The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception.

I only deliver unit + power adaptor. 

 The warm audio wa76 a remake of the classic universal audio CL76 compressor 

Compact Digital Recorder Ideal For Filming, Presentations & More
48kHz/24-Bit Superior Audio Quality
Dual Recording Function For The Best Take
Low-Cut Filter & Built-In Limiter
Complete With Mic Clip & Windscreen

The EQP-WA is a re-creation of the most renowned tube equalizer in studio history, the ‘Pultec EQP-1A’. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This full discrete tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that’s just as remarkable as the unit.



The API 2500 Stereo Bus Compressor allows adjustment of sonic qualities to alter the punch and tone of the stereo mix. One of the 2500's notable qualities is its use of API's patented THRUST circuit for a chest-hitting, punchy bottom end.

54F50 Compressor / Limiter - API 500 series format
The 54F50 is a Class A, compressor and limiter module which occupies three slots in a 500 series rack. Fully populated with Carnhill transformers to achieve its distinctive classic sound. This high-end hand-built British module provides an affordable solution for the modern cost conscious studio.



· Classic 4 stage (Class A) amplifier, 4 transformer design
· All discrete component (no surface mount devices)
· Entirely hand assembled and tested in the England to exacting quality standards.
· Line Input: Carnhill transformer balanced (Mu-metal screened Classic VTB9046), 10k Input Impedance
· Interstage: Carnhill Mu-metal screened Classic VTB9045 and VTB9046
· Line Output: Carnhill transformer balanced (Classic full size output transformer)
· Compressor: (Class A) amplifier design
o Ratio 1.5:1, 2:1, 3:1, 4:1 & 6:1
o Dual attack speeds (Fast = 5mS, Slow = 25mS) *
o Make-up gain 0dB to 20dB in 2dB steps
o Recovery (release) 400mS, 800mS, 1.6S & Auto
o Threshold –20dBu to +10dBu
· Limiter: (Class A) amplifier design
o Dual attack speeds (Fast = 100uS, Slow = 5mS) *
o Recovery (release) 100mS, 200mS, 800mS & Auto
o Threshold +4dBu to +12dBu (in 1dB steps)
· Stereo link via either the backplane edge connector, an XLR or both
· Illuminated meter selectable for input, output or gain reduction metering.
· Power off signal bypass
· Entirely stainless steel chassis.
· Total current consumption 150mA (per unit)
· Also available supplied as a pair in a box containing a “mono/stereo” switch

* These are the default factory settings however the;
Compressor “Fast” may be internally jumper selected to 0.5mS
Compressor “Slow” may be internally jumper selected to 50mS
Limiter “Fast” may be internally jumper selected to 1mS
Limiter “Slow” may be internally jumper selected to 25mS

Zoom H4N
Includes :
- 16GB SD Card 
- AA Batteries
- AC adaptor
- Plastic case

Digital multitrack recorder with CD. 8 analog inputs. Up to 16 multichannel DAW.

Rode boom pole. 
Extend to 3.3 m 

Very long and lightweight! 

The best DI money can buy. Built like a tank. With ground, phase and pad switches. Completely passive so no power required 

Rode Telescopic Boom Pole 3m long Extends from 1 - 3 metres

Great real spring reverb!
Good for guitar or used in effects loop for vocals. 
These are extremely rare to find in the Uk.
Power supply included.
25/day

Shotgun Mic
The ME 66 is a short gun microphone head designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodised, scratch-resistant finish.

Profile
Super-cardioid/lobar (short gun) microphone head suitable for K6 and K6P powering modules. Frequency response 40 - 20,000 Hz ± 2.5 dB, sensitivity (free field, no load) 50 mV/Pa ± 2.5 dB at 1 kHz, nominal impedance 200 Ohm (with K6), min. terminating impedance 1 kOhm (with K6), equivalent noise level A-weighted 10 dB, CCIR-weighted 21 dB, max. SPL 125 dB at 1 kHz (THD = 1 %), dimensions Ø 22.5 x 221 mm, weight 65 g.

he RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Pistol Grip
Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Boom
The Micro Boompole from Rode is a convenient and portable three-piece boompole. Lightweight and precision balanced, the anodized aluminum pole features intuitive twist locks for smooth extension.
Three-section boompole
Precision balanced anodized aluminum construction
Intuitive lock/release system
Ergonomic grip handle

Full sound recording solution for small productions:

H6 Recorder with both the stereo and omnidirectional mics
Audio Technica 875r with deadcat and foam
Beyerdynamic 770PRO 80 OHM headphones
16gb Card
Short XLR Cable (for use with recorder mounted to boom) 
Long XLR Cable - Typical setup 
XLR Splitter (allows you to record the same boom on 2 different levels so you never clip the sound)
Clamp and short magic arm
 Rode Boom
Senal UTM 86 lav mic 
Zoom H1 recorder

Rycote Windshield KIT 4 in good condition

This has a few nice effects, great for all round live vocal processing. I use to to get The Knife / Fever Ray type effects.

Specialized effects for vocalists, including Harmony, Double-Track, Dynamics, Reverb, Delay, and more
Create the total of 3-part harmonies and layers
Realtime pitch-correction tools
Special FX, including Distortion, Radio and Strobe
Phrase Looper with 38 seconds (mono) of recording time
Phantom power for condenser microphones
Runs on six AA-batteries or AC adaptor (PSA)
Easy operation, road-tough BOSS construction

Convert Music Tape to Digital on Your Computer




28 Lexicon® studio-standard reverbs, delays, and modulation effects
Comprehensive collection of over 1200 finely crafted factory presets, including recognizable classics from Lexicon’s immense library of sounds
Lexicon’s flexible Room algorithm used to generate a vast array of room-related effects for music and film production
Multi-voice pitch shift to enhance vocals
Full system configuration and control with HiQnet™ System Architect™
44.1 to 96 kHz sample rate, 32-bit floating point processing
Two channels balanced analog I/O (XLR and 1/4")
Two channels XLR digital AES/EBU I/O
Ethernet connectivity and full MIDI control
External BNC Word Clock
Foot controller inputs make it easy to change presets and adjust parameters during live performances
High-resolution OLED display is easy to read in all light conditions

Zoom H5 recorder with wireless mic .  Contact me if you want to hire just the recorder . Will drop off anywhere in London for Weekly Hire . 

Rental Includes:
1 x Micro Boom Pole Microphone Mic Holder 3 Section Boompole

Features:
- Three section boom pole
- Precision balanced anodized aluminum construction
- Intuitive lock/release system
- Ergonomic grip handle
- Compatible Products: Stereo Video Mic, Stereo, Video MicPro, Video Mic, Video Mic
- Pro, Blimp, PG1, PG2, SM3
- SM4

Specifications:
- Material: Anodized Aluminium
- 3 Sections
- Minimum Length: 19.7inch (50cm)
- Maximum Length: 67.5 inch (172cm)
- Maximum Diameter: 1.3 in (33mm)
- Weight: 448g

Blackmagic Design ATEM Mini Pro kit includes:

1x Blackmagic Design ATEM Mini Pro
1x VILTROX 7-inch 4K monitor  ( ac power supply included )
1x Manfrotto PIXI Mini Tripod
1x 1 metre HDMI cable 

Fostex R8 80s Tape Machine

Amazing for getting some analogue warmth on your track or mixes. You can run tracks onto tape and then record back into your DAW for instant tape warmth. 

The R8 is known for its advanced electronics and portability (only 22 lbs, handle on top). It uses 1/4" tape (much cheaper than 1/2" or 1") with impressively little crosstalk. Equipped with built-in Dolby C Noise Reduction, the R8 is capable of professional quality sound with almost no hiss. There are few, if any, 8-track machines that can compete in this price range.

Supplied without tape! RCA to Jack snake-cable supplied upon request.

Please don't hesitate if you have any questions :)

Joe Meek VC3Q 

This is a great bit of kit with really nice sounding mic preamps, and an onboard compressor and EQ if you prefer tweaking your sound pre-DAW.

- Preamp
- Compressor
- EQ
- Power Supply

Please don't hesistate if you have any questions :)

Amazing piece of studio equipment. Using it for vocals and guitar/bass with excellent results. Combines both the classic retro warmth of UA tube design and the transient bite of solid-state.

 A 2 channel DI Box used for optimum signal transfer from a musical instrument with a high impedance, unbalanced output, to a mixer or amplifier with a low impedance, balanced input. Due to a balanced connection to the mixer or amplifier, interferences are largely avoided. Hum loops are also prevented, as the ground connection between instrument and mixer can be separated by the groundlift switch. Input and output are DC separated. Ideal for stage or live applications, where the unit can be directly connected to the output of the instrument amplifier to pick up its characteristic sounds.
2 channels
3-fold attenuation switch (0/-20/-40dB) per channel
1 groundlift switch per channel
Feed-through outputs
Robust metal case
Frequency Range: 15-30,000Hz
Inputs: 50kR
Outputs: 600R, XLR50kR, jack
Transmission Ratio: 10:1
Input Connections:
2x 6.3mm jack, unbalanced
2x 6.3mm jack, unbalanced
Output Connections: 2xXLR, balanced

Extendable audio boom pole. Length is 65cm closed and 250cm fully extended. Various mounts available for different mics, just ask. 

As the name states, really nice compressor - ready to go!

ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom! Simply connect ATEM Mini and you can switch live between 4 high quality video camera inputs for dramatically better quality images. 
This model includes all the features found in ATEM Mini, plus more! You get recording direct to USB flash disks in H.264 plus direct streaming via the Ethernet to YouTube Live and more. There's also a multiview with 4 cameras, media, preview and program plus status of recording, streaming and audio.

Cloud Lifter CL-1. The perfect companion for SM7B to ad clean gain for quieter vocals. 

Available as a deal with SM7B. Please message me so I can make an offer.

5-pound delivery/collection available in and around North London. 

Awesome Saturation unit with smooth filters.
works great on absolutely everything!



Shockingly efficient studio item with incredible performance. Original Blue “The Pop” adjustable Pop filter. Bought in Istanbul, 5 months old -in very good condition.

Included in rental:
- 3-8 ft boom pole
- Microphone shockmount

This is a telescopic Neewer boom pole which extends from 3 to 8 feet with a twist-and-lock system. It is made out of alluminium and is very lightweight. The bottom and mid section of the pole is made of rubber for comfortable gripping and there are 3 velcro straps attached to it to hold cables down.

The shockmount is 19-25mm in diameter and holds most shotgun microphones fairly securely.

Both pieces of equipment are very new and fully functioning.

Location is North London, a short bus ride from Tottenham Hale tube station.

Excellent condition.

Not much to say it's a mic stand. I actually have three available, if you need 'em.

More info here: https://produkte.k-m.de/en/product?info=448&x24b4e=b6b0e9b695d560c8f0360adc68f9858d

Hercules Microphone Stand, comes with standard Dynamic Mount or Sprung Attachment for Condensor Mics

For £25 Credit Sign-up via this link: fatlama.com/r/will-244d7

High-quality Passive DI box for Bass/Keyboard

Small, light & great-sounding DI box, everything you'd expect from Radial

Perfect working & moderate cosmetic order - Kept boxed or in a case when not being used, but has been kept in a venue.  

MANUFACTURER'S DESCRIPTION

Passive DI for bass, acoustic and keyboard

Ultra compact to fit in your guitar case

Plug & play easy to use feature set

Transformer isolation eliminates noise

The compact design begins with a ¼" input and thru-put to feed the on-stage amp. This connects to the custom made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments, a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation, saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected, the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet, professional result

High-quality Active DI box for Acoustic Guitar

Small, light & great-sounding DI box, everything you'd expect from Radial

Perfect working & very good cosmetic order - Kept boxed or in a case when not being used  

MANUFACTURER'S DESCRIPTION

The Radial StageBug SB-1 is a high-performance active direct box made for players that are on the move. Made to fit inside a guitar case, the SB-1 is the smallest Radial DI box ever! But don’t let the small size deter… this ultra-compact StageBug sounds absolutely terrific!



Active direct box for acoustic guitar

Ultra compact to fit in your guitar case

Plug & play easy to use feature set

48V phantom powered, no batteries needed!

The design begins with standard ¼ instrument input with a thru-put to feed your tuner or your on-stage amp. The ultra-quiet active circuit at once converts the signal from high to low impedance to reduce susceptibility to noise. The signal is then buffered and balanced for long cable runs to the PA system. 48 volt phantom provides the power, so the SB-1 does not require batteries or external supply to make it work. You simply plug in and you are ready to go!



Klark Teknik DN 100 DI-Box, active 
Active DI box 
mono 

Ambient Time Cide Kit. Lockit box with cables & Ambient Transceiver with cables.  

The Red Eye 3D phantom is the new improved major revision of the popular Little Labs Redeye direct box / re-amp box. More people are re-amping now than ever before, and we at Little Labs know re-amping! We made this new major Redeye revision because we wanted to make sure we continued to make the best sounding, most flexible, easiest to use, and reasonably priced re-amping and direct box product available.

For easy accurate re-amping the Redeye 3D lets you listen thru your whole recording chain, from Redeye 3D direct box, to mic pre to DAW (or tape machine), to Redeye 3D Re-amp, to your guitar amp. In DI (direct box) mode the instrument / re-amp out on the front of the Redeye 3D works as a thru signal so you can simultaneously feed your guitar amp while supplying a signal from the rear xlr to your mic pre and DAW or tape machine. In re-amp mode the instrument / re-amp out on the front of the Redeye 3D signal comes from the line level output of the DAW or tape machine (converted to HI z guitar level signal) to feed your guitar amp. This simple way of listening thru the chain (re-amp mode) and being able to bypass the mic pre and DAW or tape machine in the chain (DI mode) makes level adjustments a snap. This also assures you a re-amped guitar sound that will be exactly what was heard when laying down the track.

The heart of the original Red Eye was a Little Labs custom wound transformer. This transformer was chosen for its sonic character- istics and is made with the same core material and winding technique as the legendary UTC transformers found in many classic pro audio devices. The Redeye 3D features two of these excellent transformers for simultaneous direct box and re-amping use. We have also added to the Redeye direct box a very high quality, hi fi, phantom powered, high impedance (1MÎ© or 10MÎ©) instrument buffer. When you are using the Redeye with sensitive passive or piezo pick ups, this high quality buffer assures no tone change from loading will occur. For those who use active pick ups or prefer the sound of a passive direct box, you still have the option of plugging into the Redeye 3D direct box passively as in the original Redeye.

The Redeye 3D sounds amazing and even if you never used it for re-amping it is an incredible value just as a direct box. The Redeye 3D phantom - the now even smarter flexible audio tool to aid you in all stages of your production.

Acclaimed 88 Series Equalization in a USB-compatible Rack Unit

Part of the exclusive Neve 88 Series, the 8803 is a dual channel equalizer and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC.

WARM AUDIO WA76

Description

Location

Item lent by Javier

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FAQs

WARM AUDIO WA76

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