mount

Rokinon 85mm T1.5 Cine Lens for Canon EF



Gorgeous Nikon Nikkor 85mm f/1.4. Manual focus prime lens. Glass is in perfect condition. Beautiful portrait lens.

Nikon mount but I also have a nikon to canon mount adaptor. 

Cn7 Lens PL
MatteBox and Rods
Pelican Case
Lens Cap
Clear Filter

This version 2 of the RED PRO ZOOM 17-50mm is a cinevised version of the popular Tameron 17-50mm.  It's a PL mount lens and weighs only 3.2lbs. It's become very popular for Movi work with either the RED dragon or ALEXA  Mini.  It's maximum aperture is 2.9 and its minimum focus is less than 8inches making it ideal for macro work as well

EF Mount Lens/Full Frame Format
Aperture Range: T1.5 - T22
Manual Focus and Aperture
Geared Focus and Aperture Control Rings
Lateral Aperture and Distance Markings
Minimum Focus Distance of 1.5'

Accepts 72mm lens filters.
With a 5x zoom range of 28mm to 135mm, it covers wide-angle / normal / portrait / telephoto perspectives.

The EF 28-135mm f/3.5-5.6 IS USM Lens from Canon is a compact and lightweight zoom lens that offers superior optical performance plus a built-in Image Stabilizer. The IS system reduces blurred photographs caused by camera shake and allows for handheld photography in comparatively dim light without a flash or tripod. At the wide-angle end of the zoom range, the equivalent shutter speed gain is approximately 1.5 stops while at the telephoto end, it is approximately 2 stops.

Zeiss CP.2 Compact Prime Super Speed 50mm T1.5 - PL or EF

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Zeiss CP.2 Compact Prime Super Speed 50mm T1.5 - PL or EF

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