Owned by Floating Harbour B
within a few hours
93% response rate
Central 170.8 km
Fat Llama covers damages up to £25,000 per item
OVERVIEW The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording. For the first time, your on-set production monitors can be HDR capable and have recording capacity. The Sumo is not only for high quality shot preview, it can record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19in 1200nit 10-bit HDR screen. Take Sumo into the studio to use as an HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see colour accurate HDR in 10-bit quality with 10 stops of dynamic range. As of April 2018 the SUMO supports PRORES RAW. TECH SPECS Weight Without batteries, media & stand 5.6kg / 12.3lb With stand 6.2kg / 13.7lb Dimensions (W x H x D mm) 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) Construction Aluminium alloy chassis with built in armor protection Mounting Points 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear Power Operating power 75W Compatible batteries V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) Input voltage (battery) 14.4V nominal Battery time (based on 7.4V) Depends on Watt Hours speci cation of battery used DC In 1 x DC in (6.2 - 16.8V) Continuous power Primary-secondary battery system. * Patent pending Change batteries without losing power Loop batteries continuously Touchscreen Size 19” Resolution 1920 x 1200 PPI 120 Aspect ratio 16:9 native Colour Gamut REC709 HDTV Look up table (LUT) support 3D LUT (.cube format) Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit HDR AtomHDR Yes Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut Bit depth 10-bit (8+2 FRC) Brightness 1200nit (+/- 10%) HDR input (PQ/HLG) Yes / Yes HDR output (PQ/HLG) Yes / Yes Video Input/Loop Out HDMI 1 x HDMI (2.0) SDI Quad link 4 x 3G SDI* or up to 12G single link SDI Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent) Video Output (Play Out) HDMI 1 x HDMI (2.0) SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent) Supported Loop Out Formats HDMI to HDMI 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 SDI to SDI 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 Video Signal Conversion HDMI to SDI 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 SDI to HDMI 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 Supported Codecs & Frame Rates (Record & Playback) Raw Record Sony FS5/FS7^^/FS700 CDNG 4K DCI; 24/25/30p 4K UHD; 2K; 24/25/30/50/60/100/120p 1080; Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Panasonic VaricamLT / Varicam35* CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Arri Alexa Mini .ARI* 2880x1620; 24/25/30/50/60p 2880x2160; 24/25/30/50/60p Raw to ProRes / DNxHR Sony FS5/FS7/FS700 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200/240p 1080; Canon C300MKII/C500 ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; Panasonic VaricamLT / Varicam35* ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50*/60p* 4K UHD; 24/25/30/50*/60p* 2K; not supported in camera 1080; not supported in camera Video to ProRes / DNxHR Codecs (DNx utilizes a .MOV wrapper) Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; N/A 1080p; 24/25/30/50/60/100^/120^/200/240p 1080i; 50/60i 720p; 50/60p Onboard Processing Pulldown removal 24/25/30pSF 24/25/30p (2:2 pulldown) 60i 24p (3:2 pulldown) 4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW) Audio In/Out (48kHz PCM Audio) HDMI 2 or 8ch 24-bit, camera dependent SDI 12ch 48kHz 24-bit Audio 2ch balanced XLR analogue in/out (direct XLR connection) Dynamic range 90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic Headphone Out 3.5mm Built-in Speakers Yes Remote Start/Stop HDMI Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard SDI SDI trigger camera selectable Other LANC control - Slave Playback Playlist / Genlock / LTC Yes / Yes / Yes CDNG (Recorded content) No support ProRes (Recorded content) All recorded files can playback. Playback in slow motion = 100fps DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion = 100fps Recording Pre-roll record Yes (HD 8s, 4K 2s) Custom timelapse Yes Meta data tagging Yes (10 tags available) Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm Master caddy dock 2.5” SATA to USB 2.0/3.0 Supported applications Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools INCLUDES 1x Atomos Sumo 4K Monitor & Recorder 1x Master Caddy II 1x AC Power Supply
Fat Llama covers damages up to £25,000 per item
In case of cancellation 2 days before the rental period, 100% of the rental amount is refunded. If canceled one day before the rental period, 50% of the rental amount is refunded. If you cancel the same day the rental period starts, no refund is made.