Overview

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.



Specifications
Main Unit Spec

Focal Length & Maximum Aperture:	70-200mm 1:2.8
Lens Construction:	23 elements in 19 groups (1 Fluorite and 5 UD elements)
Diagonal Angle of View:	34° - 12°
Focus Adjustment:	Inner focusing system with USM. Full-time manual focus available
Closest Focusing Distance:	1.2m/3.94 ft. (maximum close-up magnification: 0.21x)
Filter Size:	77mm
Max. Diameter x Length, Weight:	3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g
Lens Cap, Lens Hood and Pouch:	Lens Hood ET-87


The Rentals Gear Dana Dolly Portable Camera System is a new and innovative dollysystem that glides effortlessly atop lengths of industry standard speed rail which can be mounted on combo stands offering a versatile and incredibly smooth solution for dolly shots that eliminates the need for conventional dolly track and shimming. With the Dana Dolly you can get awesomely smooth and controlled camera moves in any environment with little set-up time and a small footprint. It is perfect forshooting in remote locations or on sensitive flooring.


SKU: ~DANAKIT
FIRST DAY ?
$45.00

Replacement Value: $2,165.00 ? Qty:   Reserve
This Kit Includes

DANA DOLLY
(2) x DANA DOLLY / UNIVERSAL TRACK END
DANA DOLLY / 150MM ADAPTER
DANA DOLLY / 100MM ADAPTER
DANA DOLLY / 75MM ADAPTER
DANA DOLLY / CENTER SUPPORT
DANA DOLLY / CASE
(2) x MATTHEWS SLIDER STAND
DANA DOLLY / MONITOR MOUNT

Includes 6' speedrail

Sony PXW-FS7

Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial and corporate applications Sony's PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on-board XQD media cards in either DCI (4096 x 2160), UHD (3840 x 2160) at up to 60 FPS or HD at up to 180 FPS.

Cartoni Focus HD Head - 100mm Bowl

The Focus HD fluid head is the ideal support for the latest HDV cameras weighing from 0 to 12 kg (0 to 26 lbs).

Extremely compact and lightweight, the innovative Focus HD features a continuously variable fluid damping system on both pan and tilt movements and an unprecedented patented variable counterbalance which brings its range of use to cover all existing ENG and HDV cameras. 

The Focus HD head comes equipped with a quick release sliding camera plate, illuminated spirit level and telescopic pan bar. Its tilting range is +/- 90° with perfect response throughout the entire tilt range. It interfaces with all 100 mm bowl base tripods and supports. 

The extreme ruggedness and versatility together with an outstanding quality/price ratio make the Focus HD the best possible support for news operators and HDV videographers.



Miller Sprinter II 2-Stage legs with adjustable above-ground spreader

The Miller 1576 Sprinter II carbon fiber tripod is meant for run-and-gun ENG work where rapid setup and leveling are as important as rigidity and accuracy. The industry-standard 100mm levelling half-bowl accepts most fluid heads, and the carbon fiber legs are lighter than aluminum and absorb vibration.

General
Load Capacity	99 lb (45 kg)
Head Attachment Fitting	100mm
Maximum Height	60.2" (153.0 cm)
Maximum Height w/o Column Extended	Not Specified
Minimum Height	17.3" (44.0 cm)
Folded Length	27.8" (70.5 cm)
Weight	6.6 lb (3 kg)
Legs
Material	Carbon fiber legs
Leg Stages/Sections	2/3
Leg Lock Type	Sprint-Loks
Independent Leg Spread	Yes
Spiked/Retractable Feet	No
Center Brace	None

Overview
Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction and performance in professional zoom lenses. A standard focal length zoom lens, it features a large aperture throughout its focal length. Featuring the latest advances in optical lens design, it utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. Optimized lens coatings also help ensure exceptional color balance while minimizing ghosting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds. A ring-type USM and high-speed CPU with optimized AF algorithms enable silent and fast autofocusing. Built for the rigors of professional use as well as to meet the increased number of shots available with digital photography, it's constructed with improved dust sealing and water resistance while fluorine coatings on the front and rear lens surfaces help reduce soiling, smears and fingerprints. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.



Specifications
Main Unit Spec

Focal Length & Maximum Aperture	24-70mm, 1:2.8
Lens Construction	18 elements in 13 groups
Diagonal Angle of View	84° - 34°
Focus Adjustment	Inner-focusing with USM
Closest Focusing Distance	0.38m/1.25 ft.
Zoom System	Rotating Type
Filter Size	82mm
Max. Diameter x Length, Weight	3.5 x 4.4 in., 28.4 oz. / 88.5 x 113mm, 805g


Top cinematographers understand the advantages of high-end professional glass filters both for in-camera effects and practical exposure issues. Its about control and that’s why they also understand the benefits of effective light management and flare control that can only be done with a high-end mattebox system including flags and wings. OConnor has painstakingly come up with a solution to intuitively handle filters, and allow configuration freedom to meet just about any shooting situation.

Wide and Mini in one
The OConnor O-Box WM is a two-stage mattebox designed around the 16:9 format full-size sensor. A wide-angle system, it accommodates lenses up to 18mm (and in some cases wider).



Weight (incl. top flag bracket, LWS rod bracket)	1.54 lbs (0.7 kg)
Dimensions (HWD)	8.3 x 9.5 x 3.3 in. (210 x 242 x 84 mm)
Height, incl. bottom flag bracket	8.3 x 9.5 x 3.3 in. (211 x 242 x 84 mm)
Width, incl. side flag brackets	8.3 x 11.8 x 3.3 in. (210 x 300 x 84 mm)
Depth, incl. bellows ring	8.3 x 9.5 x 4.2 in. (210 x 242 x 106 mm)
Maximum lens diameter	Ø150 mm (Ø 5.9 in.)
Top or bottom flag dimensions (width at widest point)	6.5 x 13.3 in. (166 x 337 mm)
Filter frames (sets of 2) to hold square filters	4 x 4 in.
Filter frames (sets of 2) to hold rectangular filters	4 x 5.65 in.
Overall dimensions of filter frames (per frame)	6 x 5.7 in. (151 x 145 mm)
LWS rod bracket for standard camera rods	Ø15 mm (0.6 in.)

Simple but capable single channel remote focus system
Automatic end stop and torque calibration, plus manual calibration option
Full size 355 degree fluid drag focus knob, with conical or Preston rings available. Very high resolution sensor.
Remote camera run function, including Red Epic and Scarlet native support.  Also LANC control for Canon C300/500, Black Magic etc
Secure 2.4ghz transmission with 12 selectable channels, line of sight range, about 100M
Intelligent automatic unit pairing prevents a second unit on the same channel adversely effective the operation of the first unit.
Incredibly fast and responsive, with no visible latency.
Unparalleled motor speed and response when used with our HPM-1 Focus motor
User definable soft stops on the hand unit to limit the range of the lens
Hand unit runs on Canon LP-E6 lithium ion battery, about four shoot days can be expected from each charge.
Two way data flow between receiver and hand unit
Full digital 16bit transmission
Very simple and robust system with very compact receiver unit.
Electronics design undertaken by engineer with decades of camera motion control and control systems experience.
Included:
Hand unit (Battery not included)
Receiver unit (Receiver Mount not included)
HPM-1 Motor unit
Motor cable (60cm)
D-Tap or XLR power cable
Motor clamp (choose size 15 and 19mm)
Drive gear (0.8, 0.6, 0.5 available)
1x Conical or Preston style marking ring
 

PRODUCT HIGHLIGHTS

Modular Mic and Input System
Includes XY Microphone Module
Includes Mid-Side Microphone Module
Four XLR/TRS Inputs
Record up to 6 Simultaneous Channels
Record up to 24-bit/96kHz Audio
Doubles as USB Audio Interface
Uses SDXC Memory Cards
Optional Shotgun Mic and XLR/TRS Inputs
Optional Hot Shoe Mount




Main Features
Large full-color angled LCD display that allows visibility whether mounted on a camera or strapped over shoulder
XYH-6 X/Y capsule also provides a secondary input for connecting an external mic or line level signal via stereo 1/8" mini jack
Optional wired controllers for remote transport controls
Optional hairy windscreen offers improved wind diffusion
Built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections
Interchangeable input capsules that can be swapped out as easily as the lens of a camera
Six-track simultaneous recording
Four mic/line inputs with XLR/TRS combo connectors
Physical gain control knobs and -20dB pads for each input
Phantom power for all main inputs: +12/+24/+48V
Records directly to SD, SDHC and SDXC cards up to 128GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record, pre-record and backup-record functions
Multitrack to stereo internal mixdown
Independent monitor and playback mixes
Graphical VU meters
Voice memo and up to 99 marks per recording
Overdubbing, up to 99 takes
Built-in effects, including low-cut filtering, compression and limiting
Onboard MS decoding
Normalize, Divide and Trim editing
Chromatic tuner and metronome
Loop Playback with user-defined start and stop points
Variable playback speed, from 50% to 150%
Variable pitch per track without affecting playback speed
USB port for data exchange to and from computer
Multichannel and stereo USB audio interface for PC/Mac/iPad
Camera strap mounts
Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Accepts standard AA alkaline or NiMH rechargeable batteries
Over 20 hours of operation with 4 AA alkaline batteries

The "eclipse 500" utilizes today's most advanced wireless video transmission technology, which offers broadcast-class and uncompressed 3G SDI/HDMI HD video signal transmission with zero delay. The set includes one transmitter and one receiver, where the transmitter provides a 3G/H D SDI input and a HDMI input, the receiver provides a 3G/HD SDI output and a HDMI output.

Secced Reach 3 Plus Head (SC-V15/100RP fluid video head), Miller Sprinter II Legs with mid-level spreader

Marshall Electronics 7" 1920 x 1080  Monitor HDMI Input & Dual 3G-SDI Output Module

Very understanding and accommodates  to travel times and schedules. 



EF 70-200mm f2.8L IS II USM              

NIKON AF-S NIKKOR 18-55MM LENS 1:3.5-5.6G DX LENS with Vibration reduction. Compatible with Nikon DSLR cameras with APS-C sized sensors and a F-mount. 

NIKON AF-S NIKKOR 18-200MM 1:3.5 -5.6 G ED VR II DX LENS. Compatible with Nikon FX or DX-format DSLRs. The standard lens for wide-angle shots. Versatile long-range zoom lens for pictures at a distance. Vibration reduction allows for shots at shutter speeds up to 3.5 stops slower without image blur. Allows for sharp images and videos.  

NIKON D5200 F MOUNT CAMERA. Body Only. 24.1 MEGAPIXEL DX-format CMOS sensor. Articulated rear LCD. ISO range 100-6400, expanded 25600, continuous shooting at 5fps. Full HD 1920x1080 at 60i/50i. 39 points of AF. 

CANON EFS 55-250MM, F/4-5.6 IS STM TELEPHOTO ZOOM LENS. For distant photography. 3.5 equivalent stops for shake correction, Image stabilization. 

CANON EF 50MM LENS f 1:1.8 STM. Standard lens. For portrait photos or any close-ups, creates a background blur. Works with a compatible DSLR EF-mount camera. 

Beautiful clean lens. Absolutely love how my photos come out.￼￼ Canon EF-mount Sigma 18-35mm f/1.8 DC HSM Art Lens is a wide-angle to normal-length zoom that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 28.8-56mm. 


Great canon lens normal wear and tear on cosmetic but doesn’t affect the quality. Also comes with a Sony adapter for alpha users. 

The Tamron 24-70mm f/2.8 Di VC USD G2 lens is a high speed zoom lens for modern high pixel-density cameras. 5-stop image stabilisation, special lens coatings, and a new micro-processing ensure this lens delivers best-in-class optics which make it ideal for wide-angle landscape photography, as well as tighter portrait shots.

Brand New DJI Inspire 2 w X5S Cinema Quality Lens and Olympus 45mm lens, Cendence Remote (Slave remote also included) with Crystal Sky monitor, 4 drone batteries, 3 remote batteries, Cinessd card and reader, regular and high altitude blades, attachment handles for walking with drone. All Chargers included for batteries. This setup allows one person to fly the drone and another to operate the camera. 
The Inspire 2 takes everything that was good about the Inspire 1 and improves it. The image processing system CineCore2.0 has been upgraded to CineCore2.1,
recording video at up to 5K in CinemaDNG/RAW and 5.2K in Apple ProRes when used with Zenmuse X5S camera. It goes from 0 to 50 mph (80 kph) in just 5 seconds and
hits a maximum speed of 58 mph (94 kph) and has a max descent speed of 9m/s for unheard of speed and agility in an aircraft this size. A dual battery system
prolongs the flight time to a maximum of 27 minutes (with an X4S), while self-heating technology allows it to fly even in low temperatures.
FlightAutonomy has been revised and developed specifically for the Inspire 2, providing two directions of obstacle avoidance and sensor redundancy.
Increased intelligence adds multiple intelligent flight modes, including Spotlight Pro, giving even single pilots the ability to create complex, dramatic shots.
An upgraded video transmission system is now capable of dual signal frequency and dual channel, streaming video from an onboard FPV
camera and the main camera simultaneously, for better pilot and camera operator collaboration.

Better zooming, better focusing, more fun, more pics

condition: excellent 
make / manufacturer: Tamron for canon 
model name / number: Tamron SP 24 - 70 f 2.8 usd

A mount



50mm Samyang/Rokinon Cine (geared) lens with EF mount and de-clicked Iris.

100mm Macro Samyang/Rokinon Cine (geared) lens with EF mount and de-clicked Iris. T3.1

 Canon EF 24-105mm f/4L IS USM                             

 Canon EF 50mm f/1.2L USM 
Includes (2)
    Lens hood
    Protective case


Nikon’s most powerful all-in-one zoom lens ever. If you want a single lens that can cover every imaginable shooting situation, from wide-angle group shots all the way to ultra-high-power zoom shots, look no further than the new AF-S DX Zoom-NIKKOR 18–300mm. Boasting the longest reach of any NIKKOR all-in-one zoom lens, it delivers the equivalent of 450mm of super-telephoto power— enough reach to bring the most distant action up close. Nikon’s second generation Vibration Reduction (VR II) image stabilization ensures every photo and HD video is razor-sharp, and Nikon’s advanced lens technologies deliver consistent, exceptional performance in any setting. It’s even great for close-up shooting (as close as 1.48 ft from your subject at 300mm). Even more amazing, the AF-S DX Zoom-NIKKOR 18-300mm does all this in a surprisingly compact, lightweight lens.

Versatile, Ultra-High Power 16.7X Zoom Lens
Focal Length Range : 18 -300 mm, Minimum Focus Distance : 1.48 ft.( 0.45 m) Only at 300mm zoom setting
LC-77 front lens cap, LF-4 Rear lens cap, HB-58 Hood / Product packaging : White plain box"
3 Extra-low Dispersion (ED) Elements, 3 Aspherical Elements
Silent Wave Motor (SWM), 77mm Filter Thread,Format Compatibility Nikon DX. Lens construction:19 elements in 14 groups (including 3 aspherical lens elements and 3 ED lens elements)

The zoom power of the COOLPIX P900 is nothing short of spectacular. This is 83x (2000mm equivalent)  optical zoom—more than any Nikon COOLPIX yet. Advanced shooters will appreciate the outstanding image quality and DSLR styling.

Canon 16-35mm 2.8 with lens hood. Great wide angle lens.

This compact 50mm standard macro lens offers superior focus for an extraordinary range, from infinity to life size, and can also be used a standard lens. With good descriptive performance for high-contrast, high-resolution imaging, and a circular aperture for a beautiful, defocused effect, the SAL50M28 lens from Sony brings the moment to life. Its built-in

Canon 70D:
1)18-135mm lens
2) 75-300mm lens
3) two batteries and one charger and cleaning kit

18-55mm Nikon Lens - Basic Lens / Great for standard photography

60mm NIKKOR Micro Lens - great for portraits

55-300mm lens for Nikon Camera - Super zoom

Sony a700 DSLR Camera with Prime Lens and Portrait Grip. Battery and wall charger also included.

Camera, lens, and grip all in good working order. This device takes fantastic photographs and is perfect for portraits.

Full specs here: https://www.dpreview.com/products/sony/slrs/sony_dslra700/specifications

I am renting a Rebel T5i camera body as well as a 24 mm, 50 mm and 85 mm! Choose one (or two) for the rental! The camera aorks GREAT and the lenses are new. 

1x Lens
1x Front Cap
1x Back Cap
1x Carrying Case

A long-reaching telephoto zoom characterized by a sophisticated optical design and advanced image stabilization technologies, the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is part of the esteemed L-series developed for full-frame EOS DSLRs. One fluorite element and one Super UD element have been incorporated into the lens' construction, and both help to reduce aberrations and distortions throughout the zoom range in order to deliver notable clarity, image sharpness, and faithful color reproduction. An Air Sphere Coating has also been applied to lens elements in order to reduce lens flare and ghosting for more contrast-rich imagery. Benefitting the optical components of the lens, a four-stop effective Image Stabilizer helps to minimize the appearance of camera shake and can be dedicated to different styles of shooting. Furthermore, a redeveloped rotation-type zoom ring pairs with an internal focusing mechanism, and an Ultrasonic Motor, to deliver quick and intuitive handling to benefit handheld shooting. Positioned as a versatile option for sports and wildlife photographers, this lens' list of attributes make it a viable telephoto zoom for a variety of shooting applications.

Housed within a weather-resistant barrel, this lens also features fluorine coatings on the front and rear elements for protection against fingerprints and smudges from affecting image quality. Zoom control is complemented by a dedicated tension ring for adjusting zoom torque. Additionally, other refined design elements include a tripod collar that ca

Canon 24-105mm f/4 

With image stabilization

Leica-R Summicron 50mm f/2

Great Leica lens from the 80s
SN: 3442032

Stopless aperture, affixed follow focus ring, 55-77mm step up ring.


Tamron 70-300mm f/4.0-5.6 Di LD Macro Zoom Lens

great lens! EF Mount. Macro mode allows you to focus in on tiny objects from far away where other lenses wouldn't be able to focus that far

Canon 24-70 2.8. Excellent standard to have in any DSLR shoot.

EF 70-200mm f2.8L IS II USM

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EF 70-200mm f2.8L IS II USM

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