Electronics is one of our largest categories where you can find everything from drones to two-way radios available for rent.

Electronics

You can rent everything related to sound: cheap, close, and easy. Here you will find everything from microphones and speakers to DJ equipment and musical instruments.

Sound

Fulfill your computer needs by renting instead of buying.

Computers & Accessories

You can rent a wide range of home and garden equipment: cheap, close, and easy. Here you will find everything from various garden machines and tools to everything related to your home, such as moving equipment, furniture, and cleaning supplies.

Home & Garden

You can rent photography equipment: cheap, close, and easy. Here you will find everything from DSLR cameras and lenses from various brands to photo backdrops, tripods, and lighting. Rent everything you need to bring your creative photography ideas to life.

Film & Photography

You can rent a wide range of sports and recreational equipment: cheap, close, and easy. Here you will find everything from outdoor gear and water sports equipment to cycling gear, musical instruments, and hobby items.

Sports & Leisure

Save money by renting Electronics from people near you in Northolt.

Rent Electronics from owners in Northolt and save up to 90% compared to buying | No Deposits | Fast & Convenient Supply

Northolt Electronics Hire | Fat Llama

Available to rent is my lovely Sennheiser G3 Wireless Mic System. This will come with a lavalier mic included and 4 AA batteries to operate it.Also included will be a 3.5mm jack to XLR in case you would like to connect an XLR mic to it. This is not a recorder and will need to be hooked up either to a camera or a recorder. It will come as a receiver and a transmitter which can be read on the backside. They are already hooked up together. All you need to do is connect one to a microphone and the other to the recording device and they will be ready to go.

I also have a list of other equipment available for rent such as:
Cameras:
Sony a9
Sony a7siii
GoPro Hero 11
DJI Mini 3 Pro
DJI FPV Combo

Lenses:
Sigma 14-24mm f2.8
Sigma 24-70mm f2.8
Tamron 70-180mm f2.8
Sony 50mm f1.8

Sound:
Zoom F3
Rode NTG4+

Extras:
Zhiyun Crane 2
DJI Ronin RS3
Manfrotto Video Tripod
Multicolour LED Light bar 
3 LED Multicolour Video lights
GoPro Suction Mount
DSLR Suction Mount

All equipment to be collected from my office in Northolt. Hours are flexible. I look forward to hearing from you :)

Brand new Neumann TLM 103 sounds warm silky + buttery, I can supply a 1.5m XLR if you wish.

Available with 3 games. Grand Theft Auto 5, Grand Turismo Sport and Fifa 18

Video games

Game Consoles

Playstation

Playstation 1

 40 inch Panasonic viera tv fully working 

Projector & TV

Rent my PlayStation 4 for whatever occasion to make it extra special. Message me for more details about the item.

Playstation 4

Rent my PlayStation 4 with black ops 4 for whatever occasion to make it extra special. Message me for more details about the item.

Rent my White PS4 and fully functional for whatever occasion to make it extra special. Message me for more details about the item.


I can arrange this unit to be delivered as long as we arrange a halfway point for us both.
Alternatively, you can pick it up from my place, whichever is easier for you, I'm very flexible.

Presonus Faderport 8, ideal to use with Pro Tools, Logic, Ableton, Cubase, etc.
Get in touch for longer period deals.

Features
8 touch-sensitive, 100 mm long-throw, motorized faders
8 high-definition Scribble Strip displays
Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop
Drop Marker, Next/Prev Marker, Next / Prev Event
General session controls: Undo/Redo, Arm All, Solo/Mute Clear, Track Management, Click On/Off with tap tempo
Session Navigator provides quick control over track scrolling, channel banking, timeline scrolling, and much more
Channel Controls: Level, Pan, Solo, Mute, Rec Arm
Automation Controls: Touch, Latch, Trim, Write, Read, Off
Optional Fader functionality: plug-in edit, bus sends, pan
macOS® / Windows® compatible with native Studio One® support and HUI and Mackie Control Universal emulation*
Footswitch input for hands-free start/stop
USB 2.0 connectivity

HIRE IS BASED ON DAILY PRICE, WEEKLY PRICE (CHARGING 5 DAYS PER WEEK) AND MONTHLY PRICE (CHARGING ONLY 3 WEEKS) 
I can arrange this unit to be delivered as long as we arrange a halfway point for us both.
Alternatively, you can pick it up from my place, whichever is easier for you, I'm very flexible.

Here it is a Focusrite Clarett 4Pre, completely new, less than 2 hours of use.
Comes with the Thunderbolt 2 cable so you won't have to worry about outsourcing it.
Get in touch for longer period deals.
Below is a description of the website.

"Four New Clarett Mic Pres with extra ‘Air’
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special “Air” feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.
Better. Faster. Easier.
Excellent sound is the quality Clarett owners love most. With up to 119dB of dynamic range, superbly low noise, precision 24/192 conversion and four specially-designed mic preamps with a unique analogue “Air” effect, Clarett 4Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.67ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time."


I can arrange for this unit to be delivered as long as we arrange a halfway point for us both.
Alternatively, you can pick it up from my place, whichever is easier for you, I'm very flexible.
Native Instruments Traktor Z2, as new.
Excellent for controlling Traktor Pro but also work alone, it is a hybrid mixer.
Will included vinyl controllers if required.
Comes with DeckSaver top cover and UDG Ultimate Digi Trolley for carrying it.
Get in touch for longer period deals. 

I can arrange for this unit to be delivered as long as we arrange a halfway point for us both.
Alternatively, you can pick it up from my place, whichever is easier for you, I'm very flexible.
A pair of Technics SL1200/10 MK2, needs no introduction, industry-standard, slipmats and Stanton Groovemaster II, constantly serviced for top performance.
Get in touch for longer period deals.

Technics SL1200 MK2 needs no introduction, industry-standard, slipmats and Stanton Groovemaster II, regularly serviced for top performance.

Industry standards: Technics SL-1200


Dimensions MK1: 45.3 cm (w) x 36.6 cm (d) x 18 cm (h)
Dimensions MK2: 45.3 cm (w) x 36 cm (d) x 16.2 cm (h)
Weight: 11 kg (net, unboxed without lid)
Voltage: 220 V / 110 V (selectable)
Pitch Control: +/- 8%
Starting Time (MK2): 0.7s
Rotation Speeds: 33-1/3 & 45 rpm

SL-1200 features include:

Magnetic (no wear), direct drive (low slip) mechanism.
High torque (1.5 kgf·cm or 0.15 N·m), which means the platter spins at the desired speed almost immediately (0.7 seconds to reach 33 ¹⁄₃ RPM from standstill), and rapidly reacquires the desired speed, without "overshooting", if the platter is dragged or nudged—this aids beatmatching.
Low wow and flutter (0.01%), implying that the platter stays within 1/100 of 1% of the desired speed.
Heavy base (2.5 kg), and increased isolation of platter from base, reduced the likelihood of feedback or stylus jumping.
Variable pitch control, allowing the rotational speed to be adjusted from -8% to +8% (for the purpose of beatmatching).
High reliability: many examples of SL-1200s lasting well over 15 years of heavy use and withstanding physical shock without functional impairment.
S-shaped tonearm: No longer popular on high end hi-fi turntables.


"DJs all over the world know the 1210," says Christian Hoffmann, the head sound tech at Tresor in Berlin. "Most of them know how to handle them. They know how they react. They don't want to try new turntables they don't know, even if there is no big difference between them." Their continual ubiquity is, in a sense, the result of their continual ubiquity. 

DJs make much of the 1200's tough-to-replicate tactility, but anyone who's owned a pair and really put them to work can attest to their near-indestructibility. Stories abound of the early days of hip-hop in the Bronx, where DJs would throw their decks in car trunks and plunk them down in whatever courtyard or gymnasium was home to the party that day. They can be covered in gashes, dents and cigarette burns and play just as well as one right out of the box. "I've heard of them getting run over by cars and still holding up," says Justin Carter of Brooklyn's Mister Saturday Night party, whose mobile Soundsystem still uses half of his first pair, procured as an undergraduate at NYU from a scratch DJ in the South Bronx. "We have only ever had to get rid of one turntable. I can't remember what the specific problem with it was, but we were able to use it for parts, so it was still useful." 

The machines aren't flawless, but their less durable bits—an easily broken grounding wire and RCA cables, pitch adjustment sliders in need of recalibration, connections in the tonearm that grow famously testy as they oxidize—are known quantities to sound technicians and come with their own unconventional fixes. (As a college radio DJ many years back, I was shown a workaround for the latter problem during a mandatory equipment training session: stick the eraser-end of a pencil inside the tonearm, apply pressure and give the pencil a few turns. The more common solution—licking the connections on the back of the headshell—would only worsen the problem over time and wouldn't be tolerated.) Some regular tonearm and tracking force calibration, and the occasional new set of cartridges, is basically all the TLC most 1200s will ever require. 

As of 2010, citing poor sales and dwindling parts suppliers, Panasonic discontinued the Technics 1200, meaning our fetishization of the deck will likely only increase. One wonders if their epic lifespans are eventually what did them in—if very little about a product ever changes, and if the pair you bought ten years ago (off a DJ who had been using the pair for ten years before that) still works like new, why would you ever buy a new set? For the time being, nearly new decks are still common on Craiglist and eBay. (I recently bought a pair of well-functioning 1210 MK5s out of a basement in Berlin—and paid more than double what a box-fresh pair cost me in 2006.) But it seems obvious that one day these workhorses will cease to bounce back so effortlessly, that decades of spilled drinks and tumbles downstairs will take a toll. Daydreamers of a certain sort might revel in the thought of a few more fresh ones magically appearing on the shelves. Eamon Harkin, the other half of Mister Saturday Night, who I'd guess fits that bill, came late to the conversation Carter and I was having about the decks. "The piece sounds interesting," he said after getting up to speed. "Hopefully it'll inspire someone to start manufacturing Technics again." 





"Industry standards: Technics SL-1200


In the first of a new six-part series, RA's Jordan Rothlein looks at why a gimmick-free turntable from the '70s became the most important piece of DJ gear in history.

There's some gear DJs expect to see in every club they walk into. Our new series Industry Standards will look at the history, technology and personalities behind these classics of the craft. Once a month for the next six months, we'll grab one item out of the booth, scratch through the front panel and see what we find. Along the way, we'll introduce you to the folks who made them, and pick the brains of those who use them week in and week out. 

What we'd tackle in our first edition was a no-brainer. You'd be hard-pressed to find a more ubiquitous presence in the DJ world than the Technics SL-1200 MK2, the deck that started it all. 





Technics 1210 turntable


In 1979, the Japanese electronics giant Matsushita introduced an updated version of its Technics SL-1200 turntable. Since no official history was ever written, and Matsushita, better known these days as Panasonic, never made much of a fuss about its designers, we know very little about what went into this redesign. But the updates, however modest, made for critical improvements. The pitch adjustment, formerly controlled by two skinny rotary knobs below the platter, were bundled into a single slider next to the tonearm. A start/stop button now set the platter spinning without turning the unit on or off. There were also more subtle changes, like better dampening and a quartz-lock on the motor control circuit for more consistent speed (a weak point in the original model). The MK2 now came in two colors—matte black in addition to the familiar ashy silver—but otherwise looked even less fancy than the down-to-business original. Tweaks aside, Matsushita wasn't striving for anything more than the humble, middle-of-the-range hi-fi equipment they'd been marketing for much of the decade. 

The Technics SL-1200 MK2 is unquestionably not the best turntable ever made. For great audio quality, you'll want a belt-driven audiophile deck. As for the height of direct-drive turntable design, it's safe to say the legendary EMT 950 will never be surpassed. And in terms of what you get for your money, it's not even best at its own tabletop mixing game. (A comparable Stanton deck gives you three playback speeds to the 1200's two, a line-level output and variable pitch control ranges for about half the price.) 

But the decks known simply as 1200s—or 1210s, if you hail from a part of the world where the black model was more ubiquitous—went on to become something much more than turntables. Hook two of them up to a mixer, and you give synthesizers a run for their money as the key instrument of the 20th century. Developments in the digital world would of course make Silly Putty of sound, but the 1200s did much to unfix recorded music, opening vinyl up to whatever sort of wobbles, slow-downs and speed-ups dexterous hands could elicit from the platter. Hip-hop might not have happened without a record player that could be so thoroughly mangled and manipulated. And the dance floor experience as we know it, where the beat pounds away more or less uninterrupted for the entire night, would likely have taken a very different form. 

Most critically, the 1200 was direct-drive, one of the hallmarks of the Technics brand for years prior. Most turntables employed belt-drive systems, which operate as the name indicates: the motor attaches to a belt, and that turns the platter. This means the motor can live far from the platter, which diminishes the amount of vibration that makes it into playback, and the belt itself helps with absorption. Audiophiles thus have a comparatively low opinion of direct-drive systems, where the motor operates directly to the platter and can more adversely affect the sound. But direct-drive's quick starts and stops made it the preference for broadcast DJs. And as more adventurous hands would discover, you could do some serious fooling-around with the platter without breaking the motor or something as flimsy as a turntable belt. 



Mister Saturday Night's Justin Carter & Eamon Harkin.


The MK2s, with their quartz-enhanced timing, proved especially good at this. You could run your finger along the platter to slow it down, and when you lifted it off, the platter would return almost instantaneously to its steady original speed without overshooting or otherwise wobbling back into place. You could do this for hours every day, and it wouldn't have any damaging effect on your deck. As anyone old enough to have gotten a scolding when trying to pull similar moves move on your parents' hi-fi can attest, this was no small innovation, and one that could seriously change your relationship with playing music. 

Beyond a direct-drive platter, the 1200s really don't offer much in the way of features. They play records within plus-or-minus eight percent of 33 or 45 RPM, and that's it. The only obvious addition in models subsequent to the MK2 was a pitch reset button, but in eliminating the need for the "click" at the center of the pitch adjustment slider, this felt almost subtractive. 1200s, then, are as feature-rich as you make them. Learning the toolkit of vinyl mixing (cueing, scratching, beatmatching) very often means learning 1200s. There's a subtlety to how we play turntables, with little flicks of the wrist and precision nudges of the platter worked into our muscle memory. Unlike digital gear, which can "learn" these things and reproduce them at will, record players require some of the nuance—we might call it musicianship—that a guitarist or violinist brings to their instrument. 

Technics Gold
Though much of its charm is how little its design has changed since the '70s, the 1200 has been tweaked through the years. Here's what you'll find floating around. 

1972: SL-1200 
The precursor to the legend, with a direct-drive platter and rotary pitch adjustment knobs. 

1979: SL-1200/1210 MK2 
Quartz-enhanced timing and a pitch adjustment slider defined the deck we know and love today. 

1997: SL-1200/1210 M3D 
A reset button replaces the "click" in the pitch adjustment slider. And in a nod to DJs, Technics scraps the dust cover hinges. 

2002: SL-1200/1210 MK5 
The tonearm gets some some slight tweaks, and the target light goes LED. A 30th-anniversary edition, numbered 1210 M5G, sports a shiny black finish, digital pitch adjustment and a few other high-end touches. 

2008: SL-1200 MK6 
As advanced as they'd get, with better wiring, pitch control, damping and LEDs. 

The Gold Ones 
The usual models too subtle for your taste? Hunt down the limited-edition decks Technics released in 1997 and 2004, where all the metal parts came plated in 24-karat gold.
Anyone who's had to switch over to a different brand for the night has no doubt been thrown off by such seemingly trivial differences as the texture of the platter or resistance of the pitch adjustment. In an age where DJs might play four gigs a weekend in as many countries, Technics decks are likely the most critical consistency in the booth for anyone who plays vinyl, or maintains the feel with a digital vinyl emulator like Serato Scratch Live or Traktor Scratch. 

"DJs all over the world know the 1210," says Christian Hoffmann, the head sound tech at Tresor in Berlin. "Most of them know how to handle them. They know how they react. They don't want to try new turntables they don't know, even if there is no big difference between them." Their continual ubiquity is, in a sense, the result of their continual ubiquity. 

DJs make much of the 1200's tough-to-replicate tactility, but anyone who's owned a pair and really put them to work can attest to their near-indestructibility. Stories abound of the early days of hip-hop in the Bronx, where DJs would throw their decks in car trunks and plunk them down in whatever courtyard or gymnasium was home to the party that day. They can be covered in gashes, dents and cigarette burns and play just as well as one right out of the box. "I've heard of them getting run over by cars and still holding up," says Justin Carter of Brooklyn's Mister Saturday Night party, whose mobile soundsystem still uses half of his first pair, procured as an undergraduate at NYU from a scratch DJ in the South Bronx. "We have only ever had to get rid of one turntable. I can't remember what the specific problem with it was, but we were able to use it for parts, so it was still useful." 

The machines aren't flawless, but their less durable bits—an easily broken grounding wire and RCA cables, pitch adjustment sliders in need of recalibration, connections in the tonearm that grow famously testy as they oxydize—are known quantities to sound technicians and come with their own unconventional fixes. (As a college radio DJ many years back, I was shown a workaround for the latter problem during a mandatory equipment training session: stick the eraser-end of a pencil inside the tonearm, apply pressure and give the pencil a few turns. The more common solution—licking the connections on the back of the headshell—would only worsen the problem over time and wouldn't be tolerated.) Some regular tonearm and tracking force calibration, and the occasional new set of cartridges, is basically all the TLC most 1200s will ever require. 

As of 2010, citing poor sales and dwindling parts suppliers, Panasonic discontinued the Technics 1200, meaning our fetishization of the deck will likely only increase. One wonders if their epic lifespans are eventually what did them in—if very little about a product ever changes, and if the pair you bought ten years ago (off a DJ who had been using the pair for ten years before that) still works like new, why would you ever buy a new set? For the time being, nearly new decks are still common on Craiglist and eBay. (I recently bought a pair of well-functioning 1210 MK5s out of a basement in Berlin—and paid more than double what a box-fresh pair cost me in 2006.) But it seems obvious that one day these workhorses will cease to bounce back so effortlessly, that decades of spilled drinks and tumbles down stairs will take a toll. Daydreamers of a certain sort might revel in the thought of a few more fresh ones magically appearing on the shelves. Eamon Harkin, the other half of Mister Saturday Night, who I'd guess fits that bill, came late to the conversation Carter and I were having about the decks. "The piece sounds interesting," he said after getting up to speed. "Hopefully it'll inspire someone to start manufacturing Technics again." 




Pro-Ject VC-E Record Cleaning Machine. 

It can clean your precious vinyl, removing as much grime as possible from their grooves.  
Let's arrange a demo and try it for yourself, or let us doing it for you, we are vinyl lovers at heart and know how to take good care of those little gems!

The daily hire includes:

1- Pro-Ject VC-E machine
1- 100ml bottle to a ratio of 1:10 with Pro-Ject "Wash It" and De-Ionised water, enough to clean about 25 vinyl. (Please get in contact if you need more liquid, £20 for extra 100ml bottle)
1- Pro-Ject brush

We can also clean them for you; please get in contact for more details.

The unit can be arranged to be delivered as long as we arrange the halfway point for us both. Alternatively, you can pick it up from my place, whichever is more comfortable for you; I'm very flexible. 

Available to rent is my lovely Rode NTG 4+ microphone which features digital controls, rechargeable lithium battery and improved sound quality. It is positioned in between the classic but inexpensive NTG2 and professional NTG3. The usage is a total breeze, and believe it or not, it won’t leave you indifferent. Whether you are a professional or just a beginner, NTG4+ has all you need to accomplish most of your videography tasks …with a solid A!

I also have a list of other equipment available for rent such as:
Cameras:
Sony a9
Sony a7siii
GoPro Hero 11
DJI Mini 3 Pro
DJI FPV Combo

Lenses:
Sigma 14-24mm f2.8
Sigma 24-70mm f2.8
Tamron 70-180mm f2.8
Sony 50mm f1.8

Sound:
Zoom F3
Sennheiser G3 Wireless Mic

Extras:
Zhiyun Crane 2
DJI Ronin RS3
Manfrotto Video Tripod
Multicolour LED Light bar 
3 LED Multicolour Video lights
GoPro Suction Mount
DSLR Suction Mount

All equipment to be collected from my office in Northolt. Hours are flexible. I look forward to hearing from you :)

Available to rent is my lovely Zoom F3 Field Recorder (32-bit float). This recorder has INSANE capabilities and it is super tiny and versatile. This is by far the best audio recorder I've ever used due to its size + functionality.

The way 32-bit float works is that you can record at almost any level and bring up/down the volume in post production without losing quality and/or gaining any unwanted noise in the background. It's almost like you can record and just leave it there without worrying about adjusting the input volume live, which is amazing in my case as a one man band.

I also have a list of other equipment available for rent such as:
Cameras:
Sony a9
Sony a7siii
GoPro Hero 11
DJI Mini 3 Pro
DJI FPV Combo

Lenses:
Sigma 14-24mm f2.8
Sigma 24-70mm f2.8
Tamron 70-180mm f2.8
Sony 50mm f1.8

Sound:
Zoom F3
Rode NTG 4+
Sennheiser G3 Wireless Mic

Extras:
Zhiyun Crane 2
DJI Ronin RS3
Manfrotto Video Tripod
Multicolour LED Light bar 
3 LED Multicolour Video lights
GoPro Suction Mount
DSLR Suction Mount

All equipment to be collected from my office in Northolt. Hours are flexible. I look forward to hearing from you :)

Here for rent is my DJI Mini 3 Pro drone which is a super lightweight (249g) and that means you DO NOT need a license to fly this drone anywhere. Most areas that require permission to fly, do not require this drone to have prior permission (double check before flying it anywhere regardless). This drone fits in any jacket pocket and has an impressive flight time of 34 minutes. It has plenty of flying time with the extra battery for you to film an entire shoot. To top it all off, this drone is capable of TRUE VERTICAL mode for all you Instagram/TikTok vertical shot needs so you do not lose quality later in editing trying to crop from a landscape shot.

What's included: 

- DJI Mini 3 Pro
- DJI RC Remote (Built-in Screen)
- 4 drone batteries
- 3 Battery Charging Dock
- Extra Propellors
- Carry Case
- 256GB Micro SD Card

Also available for rent are some other items I have such as:
Cameras:
Sony a9
Sony a7siii
GoPro Hero 11
DJI FPV Combo

Lenses:
Sigma 14-24mm f2.8
Sigma 24-70mm f2.8
Sony 50mm f1.8
Tamron 70-180mm f2.8

Sound:
Zoom F3
Rode NTG 4+
Sennheiser G3 Wireless Mic

Extras:
Zhiyun Crane 2
DJI Ronin RS3
Manfrotto Video Tripod
Multicolour LED Light bar 
3 LED Multicolour Video lights
GoPro Suction Mount
DSLR Suction Mount

Can also come to your shoot and film for you if you are unfamiliar with flying drones but need someone to fly one for you. That will come at a separate rate of course. 

KRK Rokit RP5 G4 (Pair) With Stands & Cables

Included:
* KRK Rokit RP5 G4 (Pair) Professional Studio Monitors
* KRK Speaker Stands (Pair)
* TRS 6.3mm Balanced Audio Jack Cables

Collection only.

Also available for separate rent:
* Pioneer DDJ 1000 4 Channel Controller
* Pioneer DDJ 400 2 Channel Controller
* Focusrite Scarlett Solo (3rd Gen)
* Fog & Light Machine

Focusrite Scarlett Solo (3rd Gen)

Included:
* 2 Channel USB2.0 Audio Interface with USB-C Connection

Collection only.

Also available for separate rent:
* Pioneer DDJ 1000 4 Channel Controller
* Pioneer DDJ 400 2 Channel Controller 
* KRK Rokit RP5 G4 (Pair) With Stands & Cables
* Fog & Light Machine

Pioneer DDJ 1000 4 Channel Controller

Included:
* 4 channel professional controller.
* Carry case for controller.
* USB connection wire for laptop (USB B to USB)
* Pioneer Headphones 
* Stand For Laptop
* RCA to 3.5mm AUX (allows for connection to any speaker with AUX output)

*6.35mm Audio Jack Cables Available For Additional Fee

Collection only.

Also available for separate rent:
* Pioneer DDJ 400 2 Channel Controller 
* KRK Rokit RP5 G4 (Pair) With Stands & Cables
* Focusrite Scarlett Solo (3rd Gen)
* Fog & Light Machine

Pioneer DDJ 400 2 Channel Controller 

Included:
* Portable light-weight 2 channel controller.
* Carry case for controller
* USB connection wire for laptop
* Pioneer Headphones

Collection only.

Also available for separate rent:
* Pioneer DDJ 1000 4 Channel Controller 
* KRK Rokit RP5 G4 (Pair) With Stands & Cables
* Focusrite Scarlett Solo (3rd Gen)
* Fog & Light Machine
*Audio Cables

Here for rent is my DJI FPV drone which is an INCREDIBLE drone for normal flyers and also for those unreal FPV style shots! You will not regret renting this drone! 

What's included: 

- DJI FPV Drone
- DJI Goggles V2
- DJI Remote Control
- 3 drone batteries + 1 goggles battery
- Backpack to carry the drone
- Extra Propellors
- Lens ND filters

Also available for rent are some other items I have such as:
Cameras:
Sony a9
Sony a7siii
GoPro Hero 11
DJI Mini 3 Pro

Lenses:
Sigma 14-24mm f2.8
Sigma 24-70mm f2.8
Sony 50mm f1.8
Tamron 70-180mm f2.8

Sound:
Zoom F3
Rode NTG 4+
Sennheiser G3 Wireless Mic

Extras:
Zhiyun Crane 2
DJI Ronin RS3
Manfrotto Video Tripod
Multicolour LED Light bar 
3 LED Multicolour Video lights
GoPro Suction Mount
DSLR Suction Mount

Can also come to your shoot and film for you if you are unfamiliar with flying drones but need someone to fly one for you. That will come at a separate rate of course. 

DJI Mini 3 Pro (DJI RC) – Lightweight and Foldable Camera Drone with 4K/60fps Video & Mini 3 Pro Fly More Kit, Includes two Intelligent Flight Batteries, a Two-Way Charging Hub, Data Cable


NO DRONE, NO DRONE, NO DRONE

I HAVE DROP MY DRONE IN SEA SO ALL I HAVE IS PARTS WHICH ARE FULLY BRAND NEW WORKING CONDITION!

1x Drone Carry Case                                  
2x Batteries Fully Charge                                            1x Micro USB CABLE 
1x Type-C RC USB CABLE 
1x Micro RC USB CABLE 
1x Apple RC USB  CABLE 
1x RC Remote Controller Fully charged 
1x Intelligent Flight Battery Pack
1x 5.8GHZ Antenna for more fun 🤩 
1x Pair Wing Guard
1x Pair Propeller Holder Stabilizer 
1x UK Plug Home Socket

Please note that our fee is 50% on rentals within the drone categories.

Drone

DJI Mavic

DJI Mavic Mini

100ml bottle to a ratio of 1:10 with Pro-Ject "Wash It" and De-Ionised water, enough to clean about 25 vinyl.

Northolt Electronics Hire

Electronics is one of our largest categories where you can find everything from drones to two-way radios available for rent.

How rental works

1. Find

2. Book

3. Play

4. Return

Explore our categories

Access anything on the go

Other Categories