Canon 85mm f1.2 L Series Lens, also includes lens hood and case

Canon 5D Kit Lens Bundle

This no hassle bundle includes.

1. Canon  5DSR Camera
2. Canon 85mm f1.2 Lens Mark II 
3. Canon 50mm f1.4
4. Canon 100mm F2.8 Lens
5. Canon 24mm F1.4 Lens
6. Canon 16-35mm f.4

Often referred to as the “beauty dish,” the reason is simple: the Softlight Reflector offers the perfect combination of even light, crisp definition and contrast. The white version delivers a softer and slightly more even light than its silver counterpart.

The Canon EF 100mm f/2.8 USM Macro Lens is a medium-telephoto prime lens with a macro feature for 1x magnification. Fluctuations in spherical aberrations caused by focusing are suppressed, and high-quality images are achieved at all focusing distances. With 8 aperture blades, good background blur is obtained even when the aperture is decreased by one or 2 stops.

Key Features: Canon EF 100mm f/2.8 USM Macro Lens

- High performance macro
- Life size image reproduction (1:1)
- UD lens element
- Focus distance limiter
- 8 blade circular aperture for beautiful creative blur effects
- 58mm filter size
- Ring type USM AF motor
- Optional tripod collar

The new Seaport i-Visor LS Pro MAG Laptop CaseSeaport LS Pro MAG case now has a reflective matte silver exterior for the sun shade. This helps prevent heat buildup in the case while working out in bright sunlight. Also, improved Velcro placement gives better access to the side ports.

The i-Visor LS Pro MAG represents the most dramatic evolution of Seaport’s patented cases with a TriFold sun shade. The i-Visor LS Pro MAG allows professionals in many different fields to view their laptop screens with crystal clarity in any viewing environment.

KEY NEW FEATURES OF THE SEAPORT I-VISOR LS PRO MAG LAPTOP CASE INCLUDE:

NEW – Silver sun hood exterior reflects sunshine to help keep the case cool outdoors.
IMPROVED – Better placement of Velcro gives better access to side ports.
A built-in magnesium alloy skeleton
No additional platforms required as the MAG Skeleton mounts directly to a tripod   3/8″-16
Side access ports for better connectivity
Passive flow through cooling system
Built in laptop safety strap
More rugged zippers all around
Larger front pockets for better storage
The i-Visor LS Pro MAG is stronger and lighter then previous Pro models. Designed specifically with digital imaging in mind, this rugged case is the solution to a variety of problems. The i-Visor LS Pro MAG is ideal for shooting tethered!
KEY HIGHLIGHTS OF THE SEAPORT I-VISOR LS PRO MAG LAPTOP CASE INCLUDE:

Matte silver hood exterior reflects unwanted heat to help keep your laptop cool when working in bright sunlight.
Will accommodate up to a 17″ laptop.
Rugged balli

The Canon EF 24mm f1.4L II USM lens is a fast aperture prime lens that replaces EF 24mm f1.4L USM. Featuring UD and aspherical elements to eliminate distortion and aberrations, it produces high-quality wide-angle images and is ideal for both portraiture and landscapes. Canon EF 24mm f1.4L II USM lens has wear and dust seals, making it ideal for location photography, and benefits from Canon's fast, quiet USM autofocus system.

Key Features:
- Fast f/1.4 aperture
- Aspherical and UD lens elements for correction of chromatic aberration
- Sub Wavelength structure Coating (SWC) to - -dramatically reduce ghosting and flare
- Circular aperture for creative blurred highlights
- USM for full-time manual focus
- Lead-free glass (RoHS compliance)
- Lens hood and pouch supplied

Fast Aperture
The Canon EF 24mm f1.4L II USM lens offers a quick, super-large maximum aperture of f/1.4 which delivers excellent low-light performance. The circular aperture gives users the potential for creative out-of-focus highlights. The lens has a focal length of 24mm and a USM focus motor with a full-time manual focus, making it ideal for shooting situations where a wide-angle, high-performance lens is required.

Advanced Lens Coating
Canon have reduced the flare and ghosting caused by reflections off the digital camera's sensor on the EF 24mm f1.4L II USM lens, by treating the inside of the lens' front element with their Sub Wavelength structure Coating. The coating has been developed specifically to work with Canon optics and deliver crisp, undistorted images.


Listing Includes:

ARRI S60-C MAN blue/silver 
ARRI Moulded Case For Single S60 v2
ARRI S60 Diffusion Kit
ARRI DoP Choice SnapGrid 40
ARRI DoP Choice SnapBag 
ARRI V-Mount Battery Adapter Plate 

bundellstudios.com

The S60 is a mid-range model, featuring a light aperture of 645 x 300 mm and accommodating the vast majority of applications.    

Unlike other tuneable fixtures, SkyPanel makes no sacrifice when it comes to light output. SkyPanel puts out a tremendous amount of light, in a soft and uniform beam field. Brighter than a 2 kW tungsten soft light or a 6 kW tungsten space light, the SkyPanel S60 has more than enough light for most applications. 

At the same time, the lamphead is able to perform beautifully at lower light levels. This range of illumination and color gives users an unprecedented amount of control.


Comes with 13amp and 16amp Plug
Spare bulbs and stand are available if needed 

ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.

Contains

- 3x Arri 800w Light Head
- 3x Light Stand
- 2x GE DXX Spare Bulb
- 3x Arri Barn Doors
- 6x Croc Clips
- 1x Case/Bag


Comes with 13amp and 16amp Plug
Spare bulbs and stand are available if needed 

New True Blue 1000W Fresnel lamphead with colour frame and barndoors.
Over 30 enhancements from the original Junior range have been made to the TRUE BLUE series of products including the 1000, 2000 and 5000w units.
Accessories are available separately including scrim sets, speed ring, softbox, 8 leaf barndoors, CP40 lamp 230v 1000w and grip accessories such as stands and clamps.
Lamphead comes bare ended and therefore a plug would need to be fitted prior to operation, this plug type would depend on your local socket type.

The Celeb® LED 201 DMX produces a soft, even wraparound lighting quality (CRI 95) and produces color faithfully, beautifully on HD or film, in the studio or on location. The Celeb LED 201 measures 24” x 14” (61cm x 35.5cm) and is similar in profile and light output as the popular Diva-Lite 415. 

The Celeb LED boasts technical innovations that make it an ideal professional imaging tool: a dial-in variable color temperature control, full-range dimming and programmable 2700K to 6500K presets. The Celeb LED's 100 Watts of soft, lustrous white light doesn't flicker or shift color temperature when dimmed. With the use of a Lumen Radio transmitter (sold separately), the Celeb LED 201 can be operated DMX wirelessly as an alternative to DMX cables. 

The trim, lightweight fixture operates on universal AC power, 100VAC-240VAC, and needs only less than one amp to produce more lumens than a 750W tungsten soft light. The Celeb LED 201 can also be powered by 24VDC battery. The Celeb LED's cost savings from low energy and long lamp life continues Kino Flo's reputation as an environmentally friendly lighting company.

The Celeb LED 201 comes complete with 360 degree mounting, molded accessory holders, removable gel frame and focusing louver.
 

 	
Features include:
Kelvin presets and custom settings between 2700-6500K
Universal Input 100VAC-240VAC or 24VDC
Onboard and DMX dimming
DMX wireless link (Lumen Radio)
DMX Auto Terminate
Flicker-free, quiet operation
Gel Frame, Honeycomb Louver
Center Mount, Yoke Mount and Pole-Op
Celeb LED 201 DMX Highlights
  • Five Kelvin presets
  • Dial-in c

Profoto Air Remote

- Compatible with all brand Cameras.
Eg: Canon, Nikon, Sony, Phase One, Hasselblad, Fuji, Olympus ect ect

Achieve super sharp, quality results from a camera that delivers extraordinary detail and clarity thanks to 50.6 megapixel resolution

- Mirror Vibration Control System, 61-point AF
-  Professional's DSLR, portrait & landscape
- 50.6 MP, Full Frame with Low Pass Cancellation - 
   Filter, Dual DIGIC 6 processor

• Canon 16-35mm f4 Lens
• Lens Caps
• Lens Hood
• Lens Case

This high performance, fixed aperture, ultra wide-angle zoom lens combines excellent optical performance with flexibility, making it ideal for landscapes, architectural shots, photo journalism, travel and general use – delivering clear, sharp, expansive images with very little distortion.

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Full range of Profoto accessories available. Beauty Dish, Soft Boxes, 3ft or 5ft Octagon and Reflector Dish ect

The Canon EF 85mm f/1.2L II USM Lens is the widest aperture lens Canon currently makes (review update: the Canon EF 50mm f/1.2L USM Lens now shares this aperture) - allowing handholding and action stopping in the darkest conditions. The background blur the Canon EF 85mm f/1.2L II USM Lens is capable of producing is stunning.

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Full rangeof Profoto accessories available. Beauty Dish, Soft Boxes, 3ft or 5ft Octagon and Reflector Dish ect

Profoto Collapsible Reflectors probably represent light shaping in its most uncomplicated form. They are easy to use, easy to carry and can be used for bouncing or diffusing sunlight as well as flash. The Silver/White Reflector comes in two sizes.

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Full range of Profoto accessories available. Beauty Dish, Soft Boxes, 3ft or 5ft Octagon and Reflector Dish ect

Profoto softboxes are high-quality pieces of studio equipment, constructed to withstand the rigours of daily use, making them a staple of professional photographers. Their design features removable inner and front diffusers - as well as a series of optional grids and masks - and each is supplied without a speedring adapter as standard, allowing users to purchase only the adapters which they require. We stock RFi adapters for Profoto, Speedlights, Elinchrom and Bowens/Calumet lighting heads. Octagonal softboxes such as this one are ideal for portraiture, due to the circular pools of light and catch lights they create. 

Available in 90cm and 150cm versions.

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Full range of Profoto accessories available. Beauty Dish, Soft Boxes, 3ft or 5ft Octagon and Reflector Dish ect

•  2x Profoto Zoom Reflector
•  Profoto Grid 180mm Kit  5°  10°  20°

The Profoto Zoom Reflector 2 is designed for use with Profoto studio flash heads. It features an integrated grid holder for Profoto grids and is designed to slide back and forth on the head in order to adjust the size of the light pool providing the light of a normal reflector, a wide-anglereflector and everything in between.

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Full range of Profoto accessories available. Beauty Dish, Soft Boxes, 3ft or 5ft Octagon and Reflector Dish ect

2x Profoto B1 500w AirTTL Location Flash Kit & 6x Batteries

The price includes the following: 
• 2 X Flashes
• 2 x Flash Stands
• 6 X Batteries
• 1 Backpack

Note: We have several of these kits in stock.

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Full range of Profoto accessories available. Beauty Dish, Soft Boxes, 3ft or 5ft Octagon and Reflector Dish ect


The Astera Titan Tube is the most advanced wireless LED pixel tube, specially designed for the film industry. Optimised with high colour rendering: ≥96 TLCI, ≥96 CRI and 2.8x peak brightness (compared with AX1’s), it excels above all other tube lights on the market.     

Wireless Control   
The Titan Tube can be programmed wirelessly via the AsteraApp, wireless LumenRadio CRMX or wired DMX, making it flexible to your setup requirements. Within the AsteraApp, you can program complex scenes that the tubes will remember and repeat even without a constant wireless link. Quickly create groups of lights and assign them positions, enabling the gaffer control over lighting setups. Strong compatibility with DMX standards allows you to utilise the Titan Tube in harmony with other wireless and wired DMX environments.   

Easy Control   
The backside of the tube offers user-friendly control, allowing you to select a vast variety of filter gels from a catalogue, as well as the option to dial in hue, saturation and intensity to taste. Green/magenta shift can also be set, reducing the need for post-production work.    

Tuneable White   
Mint and amber LED chips are integrated, opening up a spectrum of precise white balance control ranging between 1,750 and 20,000 Kelvin. TruColour calibration provides 100% colour consistency, contributing exact colour reproduction of colour temperature and filter gels.   16 Pixels  With 16 individually controllable pixels, you have the freedom to create smooth lighting effects, making them the Titan Tube an ideal light to be programmed.

---------------

This direct no hassle bundle includes.

1. Canon  5DSR Camera
2. Canon 85mm f1.2 Lens Mark II 
3. Canon 50mm f1.4
4. Canon 100mm F2.8 Lens
5. Canon 24mm F1.4 Lens
6. Canon 16-35mm f.4 


Please contact us to confirm availability before putting a request through, just to make sure the item is available :)

Let us know what you need, we are here to help!

Source Four jr CE Zoom Profile with a 25 - 50 degree beam angle, The most light for your money. The power of Source Four® in a compact and economical size! The smaller-scale Source Four jr™ uses the same technology that made the standard Source Four famous. That means unsurpassed imaging and beam quality.

Field-angle versatility of a zoom ellipsoidal - in a compact package. If you're looking for the field-angle versatility of a zoom ellipsoidal with the affordability and design of a smaller fixture, then you're looking for the Source Four jr Zoom. Great for application on the small stage or in clubs, retail events and industrials, the Source Four jr Zoom boasts rugged ETC fixture construction and all the celebrated precision optics of a Source Four.

The Canon EF mount Sigma 50mm f/1.4 DG HSM Lens is a fast standard-length prime designed to achieve high optical performance through the incorporation of both three Special Low Dispersion glass elements and one molded glass aspherical element. These elements, coupled with an advanced optical design, work to minimize sagittal coma flare and chromatic aberrations in order to provide high image sharpness and clarity. The lens' large diameter and floating system also help to correct for vignetting to ensure maintained peripheral brightness. A Super Multi Coating has been applied to lens elements, too, to reduce flare and ghosting for higher contrast and color fidelity.

A Hyper Sonic AF Motor, along with an optimized AF algorithm, produces quiet, smooth, and fast autofocus performance that benefits this lens' use in a wide variety of situations. This AF motor also permits full-time manual focusing control for refined precision by simply turning the focus ring at any time.

Kino Flo Celeb 250 DMX LED Fixture with Center Mount Kit with Flight Case

The Celeb 250 DMX LED Fixture with Center Mount Kit with Flight Case was put together by Kino Flo for image-makers who need to take this variable color temperature, DMX-capable fixture on the road. The kit includes a Center Mount Celeb 250 DMX LED Fixture with a 90-degree honeycomb grid and a hard flight case. This version of the light has a center mount that includes a ball and socket design and lock down knob and a 5/8" receiver. It allows unrestricted 360° orientation.

Kino Flo’s new FreeStyle 31 & 21 LED’s include three menu options, one white and two color menus. Those who prefer to work with white light can use the "white menu" that gives the user access to Dimming, Kelvin and Green/Magenta control channels. Kelvin range is from 2700K tungsten to 6500K daylight.
 
In the color menu, the Kelvin range travels from 2500K tungsten to 9900K daylight, and Kino Flo has set up a fourth channel called Gel. The Gel channel includes Kino Flo presets such as blue & green screen, sodium vapor, mercury vapor and over 100 well-known lighting gels. In addition, there is also a fifth channel called Hue Angle and sixth channel, Saturation. These two channels behave similar to a traditional color wheel, where you have white light in the center, and the Hue angle determines the color along a 360-degree range, and Saturation determines how much color is applied. The second color menu provides individual red, green, blue (RGB) control. The RGB menu is a great way to work with apps with predetermined RGB presets or color wheels. 
 
Kino Flo's new FreeStyle LED’s also come with standard DMX and wireless DMX (Lumen Radio®), 24VDC input, and universal voltage input 100-240VAC (1.3 Amps at 120U). We also recently added new SnapBag Softbox and SnapGrid accessories.

Arri L0.37200AS (L0.37200AS) M-Series M8 EB Max Set - including Fresnel Light, Lamphead, 4-Leaf Barndoor, Spill Rig, Head to Ballast Cable. The M8 is the latest and smallest lighting fixture in ARRI’s highly successful M-Series of HMI lampheads. Like the rest of the M-Series, the M8 is equipped with MAX Technology, a unique, patented reflector design that unifies the advantages of a Fresnel and a PAR fixture.
The combination of an open face design and the unrivalled efficiency of the MAX Technology reflector makes the M8 exceptionally bright; in fact, the light output produced by its 800 W lamp comes close to the output from a 1,200 W Fresnel or PAR (with lens). The unit can be focused between 15° and 60° just by turning the focus knob, producing a remarkably even light field and a crisp, clear shadow. By eliminating the need for bulky, easily breakable spread lenses, the M8 will speed up workflows on set. 
The M-Series Max Set includes a 1.8 Fresnel Light, a 4-leaf barndoor,...



* 1x Fresnel Light
* 1x 4-leaf Barndoor
* 1x Spill Rig
* 1x Head-to-Ballast Cable
* 1x Lamphead
* 1x Instruction Manual

ARRI L1.33730.F (L133730F) True Blue D-Series D12 Fresnel Light - Blue/Silver (Manual, Schaltbau GTV). Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency is needed, ARRI TRUE BLUE D-Series Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged TRUE BLUE D-Series is ideal for all types of location lighting.

Тhе Саnоn ЕF 16-35mm f2.8L ІІІ UЅМ Lеnѕ іѕ а lаrgе-dіаmеtеr, dоublе-ѕurfасеd glаѕѕ mоuldеd, ultrа-wіdе аnglе lеnѕ аnd аn uрgrаdе tо thе wеll-rесеіvеd Саnоn ЕF 16-35mm f2.8 L МКІІ UЅМ Lеnѕ. Оffеrіng а fаѕt f/2.8 ареrturе аlоng wіth аn аdvаnсеd аutоfосuѕ ѕуѕtеm, аnd ultrа-hіgh реrfоrmаnсе, thіѕ lеnѕ dеlіvеrѕ рrеmіum іmаgе quаlіtу thаt іѕ еvіdеnt thrоughоut thе еntіrеtу оf thе fосаl lеngth rаngе.


The detachable, modular design of the Ronin-S makes it easy to fit inside a backpack on your travels.  

Thanks to the industry standard quick-release plate design, you can easily mount the camera onto the gimbal for tracking shots or on a tripod for stills.


The AX3 is a battery operated, easy to use IP65 RGBW puck aimed at stage lighting and corporate events. It can be used as uplight as well as hanging or standing spotlight and inside translucent objects, truss, etc. It is extremely compact and yet offers a high brightness paired with long battery runtime and range.

The Astera Titan Tube is the most advanced wireless LED pixel tube, specially designed for the film industry. Optimised with high colour rendering: ≥96 TLCI, ≥96 CRI and 2.8x peak brightness (compared with AX1’s), it excels above all other tube lights on the market.     

Wireless Control   
The Titan Tube can be programmed wirelessly via the AsteraApp, wireless LumenRadio CRMX or wired DMX, making it flexible to your setup requirements. Within the AsteraApp, you can program complex scenes that the tubes will remember and repeat even without a constant wireless link. Quickly create groups of lights and assign them positions, enabling the gaffer control over lighting setups. Strong compatibility with DMX standards allows you to utilise the Titan Tube in harmony with other wireless and wired DMX environments.   

Easy Control   
The backside of the tube offers user-friendly control, allowing you to select a vast variety of filter gels from a catalogue, as well as the option to dial in hue, saturation and intensity to taste. Green/magenta shift can also be set, reducing the need for post-production work.    

Tuneable White   
Mint and amber LED chips are integrated, opening up a spectrum of precise white balance control ranging between 1,750 and 20,000 Kelvin. TruColour calibration provides 100% colour consistency, contributing exact colour reproduction of colour temperature and filter gels.   16 Pixels  With 16 individually controllable pixels, you have the freedom to create smooth lighting effects, making them the Titan Tube an ideal light to be programmed.


Тhе Ѕоnу А7Ѕ ІІІ Dіgіtаl Саmеrа Воdу іѕ thе lаtеѕt аddіtіоn tо Ѕоnу’ѕ Ѕ ѕеrіеѕ саmеrа lіnе uр. Тhеѕе саmеrаѕ аrе dеѕіgnеd tо рrоvіdе thе hіghеѕt lеvеl оf ѕеnѕіtіvіtу роѕѕіblе аnd thе Ѕоnу А7ѕ ІІІ dоеѕ јuѕt thаt. Іt’ѕ еquірреd wіth аn Ехmоr R 12МР Full-Frаmе ВЅІ Ѕеnѕоr wіth аn ІЅО ѕеnѕіtіvіtу rаngе frоm 80 tо 102400, ехраndаblе frоm 40 tо 409600. А nеwlу dеѕіgnеd ВІОNZ ХR Рrосеѕѕіng еngіnе рrоvіdеѕ uр tо аn 8х fаѕtеr реrfоrmаnсе оvеr рrеvіоuѕ mоdеlѕ. Іt’ѕ vіdео сараbіlіtіеѕ аrе оvеrwhеlmіng, оffеrіng 4К 120Р (4:2:2 10bіt) rесоrdіng аnd FНD 240Р fоr ѕtunnіng ѕlоw-mоtіоn vіdео. Іt’ѕ еquірреd wіth аn іnсrеdіblе 759 роіnt оn-ѕеnѕоr рhаѕе dесіѕіоn АF wіth rеаl-tіmе еуе trасkіng оf bоth humаnѕ аnd аnіmаlѕ, аѕ wеll аѕ rеаl-tіmе trасkіng іn bоth vіdео аnd ѕtіllѕ. Тhіѕ саmеrа dеmоnѕtrаtеѕ Ѕоnу’ѕ аbіlіtу tо рrоduсе ѕtunnіng іmаgе quаlіtу аnd рrоfеѕѕіоnаl реrfоrmаnсе іn оnе bоdу.

Professional mirrorless redefined

Whatever you shoot, however you shoot it, the EOS R5 will let you be creative in ways you simply couldn’t before. Capture sensational 45 megapixel photos at up to 20 frames per second*, or cinematic 12 bit 8K RAW video using the entire width of the camera’s sensor. Advanced AF is programmed using deep-learning artificial intelligence, while in-body image stabilisation works in concert with a lens’s own IS to provide up to 8 stops* of protection against camera shake.

B1X To-Go Kit 500 AirTTL USThe best-selling battery-powered TTL flash
The Profoto B1X off-camera flash is the successor of the award winning Profoto B1. The B1X is no stay-at-home flash; it’s for the adventurous photographer who likes to get out there on location in the real world. The portable B1X offers cordless, battery-powered freedom and flexibility. After all, there aren’t many wall sockets in the middle of a desert or half way up a mountain. B1X provides you with easy light-shaping wherever and whatever your location might be thanks to its dedicated system of lightweight OCF Light Shaping Tools that are designed for maximum mobility and ease of use.

It offers automatic TTL shooting that shines brightest in challenging lighting conditions. It offers HSS that enables you to control and shape light even in broad daylight. And it’s fast to set up so you’re free to explore and create stunning images. Let your imagination set the limits, not the length of your cables. The B1X gives you the power you need in all the right places.
FEATURES

Shoot with AirTTL or manual mode and connect wirelessly with other AirTTL flashes.
Cordless design and wireless controls allows you to shoot without any restraints.
10 times as powerful as the average speedlight, with 500Ws adjustable in 1/10 f-stop increments over a 9 f-stop power range.
Quickly exchangeable and rechargeable Li-Ion battery provides up to 325 full-power flashes and tens of thousands at lowest power.
Fires up to 20 flashes per second, with flash durations of up to 1/19,000s and fast recycling times of 0.05-1.9s.


The DJI Mavic 2 Pro Drone has a powerful camera from Hasselblad, capable of capturing stunning 20 megapixel aerial shots. The CMOS sensor is now bigger at 1" compared to the original Mavic Pro, capturing more light and greater detail. Night-time shooting will get you clear images.

Capture the perfect sunset with the Hasselblad camera. Capable of capturing over one billion colours, you can get every shade of orange as the sun slips into the horizon. The aperture is adjustable to the situation, so you can get clear photos of a city at night or smooth video on a clear day.


* Incorporates new XA element and 3 ED glass elements
* 11-blade circular aperture for smooth bokeh
* Sony Nano Ar coated for reduced ghosting and flare
* ring drive SSM motor system
* 2 position sensors for excellent focus control
* Dust and moisture-resistant
* Aperture ring with on/off switchable click stops for stills or movies
* AF / MF switch and focus hold button

* 	Premium G Master series Mid-range telephoto prime 
* 		Optical apodization (APD) element for magnificent bokeh 
* 		Nano AR coating for outstanding clarity 
* 		Direct Drive SSM (DDSSM) for quiet, highly precise focus lens control 
* 		Dust and moisture resistant design5 
MINIMUM FOCUS DISTANCE



0.85m / 2.79 ft. (at "0.85m-∞" position); 0.57m / 1.87 ft. (at "0.57m-1.0m" position)
MAXIMUM MAGNIFICATION RATIO (X)
0.14 (at "0.85m-∞" position); 0.25 (at "0.57m-1.0m" position)
FILTER DIAMETER (MM)
72
WEIGHT
700g (24.7 oz.)

This standard prime lens with a 55mm focal length and large F1.8 maximum aperture offers stunning ZEISS Sonnar contrast and resolution for full-frame E-mount bodies. It can also create gorgeous background bokeh to set off your subject when needed. The big, bright maximum aperture means you can shoot handheld in low-light conditions while still getting outstanding sharpness and clarity


Standard prime lens with fast F1.8 aperture 
		 Quiet, reliable AF tracking for movies as well as stills 
		 9-blade circular aperture for smooth bokeh 
		 An aspherical element for high corner-to-corner resolution 
		 Dust and moisture resistant design2 


Aladdin ALL-2C-KITC (ALL2CKITC) All In 2 2x1 LED 100W Bi-Colour and 40W RGB Light Kit - includes Panel, Dimmer and Case. The Aladdin All In One series is the result of innovation and feedback from the community. By using Aladdin products, you are part of the All In One journey and helped Aladdin to create an ingenious light panel for you. Starting with an incredible compact built-in dimmer on the back of the panel. Less weight, easier handling and much more solid than previous generations. 
Get the most value out of your production with our new RGB lights and give your footage the ultimate cinematographic flair. With the RGB panels in your bag you are prepared for almost every situation you will ever face in your career. If you prefer to stick with a solid bi-colour panel the new series provides a 1x1 and 2x1 bi-colour as well. Next new feature is the app. We know not everything on this planet needs an app. But why not use this...
SUMMARY
Type: Single Light
INCLUDED IN BOX
* 1x ALLIN 2 Colour Panel (in neoprene sleeve)
* 1x ALLIN BASIC3m Cable
* 1x ALLIN 2 ACAD
* 1x ALLIN DTAB
* 1x ALLIN BHAD
* 1x Frame
* 1x Diffuser
* 1x Pouch
* 1x Battery Pocket Pouch
* 1x Bag


Astera Titan Tube Neon LED FULL 2 x Box Kit containing 16 Lights - AX1

Hurricane Haze 1DX creates a light water-based haze to enhance any light show. Easily set the DMX address and stand-alone operation using the digital display. The haze output speed can be adjusted in stand-alone mode using the digital display with no controller required. A built in sensor helps prolong the hazer’s life by stopping the pump automatically when the fluid level is low.

The RF 24-105mm F4L IS USM is a professional-quality versatile zoom lens with a compact design – made possible by the new EOS R system lens mount – perfect for photographers and filmmakers shooting a range of subjects in various locations. Featuring fast and near-silent Nano USM focusing, this L-series zoom is built with a powerful 5-stop optical Image Stabilizer for outstanding image clarity, with Dual Sensing IS available when used with the innovative EOS R camera. Built to accompany you everywhere, every day, capture a range of subjects with the versatile RF 24-105mm F4L IS USM which includes fast, instinctive adjustment of camera settings thanks to its built-in Control Ring.

* INCREDIBLY SHARP: Two XA (extreme aspherical) and three ED glass elements strategically deployed in an advanced optical design for superb resolution, clarity and contrast
* BEAUTIFULLY SMOOTH BACKGROUNDS: Circular 11-blade aperture for beautiful bokeh defocus effects
* CAPTURE ALL THE DETAIL: Sony Nano AR Coating to eliminate flare and ghosting
* FAST AND PRECISE: A high-power DDSSM (Direct Drive SSM) focus drive system provides the speed and precision required for both stills and video shooting
* PROFESSIONAL ERGONOMICS: A sealed dust and moisture resistant design provides extra protection to ensure reliable operation in challenging environments

Full box of 8 Titan tubes with control box, charger and stands. All included.



This rental includes 
2 x ARRI 1.8kW M18 Head  
2 x 1.8Kw MSR Lamp  
2 x High Speed Arri Ballast 
2 x Stands of choice 
4 x Sandbags Distribution   

at one low price.   

The M18 combines MAX Technology, True Blue features and a new 1800 W lamp. The result is an exciting new class of HMI that can be powered from most domestic sockets. It is as small as a 1200 W PAR lamphead but with 70% higher light output. Adjustable from 20° to 60° beam angle, the M18 can also be used with 1200 W lamps.

DJI (CP.RN.00000094, RS2) RS 2 Pro Combo Gimbal Kit. DJI RS 2 isn’t just a gimbal – it is an unparalleled solution for dynamic cinematography. Every design element and feature is made to deliver industry-leading camera stabilisation. Simply put, DJI RS 2 is crafted for you to master filmmaking.
Weight and Payload
Film More, Pack Less
Monocoque carbon fiber construction adds incredible strength and unbelievable lightness to the axis arms.
A 1kg (2.3lbs) gimbal with 4.5kg (10lbs) tested payload offers the highest weight-to-payload ratio in the industry.
LCD Touchscreen
Full-Colour Touchscreen
Access Active Track 3.0 right from the touchscreen, freeing your creative control.
The full-colour LCD screen allows you to quickly adjust parameters and access Ronin app features.
Stabilisation
Titan: DJI Stabilisation Evolved
No one makes camera stabilisers like DJI. Our Titan Stabilisation Algorithm captures smoother footage than ever. Need more? SuperSmooth mode compensates for micromovements and increases torque,...
INCLUDED IN BOX
* 1x  Gimbal
* 1x  BG30 Grip
* 1x  USB-C Charging Cable (40 cm)
* 1x  Lens-Fastening Strap
* 1x  Extended Grip/Tripod (Metal)
* 1x  Quick-Release Plate (Arca-Swiss/Manfrotto)
* 1x  Briefcase Handle
* 1x  Camera Riser
* 1x  Carrying Case
* 2x  Multi-Camera Control Cable (USB-C, 30 cm)
* 1x  Multi-Camera Control Cable (Sony Multi, 30 cm)
* 1x  Multi-Camera Control Cable (Micro-USB, 30 cm)
* 1x  Multi-Camera Control Cable (Mini-USB, 30 cm)
* 3x  Hook-and-Loop Strap
* 2x  D-Ring Camera Mounting Screw 1/4"-20
* 1x  RSA/NATO Port Cover
* 1x  Pan Axis Sleeve
* 1x  Screw 1/4"-20
* 1x  Phone Holder
* 1x  Focus Motor
* 1x  Focus Motor Rod Mount Kit
* 1x  Focus Gear Strip
* 1x  Image Transmitter
* 1x  Cold Shoe to 1/4''-20 Adapter
* 1x  USB-C Power Cable (20 cm)
* 1x  Mini-HDMI to HDMI Cable (20 cm)
* 1x  Mini-HDMI to Mini-HDMI Cable (20 cm)
* 1x  Mini-HDMI to Micro-HDMI Cable (20 cm)
* 6x  M4 Screw (10 mm)


4 x Astera Titan Tubes - £50.00
1 x Arri 2k Tungsten (with Stand + Mains plug) - £18.00

£68.00

+ Fat Llama fees




The ARRI T2 tungsten Fresnel is a 2000w light, It is focus-able with its 6.9″ Fresnel lens and it has an accessory bracket with 2-scrim and 4-scrim slot, and adjustable stirrup.

ProPhoto B1 KIT + 2 HEADS + BATTERIES IN BACKPACK
REMOTE TRIGGER

- £32 PLUS FAT LLAMA FES

1 x 800w - £25 per day
2 x Kino Flo - £90 per day

- £115 per day



1 x iVisor Case and stand
1 x Hyperjuice 

- £20.00

B1 Kit + Stands - £28.00
Remote Trigger - £4.00
5ft Octa + Speed Ring - £10.00

£42.00 + Fat Llama Fees

1. canon 35mm - £10.00
2. 4 titans - £50.00
3. DJI RS 2 PRO COMBO - £20.00

£80 + Fat Llama Fees

- b1 flash kit (x2 b1’s w/ stands) - 30
-air remote - 5
-X1 zoom reflector - 10
-X1 large umbrella - 10

- £55.00 plus Fat Llama fees

Quality kit, but somewhat unclear communication and pickup and delivery were a bit complicated 

The equipment was as advertised, and good value but the whole experience was convoluted and frustrating. Firstly the pick up location moved from East London, which was selected for convenience to Kings Cross. Not too bad, but then the arranged morning pickup (9am) was changed on the morning, when I had already set off. After hanging in Kings Cross for several hours (at least 5 hours) I finally received the equipment then headed back East. On setting up the return, my wife and collaborator was spoken to in a sexist and patronising tone, 'alright darling" etc. We returned the equipment and typically there was no one to receive, so we left with a 'trusted' neighbour, worrying to leave such valuable equipment in this way. I was excited to discover this well stocked and priced company, but I doubt I will be using them again in the future.

Great renting with East - good communication, flexible and reactive - will definitely recommend!

Amazing rental experience! David was really helpful when booking and helped me sort out a convenient place to meet up to collect and return and threw in a free tripod as well! 

Can't recommend the service you get with these guys enough. 

Absolutely great service, really recommend :)

Amazing service, super helpful & friendly. Thank you will definitely use again :)

Great experience and super easy to deal with!

Love the lights we hired. Great communication and kit. They were flexible with my pick up and drop off which was a massive help. Will hire from again.

Great communication, lovely people. Handed in slightly late sorry about that. Great customer service .  The lights were AMAZING  

Great lens, great communication and very easy to arrange. Thank you! 

Quick and easy pick up & drop off woul recommend

excellent, extremely helpful highly recommend

Amazing lights!! Thank you so much for getting these to me they Really helped Mamie the video look awesome 🤩 

nice and easy communication on the rental 

Great rental with East. They were super accommodating, which made picking up and dropping off equipment a breeze. Will definitely rent from East again!

Super helpful, easy and quick communication 

Great communication, and very flexible, easy service.

Very good, polite and available lender
Thank you 😊 

Great bit of kit for a great price, great communication 

East P

It’s a bit quiet here...

East