ASP880 is an 8-channel microphone preamplifier & ADC that will transform your sessions into world class recordings, the perfect addition to your set-up. ASP880 provides eight of Audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes Variable Impedance and Variable High Pass Filters. All in a 1RU rack!

Hire includes IEC Power cable protective hard case.

Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.

With its warm, clear sound and frequency response optimised for vocals, the SM58 is a legend among vocal microphones worldwide. The Shure SM58 is a dynamic microphone for lead and backup vocals at live performances, professional sound reinforcement, and studio recordings.

An integrated, highly effective filter prevents breathing and wind noises, while the cardioid characteristic isolates the signal source and reduces unwanted background noise.

The robust design, the tried and tested shock absorber system, and the steel mesh grille ensure that the SM58 always works reliably even in the rough and tumble of everyday stage life. Whether in the open or in a hall, for singing or speaking - the SM58 has been the undisputed number one among professionals all over the world for decades.

In the tradition of the SM58, the dynamic Beta 58A has become the first choice among singers and professional sound engineers.

The Beta 58A is a dynamic, high-output vocals microphone designed for professional audio amplification and use in the recording studio. The supercardioid polar pattern extends over the entire transmission range and guarantees high, feedback resistant amplifications, maximum isolation from other sound sources and a minimum of off-axis sound. The contoured frequency response is ideal for close-up vocals.

Due to its robust construction, proven shock absorber system, and hardened steel windscreen, its outstanding performance is not compromised even with rough handling. Typical applications of the Beta 58A are lead vocals, backup vocals, and speech.

AKG D5 Dynamic Vocal Microphone - supercardioid, 70 - 20.000 Hz, 156dB max SPL, 600 Ohms, 2.6 mV/Pa, laminated Varimotion diaphragm, shock mounted capsule for low noise, black housing, includes bag and clip. Weight: 340g

The e 604 is a cardioid microphone for miking brass woodwind and acoustic drums.

Hire includes protective case as well as convenient clip for easy attachment to drums and brass/woodwind instruments.

The D6 is a dynamic microphone which is outstanding at reproducing especially low frequencies. Offering a frequency range from 30 Hz to 15 kHz, it is therefore ideally suited for recording kick drums, bass cabinets/combos and other similar instruments. Transformerless electronics as well as low impedance and balanced outputs guarantee an interference-free performance - even with the use of long cables.

Hire includes protective carry case and suitable clip.

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

Hire includes protective carry case.

Dynamic MicrophoneThe Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments.

Hire includes protective carry case.

A dynamic microphone, the MD 421 is one of the most famous microphones in the world. Due to its sonic qualities, it can be used in various recording situations and in all areas of sound transmission technology. The 5-stage bass switch underlines the all-round qualities.

Hire includes protective hard case as well as microphone clip.

The AKG C414XL II Condenser Microphone is an industry-standard microphone for studio recording, broadcasts and live performances, offering five selectable polar patterns to ensure perfect sonic performance in any application. The C414XL II microphone has a large diaphragm capsule that delivers a slight increase in presence and outstanding spatial reproduction, similar to the iconic AKG C12 microphone from 1953. A peak hold LED provides a visual indication when your level is clipping and accurately indicates even the shortest overload peaks. The included H85 shock mount minimises mechanical and handling noise, while the PF80 pop filter helps to eliminate plosive sounds and sibilance.

Hire includes shockmound and protective hard case.

The AKG C414-XLII/ST Condenser Microphone Stereo Pair is the ideal solution for capturing studio-grade stereo recordings. The microphones offer a choice of nine polar patterns for perfect sonic capture, and ideal for a wide range of sound sources. The C414-XLII's boasts nine polar patterns in total, making the microphone set ideal for everything from vocal recordings to capturing drum overheads. The wide frequency range and premium-grade components result in exceptional audio fidelity, capturing every nuance of your source audio, with maximum clarity and tonal accuracy. 

The hire bundle comes complete with an aluminium carrying case with two windscreens, two elastic spider suspensions and a stereo mounting bar for optimal flexibility.

The Legendary AKG C414 has been a mainstay in professional studios worldwide since 1971 and is one of the most versatile microphones available. It offers a selection of nine polar patterns and and choice of pads to attenuate the levels. The XLS holds on to the sonic character of the original 414 and has been engineered for highest linearity and neutral sound. This will capture the softest vocals with complete accuracy, yet it also suitable for recording guitar cabs, with exceptional audio fidelity and performance.

Hire includes shock mount, wind filter, and hard protective carry case.

Mic Type: Small Diaphragm Condenser
Polar Pattern: Cardioid
Frequency Response: 20Hz - 20kHz
Phantom Power Requirement: 48 ±2V
Full Impedance (Module): Less Than 300?
Weighted SPL: 18 dBA
Maximum SPL in 250Hz - 8kHz Range: 130dB
Free Field Sensitivity at 1kHz: Less Than 10 mV/Pa
Free Field Sensitivity Roll Off (40Hz - 20kHz): ± 3db
Weight with 3 Capsules and Pad: 200g
Included Accessories: Mic Holder
Microphone Length: 128mm
Microphone Max Diameter/Width: 23mm

The Oktava MK-012-01 MSP2 Microphone set consists of two microphone bodies, two matched cardioid capsules, two -10dB pads, two mic holders and a convenient wooden storage box. The MK-012-01 is a compact, professional-quality microphone that offers a wide and flat response to ensure that all sounds are captured with a high degree of accuracy and realism. The -10db pads are ideal for use in high SPL environments, utilising a precision integral connection system to guarantee reliable electrical contact every time. In pairs, the MK-012s are perfect for coincident and spaced stereo miking applications, as well as overhead usage in both live and studio situations.

The STC-1S is a laboratory-matched pair of our STC-1 cardioid microphones. The STC-1S is a laboratory-matched pair of our STC-1 cardioid microphones. Ideally suited for A/B, X/Y and other methods of stereophonic recording, these microphones will help you to capture a perfect stereo image, whether a string quartet or a full symphony. 

The Neumann U87 is the large-diaphragm condenser microphone. Used on countless famous recordings for vocals, drums, guitars - anything you can think of in face - the Neumann U87 is one of those mics that is simply ubiquitous.

Thanks to its huge, detailed, clear sound that blends seamlessly into almost any mix, the U87 is a stand out microphone that will be the go-to mic in your arsenal for life!

Hire includes shockmount and protective carry case.

API's 3124MB+ is a 1U rackmount unit with 4 horizontal 312 preamps with additional direct input for guitar/bass/keyboard. This is the classic API console mic pre circuit with 2520 discrete op-amp and custom output transformer from the 512c.

Front panel controls include variable gain, polarity inversion, -20dB pad, +48V phantom power toggle, and a mic/DI switch. This version, the 3124MB+, also features a 4x2 mixer with panning, aux send, and output level for each channel to the mix buss.

Hire Details:

Hire includes IEC Power cable and protective hard case.

Full Specifications:

- Uses API 2520 Op-amp
- Classic Console Circuit
- Four XLR Mic Inputs
- Four 1/4" Unbalanced Inputs
- Front Panel Polarity Switch
- Front Panel 20 dB PadSwitch
- Front Panel Mic/Line Switch
- Front Panel 48V Power Switch
- Output Clips at +30dBm
- Input Impedance: 1500 Ohms Mic, 470 K Ohms Unbalanced, hi-Z in
- Output Impedance: Less than 75 Ohms Channel Outputs
- Nominal Levels: XLR Channel Output +4 dBu
- Stereo Output Level: Unbalanced: nominal -2, Balanced: +4
- Clipping Level: XLR Channel Output better than +28dBm
- Frequency Response: +0, -5, 10Hz to 20kHz (-.5 at 10 Hz)
- Noise EIN:-129 Mic, -125 Un-Bal. Actual
- Measured Noise:Better than -91dBm/below Nominal +4.
- Distortion:All Outputs at +4 out, .03%, at +22, .09% Max
- Gain Range:150 Ohms Input 10dB Min., 65dB Max (inc. PAD). Un-Bal. Input 14 dB Min., 50dB Max
- VU Meter:Calibrated for XLR Outputs, OVU=+4 dBu, (-12, -6, -3, 0, +3, +6, +18)
- Controls:GAIN, PAD (20dB), 48Volts, POL (polarity), MIC (mic/un-ba;), VU, AC
- Dimensions:19" x 1U x 8"
- Weight: 9 lbs.

The Mackie 1604-VLZ PRO Mixer is a compact analog mixer with studio-quality preamps perfect for your live sound events.

Perfect for weddings, live music, DJs, live speaking and any event with live audio!

16 XDR XLR mic/line inputs deliver low noise with high headroom on all channels. Each channel also has true 4-bus mixing, channel inserts, 60mm long-wearing logarithmic-taper faders, 3-band EQ with sweepable mids, phantom power, and solo switches. It also has fully balanced I/O (except inserts), 4 aux sends, a DC pulse transformer for RF rejection, 4 stereo aux returns, and 8 direct outs.

Full Specifications:

- 16 low noise/high headroom XDR™ (Extended
Dynamic Range) XLR mic inputs with the best
- RFI rejection of any compact mixer design and
maximum freedom from ground loops.
- 16 balanced/unbalanced mono line inputs
- True 4-bus design
- Multi-way physical confi guration via rotatable
- I/O pod, or optional RotoPod Kit (RP1604-VLZ)
- Inserts on all channels
- Direct outs on channels 1–8
- 3-band EQ with sweepable mids
- 75Hz, 18dB/oct. Low Cut fi lter on each channel
- PFL/AFL (Solo In-Place) on all channels (global)
- Very Low Impedance (VLZ) architecture
- Control Room/Phones source matrix
- 6 aux sends, 2 with master level controls
- Wide input gain range with “virtual pad”
- Stereo main outputs plus mono main output
with separate level control
- Balanced inputs and outputs (except RCAs,
phones & inserts)
- Level set LED and marker

Hire Details:

Hire includes IEC Power cable.

What Peavey say:

It was 5150, now it's 6505! The name goes but the sound remains. From now on, the successful amp series developed with Eddie van Halen will be known under a different name. The new name relates to the year of the company's founding and today... 1965-2005.

This duo is the current undisputed king of guitar amplifiers for hardcore metal bands! Powerful, raw sound, violent power and undiminishing sustain.

Developed with Eddie van Halen and discovered anew by many young metal bands.

Known users: Machine Head, In Flames, Van Halen

Hire Details:

Hire includes 2 way Footswitch, IEC Power cable and 5ft speaker cable.

What Marshall say:

Gone are the times when you only had to run your finger once along all potentiometers of your Marshall to achieve the classic rock sound (as well as tinnitus).

The JVM410H(ead) offers plenty of adjustment options, in particular a huge variety of sounds that differ greatly from one another and sound great. 4 channels with 3 options each (making 12 modes in total that can be selected directly via foot switch or MIDI) cover everything that one could need. From outstanding clean sounds (not necessarily a traditional forte of Marshall) over classical crunch and lead sounds, to truly well-Defined hi-Gain sounds - everything is there and is very convincing.

For the purists: No semiconductor will cloud your sound - everything you hear is produced with tubes. The classic EL34 power amplifier lends its typical Britishness to all sounds without making them sound the same. Marshall the modern.

Hire Details:

Hire includes Footswitch, IEC Power cable and 5ft speaker cable.

What Orange say:

Since the amps with the unconventional colour returned, they have been fighting for their niche in a hotly contested market with great success. Just like in the past when countless stars used these amps, Orange builds amplifiers with an unmistakable sound for people who know exactly what they want.

The AD30HTC is an amp head with pure tube sound in the classic Class A circuit (with 4 El84 amp tubes), which guarantees harmonious sounds with an impressive spectrum. The "TC" stands for "twin channel", where a lead channel available, ensuring sustain rich sounds even at lowest volume.

Separate tone controls for each channel allow flexibility, although it would be difficult to elicit lousy sounds from this amp head! 30 W Class A power is loud enough for most applications.

Hire Details:

Hire includes IEC Power cable and 5ft speaker cable.

What Kempser say:

Kemper Profiling technology allows the creation of a very precise tonal image (profile) of an existing amplifier configuration (including speaker & miking). Thanks to the many internal editing options, such as: diverse effects unit emulations (up to 4 simultaneously), master effects, EQ, gain, amp definition, power sagging etc., you can edit the sound created far beyond the capabilities of the original amplifier. The Kemper Profiling Amplifier comes with an already large number of outstanding amplifier profiles, which is why the creation of individual ones is not mandatory. Thus it is now possible to map the sound of your own amplifier accurately, and if desired, to modify and have available to practice in the studio or on stage without a lot of lugging about.

Hire Details:

Hire includes IEC Power cable and 5ft speaker cable.

What Shure say:

The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hums generated by computer monitors, neon lights, and other electrical devices.

The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.

Hire Details:

Hire includes hard protective carry case and wind filter.

Arguably the best ribbon mic you can get. This classic mic comes in the case, in a nice velvet bag with an adaptors for stands.

What Neumann say:

The TLM 49 brings back the vintage tone of Neumann’s post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann’s legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.

Full Specifications:

- Same capsule as legendary Neumann U 47 and M 49 microphones
- Cardioid pattern 
- Classic sound for silky vocals
- Large, acoustically open headgrille 
- Transformerless solid state circuit with tube sound characteristics
- Very low self-noise

Hire Details:

Hire includes heavy duty shock mount and hard protective carry case.

Custom built by our professional engineers here at RNR Studios, this cable is built from high-quality Sommer cabling and features premium Neutrik XLR Connectors for reliability and ease of use.





Custom built by our professional engineers here at RNR Studios, this cable is built from high-quality Sommer cabling and features premium Neutrik XLR Connectors for reliability and ease of use.

Made from a more flexible cabling, this cable would be best suited for live applications.

What Blackstar say:

By switching both preamplifier and power amplifier parameters, the Series One 50W delivers both Class A style tones with a bell-like ring and classic push-pull crunch depending on the mode selected.

The Patented ISF control removes the limitations of traditional designs allowing you to tune the tone to exactly the sound you are looking for. DPR can reduce the power down to 5W, whilst MIDI switching and a series effects loop makes this the ultimate pro head.

Full Specifications:

- 50 Watt head with built-in DPR power reduction
- 1 x ECC82, 3 x ECC83, 2 x EL34 valves
- Clean channel with Warm (Plexi) and Bright (Class A) type modes
- Overdrive channel with Crunch and Super Crunch modes
- SF equipped tone control section
- Presence control
- Master Volume
- Series effects loop
- MIDI switching
- Speaker emulated output

Hire Details:

Hire includes FS-14 Footswitch, IEC Power cable, and planet waves speaker cable.

This is a great solution for any bassist looking for a loud, versatile rig that is extremely lightweight and easily transportable.

Hire Details:

Hire includes IEC Power cable.

What Blackstar say:

The ID:260TVP is a 2 x 60 Watt stereo, programmable amp. With 2 x 12" speakers, this combo has a broad immersive sound and really packs a punch live.

The unique controls allow you to custom design your own sound, store it and then have the confidence that the amp will perform in a live environment.

By using the unique Voice control, patented ISF and patent-applied-for True Valve Power, these amplifiers allow unparalleled flexibility and ease of use, enabling you to in effect, design the sound in your head and deliver it live as LOUD as valve. Individuality is power!

Full Specifications:

- 60W + 60W 2x12" stereo programmable combo
- True Valve Power - LOUD as Valve
- Voice - select from 6 classic channels
- Manual Mode
- 3 band EQ with patented ISF
- 128 user storable patches
- Multi effects - 4 x modulations, 4 x delays, 4 x reverbs
- Resonance
- Presence
- Master Volume
- USB connectivity - easily edit and record
- GUI software for deep editing, practice and sharing
- MIDI Input
- MP3/Line Input
- Speaker Emulated Output
- Built-in tuner
- Revolutionary tone

Hire details:

Hire includes Footswitch and IEC Power Cable.

What Blackstar say:

By switching both preamplifier and power amplifier parameters, the Series One 45W delivers both Class A style tones with a bell-like ring and classic push-pull crunch depending on the mode selected. 

The patented ISF control removes the limitations of traditional designs allowing you to tune the tone to exactly the sound you are looking for. DPR can reduce the power down to 4.5W, whilst MIDI switching and a series effects loop makes this the ultimate pro combo.

Full Specifications:

- 1 x ECC82, 3 x ECC83, 2 x EL34 valves
- Clean channel with Warm (Plexi) and Bright (Class A) type modes
- Overdrive channel with Crunch and Super Crunch modes
- ISF equipped tone control section
- Presence control
- Master Volume
- Series effects loop
- MIDI switching
- Speaker emulated output
- 2 x Celestion Vintage 30 speakers

Hire Details:

Hire includes FS-14 footswitch and IEC Power cable.

Specs:

- 2.4 GHz
- 19" True diversity receiver
- 12 Switchable frequencies
- Audio-frequency range 10 - 20,000 Hz
- Dynamic range 120 dB
- Range of up to 90 metres (depending on the environment)
- 1x Jack, 1x XLR amp output, and 1x jack for a tuner
- 1x TA4F connector on the transmitter
- Battery life approx. 8 hours
- LED display for status and battery life
- Switchable EQ settings for the simulation of different guitar cables
- Compact and stylish design

Supplied with two wireless packs, IEC power supply, batteries, and manual.


What Orange say:

The Orange 4X12 Guitar Speaker Cabinet 240 Watts, 4 X 12 Speaker Configuration, Celestion Vintage 30 Speakers, 16 Ohms Impedance, 1/4" Jack. Input. Do your amp justice.

The Orange 4X12 Cab only uses the Celestion Vintage 30's. With every great amp, you need a cab to do it justice. It doesn't matter what the head is, it will sound dreadful through anything less than excellent.

Think about the cab sitting under your amp at the moment. Does it really lend itself to the sound of your amplifier? The range of cabinets from Orange are built to their strictest quality standards, to deliver the finest sound from whatever you use to boost your guitar. After they've spent so many years refining their amplifiers, they wouldn't have it any other way.

Specs:

- Cabinet loaded with 4 X Celestion Vintage '30 - 12 inch speakers
- Built of 18 Ply Birch Faced Marine Plywood Shell
- 29 X 31 X 15 inch dimensions
- 16 Ohms, 240 Watts
- 1/4 inch Jack input 

What Peavey say:

Introduced in 2004, the Peavey 6505 line of amplifiers has become one of the most famous additions to the Peavey range. A redesign of the iconic 5150, these dominating valve amps have been seen on stage with some of the most famous bands in the world of rock and metal. This 300 watts 412 speaker cabinet will suppliment an array of raw power to any guitarists arsenal - from crisp cleans through to gut-wrenching distortion.

Features

- Made in the USA
- Four Sheffield® 1200 12 inch speakers
- 16 ohms
- 2 1/4 inch inputs
- 300 watts (rms) closed-back cabinet
- Stereo or Mono operation
- Recessed handles
- Heavy-duty casters
- High-density plywood construction
- Weight: 90.00 lb(40.824 kg)

What Tech21 say:

Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost.

What Darkglass say:

There are plenty of bass drive pedals available but not many have this level of control right from the pedal. Mixing together a high gain overdrive, a powerful preamp and a strong 4 band EQ this is ultimate all in one bass toolbox for getting your sound anywhere, anytime.

The Overdrive

Using the same great circuit that comes in the B3K the B7K has all of the controls you need with Level, Drive, Blend knobs on top of a pair of 3 way switches that change the low and high end saturation. With this alone you get a great range of tones for a mid gain crunch to all out djent distortion.

4 Band EQ

We have all played bass amps with unresponsive EQ sections that just don't give us the sound in our head. We also all have hopefully found a tone we love in our amps, but sometime you want something different at a moments notice. This is why the 4 band EQ on this pedal is so good. With up to +-12dB at 100Hz, 1kHz, 2.8kHz and 5kHz you can really dial in the exact sound you want.

Preamp I/O

The difference between an overdrive and a preamp is that one is designed to go in to an amplifier the other is generally designed to go in to PA speakers. This is both as you have a regular output to run to your amp, a parallel output (not effected) that you can run to a completely separate rig if you want and a DI output (effected) that goes straight to your front of house and stage monitors.

What MXR say:

Take your favorite studio compressor to the stage with the MXR Bass Compressor. A complete array of controls-Attack, Release, Ratio, Input, and Output-makes it easy to fine-tune your sound, from subtle peak limiting to hard squashed compression effects. Its CHT™ Constant Headroom Technology gives you plenty of headroom and clear performance. This totally transparent compressor allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the ten, highly visible gain-reduction status LEDs. It's all packed into a durable, lightweight aluminum-housing pedal that's the size of a Phase 90.

What Ashdown say:

During more than 30 years experience playing and recording with iconic rock musicians including Zakk Wylde's Black Label Society, David Lee Roth, Ozzy Osbourne, Slash's Snake Pit, White Lion and now Megadeth, James envisioned a bass drive effect that operates entirely unlike any other distortion unit currently available. Now Ashdown has made that vision a reality. 

In the LoMenzo Hyper Drive, a band of frequencies within the midrange of the bass signal is filtered out and the distortion effect is added only to this band. The filtered frequencies can be 'tuned' to the precise range that gives the optimum effect. The degree of distortion available is variable from a subtle break up to huge overdrive, enabling a new range of extreme effects for bass to be created. The distortion effect can then be mixed with the original dry bass signal to maintain a powerful, full-bodied bass tone with distortion overtones.

Six high-quality instrument patch cables. Suitable for guitar pedal boards.

SM7B with cloudlifter, stand and 2 5M XLR cables. 

What Focusrite say:

With Scarlett 2i2 your recordings will sound just how you want them. Two combination inputs with natural-sounding Scarlett mic preamps, line level inputs and newly-designed instrument inputs let you record anything you want. Even seriously hot guitar pick-ups.Two 1/4 inch balanced jack outputs let you connect to professional studio monitors, turn up the volume and totally immerse yourself in sound.

Blue Yeti USB Mic for Recording and Streaming on PC and Mac, 3 Condenser Capsules, 4 Pickup Patterns, Headphone Output and Volume Control, Mic Gain Control, Adjustable Stand, Plug and Play. Comes with usb to connect to computer or recording device. 

Hi, here is a classic Mic Pre.
Originally available in 1970, the Neve 1073 has become the prime option when choosing a preamp for engineers and recording artists.
With a familiar sound and character, this is THE British sounding Mic Pre, still Made in Burnley, England.


Zoom H5 recorder with wireless mic .  Contact me if you want to hire just the recorder . Will drop off anywhere in London for Weekly Hire . 

Full sound recording solution for small productions:

H6 Recorder with both the stereo and omnidirectional mics
Audio Technica 875r with deadcat and foam
Beyerdynamic 770PRO 80 OHM headphones
16gb Card
Short XLR Cable (for use with recorder mounted to boom) 
Long XLR Cable - Typical setup 
XLR Splitter (allows you to record the same boom on 2 different levels so you never clip the sound)
Clamp and short magic arm
 Rode Boom
Senal UTM 86 lav mic 
Zoom H1 recorder

The best DI money can buy. Built like a tank. With ground, phase and pad switches. Completely passive so no power required 

Compact Digital Recorder Ideal For Filming, Presentations & More
48kHz/24-Bit Superior Audio Quality
Dual Recording Function For The Best Take
Low-Cut Filter & Built-In Limiter
Complete With Mic Clip & Windscreen

Focusrite ISA one mic preamp with separate DI channel.

High class mic preamp, clean with subtle smoothness. Great for recording voice, single instruments, drum overhead, etc. DI can be used separately e.g. Bass cab + bass DI on two channels, or vocals & keyboard etc.

Comes with high quality AD converter card installed plus all necessary cables to connect via s/pdif to most audio interfaces. Or just use the analog outputs.

I can throw whatever cables you might need for your particular purpose if you like.

Perfect working order.

Sounds great with our Neumann TLM103 which is also listed!

Excellent condition.

Not much to say it's a mic stand. I actually have three available, if you need 'em.

More info here: https://produkte.k-m.de/en/product?info=448&x24b4e=b6b0e9b695d560c8f0360adc68f9858d

Professional Mic Stand with Telescopic Boom.

Solid no compromise product with a Diecast metal base and Tommy Bar for easy boom adjustment. The height adjusting sleeve clamp is nylon not plastic.

- Height adjustable between 1000mm - 1650mm
- Boom Arm Length between 580mm - 910mm
- Mic Stand thread 3/8”
- Boom arm socket 5/8”

Audient ASP 880 - 8 Channel Mic Pre with Variable Impedance

Description

Location

Item lent by RnR

Other items from RnR

FAQs

Audient ASP 880 - 8 Channel Mic Pre with Variable Impedance

Explore other options around Uxbridge