The Rentals Gear Dana Dolly Portable Camera System is a new and innovative dollysystem that glides effortlessly atop lengths of industry standard speed rail which can be mounted on combo stands offering a versatile and incredibly smooth solution for dolly shots that eliminates the need for conventional dolly track and shimming. With the Dana Dolly you can get awesomely smooth and controlled camera moves in any environment with little set-up time and a small footprint. It is perfect forshooting in remote locations or on sensitive flooring.


SKU: ~DANAKIT
FIRST DAY ?
$45.00

Replacement Value: $2,165.00 ? Qty:   Reserve
This Kit Includes

DANA DOLLY
(2) x DANA DOLLY / UNIVERSAL TRACK END
DANA DOLLY / 150MM ADAPTER
DANA DOLLY / 100MM ADAPTER
DANA DOLLY / 75MM ADAPTER
DANA DOLLY / CENTER SUPPORT
DANA DOLLY / CASE
(2) x MATTHEWS SLIDER STAND
DANA DOLLY / MONITOR MOUNT

Includes 6' speedrail

Sony PXW-FS7

Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial and corporate applications Sony's PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on-board XQD media cards in either DCI (4096 x 2160), UHD (3840 x 2160) at up to 60 FPS or HD at up to 180 FPS.

Cartoni Focus HD Head - 100mm Bowl

The Focus HD fluid head is the ideal support for the latest HDV cameras weighing from 0 to 12 kg (0 to 26 lbs).

Extremely compact and lightweight, the innovative Focus HD features a continuously variable fluid damping system on both pan and tilt movements and an unprecedented patented variable counterbalance which brings its range of use to cover all existing ENG and HDV cameras. 

The Focus HD head comes equipped with a quick release sliding camera plate, illuminated spirit level and telescopic pan bar. Its tilting range is +/- 90° with perfect response throughout the entire tilt range. It interfaces with all 100 mm bowl base tripods and supports. 

The extreme ruggedness and versatility together with an outstanding quality/price ratio make the Focus HD the best possible support for news operators and HDV videographers.



Miller Sprinter II 2-Stage legs with adjustable above-ground spreader

The Miller 1576 Sprinter II carbon fiber tripod is meant for run-and-gun ENG work where rapid setup and leveling are as important as rigidity and accuracy. The industry-standard 100mm levelling half-bowl accepts most fluid heads, and the carbon fiber legs are lighter than aluminum and absorb vibration.

General
Load Capacity	99 lb (45 kg)
Head Attachment Fitting	100mm
Maximum Height	60.2" (153.0 cm)
Maximum Height w/o Column Extended	Not Specified
Minimum Height	17.3" (44.0 cm)
Folded Length	27.8" (70.5 cm)
Weight	6.6 lb (3 kg)
Legs
Material	Carbon fiber legs
Leg Stages/Sections	2/3
Leg Lock Type	Sprint-Loks
Independent Leg Spread	Yes
Spiked/Retractable Feet	No
Center Brace	None

Overview

Improving upon one of the most celebrated lenses in the Canon EF line is no easy feat, but Canon has done just that. The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust- and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.



Specifications
Main Unit Spec

Focal Length & Maximum Aperture:	70-200mm 1:2.8
Lens Construction:	23 elements in 19 groups (1 Fluorite and 5 UD elements)
Diagonal Angle of View:	34° - 12°
Focus Adjustment:	Inner focusing system with USM. Full-time manual focus available
Closest Focusing Distance:	1.2m/3.94 ft. (maximum close-up magnification: 0.21x)
Filter Size:	77mm
Max. Diameter x Length, Weight:	3.5 x 7.8 in./88.8 x 199mm; 52.6 oz./1490g
Lens Cap, Lens Hood and Pouch:	Lens Hood ET-87


Overview
Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction and performance in professional zoom lenses. A standard focal length zoom lens, it features a large aperture throughout its focal length. Featuring the latest advances in optical lens design, it utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. Optimized lens coatings also help ensure exceptional color balance while minimizing ghosting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds. A ring-type USM and high-speed CPU with optimized AF algorithms enable silent and fast autofocusing. Built for the rigors of professional use as well as to meet the increased number of shots available with digital photography, it's constructed with improved dust sealing and water resistance while fluorine coatings on the front and rear lens surfaces help reduce soiling, smears and fingerprints. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.



Specifications
Main Unit Spec

Focal Length & Maximum Aperture	24-70mm, 1:2.8
Lens Construction	18 elements in 13 groups
Diagonal Angle of View	84° - 34°
Focus Adjustment	Inner-focusing with USM
Closest Focusing Distance	0.38m/1.25 ft.
Zoom System	Rotating Type
Filter Size	82mm
Max. Diameter x Length, Weight	3.5 x 4.4 in., 28.4 oz. / 88.5 x 113mm, 805g


Top cinematographers understand the advantages of high-end professional glass filters both for in-camera effects and practical exposure issues. Its about control and that’s why they also understand the benefits of effective light management and flare control that can only be done with a high-end mattebox system including flags and wings. OConnor has painstakingly come up with a solution to intuitively handle filters, and allow configuration freedom to meet just about any shooting situation.

Wide and Mini in one
The OConnor O-Box WM is a two-stage mattebox designed around the 16:9 format full-size sensor. A wide-angle system, it accommodates lenses up to 18mm (and in some cases wider).



Weight (incl. top flag bracket, LWS rod bracket)	1.54 lbs (0.7 kg)
Dimensions (HWD)	8.3 x 9.5 x 3.3 in. (210 x 242 x 84 mm)
Height, incl. bottom flag bracket	8.3 x 9.5 x 3.3 in. (211 x 242 x 84 mm)
Width, incl. side flag brackets	8.3 x 11.8 x 3.3 in. (210 x 300 x 84 mm)
Depth, incl. bellows ring	8.3 x 9.5 x 4.2 in. (210 x 242 x 106 mm)
Maximum lens diameter	Ø150 mm (Ø 5.9 in.)
Top or bottom flag dimensions (width at widest point)	6.5 x 13.3 in. (166 x 337 mm)
Filter frames (sets of 2) to hold square filters	4 x 4 in.
Filter frames (sets of 2) to hold rectangular filters	4 x 5.65 in.
Overall dimensions of filter frames (per frame)	6 x 5.7 in. (151 x 145 mm)
LWS rod bracket for standard camera rods	Ø15 mm (0.6 in.)

Simple but capable single channel remote focus system
Automatic end stop and torque calibration, plus manual calibration option
Full size 355 degree fluid drag focus knob, with conical or Preston rings available. Very high resolution sensor.
Remote camera run function, including Red Epic and Scarlet native support.  Also LANC control for Canon C300/500, Black Magic etc
Secure 2.4ghz transmission with 12 selectable channels, line of sight range, about 100M
Intelligent automatic unit pairing prevents a second unit on the same channel adversely effective the operation of the first unit.
Incredibly fast and responsive, with no visible latency.
Unparalleled motor speed and response when used with our HPM-1 Focus motor
User definable soft stops on the hand unit to limit the range of the lens
Hand unit runs on Canon LP-E6 lithium ion battery, about four shoot days can be expected from each charge.
Two way data flow between receiver and hand unit
Full digital 16bit transmission
Very simple and robust system with very compact receiver unit.
Electronics design undertaken by engineer with decades of camera motion control and control systems experience.
Included:
Hand unit (Battery not included)
Receiver unit (Receiver Mount not included)
HPM-1 Motor unit
Motor cable (60cm)
D-Tap or XLR power cable
Motor clamp (choose size 15 and 19mm)
Drive gear (0.8, 0.6, 0.5 available)
1x Conical or Preston style marking ring
 

PRODUCT HIGHLIGHTS

Modular Mic and Input System
Includes XY Microphone Module
Includes Mid-Side Microphone Module
Four XLR/TRS Inputs
Record up to 6 Simultaneous Channels
Record up to 24-bit/96kHz Audio
Doubles as USB Audio Interface
Uses SDXC Memory Cards
Optional Shotgun Mic and XLR/TRS Inputs
Optional Hot Shoe Mount




Main Features
Large full-color angled LCD display that allows visibility whether mounted on a camera or strapped over shoulder
XYH-6 X/Y capsule also provides a secondary input for connecting an external mic or line level signal via stereo 1/8" mini jack
Optional wired controllers for remote transport controls
Optional hairy windscreen offers improved wind diffusion
Built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections
Interchangeable input capsules that can be swapped out as easily as the lens of a camera
Six-track simultaneous recording
Four mic/line inputs with XLR/TRS combo connectors
Physical gain control knobs and -20dB pads for each input
Phantom power for all main inputs: +12/+24/+48V
Records directly to SD, SDHC and SDXC cards up to 128GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Auto-record, pre-record and backup-record functions
Multitrack to stereo internal mixdown
Independent monitor and playback mixes
Graphical VU meters
Voice memo and up to 99 marks per recording
Overdubbing, up to 99 takes
Built-in effects, including low-cut filtering, compression and limiting
Onboard MS decoding
Normalize, Divide and Trim editing
Chromatic tuner and metronome
Loop Playback with user-defined start and stop points
Variable playback speed, from 50% to 150%
Variable pitch per track without affecting playback speed
USB port for data exchange to and from computer
Multichannel and stereo USB audio interface for PC/Mac/iPad
Camera strap mounts
Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Accepts standard AA alkaline or NiMH rechargeable batteries
Over 20 hours of operation with 4 AA alkaline batteries

The "eclipse 500" utilizes today's most advanced wireless video transmission technology, which offers broadcast-class and uncompressed 3G SDI/HDMI HD video signal transmission with zero delay. The set includes one transmitter and one receiver, where the transmitter provides a 3G/H D SDI input and a HDMI input, the receiver provides a 3G/HD SDI output and a HDMI output.

Secced Reach 3 Plus Head (SC-V15/100RP fluid video head), Miller Sprinter II Legs with mid-level spreader

Marshall Electronics 7" 1920 x 1080  Monitor HDMI Input & Dual 3G-SDI Output Module

iFootage Shark Slider S1 excellent condition. I am also looking to sell it since I don’t use it anymore.

Rhino evo slider. Has 3 different rail systems. 24” and 42” in both carbon (for lightweight) or steel for heavy cameras. Can do programmable moves or Timelapse photography. It will fire the camera, and time out the move with the included controller.

**Slider comes with three small C-Stands and a Cart for gear transport.**

Proaim Wigo 9" Travel Slider. Small compact slider that mounts to a tripod or used on any surface. Holds "up to 22lb cameras". Easy to knock off some quick slider moves on the go.

Kit includes: 
-Slider 
-Rotating Ball head 
-Carrying Case

Sennheiser MKH-416 - Short Shotgun Interference Tube Microphone 

K-Tek KE-110CC Avalon Series Aluminum Boompole with Internal XLR Cable

Auray Boompole Holder and Grip Head
25 ft XLR cable

Manfrotto Alu Air-Cushioned Compact Stand (Black, 7.7')


seinheiser G3 wireless lav. transmitter and receiver

- A frequency

Very foldable and compact cart. good to keep your gear packed and organized on a shoot. 

This is a fairly small cart please check dimensions online before booking.

4 foot Rhino carbon slider with fly wheel. ARC and timelapse dongle.

choice of short or long rails

Very smooth, like new. Come with Rhino Carrying case.

Can also use the timelapse motion control extension.


This Neewer 47″/120cm Video Stabilization System DSLR Camera Track Dolly Slider is made of aluminum steel and the dimensions are as follows: 46.8″x1.95″x1.05″/120x5x2.7cm.

Here is an overview of the functions:

-- Full featured professional camera slider for heavy duty camera systems that provides shake-free stability and support to cameras while shooting

-- Use on a tripod, or on a flat surface with included removable and adjustable legs with non-skid rubber feet. Multiple 1/4″ &amp; 3/8″ screw holes on both ends and middle for multiple mounting options

-- The ultra-compact dolly slider adds dynamic horizontal, vertical and diagonal movement to your videos.

-- Use the dolly slider for dramatic video cinematography or slow motion moving photo captures.

-- You can even adjust the bearing tension to customize the dolly slider to your exact needs.

-- Two removable and legs are also included and can raise the slider up to 2 inches off of the ground.

-- You can angle the slider to get straight horizontal shots, or you can slope it on a tripod, position it vertically on a tripod, use it as a crane on a tripod, or even attach it flipped over on two tripods.

-- Bubble level to indicate how straight or angled the slider is positioned.

Super quick to set-up jib (around 3 min). 
It comes in 2 easy to carry bags.

Here is what you are getting:
-- Libec SWIFT Jib30 arm (supports up to 44lbs)
-- Heavy-duty tripod (extends to 5ft height)
-- Heavy-duty tripod dolly
-- 45lb of weights in Pelican case
-- jib case
-- tripod case
-- under sling accessory
-- weight bar
-- weight locks
-- 100-to-75mm adapter
-- 2x mini weight bag (on jib arm)



3 foot and 6 foot rails included.

The Dana Dolly Portable Dolly System Kit with universal track ends is a heavy duty camera dolly platform that rides on 16 custom modified soft polyurethane wheels that resist flat spotting and use ABEC-7 rated precision bearings providing you with extremely smooth dolly shots. This kit is complete with 75, 100, and 150mm bowl adapters, and comes in a custom flight case. The wheel trucks swivel, allowing the dolly to ride on available straight or curved track, which you must source separately. The manufacturer recommends using standard speed rail or Schedule 80 aluminum pipe of compatible size. The dolly includes two universal track ends, which accept inch and a quarter pipe (standard speed rail) up to 1.9" O.D., and fit into available standard Junior stand receivers or 5/8" Baby pins. A center support is included for long track runs or when using heavy cameras.


portable dolly system

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