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Cinema Prime Lenses

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Save money by renting Cinema Prime Lenses from owners in your area.

Rent Cinema Prime Lenses from owners in your area and save up to 90% compared to buying | No Deposits | Fast & Convenient Supply| Including Cine primes, canon summer, token vista prime

Cinema Prime Lense Hire Near Me | Fat Llama

This Canon CN-E Prime lens kit is Canon's CN-E line-up of six EF-mount cinema lenses, all featuring a 36mm x 24mm area of coverage that covers full-frame and super 35mm sensors. All six lenses have an 11-blade aperture, which contributes heavily to a pleasing bokeh and circular highlights. The optics on these Canon CN-E Prime lenses are designed for 4K capture, and the exterior components are identical across the line-up to afford consistent compatibility with accessories, enabling adjustment-free swaps. Focal lengths range from 14mm to 135mm and apertures from T1.3 to T3.1. The wider lenses capture with minimal edge distortion, and the faster ones are very sensitive to available light. The Canon CN-E Prime lens coating was developed to capture precise colors, high contrast, natural skin tones, and reduce ghosting and minimize flare. They are also designed to minimize breathing, and the glass is designed to avoid thermal expansion. We rent Canon CN-E Prime 50mm lens individually or¬†with the 6 lens set.minfocal: 50. max focal: 50.Weight: 2.7000.

Each Anamorphic/I SF prime sports both a hardened PL mount and a cable connection that use Cooke's /I Technology to transmit lens data to compatible cameras. Lens setting data including focal length, aperture, focus, depth-of-field, etc. are provided in both feet and metric measurements.aperture: No. min focal: 50. max focal: 50.Weight: 1.0000.

These lenses are compatible with the /I compatible lens data systems and feature the same precision as the full-sized cook S4/i construction, only with a maximum aperture of T2.8. The 8-leaf linear iris provides a smooth bokeh, with natural-looking rounded highlights, cam-driven internal focusing with large numerals on both sides of the lens to aid focus pullers in difficult lighting conditions. The lenses come with ARRI PL mounts with the i/technology contacts that pass lens information to the camera. The lenses support 4K and higher resolution, protecting your investment as sensor resolution improves. The lenses in this set are marked in feet and inches. Cooke 32mm T2.8 miniS4/i Cine Coated Lens.Weight: 3.00.

P+S TECHNIK created this anamorphic lens based on the original optical design of the KOWA Anamorphic. Offers many of the same characteristics but has P+S TECHNIK's modern housing and coatings. The look and bokeh of the Kowa Anamorphic Evolution lenses match the genuine anamorphic look of the original lense. Low in contrast, warm in color, and can be made to flare. The lense is a  unique design delivers vintage anamorphic qualities but in a very compact and lightweight item, which makes them perfect for gimbals and drones. Weight: 2.6500.

This is Cooke Optics' modern redesign of the legendary Speed Panchro lenses used in the 1920s-1960s. The Panchro/I Classics recreate the look and feel of the original but offer the advantages that come along with modern glass for today's cameras. These lenses feature Cooke's i/ Technology, which captures all lens metadata and have matching front diameter size at 110mm. The 100mm Cooke Panchro/I Classic prime lens opens to T2.6.Weight: 3.9000.

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens. This 85mm lens produces a 28.3A¬∞ angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6' from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings. Weight: 3.0000.

This is Cooke Optics' modern redesign of the legendary Speed Panchro lenses used in the 1920s-1960s. The Panchro/I Classics recreate the look and feel of the original but offer the advantages that come along with modern glass for today's cameras. These lenses feature Cooke's i/ Technology, which captures all lens metadata and have matching front diameter size at 110mm. The 18mm Cooke Panchro/I Classic prime lens opens to T2.2.Weight: 3.5000.

The Lomo Anamorphic Square Fronts lend a mysterious character and cinematic feel to a scene that cannot be replicated with post-production processing, so although more complex and expensive, this anamorphic lens set is worth it. An anamorphic lens captures a wider aspect ratio by squeezing the horizontal field of view, achieving a really interesting look that you couldn't get with normal spherical lenses. The most common characteristics of these lenses' look are the horizontal lens flares and the vertically stretched, oval-shaped bokeh. Weight: 12.0000.

Zeiss Ultra Prime lenses are widely considered "Top Tier" in the industry and have the widest focal range of prime lenses, which gives you the flexibility to cover your every cinematic need. These lenses first hit the market in 1999 and have since been behind films like¬†Stuart Little, The Lord of the Rings, King Kong, Doctor Strange, and¬†The Hobbit. Zeiss Ultra Primes offer cinematographers crisp and clean images at an aperture of T1.9.¬†For technical clarity and sharpness, nothing compares to Ultra Prime lenses. Ultra Primes are lightweight standard speed lenses that are a perfect optical match to the high-speed Master Primes. They have well-controlled distortion and breathing, superior-close focus ability and floating elements design. We rent the Zeiss Ultra Prime 32mm lens separately or¬†with the 5 lens set. If image quality is a priority for you as a cinematographer, Ultra Prime lenses create a clean image with no distortion, great resolution and are trusted on many high-performance sets. Weight: 3.00000.

This is Cooke Optics' modern redesign of the legendary Speed Panchro lenses used in the 1920s-1960s. The Panchro/I Classics recreate the look and feel of the original but offer the advantages that come along with modern glass for today's cameras. These lenses feature Cooke's i/ Technology, which captures all lens metadata and have matching front diameter size at 110mm. The 25mm Cooke Panchro/I Classic prime lens opens to T2.2.Weight: 3.300.

Zeiss Ultra Prime lenses are widely considered "Top Tier" in the industry and have the widest focal range of prime lenses, which gives you the flexibility to cover your every cinematic need. These lenses first hit the market in 1999 and have since been behind films like¬†Stuart Little, The Lord of the Rings, King Kong, Doctor Strange, and¬†The Hobbit. Zeiss Ultra Primes offer cinematographers crisp and clean images at an aperture of T1.9.¬†For technical clarity and sharpness, nothing compares to Ultra Prime lenses. Ultra Primes are lightweight standard speed lenses that are a perfect optical match to the high-speed Master Primes. They have well-controlled distortion and breathing, superior-close focus ability and floating elements design. We rent the Zeiss Ultra Prime 50mm lens separately or¬†with the 5 lens set. If image quality is a priority for you as a cinematographer, Ultra Prime lenses create a clean image with no distortion, great resolution and are trusted on many high-performance sets. Weight: 3.0000000.

The Cine-Servo 17-120mm T2.95-3.9 with EF mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team. Weight: 1.0000.

Zeiss Ultra Prime lenses are widely considered "Top Tier" in the industry and have the widest focal range of prime lenses, which gives you the flexibility to cover your every cinematic need. These lenses first hit the market in 1999 and have since been behind films like Stuart Little, The Lord of the Rings, King Kong, Doctor Strange, and The Hobbit. Zeiss Ultra Primes offer cinematographers crisp and clean images at an aperture of T1.9. For technical clarity and sharpness, nothing compares to Ultra Prime lenses. Ultra Primes are lightweight standard speed lenses that are a perfect optical match to the high-speed Master Primes. They have well-controlled distortion and breathing, superior-close focus ability and floating elements design. If image quality is a priority for you as a cinematographer, Ultra Prime lenses create a clean image with no distortion, great resolution and are also trusted on many high-performance sets. Weight: 20.0000.

Each Anamorphic/I SF prime sports both a hardened PL mount and a cable connection that use Cooke's /I Technology to transmit lens data to compatible cameras. Lens setting data including focal length, aperture, focus, depth-of-field, etc. are provided in both feet and metric measurements.aperture: No. min focal: No. max focal: 40.Weight: 1.0000. USM: Yes. Filter Size: No. Auto Focus: No. Sensor Size: Full Frame. Image Stabilization: No. angle of view: No.aperture: No. min focal: No. max focal: 40. Weight: 1.0000.

Zeiss Ultra Prime lenses are widely considered "Top Tier" in the industry and have the widest focal range of prime lenses, which gives you the flexibility to cover your every cinematic need. These lenses first hit the market in 1999 and have since been behind films like¬†Stuart Little, The Lord of the Rings, King Kong, Doctor Strange, and¬†The Hobbit. Zeiss Ultra Primes offer cinematographers crisp and clean images at an aperture of T1.9.¬†For technical clarity and sharpness, nothing compares to Ultra Prime lenses. Ultra Primes are lightweight standard speed lenses that are a perfect optical match to the high-speed Master Primes. They have well-controlled distortion and breathing, superior-close focus ability and floating elements design. We rent the Zeiss Ultra Prime 24mm lens separately or¬†with the 5 lens set. If image quality is a priority for you as a cinematographer, Ultra Prime lenses create a clean image with no distortion, great resolution and are trusted on many high-performance sets. Weight: 2.2000.

This is Cooke Optics' modern redesign of the legendary Speed Panchro lenses used in the 1920s-1960s. The Panchro/I Classics recreate the look and feel of the original but offer the advantages that come along with modern glass for today's cameras. These lenses feature Cooke's i/ Technology, which captures all lens metadata and have matching front diameter size at 110mm. The 75mm Cooke Panchro/I Classic prime lens opens to T2.2.Weight: 4.0000.

This Canon CN-E Prime lens rental kit is Canon's CN-E line-up of six EF-mount cinema lenses, all featuring a 36mm x 24mm area of coverage that covers full-frame and super 35mm sensors. All six lenses have an 11-blade aperture, which contributes heavily to a pleasing bokeh and circular highlights. The optics on these Canon CN-E Prime lenses are designed for 4K capture, and the exterior components are identical across the line-up to afford consistent compatibility with accessories, enabling adjustment-free swaps. Focal lengths range from 14mm to 135mm and apertures from T1.3 to T3.1. The wider lenses capture with minimal edge distortion, and the faster ones are very sensitive to available light. The Canon CN-E Prime lens coating was developed to capture precise colors, high contrast, natural skin tones, and reduce ghosting and minimize flare. They are also designed to minimize breathing, and the glass is designed to avoid thermal expansion. We rent Canon CN-E Prime 24mm lens individually or¬†with the 6 lens set.minfocal: 24. max focal: 24. Weight: 2.7000.

This Canon CN-E Prime lens rental kit is Canon's CN-E line-up of six EF-mount cinema lenses, all featuring a 36mm x 24mm area of coverage that covers full-frame and super 35mm sensors. All six lenses have an 11-blade aperture, which contributes heavily to a pleasing bokeh and circular highlights. The optics on these Canon CN-E Prime lenses are designed for 4K capture, and the exterior components are identical across the line-up to afford consistent compatibility with accessories, enabling adjustment-free swaps. Focal lengths range from 14mm to 135mm and apertures from T1.3 to T3.1. The wider lenses capture with minimal edge distortion, and the faster ones are very sensitive to available light. The Canon CN-E Prime lens coating was developed to capture precise colors, high contrast, natural skin tones, and reduce ghosting and minimize flare. They are also designed to minimize breathing, and the glass is designed to avoid thermal expansion. We rent Canon CN-E Prime 135mm lens individually or with the 6 lens set.minfocal: 135. max focal: 135.Weight: 2.7000.

The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry-standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller. Weight: 3.5000.

This lens is equipped with Duclos interchangeable PL/EF mounts and can be used without an adapter on either mount The Canon CN-E15.5-47mm T2.8 L S Wide-Angle Cinema Zoom Lens joins the ranks of other Canon Cinema lenses that are engineered to serve the high-performance demands of the production community. Designed to work with 4K-resolution (4096 x 2160 pixels) cameras this lens surpasses the performance requirements of any HD imaging system. The CN-E15.5-47mm T2.8 L S Wide-Angle Cinema Zoom Lens also offers compatibility with industry-standard Super 35mm-equivalent image format as well as APS-C-size sensors. The CN-E15.5-47mm T2.8 L S Wide-Angle Cinema Zoom Lens offers a bright f/2.8 maximum aperture allowing for use in even very low lit scenes. With no changes in brightness during zooming, these lenses enable attractive bokeh (the way the lens renders out-of-focus points of light) when employing a shallow depth of field. And with a very low minimum object distance of 19.68' (0.5 m) this lens makes it possible for you to shoot tighter close-ups and assist in shooting in limited space environments. Additionally, the CN-E15.5-47mm T2.8 L S Wide-Angle Cinema Zoom Lens features fluorite and large aspherical lens elements to achieve sharp, consistent images throughout its zoom range. The lens also is equipped with control rings designed to maintain the proper amount of resistance with consistent operating torque, and a covered flange-back adjustment mechanism to meet numerous production application needs. The 11-blade aperture diaphragm also ensures smooth out-of-focus areas (attractive bokeh), while innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. This feature will be very beneficial to all those productions that shoot on stage under bright hot production lights. The CN-E15.5-47mm T2.8 L S Wide-Angle Cinema Zoom Lens also incorporates geared inner focusing to minimize focus-induced changes in the angle of view, reducing focus breathing virtually to zero.

This Canon CN-E Prime lens rental kit is Canon's CN-E line-up of six EF-mount cinema lenses, all featuring a 36mm x 24mm area of coverage that covers full-frame and super 35mm sensors. All six lenses have an 11-blade aperture, which contributes heavily to a pleasing bokeh and circular highlights. The optics on these Canon CN-E Prime lenses are designed for 4K capture, and the exterior components are identical across the line-up to afford consistent compatibility with accessories, enabling adjustment-free swaps. Focal lengths range from 14mm to 135mm and apertures from T1.3 to T3.1. The wider lenses capture with minimal edge distortion, and the faster ones are very sensitive to available light. The Canon CN-E Prime lens coating was developed to capture precise colors, high contrast, natural skin tones, and reduce ghosting and minimize flare. They are also designed to minimize breathing, and the glass is designed to avoid thermal expansion. Weight: 20.0000.

P+S TECHNIK created this anamorphic lens based on the original optical design of the KOWA Anamorphic. Offers many of the same characteristics but has P+S TECHNIK's modern housing and coatings. The look and bokeh of the Kowa Anamorphic Evolution lenses match the genuine anamorphic look of the original lense. Low in contrast, warm in color, and can be made to flare. The lense is a  unique design delivers vintage anamorphic qualities but in a very compact and lightweight item, which makes them perfect for gimbals and drones. Weight: 2.200.

The Zeiss Compact Prime CP.2 135mm/T2.1 with Imperial Markings is a cine prime lens designed for filmmaking and video production applications. Aside from great optics and mechanics, it offers broad flexibility in the areas of camera compatibility, follow-focus compatibility, and shooting capacity. Announced at NAB 2012, this lens is a long telephoto addition to Zeiss's Compact Prime CP.2 family of cine primes. Like the rest of the family, the 15mm features an interchangeable-mount system that affords a major forward-looking benefit -- not only can the lens now be used with cameras of different mounts but rather it is ensured to also be compatible with most all future cameras. The system offers compatibility with PL, EF, F, MFT, and E mounts. The five mounts allow use with cine cameras and DSLRs.The CP.2 135 is ideal for portrait shots. The long focal length allows a working distance that avoids distortion and a narrow-angle of view that can focus in on the foreground. A shallow depth of field native to telephotos further isolates the foreground from the background. The lens incorporates two aspheric lens elements and two special types of glass with abnormal partial dispersion that exceptionally corrects for chromatic aberration. Zeiss-famous anti-reflective coating along with internal light traps provide advanced flare suppression. Fourteen high-precision iris blades open up consistently circular across all T-stops, allowing impressive highlights in out-of-focus areas and producing smooth bokeh. As for high flexibility, in addition to the interchangeable-mount system, the CP.2 135, like the rest of its family, provides full coverage of full frame 24 x 36 sensors. Accordingly, it can, now or at a future time, be used with any 24 x 36 sensor cameras, such as the Canon 5D and 1DC and the Nikon D800. The lens also offers follow-focus flexibility. Across the entire CP.2 family, the front diameter is consistent, focus and iris gears are standard, and the housing is cine-style, offering thus compatibility with all standardized follow-focus systems. In addition, the CP.2 135 also offers a focus ring rotation of a manual 300A¬∞ and as such allows accurate follow-focusing. For anyone who wants to take advantage of the 4K shooting capacity of many of the cameras being released, the entire CP.2 family, with the 135mm included, is 4K-compatible. The 135mm is also color-matched with the rest of the CP.2 family, and so swapping it with another from within the family can conveniently be done without correcting for changes in post. Built sturdy and with long-lasting optics, and promising future-proof compatibility, the 135mm can be relied on for many years of use in sharp resolution. Weight: 3.00000.

Cooke Optics is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893. Cooke lenses all color match were designed with excellent optics to ensure maximum performance, and have superior flare and distortion control.¬†They have become an industry standard with their warmth and gentle focus falloff that flatters faces gracefully. You can expect to get exceptional performance and ease of operation from Cooke lenses. Our Cooke S4 rental lenses are supplied with /I Technology and are designed for all PL mounted professional motion picture film and electronic cameras. With the /I technology, you will get vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type, and focal length. A few Motion Pictures shot on Cooke S4 Lenses include¬†Casino Royale, The Road, Milk, The Intern, and¬†Southpaw. We rent Cooke S4/i Prime 25mm separately or¬†with the 6 lens set. Weight: 3.5000.

Cinema Prime Lense Hire Near Me

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